Search

La cifra de desaparecidos en Argentina motiva debates recurrentes. Durante la última dictadura militar (1976–1983) sus denunciantes elaboraron diversas cifras y estimaciones pero el número de 30 mil desaparecidos adquirió un carácter canónico. Tras retornar la democracia, la Comisión Nacional sobre la Desaparición de Personas registró 8.960 casos. En los años noventa, en un contexto de impunidad, grupos de la sociedad civil elaboraron sus propias cifras y en los dos mil el Estado ofreció nuevos registros. El resurgimiento del negacionismo y la relativización del crimen revitalizaron este debate. Este trabajo historiza las cifras de desaparecidos y víctimas de desaparición forzada elaboradas por diversos actores y propone una aproximación académica sobre el tema. Comprende a estas cifras en su doble dimensión: como fruto de la elaboración de conocimiento sobre las desapariciones y como expresión de los combates por la memoria sobre las violaciones a los derechos humanos sucedidas en el país.

This paper employs two scalar parameters to extend auxiliary function-based integral inequality into a new formulations, say a parametrised auxiliary function-based integral inequality. Using these formulations, the constituent signals are utilised more efficiently by exploiting the interaction between them to reduce conservatism. Numerical example for stability analysis of linear systems with time-varying delay shows the improved performance of the proposed new formulations in terms of maximum delay bounds and decision variables. [ABSTRACT FROM AUTHOR]

This study addresses a question about the similarities and differences between original mathematical works in complex analysis and contemporary textbooks, regarding the use of figures (conceived as two-dimensional drawings) to address concepts in this branch of mathematics. In order to answer this question, we analyzed the four main textbooks that are referenced in the teachers' guides of all Spanish public universities that offer a degree in mathematics. Specifically, we present how these four textbooks structure the concept of complex integral and the proof of Cauchy's integral theorem. To carry out our analysis, we retrieved a reference epistemological model that describes how historical subjects used figures to develop complex analysis from the first quarter of the 19th century to the first half of the 20th century. The study shows that the four textbooks structure these concepts in such a way that they are related to the most contemporary forms in which they were attended in their historical development. Although, we are not against structuring the content of the textbooks in this way, we will argue how the reference epistemological model can serve as an epistemological alternative for the elaboration of didactic material that takes into account a historical development of complex analysis. [ABSTRACT FROM AUTHOR]

This paper projects that the figures and characteristics of leaders are needed in the power of political parties, especially in contesting simultaneous regional elections in Indonesia. In the 2014 and 2019 elections, Jokowi and Prabowo Subianto, respectively, were two central figures in each party. Analysis of survey data for eight Indonesian elections shows that party leadership and identity are the most important determinants of party votes in legislative and presidential elections. Political parties must correctly place a central figure in their respective parties. The central figure serves as a booster, navigator, and inspiration for party cadres. In addition, figures can also be public reference material to choose one political party, when it is difficult for people to distinguish ideology between one party and another. Nevertheless, the system, traditions, and regeneration process must run as it should. Because only systems, traditions, and regeneration will be the foundation of the future. Political parties as a large organization are certainly not enough to rely on only one individual. There must be a regeneration of leadership within the party. So, if the central figure is no longer in the party, the party can still survive to maintain its existence in society. [ABSTRACT FROM AUTHOR]

This article introduces a relational approach to studying imaginaries of the future, emphasising their significance in comprehending present realities and the ongoing processes that interweave our social fabric. It posits 'imaginaries of the future' as a pivotal sociological concept for understanding the reciprocal social influences and uneven structural dynamics shaping the present. This work engages in a theoretical discourse, spotlighting the role of the future in contemporary social landscapes, while endorsing the suitability of the concept of imaginaries to elucidate how we collectively interlace our present through implicit dialogues with latent, emergent futures and glimpses of radical imagination. In this article, we advocate for sociological research on 'imaginaries', discussing the concept's relevance to sociological theory and research. In addition, we make a case for examining futures as a subject of sociological research. Finally, we propose a conceptual framework for analysing imaginaries of the future from a relational sociological perspective, fostering interdisciplinary dialogue. [ABSTRACT FROM AUTHOR]

