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This is the Introduction to the cluster of essays on The Time of Psychoanalysis.

In this short afterword, I speculate about two scenarios in other disciplines where thinking through psychoanalytic categories might afford new historical sensitivities. In experimenting with the possibilities of psychoanalysis, I draw examples from fields that are non literary or at most adjacent to literary studies. The provocative contributions to this colloquium, "The Time of Psychoanalysis," showcase the advantages of psychoanalytic perspectives in the study of medieval literature, whether in teaching or in further research. How might we imagine these advantages in other disciplines, and indeed, how might those literary scholars who work inside the frame of psychoanalysis demonstrate its value to colleagues in other linguistic and disciplinary traditions, persuading scholars in other fields to use it?

Sigmund Freud's pioneering early work on individuated nerve cells, later termed "neurons," has long been recognized by the history of psychology. Yet, relatively little has been written about the influence of Freud's then mentor, Theodor Meynert, on Freud's 1884–1885 neuroanatomical research, or the monumental conceptual shift embodied in the project itself. Focusing on Freud's 1884 "Die Struktur der Elemente des Nervensystems" (The Structure of the Elements of the Nervous System) as his first true effort to describe individuated nerve cells, this article identifies Meynert as highly influential on Freud's turn to representative schema, further suggesting that Freud's brief foray in clinical neurology at Meynert's clinic aligns with Freud's move from the laboratory to the mind. [ABSTRACT FROM AUTHOR]

In 1926, Freud famously conjectured that the human ego defense of repression against an internal instinctual threat evolved from the animal motor defense of flight from an external predatory threat. Studies over the past 50 years mainly in rodents have investigated the neurobiology of the fight-or-flight reflex to external threats, which activates the emergency alarm system in the dorsal periaqueductal gray (dPAG), the malfunction of which appears likely in panic and post-traumatic stress disorders, but perhaps also in some "nonemergent" conditions like social anxiety and "hysterical" conversion disorder. Computational neuroscience studies in mice by Reis and colleagues have revealed unprecedented insights into the dPAG-related neural mechanisms underlying these evolutionarily honed emergency vertebrate defensive functions (e.g., explore, risk assessment, escape, freeze). A psychoanalytic interpretation of the Reis studies demonstrates that Freud's 1926 conjecture is confirmed, and that internal instinctual threats alone can also set off the dPAG emergency alarm system, which is regulated by 5-HT1A and CRF-1 receptors. Consistent with current psychoanalytic and neurobiologic theories of panic, several other of the primitive components of the dPAG alarm system may also have relevance for understanding of the unconscious determinants of impaired object relationships (e.g., avoidance distance). These dPAG findings reveal (1) a process of "evolution in situ," whereby a more sophisticated dPAG ego defense is seen evolving out of a more primitive dPAG motor defense, (2) a dPAG location for the phylogenetically ancient kernel of Freud's Ego and Id, and (3) a Conscious Id theory that has been conclusively invalidated. [ABSTRACT FROM AUTHOR]

Freud’s oft-cited hostility toward religion is often taken as a counterpoint to Jungian analytical psychology, with the latter being known not merely to accommodate religious experience but to assert that the religious function is in fact integral to the psyche’s flourishing. An area that has not received much academic attention, however, is the relationship between Freud’s ideas on psychopathology/religion and those of the late post-Jungian writer and founder of archetypal psychology, James Hillman. This paper aims to address that gap in the literature, bringing to the fore concepts that are of central importance to Hillman’s oeuvre as soul and soul-making. [ABSTRACT FROM AUTHOR]

This article provides a way to think through the division between religious and secular approaches to contemporary society through the use of rival myths. Myths are narrative structures that invite the interplay of language and the imagination, resulting in the creation of virtual realities and social imaginaries. Strong virtual realities were once premised on myths that guided the imagination to embrace an openness to mystery and the unknowable; however, current technological culture is predicated on a closed imagination that has led to worldwide despair. Religion was originally grounded in the virtual reality inspired by language and the capacity of language to distill and extract the "virtual" from the real. The ability of language to create a virtual reality created the capacity to think of a soul, as well as destinations for the soul. In the twentieth century, Freud found that the notion of "God" that was created had become problematic for humans and so created a modern myth that would provide a secular substitute. After providing a close reading of Freud's governing myth for modern culture, showing how it inspires the imagination and the ways in which it falls short, this article concludes with an alternative myth—that of the Invisible City—proposed to inspire faith, hope, and love in our modern world. My approach relies on a depth psychological framework, which was formed to interrogate the nature of reality (relative to individuals and culture) at the intersection of myth, religion, language, and imagination. Throughout, I use a hermeneutic methodology, which is consistent with the initial mode of depth psychological exploration as well as the central role language plays in revealing the truth of a reality. This orientation enables an exploration of a deeper sense of virtual realities than what is deployed through current technology. [ABSTRACT FROM AUTHOR]

