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Copyright of Cuadernos.info is the property of Pontificia Universidad Catolica de Chile, Facultad de Comunicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Introducción: La presente investigación identifica los cibergéneros audiovisuales presentes en los videos de los canales de YouTube de los cibermedios Escambray e Invasor durante el primer semestre de 2022, a la vez que caracteriza los procesos de preproducción, producción, posproducción del contenido audiovisual en los canales. Métodos: Desde un enfoque cualitativo y con el análisis de contenido cualitativo como método fundamental, se evalúan 64 videos provenientes de los canales de Escambray e Invasor. Resultados: Los principales resultados permiten apreciar la escasa variedad de los cibergéneros en los medios y, sobre todo, la adhesión a tipologías televisivas en detrimento de formatos propios para la web. Conclusiones: La escasez de recursos materiales y humanos repercute en las carencias identificadas a la hora de asumir las características técnicas y estéticas de los videos con fines periodísticos en YouTube.

This research examined the news published by the digital native media El Portal Universitario in the social network Facebook in August 2020 during the first wave of contagion caused by the pandemic of covid-19 in Puno. The objective of the study was to analyze the use of cyberjournalistic genres and digital journalistic characteristics such as hypertextuality, multimediality, instantaneity and interactivity. The quantitative approach method was used with a descriptive-analytical non-experimental design. Two techniques were used: content analysis, which allows counting and tabulation from the parameters required by cyberjournalism in social networks, considering only those publications related to the health crisis, and the structured interview. After the analysis, it was determined that the pandemic context was unfavorable for El Portal Universitario, which had more than 370 thousand followers and transcended in the regional territory, by changing its editorial line of university affairs, to cover rather, regional information about the pandemic by covid-19. Not being a topic from a university informative perspective, it evidenced professional limitations in the quality of its contents, with ignorance of the characteristics of the digital native media, losing reach and influence of its publications in the followers. [ABSTRACT FROM AUTHOR]

Ficha técnica: Hada M. Sánchez Gonzales (editora) Editorial Fragua España, 2022 118 pp. ISBN: 978-84-7074-975-9

Este artículo ofrece los resultados de una investigación exploratoria y descriptiva acerca del funcionamiento de los medios de comunicación universitarios en Colombia como fórmulas innovadoras que ponen en práctica y potencian el aprendizaje adquirido en las facultades y en las escuelas de comunicación del país. En la modalidad cualitativa se realizó una encuesta estructurada a 17 directivas de medios universitarios de Colombia. Respecto al ejercicio informativo, los encuestados destacan entre las principales ventajas de los medios universitarios la independencia o la autonomía editorial, la versatilidad y la flexibilidad periodística. Entre las desventajas o los aspectos a mejorar señalan la falta de un modelo de negocio o de fondos, la menor escala de impacto en las publicaciones y la mayor dificultad en el acceso a las fuentes. Los resultados destacan el valor de estos medios como escenarios de aprendizaje significativamente distintos a los espacios curriculares y a los planes de aula convencionales. Estos medios operan como laboratorios controlados pero abiertos a la exploración de la realidad, en la cual los nuevos periodistas, puestos en situación, aprenden desde el propio hacer.

The Internet convulsed journalism and created new press models based on budgets radically different from those that traditionally shaped the performance of the profession. Although at first the newspapers created different work structures for paper and web media, the final decision of the journalistic companies was to create a single newsroom for paper and web media. This article investigates if from the theory of Communication, and especially from the works of McLuhan, this decision is or is not justified in a correct way. [ABSTRACT FROM AUTHOR]

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Introducción: El trabajo caracteriza el ciberperiodismo cubano contemporáneo y establece las demandas profesionales e investigativas que emanan de tales condicionantes contextuales. Métodos: Constituye una investigación bibliográfica-documental orientada a la reflexión teórica sobre las prácticas comunicacionales en el entorno digital. Resultados: Entre otras regularidades, se identifican limitaciones en los procesos de convergencia tecnológica y la reconfiguración de los públicos y de sus hábitos de acceso y uso de los cibermedios. Conclusiones: Se alerta sobre la necesidad de que emisores y académicos comprendan la complejidad social de los usuarios cubanos, expuestos a múltiples fuentes de influencia, e implementen estrategias para fortalecer la interactividad en el ciberespacio.

