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This TIME Magazine article highlights the achievements and contributions of several Latino leaders in various fields. It features individuals such as Camila Mendes, Cristina Rivera Garza, Amar Santana, Tefi Pessoa, María Zardoya, Michelle Freyre, Ana Navarro, Wilson Cruz, and Isabel Casillas Guzman. These individuals have made significant contributions to their respective fields and have helped to promote diversity and representation. The article also mentions other individuals such as Hezly Rivera, Eugene Hernandez, Nava Mau, Julio Frenk, Tanya Saracho, George Lopez, Claudia Romo Edelman, and Aubrey Plaza, who have also made notable contributions and challenged stereotypes. [Extracted from the article]

The article from TIME Magazine explores the career and personal life of Martha Stewart, highlighting her rise to fame, fall from grace, and subsequent redemption. It delves into her background, achievements, struggles, and transformation, shedding light on her complex persona. The documentary "Martha" on Netflix provides a deeper look into Stewart's life, showcasing her resilience, creativity, and humanity. Through her story, the article prompts readers to reconsider their perceptions of Stewart and appreciate her contributions to the domestic arts. [Extracted from the article]

Alfonso Cuaron, the Oscar-winning filmmaker, has created his first TV miniseries, an adaptation of Renee Knight's psychological thriller Disclaimer. Cuaron, known for his emotionally nuanced storytelling, was drawn to the themes of loneliness and the narratives we construct in our lives. The series follows Catherine Ravenscroft, played by Cate Blanchett, a successful filmmaker who receives a package containing a novel that mirrors events from her past. Cuaron's adaptation intensifies the themes of Knight's book and explores the dangers of believing in our own narratives. The series features a talented cast, including Sacha Baron Cohen, Kodi Smit-McPhee, Lesley Manville, and Kevin Kline. Cuaron's collaborative approach and the generosity of spirit he brings to his projects are evident in the production. [Extracted from the article]

The article from TIME Magazine titled "Earth AWARDS 2024" recognizes individuals who are making significant contributions to sustainability and shaping a more sustainable future. Honorees include Jane Fonda, Robert D. Bullard, Gabriela Hearst, John Kerry, and Nemonte Nenquimo. The article highlights Fonda's activism and her involvement in organizing climate protests, as well as the importance of political action and individual commitment in addressing climate change. It also emphasizes the role of local leaders in creating climate plans and making communities more resilient. The perspectives of Fonda, Bullard, Hearst, and Kerry are featured, showcasing their dedication to climate action and equal access to resources. [Extracted from the article]

The article discusses the transition of indie filmmakers to blockbuster movies and the challenges they face in maintaining their artistic integrity. It highlights the experiences of directors such as Lee Isaac Chung, Rian Johnson, Chloé Zhao, and Greta Gerwig, who have moved from low-budget indie films to larger-scale projects. The article explores the tension between commercial success and creative purity, as well as the expectations and criticisms that arise when filmmakers tackle franchise properties. It also examines the impact of audience reception and the uncertain future of big-screen movies. The article concludes by emphasizing the importance of supporting the film industry and the value of taking risks and pushing boundaries in filmmaking. [Extracted from the article]

Kevin Costner's western epic, Horizon: An American Saga, is a visually stunning film that explores the classic western genre. The film tells interlacing stories about white settlers pushing into the West and seizing land from Indigenous people. While the film is ambitious and showcases Costner's dedication, it falls short of being truly great and lacks emotional depth. The first chapter of Horizon attempts to address the injustices faced by Native populations but still presents them as "the other." Overall, the film pays respectful homage to the western genre but doesn't push boundaries or delve into complex human territory. [Extracted from the article]

Scorsese's encyclopedic knowledge of film has made him the patron saint of film bros, and though it's a title he most certainly never asked for, he's happy to talk about movies for as long as you like. Scorsese and his team worked closely with Osage Principal Chief Geoffrey Standing Bear and his office, Renfro says, and hundreds of Osage were involved in making the film. Time Off Opener: TIME100 leadershipseries Martin Scorsese is wearing a blue shirt. Scorsese found his way to Killers of the Flower Moon shortly after filming his 2016 picture Silence, about Portuguese Jesuit missionaries facing a crisis of faith in 17th century Japan. [Extracted from the article]

"Dreams of the Sandman" is an article from TIME Magazine discussing the upcoming release of Dune: Part Two, directed by Denis Villeneuve. The article highlights Villeneuve's commitment to preserving the spirit of Frank Herbert's novel while adding his own interpretation. It also emphasizes Villeneuve's dedication to big-screen filmmaking and his refusal to conform to franchise filmmaking trends. The article describes the plot of Dune: Part Two and praises the film's attention to detail and the performances of its actors. It also mentions Villeneuve's future projects and his belief in the importance of creativity and taking risks in cinema. [Extracted from the article]