The Marsden Case, Ford's first published novel after the First World War, has received relatively little critical attention. This paper aims to redress the balance by offering a sustained reading which illustrates how the context of the First World War interacts with a major theme in Ford's oeuvre, madness. It follows Ford's maxim that the novel was a place for inquiry and illustrates how Ford's narrator explores the questions of who succumbs to madness and why. It highlights a debate at work in the novel on the role of talk in creating or curing nervous breakdowns. The novel's opacity is part of a challenge to the wisdom of directly confronting or revisiting painful experiences, which speaks not only to the effects of the war but to the value of emerging Freudian psychotherapy. [ABSTRACT FROM AUTHOR]

Peter Fitzpatrick's life and work encourages reflection on the enduring myth of the father, including as it appears in contemporary debates about the place of canonical figures on university syllabi. I suggest that a simple call for the destruction of father figures misses one of the key insights offered by Fitzpatrick: the story of the father is the ur-myth of modernity. As we criticise the legacies of fathers, whether in the canon or otherwise, we miss this revelation and, inadvertently re-circulate monumental stories of patriarchal and colonial origins. [ABSTRACT FROM AUTHOR]

This short article on Peter Fitzpatrick's conception of "responsive law" analyzes the ambiguous temporality that Fitzpatrick discerned in modern law. On the one hand, law makes the claim of being fully present and therefore already and completely contained in itself. This aspect of law reflects the law's claim to "immanence," that is, its claim of always being able to rely strictly on its own operational terms without having to take recourse to any consideration not already contained within itself. It is this aspect of law that renders the ideal of the "rule of law" feasible. On the other hand, the law's claim to doing justice to every unique and therefore every new case also demands that it takes leave of that which is already settled within it. This aspect of law can be called its "imminence." The imminence of the law concerns the reality that law always finds itself on the threshold of that which has not yet been said and must still be said. The article shows how Fitzpatrick relied on Freud's concept of the totem to explain the "wondrous" unity of its immanence and imminence. [ABSTRACT FROM AUTHOR]

Karl Kraus was one of the most important and influential personalities in Vienna at the end of the 19th century and the beginning of the 20th century; he was the founder and life director of the magazine Die Fackel, famous for leading important debates with writers, poets, journalists, and psychoanalysts. At the beginning of the 20th century, Freud wanted to win Kraus's sympathy because he believed that having him on his side was essential for psychoanalysis to penetrate the artistic and cultural circle of Vienna. As will be shown in this article, the alliance between the two was never consummated and, on the contrary, they became antagonists, with Ernst Jones naming Kraus "Freud's greatest enemy." In this paper, mentions of Freud and psychoanalysis in Die Fackel between 1905 and 1930 were identified and subsequently, 26 aphorisms written by Kraus through the post‐structural linguistic approach were analyzed. A sample from the digital collection AAC‐FACKEL of the Austrian Academy Corpus was used. Early writings reveal that Kraus came to regard psychoanalysis as an ally in his struggle against Austrian sexual morality, yet he was always wary of its invasion of the intimate lives of individuals. Kraus criticized Freud's explanation of female hysteria and instead considered that the root of female suffering was due to their inability to give themselves individuality. It can be concluded that although Kraus was a severe critic of psychoanalysis, at many times he viewed some of its postulates with sympathy, to the point that he considered his aphorisms to be a kind of attenuated psychoanalysis; that is, without the exaggerated presence of sexual elements or interpretations. [ABSTRACT FROM AUTHOR]