Se presenta un estudio de los recursos digitales de un periódico de circulación regional, en cuanto a los uso y limitaciones del hipertexto, la multimedia y la interactividad, variables inherentes al ciberperiodismo. A través del análisis de contenido cuantitativo se dio seguimiento a sus publicaciones durante los meses de octubre a diciembre de 2021 para lo cual se diseñó un instrumento de recogida de datos a fin de observar la manera y frecuencia con que se utilizan estos recursos en su plataforma digital. Se concluye que el sitio web del diario ha desarrollado las características del ciberperiodismo de manera desequilibrada y parcial. Los elementos periodísticos que constituyen los géneros por el dominio de contenidos informativos suelen ser breves en texto, marginando la estructura hipertextual intranodal y la capacidad de otorgar fuerza con recursos multimedia.

El periodismo del siglo XXI solo se puede entender conectado al cambio tecnológico. La introducción de las nuevas tecnologías no solo incide en las rutinas profesionales o la relación con la audiencia, sino que ha alterado los parámetros clásicos del periodismo. El sector actual de los medios de comunicación se halla condicionado por dicha transformación, de ahí que la obra Tecnologías que condicionan el periodismo pretenda analizar de manera general las oportunidades y desafíos que entrañan estos cambios. Diversos autores reflexionan en ese libro sobre las posibilidades que abre la integración de varias herramientas digitales en el periodismo. En concreto, se examinan estas cuestiones: la saturación de contenidos (sobreinformación); el desarrollo de un periodismo personalizado en la Red que puede promover la desinformación; el crecimiento de la robotización y la automatización de la información; el empleo de las redes sociales por parte de los medios de comunicación; el funcionamiento transnacional del periodismo local digital; y el papel de las noticias tecnológicas en la configuración de una opinión pública consciente de la constante transformación técnica. La obra ofrece una panorámica amplia, que analiza el cambio tecnológico a través de distintos fenómenos, en consonancia con trabajos previos que tratan de reflexionar de manera unitaria acerca de estos procesos. Los investigadores abordan también algunas de las disfunciones de este cambio estructural, si bien se parte de una concepción optimista del periodismo como una actividad social y adaptable al contexto.

Teaching of digital journalism, or cyberjournalism, in Spanish universities is here to stay. Its long development since the first courses in this discipline were added to college curricula in the mid-1990s until the beginning of the 2020s, when the number of such courses exceeds 100, has led to the consolidation of this specialty. Based on a review of the syllabi of all courses related to cyberjournalism (n = 119) published online by Spanish universities, as well as a survey of their teachers (n = 51), the results of this study depicts the profile of teaching about digital journalism in Spain. The results confirm the relevance and academic strength of this discipline, albeit also revealing the difficulties faced by teachers in keeping their courses up to date in a context of rapid and continuous change in the journalistic profession. [ABSTRACT FROM AUTHOR]

Digital media have enhanced the user-media-content relationship. Now the challenge for cyberjournalism is to encourage audience participation and engagement, which is why interactivity is essential. To distinguish between the types of interactivity that can be applied in journalism, we analyzed 23 publications from the world’s most subscribed cybermedia. We found that the most used types of interactivity are personalization and social. But generative and navigational interactivity, with augmented reality and immersion, are almost non-existent, thus being challenges for the sector [ABSTRACT FROM AUTHOR]