One recent shift in the ever-expanding crackdown on migration and implementation of a hostile environment for migrants in the EU has been the criminalization of migrant solidarity. Using various legal tools, EU governments have been trying to hinder solidarity actions from civil society. In particular, a narrative depicting civilians helping migrants as criminals has been elaborated by European organizations and strengthened by far-right groups and dominant press outlets. In reaction, a counter-narrative has been constructed and spread by pro-migrant groups and liberal media, which presents criminalized activists as criminalized heroes and their actions as humanitarian. Based on a critical discourse analysis of academic texts, press articles, and empirical research with pro-migrant activists, this article examines two criminal figures from the civilian search and rescue field: the "activist associated with smugglers" and its counterpart, the "criminalized hero." Through the lens of figuration of crime and social justice, the article brings a new understanding of the deand repoliticization processes that occur in the field of humanitarian help and migration. By analyzing these two figures, the paper also contributes to a better understanding of the competing moral orders underpinning criminal and social justice claims in the field of solidarity toward migrants. On the one hand, the figure of the activist associated with smuggler is part of a criminal justice narrative depicting migration as a threat to political, social, and economic stability. On the other hand, the criminalized hero figure includes a counter-narrative to this moral order based on the defense of a social justice frame of solidarity and the protection of human rights. Within the pro-migrant activist's scene, the criminalized hero and its social justice frame are criticized for reproducing racist and post-colonial practices of humanitarianism. [ABSTRACT FROM AUTHOR]

OBJECTIVES: This study was conducted to evaluate the impact of listening to fetal heartbeats (FHBs) on the feelings of normal and high-risk pregnancies (HRPs), and to learn the colors and geometrical figures representing their feelings. STUDY DESIGN: This retrospective cohort study consisted of 291 pregnant women who applied for a non-stress test (NST). Participants were divided into two groups; 1: Normal pregnancies (Group1) and 2: HRPs (Group2). Demographic variables, feelings in response to listening to FHBs (negative, neutral, positive), grade mark (0-10) of feelings, color (warm, neutral, cold), and figure (simple, complex) preferences were retrospectively evaluated. RESULTS: Of the 291 women, 172 (59.1%) Group 1 participants were compared to 119 (40.9%) Group 2 participants. Group 1 and Group 2 had similar feelings (p>0.05), however, the rate of negative feelings was higher in Group 2 (11.6% vs. 20.2%). Higher marks were observed in Group 2 with happiness and peace/relaxation after listening to FHBs. Fear was the lowest mark in women with positive/neutral feelings in both groups. Women in Group 1 preferred warm colors regardless of their feelings. Women in Group 2 who have positive feelings chose warm colors, whereas women who felt neutral or negative more commonly chose cold (55.5%) and neutral (41.7%) colors (p=0.017). Independent of feelings, simple figures were predominately preferred (p=0.04). CONCLUSION: NST is more than a perinatal surveillance method and listening to FHBs has a positive impact on the feelings of pregnancies. Warm colors were commonly related to positive feelings. Simple figures were preferred regardless of feelings. [ABSTRACT FROM AUTHOR]

This study aims to reveal the motives for invoking figures in the poetry of Hilal al-Siyabi and the mechanisms of invocation in his Poetry Collection (Asdaa min wadi abqar).When thoroughly examining Hilal al-Siyabi's poetry, one can find his invoking of figures who belong to various sources, affiliations, and worlds, as well as the different times and places. In order to thoroughly and precisely examine the case, the study solely focuses on the motives of invocation and its direct and indirect mechanisms. The study discusses three mechanisms for direct invocation as follows: invoking through names, invoking through nicknames and invoking through surnames. There are two mechanisms for indirect invocation which are: invoking through discourse, and invoking through action. The study used the descriptive analytical approach, as well as theories of reception and interpretation. It is divided into an introduction, three sections, and a conclusion as follows: Section I: Reasons for invoking figures and their motives in al-Siyabi's poetry. Section II: Direct invoking mechanisms. Section III: Indirect invoking mechanisms. [ABSTRACT FROM AUTHOR]