There's something strange about Freud's Civilization and its Discontents (1930). Biologically, Freud was a Neo-Lamarckian, who believed in both the modification of organisms through need and the inheritance of acquired characteristics. However, in Civilization, Freud argued that because human nature is immutable, society has dim odds of improving substantially. Lamarckians, of course, rejected that any species-nature is immutable, as species can always be transformed via the inheritance of acquired characteristics. In fact, many of Freud's Viennese contemporaries—such as Wilhelm Reich, Julius Tandler, and Paul Kammerer—took their Lamarckism to license precisely the sorts of radical social projects Freud deemed impossible. Thus the Freud of Civilization helped himself to a rigid view of human nature which, given his associated biological views, he seemingly ought to have rejected. In this paper, I explain this apparent inconsistency, and suggest Freud resolved it in the following way: Freud was not merely a Lamarckian, but also a strong and peculiar kind of recapitulationist, who believed stages of psychological development both recapitulate phylogeny, and "remain with us" throughout both individual lives and future species-history. I suggest Freud's recapitulationism supposed a certain inertia: what occurred in phylogenetic history cannot un-occur, and therefore there are aspects of our nature which we cannot un-acquire. In this way, Freud reached a rigid conception of human nature despite his Lamarckism. [ABSTRACT FROM AUTHOR]

This article is a discussion of Sigmund Freud's note on 'The Perversions in General' from the 1905 edition of his Three Essays on the Theory of Sexuality. To summarise its argument, the article proposes that what Freud calls 'perversion' is itself to be properly understood as a form of sexual generalisation. It goes on to contend that Freudian perversion thus has larger implications for our understanding of the new sciences of sexual generalisation (sexology, psychoanalysis, structuralism, genealogy) that are beginning to emerge from the end of the nineteenth century onwards. If perverse sexuality is arguably the defining libidinal object of Krafft-Ebing's sexual taxonomy, for example, the article argues that perversion is already in itself a form of perverse sexual taxonomy. In conclusion, the article argues that Freud's perversion is consequently a form of structural 'dis-content' that cannot be contained within the modern sciences of sex which extend from Krafft-Ebing's sexology to Foucault's history of sexuality. [ABSTRACT FROM AUTHOR]

Copyright of Mavi Atlas is the property of Mavi Atlas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This essay facilitates a critical dialogue between Freud's early "cathartic method" and Fanon's notion of a "neurotic situation." Although Fanon does not explicitly develop this concept as a counterpoint to the Freudian understanding of neurosis, we can nevertheless glean from his work a robust understanding of the kind of psycho-political suffering it designates. To be in a "neurotic situation," I argue, is to experience neurotic symptoms that are idiosyncratic to oneself and yet also a reflection of social and political structures of oppression that affect all members of an oppressed group. It is a situation that contains both idiosyncratic psychic disturbance and non-idiosyncratic political truth. As such, addressing a neurotic situation requires overcoming the strict separation between therapy and consciousness-raising that some activists espouse. Specifically, in a neurotic situation, therapy and emancipatory consciousness-raising come to shape and condition each other's objectives: an emancipatory consciousness becomes a condition for the therapeutic alleviation of neurotic symptoms, and therapeutic relief for neurotic symptoms becomes part of what it is like to attain an emancipatory consciousness in a neurotic situation. [ABSTRACT FROM AUTHOR]

This paper is prompted by the intuition that the common ethical theories do not fully comprehend the (internal) psychological structures of the asymmetrical coach-athlete relationship. Through a few examples I attempt to investigate the ethically vulnerable coach-athlete relationships that often emerge. With a philosophical view taken from Nel Noddings' theory of an ethics of care, I argue that we may need a broader perspective on the ethical issues which also include a psychoanalytic or psychodynamic perspective towards the relationships in question. Doing that would in itself be an ethical approach to take for a deeper understanding of the relationships between coaches and athletes. [ABSTRACT FROM AUTHOR]