The article discusses the portrayal of wives in recent films and how they are reclaiming space and challenging stereotypes. It highlights the expectations and pressures faced by midcentury wives and the limited representation of women who defy those expectations. The article explores various films that feature wives as supporting characters and examines how their stories are told. It emphasizes the importance of treating both men and women as complex beings in movies, particularly in the context of marriage. The article also mentions specific films and performances that showcase the experiences of wives and the complexities of their relationships. [Extracted from the article]

The internet is full of polls that have divined, by soliciting votes from film critics and filmmakers, what are ostensibly the greatest movies of all time. Time Off The 100 best movies of thepast 10 decades: Movies: Essay If you're like most people, you probably freeze when someone asks you what you think is the best movie of all time. But sometimes the filmmakers behind those pictures have made other movies I love more: I'm thinking of Orson Welles' The Magnificent Ambersons, or Michael Curtiz's Mildred Pierce, great movies that deserve some space in the spotlight. [Extracted from the article]

MASIH Alinejad A VOICE FOR IRANIANS BY ASTHA RAJVANSHI IT'S BEEN 13 YEARS SINCE MASIH ALINEJAD hugged her mother. "All people have the ability to be both powerful and fragile", Brunson says. For her role in Todd Field's Tár as a top-class composer and conductor who negotiates the world on her own terms, Blanchett has been nominated for an Academy Award for Best Actress (her seventh nomination, and if she wins, her third Oscar). Women of the Year 2023 CATE Blanchett EMBODYING COMPLEXITY BY STEPHANIE ZACHAREK WHEN CATE BLANCHETT WAS AROUND 5, she wrote a miniessay - saved for years by her mother and unearthed serendipitously during a recent move - envisioning her possible future as an adult: "When I grow up, I would like to be a man. [Extracted from the article]

AND Coppola's use of the anachronistic pop song is nonpareil: after Elvis bestows his first, gentle kiss on Priscilla's lips, she enters a fugue state, having shifted to new plane of existence. That's the feeling Sofia Coppola captures in her quietly extraordinary Priscilla, which is adapted from the story told by Priscilla Presley in her candid and moving 1985 memoir Elvis and Me. But Coppola makes it clear, as Elvis and Me does, that nestled within the darkness of this union was an incomparable tenderness, something Priscilla Presley could never get over. [Extracted from the article]

Origin Story TIME 100 Leadership Series:Culture When Steven Spielberg was a kid growing up in 1950s Arizona, watching westerns on his family's 20-inch black-and-white Philco, he would creep right up to the screen, as if to surround himself with the image. Spielberg is essentially an autodidact; though he took film classes in college, he didn't go to film school. If the movie version of his mother, Michelle Williams, is the movie's flickering light, his father - as brought to life with suitable midcentury gravity by Paul Dano - is a kind of anchor, one that Spielberg couldn't fully appreciate as a teenager. If you've seen even just one Steven Spielberg movie in the past 50-odd years - the bone-rattling shark extravaganza Jaws, the poetic Holocaust drama Schindler's List, the glorious storybook reverie E.T., not just a film for children but one of the greatest films about childhood ever made - you have some sense of who this child grew up to be. [Extracted from the article]

The article from TIME Magazine discusses the film "Anora," directed by Sean Baker, which follows the story of a young sex worker named Ani from Brooklyn. The film explores Ani's whirlwind romantic adventure with Ivan, the son of a Russian oligarch, and the chaos that ensues when new characters enter their lives. Despite the fun and chaos depicted in the film, Baker's storytelling is rooted in generosity and the promise of a happy ending for the characters. The article praises Baker's ability to create a film that is both entertaining and emotionally resonant, leaving viewers with a sense of longing to see the characters' future happiness. [Extracted from the article]

Maggie Smith, a renowned actress who passed away at the age of 89, had a distinguished career on stage and screen. Known for her roles in films like "The Prime of Miss Jean Brodie" and "California Suite," Smith's later roles in popular franchises like Harry Potter and Downton Abbey brought her even greater fame. Her ability to portray characters with a mix of frosty charisma and comedic charm endeared her to audiences, showcasing her versatility and talent throughout her career. [Extracted from the article]

James Earl Jones, a renowned actor known for his iconic role as Darth Vader in Star Wars, has passed away. Born in Mississippi in 1931, Jones had a prolific career in movies, theater, and TV. Despite being nominated for an Oscar only once, he won multiple Tony Awards, Emmys, and a Grammy. Jones' deep baritone voice brought life to characters like Darth Vader and Mufasa in The Lion King. Although his career didn't reach the same heights as contemporaries like Sidney Poitier and Harry Belafonte, Jones brought immense pleasure to audiences with his performances. [Extracted from the article]