[es] Este artículo analiza la hibridación del periodismo televisivo con el ciberperiodismo, estudiando la participación de la audiencia mediante el uso de aplicaciones. Para esto, investiga a los afiliados de Rede Globo de Televisão y realiza entrevistas con periodistas de televisión. El material tiene como método la revisión y mapeo de la literatura y se basa en el concepto de Campo, Bourdieu (1983, 1989). Se concluye que el campo de las noticias de televisión para atraer más al público permitió la hibridación y la “entrada” del público de una manera más expresiva pero enmascarada. El tamiz aún es del periodista. Él es quien califica y es él quien decide quién participará en la televisión deseada. [en] This paper analyzes the hybridization of television journalism with cyberjournalism, studying audience participation through the use of applications. For this, it investigates the affiliates of Rede Globo de Televisão and conducts inter view with television journalists. The material has as method literature review and mapping and is based on the concept of Campo, Bourdieu (1983, 1989). It is concluded that the television news field to at tract the audience more allowed the hybridization and the “entrance” of the audience in a more expressive way but in a masked way. The sieve is still from the journalist. He is the one who qualifies and it is he who decides who will or will not participate in the desired television.

Mediante el desbroce de las estrategias enunciativas utilizadas por la edición digital del diario argentino Clarín y del análisis de los recursos que ofrece el ciberperiodismo para la construcción de representaciones, la autora analiza el imaginario social que el diario digital construyó durante 2016 acerca de la situación de la Argentina con respecto al tráfico ilícito de clorhidrato de cocaína y propone repensar las formas de comunicar el narcotráfico en general y cuestionar la categoría género policial en materia periodística.

A review and analysis of the cyberjournalism in Mexico is made, with emphasis on the Sinaloa state, taking into account the main works of renowned researchers in the cyberjournalism in Latin America and Mexico and an investigation was made about the current state of digital journalism in the state of Sinaloa. It covers the main antecedents of digital journalism at national and state level; as well as, the discussion on the current problems and future perspectives. In Mexico, there have been isolated cases of research on the development and performance of Mexican digital newspapers, with only a few texts about this informative activity; all of them disjointed, so it can not be considered that there is a clear attempt at the national level to unveil the particularities of Mexican cyberjournalism; The Mexican academy has a deficit at this point. There are few works that describe the development and analysis of digital journalism in Mexico and few antecedents for the state of Sinaloa; and that in both cases, there is a discontinuous information, observing that the cyberjournalism in Mexico and Sinaloa is within the early stages of its development. An interesting trend detected in this analysis was that several of the most valued cybermedia belong to the northwestern area of Mexico, formed by the states of Sinaloa, Sonora and Baja California Norte, which indicates a positive competition trend in that region and a clear advance in the state of Sinaloa, Mexico.

Este artículo examina un caso práctico de adaptación de las estrategias de enseñanza-aprendizaje universitarias en ciberperiodismo, desarrollado en el marco de un Proyecto de Innovación Educativa (PIE) financiado por la Universidad del País Vasco / Euskal Herriko Unibertsitatea (UPV/EHU) (2018-2019). Este ha contado con la colaboración de siete docentes y un total de veinticinco estudiantes de las universidades Federal de Mato Grosso do Sul (Brasil), Federal de Piauí (Brasil), Beira Interior (Portugal) y Oporto (Portugal), junto con la Universidad del País Vasco (España), impulsora de la iniciativa. Según el estudio, las asignaturas universitarias de ciberperiodismo representan un vivero de innovación didáctica con grandes opciones de análisis y desarrollo, a partir de la aplicación en el aula de estrategias como el trabajo cooperativo virtual, en función de metodologías y enfoques como el Aprendizaje Basado en Proyectos (APB) y la «internacionalización en casa» —Internalisation at Home (IaH)—. El caso examinado evidencia así que la enseñanza de esta especialidad converge hoy en el ámbito iberoamericano en las actividades propias del aula, aportando conclusiones relevantes sobre las ventajas e inconvenientes de estas aproximaciones docentes desde el punto de vista del proceso formativo del alumnado nativo digital.