Jean-Martin Charcot is perhaps best remembered for his contributions to organic neurology. However, his pursuit of hysteria, the most prevalent diagnosis in his hospital clinic, yielded no anatomical lesion to account for hysteria’s plethora of somatic disorders assumed due to a purely functional or dynamic lesion in the cerebral cortex. This led Charcot to turn his attention to the psychology of hysteria. Taking advantage of institutional reforms at the Salpêtrière—notably, the establishment of his professorship in nervous diseases—Charcot from the early 1880s focused his teaching increasingly on case histories of hysteria in male as well as female patients. Already renown for his earlier dramatic public lessons on female hysteria, his lessons of the 1880s, of which two volumes were published at the end of the decade, elaborated the issue of psychology in terms of altered states of patient’s suggestibility. By the decade’s end, Charcot’s worldwide reputation rested on the prospects of this work as acknowledged by numerous students, notably medical psychologists Pierre Janet and Sigmund Freud. Yet Charcot’s views remained sketchy. They were discussed at length in his unpublished notes for a lesson intended for May 1893, just a few months before his sudden death. His unpublished notes reveal a detailed case for dreams as illustrating a psychological mechanism underlying hysteria in a 17-year-old Paris artisan. I conclude by considering why this significant climactic case of Charcot’s might have been overlooked by his entourage. [ABSTRACT FROM AUTHOR]

Introduction: It has long been argued that there are dream metaphors which express waking-life experiences indirectly. Most of empirical evidence concerning this topic was in a qualitative way, while few studies explored the topic in a quantitative way. Under this background, we investigated whether dreaming of the typical theme 'being chased or pursued' was a metaphorical expression for waking-life experiences related to 'negative relationships with others'. Methods: One hundred and sixty participants reported their waking-life experiences and dreams for a single day. Following this, two external judges rated whether there were any elements related to 'negative relationships with others' in both waking-life experiences and dreams. In addition, the judges assessed if there was any content related to 'being chased or pursued' in both waking-life experiences and dreams. Results: The frequency of dreaming of 'negative relationships with others' was higher than the frequency of the same topic in waking-life experiences, which in turn was higher than the frequency of typical theme dreaming of 'being chased or pursued'. In addition, 'negative relationships with others' in waking-life experiences were correlated with both dreaming of 'being chased or pursued', and 'negative relationships with others' in dreams. Conclusion: These results suggested that the typical theme 'being chased or pursued' in dreams may represent some waking-life experiences metaphorically. In addition, the results support the threat simulation theory of dreaming, which suggests that threatening events in waking life increase the possibility of threatening events in dreams. [ABSTRACT FROM AUTHOR]

The psychological impact of cancer is becoming well‐acknowledged. Given its prevalence, practitioners will encounter cancer in their therapy rooms. There is limited research on the experience and application of psychodynamic therapy for clients with cancer. This study generates a new understanding through the experience of psychodynamic practitioners. Semi‐structured interviews were conducted with eight UK psychodynamic therapists on their lived experience of working with client(s) with a recent (less than 5 years) diagnosis of cancer. The data were analysed using Interpretative Phenomenological Analysis. The findings reveal that psychodynamic therapists' experience with clients with cancer is emotionally demanding, mentally stimulating and deeply personal. They point to the unique space that psychodynamic therapy provides and highlight some of the challenges. The analysis is understood through the framework of psychodynamic theory and practice. [ABSTRACT FROM AUTHOR]

This paper diffracts Deleuze and quantum physics through Winnicott's work to argue for an enrichment to playing. The roots of the play-cognitive hierarchy in Freudian psychoanalysis makes visible that progression and the stages that a child must pass en route to rationality continue to feed educational assumptions that a child must leave playing behind in order to learn. Addressing critiques of Freud's psychosexual theory of child development, I introduce Winnicott's work on playing as creative activity and transitional phenomena which cast playing in a positive light. I then turn to Deleuze's critique of Freud's foundational concepts of child development influenced by Newtonian physics to argue that a Deleuzian concept of energy aligns with quantum physics, which unsettles the binary play-cognition hierarchy. I introduce a vignette to illustrate a rich array of concepts involved in playing that are read through Winnicott. In the final step, I argue that Winnicott's transitional object provides a juncture with Deleuze's concept of the partial/virtual object paving the way to graft an alternative and more processual ontology onto Winnicott's work on playing that acts beside cognitive connections in ways that bring learning alive and liberate teachers to enter less constrained relationships with children. [ABSTRACT FROM AUTHOR]

Haraway criticises Deleuze and Guattari for disparaging women and animals in their work on the notion of becoming-animal, but in doing so betrays the fact that she has not properly understood their concept. Her criticisms are disingenuous, though, because her own position on animals fails to live up to her proclaimed refusal of anthropocentrism. Her companion species project ignores or glosses over the extent to which human exceptionalism prevails in every aspect of the human–animal encounter, particularly where pets are concerned. [ABSTRACT FROM AUTHOR]