Copyright of International Journal of Sports Science & Arts - English is the property of Helwan University, Faculty of Physical Education for Girls and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Les traités de soufisme de Cheikh Ahmadou Bamba relient esthétique poétique et valeurs soufies. Cette liaison s’applique à travers des figures paraboliques qui associent au langage un système translittéraire symbolique. Il s’agit d’une cosmogonie unifiée où l’homme est un actant qui évolue dans un univers unifié avec d’autres types d’actants tels que : la nature, les animaux, les anges, entres autres. Cette symbiose, en redéfinissant non seulement la relation ontologique entre les différents actants de l’univers, exprime la dimension métaphysique de l’homme. En outre, elle constitue une pédagogie pragmatique qui, en cherchant non seulement à rendre accessible le langage soufi très hermétique, par les allégories, les zeugmas et tout un dispositif linguistique, permet de montrer la dimension éthique de la religion.

Introduction: The modality of scholarly written communication offers verbal and visual modes that are supposedly to be interrelated. The verbal component is thoroughly studied whereas the visual, including tables, charts, graphs and others are mainly described from a technical perspective. The editorial review aims to synthesize research on data commentary as a comparatively new rhetorical genre. Method: The review adhered to the PRISMA extension for scoping reviews, and the PPC framework. The eligibility criteria include problem, concept, context, language, types of sources, Results: The searches and consequent screening by titles, abstracts, keywords and full texts identified 19 relevant publications – articles and books – mainly indexed in the Scopus and SpringerLink databases. The books on academic writing focused on the three themes: general guidelines on data commentary, functions, and rhetorical structure of such commentaries, figure legends and notes to tables. The functional analysis of the publications singled out a prevailing framework, including rhetorical, ontological, epistemological, and argumentative functions. The rhetorical steps in data commentaries follow patterns suitable for the type of a visual. The review outlines generic steps described and proved by the research publications included in the review. Conclusion: Though the research field is scattered, and no definite trends were specified, the potential of the field is rising as the implications of such studies are significant. A constant trend towards more visualization of the new knowledge requires more research on the interrelations between the verbal and the visual, with a special accent on data commentary.

Abstract Figures used in statistics and other sciences play a vital role in understanding and analyzing the problems under study. Due to the complexity and diversity of these problems, figures such as cartograms, choropleth maps, or radar charts take various geometric forms. Their visual evaluation from the view of geometric similarity is essential but insufficient. This paper proposes and theoretically justifies new metrics based on graph theory. They make it possible to quickly determine the degree of similarity of the statistical figures used in the research procedure. The new metrics were used to 1. Determine the similarity of the domestic route networks of major U.S. airlines, 2. Determine the similarity of the distribution of votes cast in U.S. presidential election in each state in 2016 and 2020, 3. Compare radar charts of some countries, constructed based on the Global Competitiveness Index, 4. Analyze the similarity of neutrosophic double line graphs representing sets of approximate (neutrosophic) numbers. This improves analytical capabilities concerning various processes mapped with well-known types of statistical charts, such as choropleth maps, radar charts, etc.