En la actualidad el sector prensa se encuentra en un momento de profunda transformación, en el que el conjunto de los diarios digitales está desarrollando estrategias de adaptación de los medios al creciente entorno multimedia, hipertextual e interactivo. El presente artículo tiene como objetivo realizar la identificación y tipificación de los formatos periodísticos que están emergiendo en los nuevos medios a medida que las empresas y profesionales están consolidando su apuesta prioritaria por el entorno digital. Para ello, realizamos la revisión y análisis de la experiencia de adaptación desarrollada desde las nueve cabeceras de prensa local de Grupo Joly, así como de las experiencias de disrupción planteadas desde medios nativos digitales como El Confidencial, The Objective y PlayGround. Los resultados evidencian el momento de explosión de creatividad e innovación en los formatos emergentes del conjunto del ciberperiodismo español reciente.

In this article we propose the category Journalism of Author 2.0 as a new modality of digital writing and as a specific type of identity construction in journalistic discourse inscribed in personal Web sites of Argentine journalists.For its study we assume a sociosemiotic perspective considering the crossing of problems related to the field of journalism, the irruption of digital technologies and the emergence of new ways of presenting journalists in their interactions with the reader/user. Thus, we reflect on the characteristics assumed by the “presentation of itself” through which this emerging journalistic êthos is constructed, as part of the phenomenon of online identities, of connected individualisms that are put into play by means of user-centered technologies, with a marked tendency to the exaltation of the self and the spectacularization of the personality. For this reason, the subject appears relevant insofar as it offers the possibility of investigating the characteristics of a recent phenomenon, with scarce research antecedents given its contemporaneity.

El artículo analiza la inclusión de las neurociencias como la antropología y la etnografía en el estudio de las audiencias en internet. Estas disciplinas, al ser aplicadas en entornos digitales, derivan en nombres como ciberantropología, antropología digital y etnografía virtual. Estas adquieren relevancia en los procesos comunicativos de la gente mediada por ordenador, y están influenciadas por las nuevas formas narrativas, proponiéndose un enfoque más transversal y multidisciplinario en el estudio de usuarios con el objetivo de conocer y detectar las necesidades de los mismos, así como conocer con profundidad el fenómeno de masas que se alinean en las redes sociales utilizando diferentes dispositivos móviles. Finalmente, se sugieren algunos pasos adicionales para la articulación de una antropología del ciberperiodismo, explorando las implicaciones de las disciplinas tratadas como estrategias innovadoras en el estudio del periodismo y comunicación.

The evolution of participatory interview formats that appeared from 2015 to 2020 in the leading digital newspapers in Spain (El pa's, El mundo, ABC, AS, El diario.es, and El confidencial), as well as Facebook live because it is a new channel for content distribution via social networks, is analyzed. The content of a sample of more than 300 digital interviews was analyzed, considering the narrative scheme between the interviewee and interviewer, the style that the new format acquires on the Internet, the level of audience participation, and the interconnection of the interviewee with the audience/ reader. The levels of interaction and reaction of the audiences were analyzed, as well as the possibility of a new type of journalistic storytelling with different levels of interaction that seeks to achieve audience participation, allowing them to feel part of the dialogue, and to expand other possibilities for participation with the interview. This new format encourages online media to evolve towards more dialogic spaces with their audiences using textual, graphic, or auditory language to build a narrative story that fuels curiosity and arouses interest in participation by the audience/reader. [ABSTRACT FROM AUTHOR]

In the Post-Truth Era, we can see how citizens are increasingly distrustful of the media, especially the written media. Cyber-journalism, which is no longer financed by readers but by advertising in what is known as the tyranny of the click (Marín, 2019), and the disinformation caused by the wrongly named fake news and by the bots that spread hoaxes on the net, have generated this informative climate in which readers come to question any news. This research aims to analyze the data verification tools that generalist newspapers use to detect false news and gain credibility among users. To this end, a study of 38 digital newspapers in Spain is being carried out in order to check whether they implement any tools, what they are, and how they show the traceability of the information they publish. A quantitative and qualitative case study methodology is used. After the analysis, it is observed that there are tools that trace in an excellent way where the information that is consumed comes from, but most digital newspapers do not implement them. [ABSTRACT FROM AUTHOR]