Among modern American poets, Elizabeth Bishop (1911- 1979) and Sylvia Plath (1932- 1963), are endowed with a special poetic style. Within the poetry of the twentieth century, Bishop's and Plath's styles are characterized by melancholy, trauma, and gloom. Both poets are famous for writing poems about their personal life and suffering. This paper reveals how both poets identify themselves with trauma, which helps in their self-reconciliation. The paper establishes a relationship between trauma, and literature, based on Sigmund Freud's definition of trauma. The research aims at understanding Bishop's and Plath's poetry on a deeper broader scale beyond viewing them as simply personal or individual traumatic experiences. [ABSTRACT FROM AUTHOR]

This short article is divided into two parts. The first part explains how the concept of ›surprise‹ is understood in theoretical neuroscience today. The second part shows how remarkably closely the modern neuroscientific conception of the brain maps onto Freud’s classical metapsychological model of the mind. It shows also how the modern concepts expand upon some of Freud’s original concepts. The essential mechanism of surprise is that it reduces confidence in an existing belief about the world, and that this brings the belief in question to consciousness. However, special considerations apply to repressed unconscious beliefs. [ABSTRACT FROM AUTHOR]

This paper is an existential exploration of home and homesickness through the concept of the unheimlich. Using personal, clinical and cinematic case studies, I draw on classical psychoanalysis and phenomenology through their familiar roots in the uncanny to re-examine the unheimlich and its therapeutic application for existential homelessness. [ABSTRACT FROM AUTHOR]

This article rereads the aporia in Freud's theory of mourning as a problem for representation and aesthetics. Drawing a parallel with Kant's account of the disinterested nature of aesthetic judgement, I argue that the mourner's stubborn willingness to persist in the reproduction of images of the lost object, in spite of their conscious knowledge of the irreversibility of the loss, wrests a minimal zone of autonomy from the sphere of practical interests. In dialogue with Adorno and Laplanche, I conclude by arguing that Freud's inability to adequately explain the problem of mourning is less a shortcoming of his theory of libidinal economy than it is proof of the enigmaticalness of mourning itself. [ABSTRACT FROM AUTHOR]

This study explores the Freudian mechanics of mourning as depicted in Brigitte Giraud's A Present and Vivre Vite. The hypothesis posits that these two works, separated by twenty years, illustrate the evolution of mourning through a chronological examination of À présent (2001) and Vivre Vite (2022). The methodology focuses on the concepts of temporality, hallucinations, and melancholia, analyzing how these themes shift between the two narratives. The conclusion argues that Giraud's use of temporal shifts, hallucinations, and melancholic reflections in both books demonstrates the universality of Freud's mourning concept while highlighting its unique individual expressions. Notably, the shift from intense emotional expression in À présent to a more introspective approach in Vivre Vite reflects the author's own personal journey with loss and the passage of time. The study suggests that Giraud's skillful use of language serves as a vital tool for both personal healing and for capturing the collective human experience of loss and resilience. [ABSTRACT FROM AUTHOR]

Copyright of Álabe is the property of Alabe and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Álabe is the property of Alabe and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The foundation by Jean-Martin Charcot (1825–1893) of the Salpêtrière School in Paris had an influential role in the development of neurology during the late-nineteenth century. The international aura of Charcot attracted neurologists from all parts of the world. We here present the most representative European, American, and Russian young physicians who learned from Charcot during their tutoring or visit in Paris or Charcot’s travels outside France. These include neurologists from Great Britain and Ireland, the United States, Germany and Austria, Switzerland, Russia, Italy, Spain, Belgium and the Netherlands, Scandinavia and Finland, Poland, Bohemia, Hungary, and Romania. Particularly emblematic among the renowned foreign scientists who met and/or learned from Charcot were Charles-Edouard Brown-Séquard, who had interactions with Paris University and contributed to the early development of British and American neurological schools; John Hughlings Jackson, who was admired by Charcot and influenced French neurology similarly as Charcot did on British neurology; Silas Weir Mitchell, the pioneer in American neurology; Sigmund Freud, who was trained by Charcot to study patients with hysteria and then, back in Vienna, founded a new discipline called psychoanalysis; Aleksej Yakovlevich Kozhevnikov and almost all the founders of the Russian institutes of neurology who were instructed in Paris; and Georges Marinesco, who established the Romanian school of neurology and did major contributions thanks to his valuable relation with Charcot and French neurology. [ABSTRACT FROM AUTHOR]

