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Copyright of GeSec: Revista de Gestao e Secretariado is the property of Sindicato das Secretarias e Secretarios do Estado de Sao Paulo (SINSESP) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of GeSec: Revista de Gestao e Secretariado is the property of Sindicato das Secretarias e Secretarios do Estado de Sao Paulo (SINSESP) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Interdisciplinar de Marketing (RIMAR) is the property of RIMAR - Revista Interdisciplinar de Marketing and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Teoria e Prática em Administração is the property of Teoria e Pratica em Administracao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Eletrônica de Ciência Administrativa is the property of Instituto Brasileiro de Estudos e Pesquisas Sociais and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Harry Potter saga became one of the cultural products with a major impact on the twenty-first century. Its fans, called potterheads, relate in a social space known as fandom. Their practices are based on the appropriation of the cultural text in a productive consumption process within a context of participatory culture. Assuming desire from the perspective of Deleuzian assemblage theory, which presents this concept as a flow of productive energy that is articulated through a collective force, this study aimed to understand how potterheads' productive consumption is assemblaged by desire. We therefore explored multifocal data concerning practices of potterheads available on digital platforms using Foucauldian Discourse Analysis. Our results revealed that potterheads' desire assemblage maintains their bond with the canonical universe of the saga, as a way of maintaining identity and security in the transition to adult life, through relationships in the fandom and in pursuit of broader social legitimacy. The study contributes theoretically by adopting the Deleuzian notion of desire as a lens to understand the collective action of consumers in cultural contexts of practice. [ABSTRACT FROM AUTHOR]

Fans of the Harry Potter saga, known as Potterheads, belong to a generation that grew up in a context called convergence culture. They are organized based on a media product in a social space called fandom, through an informal organizational process. Grounded in Foucault's thinking and organizational theory, we assume that organizational processes can be analyzed as a kind of dispositif and that this is established by practices. Based on this, we developed the following investigative question: how do Potterhead practices demonstrate their organizational process? The research is characterized as a Foucauldian Discourse Analysis, based on practices of Potterheads observed in social media. We identified that the canon of this literary and cinematic universe works as an ordered body of knowledge, whose disciplinary function enables the organization of their fans, which occurs in a dynamic of adhesion and resistance to it. The study reveals how a singular organizational process (Potterheads' organized life), linked to an economic environment of increasing importance (the entertainment industry), illustrates how a dispositif operates in the production of social spaces and subjectivities, in the midst of an affective economy operated as a biopolitical technology. [ABSTRACT FROM AUTHOR]

Copyright of RACE- Revista de Administraçâo, Contabilidade e Economia is the property of Revista de Administracao, Contabeis e Economia-RACE and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Comunicação Midiática is the property of Universidade Estadual Paulista, Faculdade de Arquitetura, Artes e Comunicacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

It was aimed at with study, with support in the fertile foucaultian philosophy, to understand as the body can be constituted capital through the action of the biopower, a power that acts about the body and the life and it mobilizes and it impels the contemporary societies. It was considerate that this condition it is exceeded for investment in cultural identities, result of a series of changes of the globalized world and the individual s existence was just appeared as an effect of power, a materiality that is exercised on the body. To illustrate that discussion, brought up an empirical example based on secondary data: the speeches of the superheroes of the real life and the understanding of as consumption practices produce subjects based in a type of power guided for life. Our conclusion appears for a reconfigured biopower and active that invests in the body as politics object. [ABSTRACT FROM AUTHOR]

Societies are rebuilding themselves systemically in the symbolic universe generated by the integration of the processes of globalization. The context, coupled with mass culture, promoted brands the complex cultural symbols. Inspired by Foucault's archeology, this photoethnographic study revealed ordering the discursive field of a global brand presence in everyday practices. The discursive formations are pointed governed by two general rules: rhetoric and dialectic. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Ciências da Administração is the property of Universidade Federal de Santa Catarina, Departamento de Ciencias da Administracao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Comunicação, Mídia e Consumo is the property of Escola Superior de Propaganda e Marketing and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)