During the last two decades, the traditional media model of the local press has suffered a deep crisis which, together with the economic one, has led to the closure of many newspapers and staff cuts. The growing need for a truthful local news offer and the adverse labor reality in the communication sector have motivated many journalists to found their own local and hyperlocal media in the network. In this research, an exploratory study is carried out to elaborate the first map of local and hyperlocal online media in Spain, with the objective of knowing the presence of this type of media in the State. Subsequently, these online media are subjected to a content analysis to identify their basic characteristics and development trends. The results show a relevant growth of local and hyperlocal online media in the country, and their features reflect the search for new information models from proximity. [ABSTRACT FROM AUTHOR]

Copyright of Index.Comunicación is the property of Index.comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Brazilian Journalism Research is the property of Sur le journalisme, About journalism, Sobre jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Brazilian Journalism Research is the property of Sur le journalisme, About journalism, Sobre jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Analisi: Quaderns de Comunicacio i Cultura is the property of Universitat Autonoma de Barcelona and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Drawing upon the misinformation stories debunked by the three accredited fact-checking platforms in Spain, a content analysis of all the hoaxes (N = 292) bound to the Covid-19 pandemic is performed, over the first month of the state of alarm decreed by the Spanish Government (March 14th, 2020 – April 13th, 2020). The study shows that the hoaxes about the coronavirus were disseminated mainly on social networks and, among them, especially in closed ones, such as the WhatsApp mobile messaging application. It also detects the most frequent formal and content peculiarities of misinformation. The results reveal that the pandemic, in addition to generating a large number of hoaxes on health and science, also led to the dissemination of many political fake news. The formats, sources and territories of origin of the hoaxes are also explored. Beyond the empirical results, this study makes theoretical contributions in the framework of the emerging studies on information disorders. Specifically, it provides a definition of hoax, as well as a typology in which four main types are identified: joke, exaggeration, decontextualization and deception. Based on these four types, a ‘hoax severity diagram’ is proposed. [ABSTRACT FROM AUTHOR]

Copyright of Esferas is the property of Esferas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Esferas is the property of Esferas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Esferas is the property of Esferas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios sobre el Mensaje Periodistico is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Durante los últimos años se ha producido un relanzamiento notable de la fotografía en la prensa digital, tanto desde el punto de vista cuantitativo como cualitativo, que ha dado lugar al surgimiento de formatos o productos novedosos en los cuales la imagen ostenta un protagonismo sustantivo. El presente trabajo aborda el estudio de estas fórmulas fotoperiodísticas emergentes, con énfasis en la identificación, clasificación y descripción sistemática de sus atributos básicos y lógica subyacente, a fin de disponer de un conocimiento actualizado de tales fórmulas e incidir en la posible mejora de sus estándares de calidad. La propuesta incorpora enfoques analíticos hasta ahora poco o superficialmente tratados, relativos al diseño estructural, funcionalidad, usabilidad, estilismo e integración narrativa de las fotogalerías, fotohistorias y reportajes multimedia. El resultado es la confección de un instrumento que, tomando como fundamento metodológico el análisis de contenido, conforma una ficha o libro de códigos aplicable al examen empírico de estos formatos fotográficos novedosos sobre la base de datos objetivos y comprobables. Se realiza la descripción de las variables, su categorización, posibles valores, cualificación de los mismos y potencialidades de aplicación.