In this contribution, which is intended only to open up perspectives for reflection, Freud's remarks on time and space are briefly outlined. For Freud, the unconscious was timeless, while chronological times could exist in the conscious. Freud conceived of his psychic apparatus spatially, assuming that the psyche is extended. Bion distinguishes between 'place' and 'space'. The place seems to be associated with the absent object, while the space is associated with a feeling. Disturbances in containment lead to the unlimited space being without spatial and temporal boundaries. The clinical consequences for space and time in nameless states are discussed with case vignettes. The considerations show that time and space are to be thought of as objectal. In the earliest phases, the place where the breast was could be experienced by the infant not as a space but as a time: the past as the place where the object was. The consequences of this are discussed – and an attempt is made to understand Freud's enigmatic sentence a little bit better. [ABSTRACT FROM AUTHOR]

Is it possible to remain a sports fan when prominent sports teams and events are utilized to "sportswash" human rights abuses and other controversies? Indeed, while there is an abundance of analyses critiquing different instances of sportswashing, the exploration of the role of sportswashing and its connection to the "sports fan" presents an essential and necessary area of investigation and theoretical inquiry. To unpick this dilemma, this article proposes the concept of "fetishistic disavowal" to help theorize the impact of sportswashing, as well as its relation to the sports fan and critical sports academic. This argues that, as spectators and fans of sport—and, moreover, as critical academics—we often acknowledge and accept that sport is used to perpetuate and even maintain a variety of social, economic, and political inequalities. Yet, while we are aware of such knowledge, we nonetheless remain fully capable of disavowing this very knowledge as an accepted part of sport. Given this, it is argued that the fetishization of sport can provide a suitable conduit for the fetishistic disavowal that sportswashing requires, with the concept offering a unique way of approaching sport's inherent contradictions, while also theorizing how subjects relate to these contradictions as part of their involvement in and with sport. Where sportswashing directly implicates the fan in its implementation—relying upon a level of fetishistic disavowal between the fan and their club and proffering a disavowed acknowledgement of the effects of sportswashing and its interpellation through sport—this article outlines how applications of fetishistic disavowal provide a unique theoretical lens through which analyses of sport, and its ethical significance, can be critiqued. [ABSTRACT FROM AUTHOR]

The idea that the modern constitution can be understood as the autobiography of a people is becoming a frequently invoked metaphor. Autobiography is commonly understood as a narrative of an individual of their own lives, including their origins, the challenges they experienced, significant events that influenced their identity, as well as their values and dreams. A constitution, somewhat similarly, often in its preamble, refers to the history and challenges of a nation, as well as its values and aspirations. This essay looks at what the implications would be of such a reading of the modern constitution, specifically when taking account of Derrida's analysis of autobiography, inter alia through his reading of Nietzsche. What would, in other words, be the consequences for the modern constitution if one takes seriously Nietzsche's notions of the eternal return and the will to power, as well as his challenge to the traditional opposition between life and death, and to the notion of self-identity? The essay concludes that those who authoritatively interpret the modern constitution must have an ear for life and death, that is, interpretation should be understood as not only involving a return of the economy of the same, but also of the excess of the an-economic, the wholly other, death. This opening poses both a threat to the (law of the) self and a chance for justice. [ABSTRACT FROM AUTHOR]

This essay uses Freudian–Lacanian psychoanalytic theory to interpret Hassan Blasim's short story "The Nightmares of Carlos Fuentes". Blasim's story depicts the psychological struggles of an Iraqi emigrant relating to his embattled sense of belonging in a Dutch society due to the recurrent nightmares of his "traumatic" past. It challenges his assimilationist fantasies. I develop Lacan's idea of ontological lack as a structural susceptibility that is exacerbated by actual experiences of trauma to underline how racialized refugees from the war-torn global South are doubly vulnerable to experiencing subjective dehiscence between their efforts to forget past war traumas and the challenges of assimilating into (white) host nations. This essay uses Blasim's story to illustrate a serious psychological issue experienced by racialized minority subjects in white/European host countries. [ABSTRACT FROM AUTHOR]

