Search

Софія Сачко пише вірші рідною говіркою села Вулька на Північному Підляшші, що належить до північноукраїнського наріччя. Ми простежили мовну систему цих віршів у порівнянні з місцевою північноукраїнською говіркою і виділили особливості фонетичної, граматичної та лексичної систем, які в принципі покриваються зі собою. У деяких деталях видно, одначе, вплив білоруської мови, якої вчилася поетеса у початковій школі, російської мови, яку вона вивчала на російській філології в університеті, та польської мови, яка є державною мовою III - ої Річпосполитої Польщі. Помимо цих різномовних впливів і нашарувань мова поезій підляської поетеси залишається олітературненою версією українського підляського діалекту, яким послуговуються й донині мешканці Підляшшя на території сучасної Польської держави. Sofia Sachko writes her poetry in the Podlachian South Ukrainian dialect, her mother tongue. The paper discusses the phonetic, grammatical and lexical features of the Sachko poetry language in comparison with the Podlachian dialectical linguistic features they are almost identical. In the language of Sachko poetry becomes visible some Byelorussian, Russian and Polish linguistic influence, which can be explained by different states of affaires (the poetess learned Byelorussian in elementary school, she studied Russian in the University, she is a teacher of Russian and Polish). In spite of these detailed linguistic influences, the language of Sofiya Sachko poetry is a Podlachian dialect adapted to the some kind of poetic composition.

The present study investigates the translation of dialectal elements in literary texts from the German and Swedish linguistical and cultural areas. Translation theory generally advises against the translation of dialectal elements in standard language texts thereby implicitly questioning their creative and communicative function. The aim of the study is to investigate to what extent the dialectal elements in the source text are translated by corresponding dialectal elements in the target text thereby promoting a "cultural transfer" or whether a translation method based on translation theory is used. The linguistic material from the novels Die Räuberbande by the German author Leonhard Frank, Tjärdalen by the Swedish author Sara Lidman and Kapten Nemos bibliotek by the Swedish author Per Olov Enquist is microanalyzed. In doing so, the phonetical-phonological, morphological and syntactical dialectal features in the three source texts are treated methodically and are exemplarily and systematically presented together with their translation variants in the target language. The study focuses mainly on the translations of dialectal lexicology, which is investigated according to its contrastive function regarding the translations of standard language, thereby examining its adequacy. By including all the dialectal lexemes appearing in the works and their translations empirical dates have been compiled as a result of the translation methods. The study´s analyses demonstrate that dialectal elements are mainly translated into standard language, that a large part of dialectisms is paraphrased and that a small part is rendered by spoken language without regional limits. A tendency towards increasing use of dialectal elements through the times can be detected as well as a propensity to adapt the translation to the stylistical preferences in the receiving country. Thus, "cultural transfer" is not promoted.