"His Three Daughters" is a film directed by Azazel Jacobs that explores the complex dynamics between three sisters as they gather in their childhood home to care for their dying father. The eldest sister, Katie, takes charge and is fixated on a "Do not resuscitate" form that their father was supposed to have signed. Christina, the middle sister, joins them from afar and appears to be the calmest, while Rachel, the youngest sister, has been living with their father but is criticized by Katie for not taking good care of him. The film delves into the sisters' different personalities and their struggle to understand their bond as they navigate their father's impending death. The ending offers a sense of peace and a hopeful path forward for each character. [Extracted from the article]

"My Old Ass" is a movie that explores the question of what advice one would give to their younger self. The film follows Elliott, a teenager who is eager to leave her family's farm and start her life in college. After drinking magic mushroom tea, she has a conversation with her 39-year-old self, who offers advice on various aspects of life. The movie touches on themes of self-discovery, family, and the desire to rush towards the future. [Extracted from the article]

Lana Wilson's documentary Look Into My Eyes provides a glimpse into the world of New York City psychics. The film explores the lives of various individuals, including an aspiring actor, a painter, and a John Waters fan, who possess the ability to pick up on psychic phenomena. Wilson takes an empathetic approach to both the psychics and the people who seek their help, highlighting the emotional connection that can be formed through active listening. The documentary leaves viewers questioning whether the psychics are truly clairvoyant or simply skilled at understanding others. [Extracted from the article]

The article discusses the controversy surrounding the biopic film "Back to Black" about the late singer Amy Winehouse. Fans of Winehouse expressed concerns about the film's portrayal of her and its cooperation with her father, who had been criticized for his handling of her addiction issues. The article explores the question of what a music biopic owes its audience and its subject, and compares "Back to Black" to other biopics that have addressed the complexities of artists' lives and substance abuse. It concludes that while the film is respectful, it misses the opportunity to capture the complexity of Winehouse's life. [Extracted from the article]

Ryan Gosling's career has reached a golden age, with his recent roles showcasing his talent and charm. In his latest film, "The Fall Guy," Gosling plays Colt Seavers, a stuntman who must win back the affection of a director played by Emily Blunt. Directed by David Leitch, the movie is filled with thrilling stunts and is a departure from Gosling's previous work. Despite the abundance of entertainment options available today, Gosling's authenticity and ability to provide genuine pleasure make him a rare and valuable actor. [Extracted from the article]

Monkey Man is a film directed by Dev Patel, who also stars in the movie. The film attempts to be a political allegory, a study of a man haunted by childhood trauma, an inspiration for the downtrodden, and an action entertainment. While it succeeds in some aspects, the story can be confusing and the references are numerous. The main character, Kid, seeks revenge for his mother's murder and transforms into a ruthless fighter. The film also touches on racism, religious intolerance, and the indifference of the ruling class towards the poor in modern India. Despite its flaws, Patel's performance and conviction make the movie compelling. [Extracted from the article]

In Restless Dreams: The Music of Paul Simon is a two-part docuseries by Alex Gibney that explores the career of singer-songwriter Paul Simon. The series delves into Simon's past as one half of the iconic duo Simon & Garfunkel, their breakup, and Simon's subsequent solo success. It also highlights his present as he prepares his 15th solo album, Seven Psalms, while dealing with hearing loss. The documentary showcases Simon's musical journey, including his collaborations with other artists and the controversy surrounding his album Graceland. Overall, the series celebrates Simon's contributions to music and his ability to connect with audiences worldwide. [Extracted from the article]

Donald Sutherland, a Canadian actor, passed away at the age of 88. Throughout his long career, Sutherland showcased his talent in a variety of roles, making it difficult to pinpoint a definitive performance. He was known for his ability to seamlessly transition between subtly menacing and vulnerable characters. Some of his notable roles include the 1978 film Invasion of the Body Snatchers, the Hunger Games films, Don't Look Now (1973), Ordinary People (1980), and Klute (1971). Sutherland had a knack for portraying complex human emotions in a relatable manner. [Extracted from the article]

The article discusses the prison drama film Sing Sing, directed by Greg Kwedar. The film follows the story of John "Divine G" Whitfield, played by Colman Domingo, who is serving time in Sing Sing prison for a crime he didn't commit. Whitfield becomes involved in a prison theater program and helps to determine who joins the program and what productions are mounted. The film explores themes of growth, change, forgiveness, and redemption, highlighting the value of self-expression and the potential for personal transformation. The story is based on the real-life Rehabilitation Through the Arts (RTA) program, and features actors who got their start through that initiative. The film emphasizes the importance of continuous personal growth and the potential for change in all individuals, both inside and outside of prison. [Extracted from the article]