Starting from Santner's essay "Freud's 'Moses' and the Ethics of Nomotropic Desire," the article explores a remarkably intriguing and simultaneously debatable statement made by Sigmund Freud regarding the accusation of the murder of God as a central Christian source of anti-Semitism. This investigation leads into the differentiation between two bodies of the King of the Jews: Jesus Christ and Jesus Barabbas, through which early Christians not only distanced themselves from political messianism ("Barabbas"), but also assumed a political culpability, acknowledging their own responsibility for Jesus' crucifixion. In doing so, they distanced themselves from those who neither acknowledged nor confessed a shared culpability, thereby designating them as the "Jews." This demarcation from political guilt serves as the foundation for a "politics of guilt" in the form of a demarcation from "Judaism." This gave rise to Christian anti-Judaism, which Freud ultimately traced back to the distinction between acknowledgment and non-acknowledgment of guilt in his book Moses and Monotheism. Drawing on the dimension of preserving communal unity through the confession of guilt, this article proposes that the Christian model of collective guilt confession should not be simply understood as a desire to liberate oneself from the superego pressures, as, according to Santner, a "spiriting away of spirits and specters." Instead, it can be comprehended as a novel means of preserving a community through the exclusion of those who do not join in the declaration of guilt. [ABSTRACT FROM AUTHOR]

Despite televised sports being a non-fiction event, the gap that separates a sporting event's live unfolding from its televisual transmission ensures that it has all the aesthetic dynamism of a dramatic series. This essay argues that the sense of liveness that undergirds a televised sports broadcast operates on the side of the viewing subject rather in the object itself. It is the psyche that makes sport live—not the broadcast. This essay looks to Freudian and Lacanian concepts and ideas from television studies to concretize its theoretical intervention. [ABSTRACT FROM AUTHOR]

A. M. Homes's In a Country of Mothers (1993) and Lidia Yuknavitch's Dora: A Headcase (2012) offer fictional representations of the therapeutic process. Each features a female patient who is victimized by a therapist who allows their own counter-transference to prevent the patient's voice from emerging. Instead of healing, these transferences impose therapist-directed narratives on young women who need to tell their own stories of loss and confusion. After tracing Freud's changing ideas on transference, this article presents literary examples of counter-transference gone awry. In a Country of Mothers features a therapist who believes her patient is the daughter she gave up for adoption and who uses her own counter-transference to propel a dangerous relationship between the two women; Dora: A Headcase offers a modern-day rewriting of Freud's "Dora" case study by a teen who resists the counter-transference of her therapist by writing her own story. This examination of literary counter-transference problematizes the supposed neutrality of the therapist and stresses the importance of patient voice in psychotherapeutic healing. [ABSTRACT FROM AUTHOR]

Copyright of Beytulhikme: An International Journal of Philosophy is the property of Beytulhikme: An International Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Sigmund Freud's theory posits that the essence of content analysis lies in uncovering the unconscious perceptions or cognitions embedded within a text. This endeavor finds its academic grounding within the discipline of psychology of art, where the underlying goals, values, cultural influences, and tendencies of creators or creations are scrutinized. Particularly within the cinematic domain, filmmakers are tasked with unraveling the intricacies of conveying meanings and messages through the nuanced language of cinema. In the latter half of the 20th century, content analysis has risen to prominence as a predominant research approach in both psychology and art studies. This study endeavors to apply qualitative content analysis (QCA) to the realm of cinema. Drawing upon Freud's psychoanalytic theory, specifically emphasizing the concept of personality, the research focuses on three seminal films by Alfred Hitchcock (Rope, Psycho, and Vertigo). Freud's theoretical framework is chosen for its influence on character development in cinema and its pioneering contributions to psychoanalysis, particularly in symbolism and personality theory. The selection of Hitchcock's films for case studies is deliberate, as they aptly showcase the centrality of character and delve into profound psychological dimensions. Personality emerges as the linchpin concept, seamlessly bridging Freud's psychoanalytic theory with the narrative intricacies of Hitchcock's films. The research methodology employs a nonrandom sampling strategy, guided by thematic and narrative proximity, alongside analytical indicators derived from Freud's theoretical constructs. The research methodology encompasses various analytical components, including analysis units, meaning units, content areas, and analytical categories. These components are meticulously selected through an exploratory approach, leveraging both traditional library resources and contemporary audio-visual materials. The findings of the study underscore a multifaceted analysis, encompassing the exploration of latent content, identification of primary characters, delineation of meaningful narrative sequences, and elucidation of primary thematic elements, notably instincts and anxiety. This approach ensures a deep and thorough understanding of the material. Furthermore, the research delineates two core content areas within Freud's theoretical framework: personality structure and personality levels. These delineations serve to deepen our understanding of the interplay between psychoanalytic theory and cinematic narrative, offering valuable insights into the rich tapestry of human experience depicted on the silver screen. The division of research results into descriptive and inferential parts adds another layer of depth. Based on this, the meaning units, which represent the primary scenes featuring the main characters, account for 18.42 minutes (72.52%) of the entire film in Rope, 49.59 minutes (49.45%) in Psycho, and 102.08 minutes (79.75%) in Vertigo. Therefore, the main character's presence as a meaning unit is most prominent in the film Vertigo. In short, this includes introducing main characters and analyzing how often they appear in the film, which helps analyze the content. The main themes found in analyzing these films are instincts, including themes of life and death, and anxiety, which includes real, emotional, and moral aspects. By incorporating these diverse elements, the research provides a holistic view of the psychological underpinnings in Hitchcock's works, offering a profound understanding of the characters' motivations and the films' overarching themes. [ABSTRACT FROM AUTHOR]