In this article, we engage feminist theorisations of figurations as "performative images that can be inhabited" (Haraway 1997/2018) to trace some of the figures which are animating stories about climate change and reproduction in Global North contexts. We focus our reading on a handful of texts which circulate around the question of 'Is it okay to have a child, given our climate conditions and futures?' Throughout, we consider the relationship between figurations and our subjective becomings in response to environmental devastations. We critique and resist the hegemonic figuring of 'the human subject' as rational and unitary (Braidotti 2014), as this figure naturalises the Western social power relations of advanced capitalism, population control and human exceptionalism. Seeking multiplicity, we look for figures and subjective openings which enable us to become response-able to the pain of ecological worlds dying around us (Haraway 2016), including from our disciplinary location of psychology. [ABSTRACT FROM AUTHOR]

Copyright of L'Infermiere is the property of IPASVI - Italian Nursing Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Phylogenetic trees illustrate evolutionary relationships between taxa or genes. Tree figures are crucial when presenting results and data, and by creating clear and effective plots, researchers can describe many kinds of evolutionary patterns. However, producing tree plots can be a time‐consuming task, especially as multiple different programs are often needed to adjust and illustrate all data associated with a tree. We present TreeViewer, a new software to draw phylogenetic trees. TreeViewer is flexible, modular, and user‐friendly. Plots are produced as the result of a user‐defined pipeline, which can be finely customised and easily applied to different trees. Every feature of the program is documented and easily accessible, either in the online manual or within the program's interface. We show how TreeViewer can be used to produce publication‐ready figures, saving time by not requiring additional graphical post‐processing tools. TreeViewer is freely available for Windows, macOS, and Linux operating systems and distributed under an AGPLv3 licence from https://treeviewer.org. It has a graphical user interface (GUI), as well as a command‐line interface, which is useful to work with very large trees and for automated pipelines. A detailed user manual with examples and tutorials is also available. TreeViewer is mainly aimed at users wishing to produce highly customised, publication‐quality tree figures using a single GUI software tool. Compared to other GUI tools, TreeViewer offers a richer feature set and a finer degree of customisation. Compared to command‐line‐based tools and software libraries, TreeViewer's graphical interface is more accessible. The flexibility of TreeViewer's approach to phylogenetic tree plotting enables the program to produce a wide variety of publication‐ready figures. Users are encouraged to create their own custom modules to expand the functionalities of the program. This sets the scene for an ever‐expanding and ever‐adapting software framework that can easily adjust to respond to new challenges. [ABSTRACT FROM AUTHOR]

One recent shift in the ever-expanding crackdown on migration and implementation of a hostile environment for migrants in the EU has been the criminalization of migrant solidarity. Using various legal tools, EU governments have been trying to hinder solidarity actions from civil society. In particular, a narrative depicting civilians helping migrants as criminals has been elaborated by European organizations and strengthened by far-right groups and dominant press outlets. In reaction, a counter-narrative has been constructed and spread by pro-migrant groups and liberal media, which presents criminalized activists as criminalized heroes and their actions as humanitarian. Based on a critical discourse analysis of academic texts, press articles, and empirical research with pro-migrant activists, this article examines two criminal figures from the civilian search and rescue field: the “activist associated with smugglers” and its counterpart, the “criminalized hero.” Through the lens of figuration of crime and social justice, the article brings a new understanding of the de- and repoliticization processes that occur in the field of humanitarian help and migration. By analyzing these two figures, the paper also contributes to a better understanding of the competing moral orders underpinning criminal and social justice claims in the field of solidarity toward migrants. On the one hand, the figure of the activist associated with smuggler is part of a criminal justice narrative depicting migration as a threat to political, social, and economic stability. On the other hand, the criminalized hero figure includes a counter-narrative to this moral order based on the defense of a social justice frame of solidarity and the protection of human rights. Within the pro-migrant activist’s scene, the criminalized hero and its social justice frame are criticized for reproducing racist and post-colonial practices of humanitarianism.

The effective presentation of data in health research is achieved through strategically designed tables and figures. These elements can capture readers’ attention and convey complex information visually. Tables organize intricate data concisely, with descriptive titles and layouts that facilitate comparison. On the other hand, figures must clearly state their communicative purpose. Both should be numbered and arranged in the text. They exhibit specific characteristics in terms of dissemination; for instance, posters require appropriate spacing and fonts for readability. In conclusion, tables and figures are valuable tools for summarizing and presenting information in health research.