Time Off BEFORE THE PANDEMIC, IT WS A CLASSIC, time-honored pastime, particularly among women: over-60 movie lovers, retired and with time to kill, would head out for an early discount show at the multiplex and spend the day sneaking into the other movies on offer. AND SO IN THE CANON of Films That Matter, as decided by people who think they know what they're talking about, these movies rank somewhere in nowheres ville, grouped into the sad, dismissive category of "films my mom would see", a posture that endures maybe because the loudest film critics, professional or otherwise, tend to be men. This is the landscape into which 80 for Brady - a comedy starring veteran performers Jane Fonda, Lily Tomlin, Rita Moreno, and Sally Field - is dropping. [Extracted from the article]

This article from TIME Magazine highlights ten movies that have been recognized as the best of culture in 2023. The movies cover a range of genres and themes, including romance, biographical dramas, historical events, coming-of-age stories, and personal growth. Each film offers a unique perspective and explores different aspects of the human experience. From Finnish filmmaker Aki Kaurismaki's "Fallen Leaves" to Ira Sachs' "Passages," these movies provide thought-provoking narratives that resonate with diverse audiences. [Extracted from the article]

The article focuses on the significance of the reopening of Broadway shows to performers and workers in New York City in 2021.

The article reflects on the capacity of New York City to endure challenges. Topics discussed include the prevalence of tenderness among residents after the September 11, 2001 terrorist attacks, significance of the level of compliance of New Yorkers to mask mandates due to the COVID-19 pandemic, and the role of residents as the true memorial of the terrorist attacks due to their resilience and endurance.

Even if Elvis is forever, when Luhrmann first announced he was making an Elvis movie, back in 2014, the question might have been "Why now?" At times Elvis is barely a movie - the first hour or so is shredded and frenzied, as if Luhrmann were timetraveling through a holographic rendering of Elvis' life, dipping and darting through the significant events with little time to touch down. [Extracted from the article]

And with his eighth novel, Tracy Flick Can't Win, to be published June 7, Perrotta catches up with Tracy as an adult, rescuing her from the fate of being used as an easy symbol of, well, anything. Only once Perrotta had really dug into the writing did he realize that Tracy needed to be a part of the story. When Tom Perrotta's wry, perceptive comic novel Election was published in 1998, he couldn't have known that the name Tracy Flick would come to signify a certain type of young - or even not so young - woman, an ambitious overachiever with a steamroller approach to conquering the world. [Extracted from the article]

The article presents several works that have defined the current African American Renaissance selected by influential figures and artists. They include the Netflix miniseries "Whey They See Us" by Ava DuVernay, the memoir titled "Heavy" by Kiese Laymon, and Kehinde Wiley's portrait of former U.S. President Barack Obama and former First Lady Michelle Obama.

The article focuses on the difficult and challenging phase in the year 2020 that impacted the U.S. including the COVID-19 pandemic, injustice and inequality and natural disasters. The authors' mentions that the most debilitating threat was a sense of helplessness caused due to the Coronavirus. They mention the contribution of health care and other essential workers. Other topics include hunger, wildfire in California and the killing of George Floyd by police in Minneapolis.

The Depp of Donnie Brasco, of What's Eating Gilbert Grape, of Ed Wood and Dead Man, was magnificent to behold, an actor of micro shaded subtlety and unforced charm. TIME OFF MOVIES THE AGING PROCESS IS KIND TO NO ONE, AND THAT includes Johnny Depp. INSET: THE BEST FROM CANNES. [Extracted from the article]

THE ELECTRIC HOTEL By Dominic Smith The world of silent film is largely a vanished one. In an author's note at the start of his radiant new novel, ''The Electric [...]

In Hebron, N.Y., on April 15, 65-year-old Kevin Monahan shot and killed 20-year-old Kaylin Gillis, a passenger in one of three vehicles that had mistakenly driven up the winding quarter-mile driveway leading to Monahan's house in a remote wooded area. NATION The View INSIDE CHINA'S RISKY PLAN IN THE SOUTH POLE WRITING WHILE BATHING THE KIDS AMERICANS ARE DYING YOUNGER In the space of three days, two individuals more than a thousand miles apart kicked back against innocent young people who, they apparently were convinced, posed a threat to their safety. In New York, Kevin Monahan's lawyer claimed that the vehicles containing Gillis and her friends had raced up Monahan's driveway noisily, which "certainly caused some level of alarm to an elderly gentleman who had an elderly wife.". [Extracted from the article]

Joaquin Phoenix stars as bundle of neuroses Beau Wassermann, who's born into this world in the movie's opening scene, escorted by his mother's muffled screams and staticky, ominous-sounding thundercracks. Beau Is Afraid is stylish all right-Aster can't stay away from style. HOW MUCH DO YOU REALLY WANT TO KNOW about horrormeister Ari Aster's preoccupations and anxieties?. [Extracted from the article]