La inmigración venezolana ha sido representada en múltiples medios de comunicación y en ellos se refleja la crisis humanitaria dentro del país y de aquellos que han decidido salir de él. La Opinión en su cibermedio www.laopinion.com.co ha dado una cobertura periodística constante al ser un medio representativo de la región fronteriza del Departamento Norte de Santander, en Colombia y el estado Táchira en Venezuela. Por ello, esta investigación propone como objetivo general describir el tratamiento periodístico dado a la información sobre el inmigrante venezolano en el cibermedio colombiano La Opinión, mediante un análisis de contenido a la sección Frontera. Entre los resultados destacan: febrero es el mes con mayor frecuencia, las unidades informativas carecen de antetítulo, dominan los títulos informativos y las noticias, gobierno es la fuente más consultada, el tema con más aparición es Sociedad, la etiqueta más empleada es Venezuela, hay uso de hipervínculos internos y existe interactividad. Se concluye que es necesario consultar otras fuentes para darle cobertura al tema, generar otros géneros periodísticos que permitan dar profundidad a la temática y manejar un lenguaje que no atente contra el inmigrante.

This article aims to discuss the structural changes that the journalistic headline suffers when migrating from the printed press to the digital platform. To achieve the expected goal, similar titles, published in printed and internet versions of Folha de S. Paulo and O Estado de S. Paulo newspapers, were compared. The cover and internal headlines of four editions were collected between April 1 and 7, 2016. In addition to the comparative study to understand semantic and structural composition, the discussions include considerations on how to proceed to titling in journalism based on theorists of the area and the writing guides. The result shows that the title on printed version is not the same as that used for internet, and although editorial guidelines are maintained, it has undergone drastic transformations concerning the structure of the sentences. [ABSTRACT FROM AUTHOR]

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The social impact of misinformation in the network society, fueled by the effect of the so-called fake news, has awaken numerous warning lights in the second decade of the third millennium. The large number of messages that circulate through technological infrastructures and the strategies applied for them to achieve the greatest impact on social behavior have increased the complexity of the communicative ubiquity context. This situation has been interpreted by journalism as a threat to credibility and as a challenge to seek antidotes that offer answers to citizens interested in truthful information, through the cultivation of quality journalism. This article analyzes 135 fact-checking initiatives around the world and delves into the characterization of six selected cases. The results identify different models in the organization, the content and the verification formulae for a change of direction. [ABSTRACT FROM AUTHOR]

In Ecuador, digital journalism research platforms have emerged due to the support of international cooperation and its lines of interest, mainly because during the 2007-2017 decade, information in traditional media had direct control from the State, which is why the journalistic investigation units saw their work diminished and even died out. Despite having a trained human resource, the journalistic companies did not bet more for the investigation, for which the journalists transferred their work to thematic specialized digital spaces, and which are financed by international cooperation and its main lines of work: fight against corruption, organized crime and trafficking in persons; which has made that the journalistic investigation has left the traditional media and develops in these spaces of specialized cyberjournalism, where the agenda does not arise from a near need but from a global vision or from an external requirement, but that affects in the social reality of the country. The agenda setting of Plan V (www.planv.com.ec), Código Vidrio (www.codigovidrio.com) and Mil hojas (www.milhojas.is) will be analyzed to establish its relationship with the agenda of international donors. [ABSTRACT FROM AUTHOR]

Copyright of Estudos em Comunicação is the property of Labcom / Universidade da Beira Interior and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The podcast is one of the diverse collaborative tools that are implemented in Digital Journalism, being an easily distributed format that can provide a dynamic and creative space for the social communication professional. This piece of research aims to evaluate the podcasts that are published on news sites in the city of Puebla, Mexico. The variables that were considered were: function, production and dissemination of the podcast. Research was qualitative, descriptive, cross-sectional and non-experimental. The information was collected from an observation guide. The categories used for the evaluation of the recordings were: production, journalistic function and dissemination. The results showed that podcasts are, mostly, full or partial recordings of live programs. Their function is primarily informative and is not applied as a channel for investigative journalism. In addition, it was identified that the stations do not track the leagues and the interaction that podcasts themselves generate. [ABSTRACT FROM AUTHOR]

