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The Addaura Cave, located on Monte Pellegrino – Palermo, Sicily, is known for its exquisite engravings dating between the end of the Epigravettian and the Mesolithic periods. The frieze shows a group of men arranged in a circle around two very controversial figures which have generated much scholarly debate. So far, the purely choreographic and musical aspect has been little investigated. From the examination of the position of legs and arms and the presence of particular ornaments it is possible to deduce that these figures are engaged in a dance whose purpose is most probably linked to the ceremonial sphere. The purpose of the present contribution is to return to the concreteness of gesture related to dance, describing the modalities and the possible rhythmic implications.