Abstract Phylogenetic trees illustrate evolutionary relationships between taxa or genes. Tree figures are crucial when presenting results and data, and by creating clear and effective plots, researchers can describe many kinds of evolutionary patterns. However, producing tree plots can be a time‐consuming task, especially as multiple different programs are often needed to adjust and illustrate all data associated with a tree. We present TreeViewer, a new software to draw phylogenetic trees. TreeViewer is flexible, modular, and user‐friendly. Plots are produced as the result of a user‐defined pipeline, which can be finely customised and easily applied to different trees. Every feature of the program is documented and easily accessible, either in the online manual or within the program's interface. We show how TreeViewer can be used to produce publication‐ready figures, saving time by not requiring additional graphical post‐processing tools. TreeViewer is freely available for Windows, macOS, and Linux operating systems and distributed under an AGPLv3 licence from https://treeviewer.org. It has a graphical user interface (GUI), as well as a command‐line interface, which is useful to work with very large trees and for automated pipelines. A detailed user manual with examples and tutorials is also available. TreeViewer is mainly aimed at users wishing to produce highly customised, publication‐quality tree figures using a single GUI software tool. Compared to other GUI tools, TreeViewer offers a richer feature set and a finer degree of customisation. Compared to command‐line‐based tools and software libraries, TreeViewer's graphical interface is more accessible. The flexibility of TreeViewer's approach to phylogenetic tree plotting enables the program to produce a wide variety of publication‐ready figures. Users are encouraged to create their own custom modules to expand the functionalities of the program. This sets the scene for an ever‐expanding and ever‐adapting software framework that can easily adjust to respond to new challenges.

Copyright of Journal of Near East University Islamic Research Center / Yakın Doğu Üniversitesi İslam Tetkikleri Merkezi Dergisi is the property of Journal of Near East University Islamic Research Center and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The responsible and sustainable agave-tequila production chain is fundamental for the social, environmental, and economic development of Mexico's agave regions. It is therefore relevant to develop new tools for large-scale automatic agave region monitoring. In this work, we present an Agave tequilana Weber azul crop segmentation and maturity classification using very high-resolution satellite imagery, which could be useful for this task. To achieve this, we solve real-world deep learning problems in the very specific context of agave crop segmentation such as a lack of data, low-quality labels, highly imbalanced data, and low model performance. The proposed strategies go beyond data augmentation and data transfer combining active learning and the creation of synthetic images with human supervision. As a result, the segmentation performance evaluated with the Intersection over Union (IoU) value increased from 0.72 to 0.90 in the test set. The authors also propose a method for classifying agave crop maturity with 95% accuracy. With the resulting accurate models, agave production forecasting can be available for large regions. In addition, some supply-demand problems such as excessive supplies of agave or, deforestation, could be detected early. [ABSTRACT FROM AUTHOR]

Drawing on qualitative interviews with 278 self-identified Muslims from across Canada, this article examines how Muslim Canadians engage with sources of religious authority online. We focus on how participants assess the authoritativeness of websites, which figures they follow, and whether the Canadian context factors into how they interpret Islam-related material online. We both agree and disagree with scholarship that characterizes the Internet as democratizing the traditions of Islam (Bunt, 2018; Eickelman & Anderson, 2003; Mandaville in Theory, Culture & Society, 24:101–115, 2007; Robinson in Journal of the Royal Asiatic Society 19:339–354, 2009; Sands in Contemporary Islam 4:139–155, 2010), and with who see it as unchanging (Berkey, 2016). Our interlocutors suggest that the online context fosters a notable and visible bi-directionality of authority; moreover, content remains shaped by view counts and algorithms. Lastly, despite the online nature of the World Wide Web, the materiality, textuality, and visual markers of the Qur'an remain vital for our interlocutors. [ABSTRACT FROM AUTHOR]

The subject of this paper deals with the theoretical area of personality psychology and life-span psychology. This paper presents a novel approach to the social context of personal development, as a certain terminological gap regarding the cate-gory of the developmental figure has been observed. I propose that the developmental figure be defined, analogically to the attachment figure or the transition figure, as an individual who has significant meaning to another person’s psychosocial development. Developmental figures can be categorized on the basis of various criteria; for example, based on the type of implications for development we can identify progressive and regressive figures; based on the strength of the influence we identify primary and secondary figures; based on the type of social relation we can identify direct and indirect figures; and based on the duration of the influence we can identify sporadic and frequent interactions.

