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In phosphor-sensitized-fluorescent organic light-emitting diodes (PSF-OLEDs), triplet excitons generated in the emitting layer (EML) are harvested by the sensitizer and the excitonic energy is efficiently transferred to the fluorescent dopant molecules. Since a phosphorescent sensitizer is typically doped at around 10 wt.%, the sensitizer not only affects cascade energy transfer but also electrical transporting in the PSF-OLEDs. However, the electrical role of phosphorescent metal complex molecules in the EML is unclear. In this study, we report the impact of the phosphorescent sensitizer on the electrical properties of PSF-OLEDs. Through a comprehensive analysis using impedance spectroscopy in conjunction with current density (J)-voltage (V)-luminance (L) properties of the PSF-OLED, it was revealed that 10 wt.% phosphorescent sensitizer forms an electron transporting pathway inside the EML. Thus, the sensitizer molecules transform a unipolar single host into a bipolar mixed host. In other words, the phosphorescent sensitizer is an n-type host in the PSF-OLEDs. As a result, the charge balance and the operating voltage were simultaneously and significantly improved in the PSF-OLEDs.

Terahertz spectroscopy can be utilized as an effective nondestructive identification tool for the study of artist’s pigments. Consequently, extensive measurements have been conducted on representative pigment species, and a few terahertz spectral databases have been constructed. However, the reported spectra were often acquired from pigment samples mixed with polyethylene at room temperature with low resolution, which often led to low-quality spectra with unresolved overlapping lines further broadened due to thermal effects. Here, we present our study of vermilion (HgS, mercury sulfide) as an illustration of how we can overcome such difficulties by studying free-standing oil-paint samples at room temperature and then by performing low-temperature measurements on polyethylene-mixed samples to minimize line broadening due to thermal effects. Our results identify clearly resolved absorption peaks due to lattice vibrations of vermilion at 40.4, 44.5, and 89.9 cm–1 at 2 K. The temperature dependence of the peak shift and line broadening reveals anharmonic characteristics of these lattice vibrational modes. Our approach will definitely suggest new ways to improve and enhance existing terahertz spectral databases of ancient and modern pigments toward actual analysis, diagnosis, and conservation of heritage artworks.

This study demonstrates the application of hyperspectral analysis as a pigment identification method for modern and contemporary Dancheong, the polychrome surface on traditional Korean wooden buildings. In particular, green pigments are the focus of this study. Green pigments in modern and contemporary Dancheong have the largest variation of materials and show a noticeable timeline. Thus, they are most suitable for estimating the manufacture or restoration period of Dancheong. Hyperspectral analysis is a noncontact, long-distance measurement technique that has advantages in the field of Dancheong analysis. It is capable of identifying both organic and inorganic pigments, unlike existing analysis methods. For this experiment, green and other pigments used during the modern and contemporary era were selected and made into painted samples under various mixing conditions that reflect their actual uses. Through hyperspectral analysis, their reflectance characteristics were observed, which enables the derivation of four main features that can distinguish the type of pigments used for color mixture. Based on these, a pigment identification system was designed in the form of a flowchart, and its utility was confirmed through site application. Despite some limitations at this stage, the technique can be complemented by considering proper measurement methods or the continuous accumulation of samples and data. If a database on various materials, mixing ratios, painting techniques, and other external interference factors is developed in future research, it would provide the foundation for a faster and safer analysis environment of Dancheong sites.

We estimated pigments and painting techniques with nondestructive analysis for Yu Eonho's portrait made in the eighteenth century, then compared with 11 portraits and painting characteristics at that time. The pigments used to Yu Eon-ho's portrait include lead white, yellow dye, cinnabar, minium, and pink dye, malachite, azurite, iron oxide red and brown dye, blue and pink dye for purple. In the result compared with painted pigments of 11 portraits, iron oxide red without cinnabar was used on the face part and organic green dye only was used instead of inorganic pigments on the other side of clothing after Yu Eonho's portraits portrait. This study is show the painting techniques on the portraits in the late 18 th century. We expect to use as useful referencing data for the study on the coloring technique of a portrait in the late Joseon Dynasty.