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3. Strike a pose! A mediação do videoclipe "Vogue" em performances do Carnaval carioca.

Author

de Sá, Simone Pereira and de Paulo, Rodolfo Viana

Abstract

Copyright of Comunicação, Mídia e Consumo is the property of Escola Superior de Propaganda e Marketing and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2019
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4. Museus de simulacros

Author

de Sá, Simone Pereira

Subjects
work of art, Communication, museum, museu, obra de arte, Works of art, Obras de arte, Comunicação
Abstract

Starting from the reflection of contemporary thinkers on the hegemony of computer and media networks and their consequences for the notions of memory, history and tradition - especially Paul Virilio (1993) and Pierre Levy (1993), we would like to raise some questions about ideas of "orginality" and "authenticity" of the work of art, which are central to the constitution of the museum system to which Burke refers. Partindo da reflexão de alguns pensadores da contemporaneidade sobre a hegemonia das redes informáticas e mediáticas e suas consequências para as noções de memória, história e tradição-especialmente Paul Virilio (1993) e Pierre Levy (1993), gostaríamos de levantar algumas questões sobre as ideias de "orginalidade" e "autenticidade" da obra de arte, que são centrais na constituição do sistema de museus a que Burke se refere.

Published
2008
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7. Apropriações low-tech no funk carioca: a Batalha do Passinho e a rede de música popular de periferia.

Author

de Sá, Simone Pereira

Abstract

The paper addresses the phenomenon called "Batalha do Passinho", a "challenge" among young dancers of the musical genre funk carioca, who gained visibility through choreographies shot on mobile phones and disseminated on YouTube. Departing from this case, we intend, first, to discuss the mediation role of mobile and locative media such as mobile phones articulated with musical platforms such as YouTube, producing some reconfigurations of the funk scene, besides its new links with other "peripherical" musical scenes, such as the technomelody scene from Pará. Further, the paper seeks to discuss the consequences of this mixture to the stability of the notion of genre, which seems to be in a moment of intense destabilization as a result of creative appropriation that occurs in social networks, resulting in the emergence of a "Peripheric" Popular Music network. [ABSTRACT FROM AUTHOR]

Published
2014
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8. Presentificação, vínculo e delegação nos sites de redes sociais.

Author

de Sá, Simone Pereira and Polivanov, Beatriz Brandão

Subjects
ONLINE social networks, WEBSITES, ACTOR-network theory, COMPUTER file sharing, CHILDREN'S Day, REFLEXIVITY
Abstract

Copyright of Comunicação, Mídia e Consumo is the property of Escola Superior de Propaganda e Marketing and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2012

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