The publication examines several lexical and stylistic fragments, which are fundamental for deciphering the linguistic handwriting of the understudied talented hymnwriter and storyteller eonomost Dimitar Petkanov, brother of the famous writer Konstantin Petkanov. The source of the excerpted material are volume 2 (April -- June) and volume 4 (October -- December) of the hagiographic tetralogy „In the year of our Lord", written until 1956 and published by the author's heirs in 2016 -- 2017. An illustrative text has also been isolated from the poetry collection „Solar Songs" and the autobiography "A Book about My Brother". The purpose of the study is to highlight the lexical and stylistic methods which the original lyrical excerpts created by the poet are constructed. The three aspects analyzed are: the poetic vocabulary, the rhetorical tropes and figures used; sixteen of the occasional units; six of the author's key concepts (God, rapture, health, honey, light, darkness). [ABSTRACT FROM AUTHOR]

As part of I Anaesthesia i 's Reviewer Recommendations series, we will outline why visual representation of data is important, describe the different ways to visualise information and how best to do it, and list the common pitfalls to avoid. Keywords: communication; figures; graphics; research dissemination EN communication figures graphics research dissemination 1031 1035 5 07/06/23 20230801 NES 230801 Visual representation of data is an evolving field driven by advances in statistical programming [[1]] and graphical design, and the expansion of academic social media, creating an audience requiring concise yet impactful information. The most important aspect of data visualisation is function and that the data and overall messages are correctly represented and not lost within the style or design. If you feel it is worth investing in data visualisation software, then Adobe Creative Cloud (Adobe Inc., San Jose, CA, USA) offers a suite of programmes which can be used for different aspects of data visualisation. [Extracted from the article]

Copyright of Zeitschrift für Theoretische Soziologie is the property of Julius Beltz GmbH & Co. KG Beltz Juventa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Artwork within publications, broadly covering non-text items including graphs, diagrams, and photographs, is typically published under a copyright licence, and permission for the reproduction of such items needs to be sought. The various image rights can be difficult to navigate, especially in the era of open access, and thus at The Lancet, we have developed a streamlined workflow to guide our teams on artwork permission processes in our journals. We present a practical guide for other publishing professionals, which can be adapted to meet their resources and needs.

Copyright of Journal of Language & Law / Revista de Llengua i Dret is the property of Revista de Llengua i Dret and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of PODIUM- Revista de Ciencia y Tecnologia en la Cultura Física is the property of Universidad de Pinar del Rio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The subject of this paper deals with the theoretical area of personality psychology and life-span psychology. This paper presents a novel approach to the social context of personal development, as a certain terminological gap regarding the category of the developmental figure has been observed. I propose that the developmental figure be defined, analogically to the attachment figure or the transition figure, as an individual who has significant meaning to another person's psychosocial development. Developmental figures can be categorized on the basis of various criteria; for example, based on the type of implications for development we can identify progressive and regressive figures; based on the strength of the influence we identify primary and secondary figures; based on the type of social relation we can identify direct and indirect figures; and based on the duration of the influence we can identify sporadic and frequent interactions. [ABSTRACT FROM AUTHOR]