Resumo A reflexão ontológica está relacionada com a direção de uma prática psicoterápica, pois toda teoria impõe uma forma ao material empírico da clínica. O presente artigo tem por objetivo argumentar que os textos freudianos tocam em importantes temas ontológicos e, para isso, o procedimento adotado foi o de abordar um conjunto destes textos por meio de sete categorias de análise: 1) modalidades de existência; 2) incertezas na fundamentação teórica; 3) experiência de mundo assentada na precariedade da consciência de um sujeito; 4) o desejo e sua função na construção da realidade; 5) concepção não linear de tempo; 6) a transitoriedade; e 7) a presença de um âmbito negativo da existência. A partir dessas categorias, são indicados alguns pontos de vizinhança com a analítica existenciária de Heidegger e afirmada a importância da discussão ontológica para que a redução metodológica da técnica analítica não se converta em um reducionismo ontológico.

In 1926, Freud famously conjectured that the human ego defense of repression against an internal instinctual threat evolved from the animal motor defense of flight from an external predatory threat. Studies over the past 50 years mainly in rodents have investigated the neurobiology of the fight-or-flight reflex to external threats, which activates the emergency alarm system in the dorsal periaqueductal gray (dPAG), the malfunction of which appears likely in panic and post-traumatic stress disorders, but perhaps also in some “non-emergent” conditions like social anxiety and “hysterical” conversion disorder. Computational neuroscience studies in mice by Reis and colleagues have revealed unprecedented insights into the dPAG-related neural mechanisms underlying these evolutionarily honed emergency vertebrate defensive functions (e.g., explore, risk assessment, escape, freeze). A psychoanalytic interpretation of the Reis studies demonstrates that Freud’s 1926 conjecture is confirmed, and that internal instinctual threats alone can also set off the dPAG emergency alarm system, which is regulated by 5-HT1A and CRF-1 receptors. Consistent with current psychoanalytic and neurobiologic theories of panic, several other of the primitive components of the dPAG alarm system may also have relevance for understanding of the unconscious determinants of impaired object relationships (e.g., avoidance distance). These dPAG findings reveal (1) a process of “evolution in situ,” whereby a more sophisticated dPAG ego defense is seen evolving out of a more primitive dPAG motor defense, (2) a dPAG location for the phylogenetically ancient kernel of Freud’s Ego and Id, and (3) a Conscious Id theory that has been conclusively invalidated.

This article explores Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde using Freud’s theories of psychoanalysis to examine the Gothic nature of the novella. Through a three-stage study, the article highlights the manifestation of the unpresentable in the character of Mr. Hyde, who is depicted as the id, a Freudian hypothetical aspect of the human psyche. The article analyzes the different techniques used to create this character and its relation to the representation it stands for. The article argues that the character of Mr. Hyde and its manifestation of the id reveal a deeper understanding of the human psyche, challenging traditional notions of the self and consciousness. The article concludes that The Strange Case of Dr. Jekyll and Mr. Hyde is a prime example of Gothic literature, presenting the unpresentable in a unique and thought-provoking way that calls for a deeper understanding of both the individual and collective identity of the people and the society