Analysis of the evolution of the use of hypertext on Spanish digital newspapers. Two decades after the first Spanish news sites, the authors studied the level of maturity of the use of semantic links as well as the most significant changes and trends when using these resources. To achieve this objective, a retrospective longitudinal empirical analysis of the use of hyperlinks is performed, covering the professional practice between 2002 and 2016. The research included six online news: three top-ranked national newspapers, and three local news sites, an area barely studied among researchers studying hypertext. The overall number of semantic links is 22,296, all of them included in 4,620 home-page news stories. 4,830 links appearing within the text body received an extensive analysis. [ABSTRACT FROM AUTHOR]

On the Internet, the reader can participate in journalistic information through comments, which have become an interesting source of data to analyze the opinion of the audiences on current scientific and health. The present work carries out a content analysis of a sample of 2,394 news comments about the relationship between red and processed meats and cancer in elpais.com. The comments do not contribute to a more complete version of the journalistic report. The debate is distorted towards other issues. Commenters rely on their personal experience and stereotypes to reject scientific evidence. [ABSTRACT FROM AUTHOR]

Introduction. This article addresses clickbait as a strategy of viral journalism that seeks to lure users into clicking on a link to a page through tactics such as sensationalist stories and eye-catching headlines that work as bait. This research aims to provide a more complete definition of this phenomenon, as well as a characterisation of the variables associated with it. Methods. In its empirical phase, the study resorts to content analysis to check for the presence of clickbait strategies in 2,266 news stories posted on Facebook and Twitter by El País and El Mundo. Results. The research detected a high presence of clickbait content in both newspapers (41.6% on average), as well as the prevalence of techniques such as: incomplete information, pre-eminence of soft news, repetition and serialisation, and use of hyperboles. Discussion. The scarcity of research on clickbait requires the intensification of the analysis of its evolution and the monitoring of its consequences on the quality of the news circulating on social networks. [ABSTRACT FROM AUTHOR]

Las transformaciones que las TIC ejercen sobre el periodismo y sus condiciones de producción y recepción han despertado, a lo largo del tiempo, el interés de la comunidad científica. En este contexto, una de las consecuencias de la aplicación de las tecnologías digitales al ámbito periodístico es el surgimiento de nuevos géneros discursivos de participación ciudadana, de nuevos modos de comunicación e interacción social. El objetivo de este artículo es caracterizar, desde los estudios del discurso, el comentario digital, género periodístico de participación ciudadana presente en el ciberespacio y representante de la lógica comunicativa y conversacional de los nuevos medios.

Este artigo apresenta um estudo sobre os gêneros jornalísticos em dez blogs jornalísticos (j-blog) políticos integrados no site de jornais de referência no Brasil e na Espanha. A partir da observação sistemática aberta e da análise de conteúdo web de 977 posts, os resultados apontam o uso dos gêneros de opinião na maior proporção de posts do que os gêneros informativos e interpretativos. Além disso, os jornalistas-blogueiros continuam preferindo os gêneros tradicionais da imprensa em detrimento dos criados com a evolução do ciberjornalismo. Por outro lado, esses profissionais contribuem com a criação de novos gêneros ciberjornalísticos, como é o caso da nota informativa curta móvel.

El siguiente estudio se propone analizar a cuatro cibermedios originarios de Sonora, México: El Imparcial, Uniradio Noticias, Expreso y El Diario de Sonora, tres de ellos cuentan con matriz impresa y uno pertenece a una radio local. El objetivo principal es exponer el panorama sobre las herramientas digitales, acceso a la información y el nivel de interacción que efectúan, mediante un estudio cuantitativo. Los medios en línea de Sonora se encuentran aún en desarrollo, por lo que las audiencias no forman una parte activa de participación que impacte la producción del contenido.