ObjectivesTo examine reactions to the proposed improvements to standard Kaplan-Meier plots, the standard way to present time-to-event data, and to understand which (if any) facilitated better depiction of (1) the state of patients over time, and (2) uncertainty over time in the estimates of survival.DesignA survey of stakeholders' opinions on the proposals.SettingA web-based survey, open to international participation, for those with an interest in visualisation of time-to-event data.Participants1174 people participated in the survey over a 6-week period. Participation was global (although primarily Europe and North America) and represented a wide range of researchers (primarily statisticians and clinicians).Main outcome measuresTwo outcome measures were of principal importance: (1) participants' opinions of each proposal compared with a 'standard' Kaplan-Meier plot; and (2) participants' overall ranking of the proposals (including the standard).ResultsMost proposals were more popular than the standard Kaplan-Meier plot. The most popular proposals in the two categories, respectively, were an extended table beneath the plot depicting the numbers at risk, censored and having experienced an event at periodic timepoints, and CIs around each Kaplan-Meier curve.ConclusionsThis study produced a high response number, reflecting the importance of graphics for time-to-event data. Those producing and publishing Kaplan-Meier plots-both authors and journals-should, as a starting point, consider using the combination of the two favoured proposals.

Tables and figures enhance and supplement research reports by providing data and visual information. General advice about reviewing tables and figures is provided. [ABSTRACT FROM AUTHOR]

Copyright of Abhath is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Data visualization is an important tool for communicating research results. This manuscript discusses a method that instructors can use to introduce political science students to visualizations and discusses strategies that instructors can share with students about how to create high-quality visualizations. These strategies can help students make visualizations that avoid common shortcomings in published political science visualizations. [ABSTRACT FROM AUTHOR]

Tables and figures are commonly adopted methods for presenting specific data or statistical analysis results. Figures can be used to display characteristics and distributions of data, allowing for intuitive understanding through visualization and thus making it easier to interpret the statistical results. To maximize the positive aspects of figure presentation and increase the accuracy of the content, in this article, the authors will describe how to choose an appropriate figure type and the necessary components to include. Additionally, this article includes examples of figures that are commonly used in research and their essential components using virtual data.

The term cultural entrepreneurship is increasingly used in academic research to address the intersection of business developments and creative work. However, the concept itself is disputed. Unpacking varying definitions of the term, this article revisits literature on the topic, searching for the figures of the cultural entrepreneur that scholars create. The article suggests that the literature is dominated by hero figures, who are based on retrospective analyses of successful individuals, and tragic hero figures, who summarize the situation for most self-employed creatives, establishing a bleak outlook. As an alternative, the article suggests seeing cultural entrepreneurs as catalyst figures.

According to semiotic approaches, we live in a world of different sign systems. In this world, communication is primarily the task of "language" but is not limited to verbal methods and can include non-verbal methods. Images as social and cultural phenomena are among the sign systems that non-verbally communicate between human beings. In fact, with the prevalence of visual productions in modern times, part of the task of communication between humans has been assigned to images. The cover image of books is part of a system of visual cues that sometimes need to be examined in order to understand their secondary meanings through a process called "critique": "Criticism means the search for signs in their secondary meaning: pastime or Activity within the signs or about them ”(Culler, 2011: 10). Subsequent image (public) and personal image (exclusive)The cover images of literary criticism and theory books can be divided into two groups: 1) Images that follow a similar pattern and according to the publisher's idea and taste as a link in a chain of authored and translated works in are considered ; and 2) images that do not follow a certain pattern and are made by the publisher or cover designer, depending on the title and subject of the book. These images are instances of "text" and are composed of signs that can be deciphered to understand them correctly. In this article, using descriptive-analytical method and using library sources, four cases of the cover image of the books of this group are studied through semiotics:The cover image of the Persian translation of the Critical Theory Today: A User-Friendly Guide (Tyson, L.).The cover image of the Persian translation of the A Reader’s Guide to contemporary Literary Theory (Selden, R & Widdowson, P.).The cover image of the Critical Theory: An Interdisciplinary Course Book. (Payandeh, H.).The cover image of the Literary Criticism: Literary Theories and Their Application in Persian Literature. (Taslimi, A.).There is a key metaphor in the cover image of the Persian translation of the Critical Theory Today: A User-Friendly Guide (Tyson, L.): "Eat"! Eating is not just an activity to satisfy hunger and physical needs. Rather, it is a cultural activity and is very important in individual and social relations. Concerning situational context, it can be assumed that the book on the plate is either a textbook of literary criticism and theory or a work of literary creation. Either way, the concept of "eating" strongly implies the concept of "necessity." That is, just as eating food is necessary to nurture life and strengthen a person's physical strength, so is it necessary to eat a book of literary criticism and theory (= knowledge in literary criticism and theories and the ability to apply them in the text).The original image in association with the cover of the Persian translation of the A Reader’s Guide to Contemporary Literary Theory (Selden, R & Widdowson, P.) entitled "The Castel of the Pyrenees", one of the paintings of René Magritte (1967-1898), surrealist painter is Belgian. This image, which was kept in the Jerusalem Museum, is a surrealist work. One of the fundamental differences between literary criticism of earlier periods and modern literary criticism is that in literary criticism of earlier periods the literary work has only one meaning while in modern literary criticism, the literary text has multiple meanings. So what better image than a surrealistic image that is highly exposed to different readings can be effective in creating this similarity?In the cover image of the Critical Theory: An Interdisciplinary Course Book. (Payandeh Payende, H.), the books stacked on top of each other and the lantern on top of them is a metaphor for the "lighthouse". On other hand, the body of lighthouses is usually two colors, and it seems that it is made of two layers of materials of different colors (for example, black and white), which are placed one on top of the other. This type of painting is to make the lighthouses visible from the sea to the missing. It can be assumed that each of these stacked books is about a theoretical approach to literary criticism: one represents formalist critique; one is a psychoanalytic critique and one is sociological, poststructuralist and so on. These approaches to literary criticism collectively imply a beacon that is supposed to guide the wanderers across the sea of ​​text and the perplexed to grasp the meanings of the text and bring them to a safe shore to escape this confusion.The cover image of Literary Criticism: Literary Theories and Their Application in Persian Literature, written by Ali Taslimi, implies the same meaning, which is basically open to theoretical critique. The work of the "autobiographer" is to write, and the inclusion of its image on the cover of the book suggests that literary criticism is theoretical and, consequently, the book of literary criticism which introduces the approaches of such critique, believing in the unwrittenness of the text. In modern theories of literary criticism, autobiography allows the reader to construct his or her own personal meaning and rewrite the text as he or she wishes (albeit with requirements).In conclusion, these images represent a new definition that has emerged from literary criticism: reading the text based on interdisciplinary theories to understand their secondary meanings.

The term cultural entrepreneurship is increasingly used in academic research to address the intersection of business developments and creative work. However, the concept itself is disputed. Unpacking varying definitions of the term, this article revisits literature on the topic, searching for the figures of the cultural entrepreneur that scholars create. The article suggests that the literature is dominated by hero figures, who are based on retrospective analyses of successful individuals, and tragic hero figures, who summarize the situation for most self-employed creatives, establishing a bleak outlook. As an alternative, the article suggests seeing cultural entrepreneurs as catalyst figures. [ABSTRACT FROM AUTHOR]

Copyright of IUG Journal of Sharia & Law Studies is the property of Islamic University of Gaza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article intervenes in contemporary discussions of critical algorithm studies about the meaning of the notion 'algorithm'. While many critical scholars as well as most public and private organisations understand this concept as a computational procedure instantiated by a programming code in a software stack, I argue that the algorithm is better understood as a 'figure'; a discursive short-hand pointing to diverse modes of procedural governance and not always digital ones. Since algorithmic figures are generated by a bundle of heterogeneous contexts, their emergence leads to conflicting visions about the reality, materiality and effects of algorithmisation. This article provides four ethnographic strategies to describe the contexts of production and circulation of algorithmic figures: observing the observers of algorithms; mapping and creating algorithmic figures; drawing relations across contexts of figuring; and analysing the transformative effects of algorithmic figures on the attempts to govern them. [ABSTRACT FROM AUTHOR]