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Copyright of Revue d'Histoire Moderne & Contemporaine is the property of Societe d'Histoire Moderne et Contemporaine and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Historique (0035-3264) is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue d'Histoire Moderne & Contemporaine is the property of Societe d'Histoire Moderne et Contemporaine and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Historique (0035-3264) is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

After encountering the writings of neoliberal economist Friedrich Hayek in the late 1970s, the political scientist Tom Flanagan became one of the most well-known Hayekians in Canada. Over the course of a career devoted mainly to the study of Louis Riel, Metis history, and the policies of Canadian settler colonialism, Flanagan developed a particular kind of "settler-neoliberalism." This article takes a broad view of Flanagan's intellectual development in order to show that, once Flanagan is situated transnationally in the appropriate intellectual currents, his work stands out and represents the most thoroughgoing effort, if not the only one, to deploy neoliberal ideas systematically in the service, or the defence, of a settler-colonial project. By examining the ways in which neoliberal ideas enabled Flanagan's defence of settler colonialism, this article concludes ultimately that neoliberalism has been a collaborative companion to the Canadian settler-colonial project. [ABSTRACT FROM AUTHOR]

L’article analyse la façon dont les stéréotypes genrés et les rôles sociaux traditionnels, qui marquent le champ littéraire et éditorial français de la première moitié du xxe siècle, ont pu contribuer à la construction des carrières des deux libraires et éditrices majeures de l’entre-deux-guerres, Adrienne Monnier et Sylvia Beach. Cet examen sert à interroger l’apport des études de genre à la sociologie de la littérature, notamment en matière de l’analyse des trajectoires socioprofessionnelles atypiques.

Copyright of Revue d'Histoire Moderne & Contemporaine is the property of Societe d'Histoire Moderne et Contemporaine and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Outre-Mers: Revue d'Histoire Colonial et Impériale is the property of Societe Francaise d'Histoire d'Outre Mer and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Outre-Mers: Revue d'Histoire Colonial et Impériale is the property of Societe Francaise d'Histoire d'Outre Mer and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Outre-Mers: Revue d'Histoire Colonial et Impériale is the property of Societe Francaise d'Histoire d'Outre Mer and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Outre-Mers: Revue d'Histoire Colonial et Impériale is the property of Societe Francaise d'Histoire d'Outre Mer and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue d'Histoire Moderne & Contemporaine is the property of Societe d'Histoire Moderne et Contemporaine and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue d'Histoire Moderne & Contemporaine is the property of Societe d'Histoire Moderne et Contemporaine and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Letras (0459-1283) is the property of Universidad Pedagogica Experimental Libertador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Historique (0035-3264) is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Outre-Mers: Revue d'Histoire Colonial et Impériale is the property of Societe Francaise d'Histoire d'Outre Mer and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CECIL Cahiers d'etudes des cultures ibériques et latino-américaines is the property of Revue Cahiers d'etudes des cultures iberiques et latino-americaines (CECIL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CECIL Cahiers d'etudes des cultures ibériques et latino-américaines is the property of Revue Cahiers d'etudes des cultures iberiques et latino-americaines (CECIL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CECIL Cahiers d'etudes des cultures ibériques et latino-américaines is the property of Revue Cahiers d'etudes des cultures iberiques et latino-americaines (CECIL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Outre-Mers: Revue d'Histoire Colonial et Impériale is the property of Societe Francaise d'Histoire d'Outre Mer and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue d'Histoire Moderne & Contemporaine is the property of Societe d'Histoire Moderne et Contemporaine and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

English Abstract: Mass exhumations and the mass unearthing of dead bodies are quite new phenomena in the history of humankind. The 'forensic turn' has led various disciplines to pay renewed attention to the dead and not only to the death. For a couple of decades, social anthropologists have been urged to (re)consider the materiality of death. This return of the dead bodies en masse has consequently made them look carefully at the ways in which corpses are dealt with in various situations of disasters or mass crime, but also made them aware of the various silences and denial mechanisms lastingly surrounding mass graves and buried corpses. This afterword aims to reflect on the way these silences and denial have shaped our disciplinary field and maintained some of its blind spots. French Abstract: Les exhumations et la mise au jour massives de cadavres sont des phénomènes plutôt nouveaux dans l'histoire de l'humanité. Le tournant médico-légal a conduit diverses disciplines à accorder une attention renouvelée aux morts et pas seulement à la mort. Pour leur part, les anthropologues sociaux ont été incités depuis quelques décennies à (re)considérer la matérialité de la mort. Ce retour en masse des cadavres les a, par conséquent, amenés à se pencher sur la manière dont les cadavres sont traités dans des situations de catastrophes ou de crimes de masse, mais aussi à prendre conscience des divers silences et mécanismes de déni qui entourent durablement les fosses communes et les cadavres enterrés. Cette postface vise à réfléchir à la manière dont ces silences et ces dénis ont façonné notre champ disciplinaire et maintenu certains de ses angles morts. [ABSTRACT FROM AUTHOR]

Copyright of Revue Historique (0035-3264) is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue d'Histoire Moderne & Contemporaine is the property of Societe d'Histoire Moderne et Contemporaine and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Cinq parmi les 270 photographies sur plaques de verre d'Hippolyte Laurent, alors infirmier, prises à l'asile de Bron au début du XXe siècle, ont été confrontées aux documents d'archives et à la bibliographie. Dans une institution où la population de malades était en augmentation permanente, avec un profil de pathologies très différent de celui des hôpitaux psychiatriques modernes, les personnels infirmiers de l'époque, astreints au service continu, n'étaient pas réduits au rôle de gardien mais leur turn-over était élevé (environ 30 % par an). Les plus expérimentés formaient les plus jeunes et ils étaient polyvalents, s'occupant aussi du nettoyage des locaux. Les soins reposaient essentiellement sur eux, dans un cadre de vie communautaire : accompagnements de malades à la balnéothérapie et au travail, distractions au sein des divisions, mais aussi nursing et actes spécifiques. Leur condition sociale et familiale s'améliora quelques années avant la Première Guerre, mais le service continu ne disparaîtra qu'après celle-ci. Hippolyte Laurent, a male nurse and then mortuary attendant at the Bron lunatic asylum, took 270 photographs on glass plates at the beginning of the XXth century. We compared five of these pictures with archive documents and with bibliography. The French lunatic asylum were largely under-medicalized, and the number of patients in continuous increase before 1914. The profile of pathologies was very different from that of modern psychiatric hospitals, with a high proportion of age-related dementias and neurosyphilis, and an annual mortality of more than 10%. At that time, the nursing staff, compelled to a continuous service and celibacy, was multipurpose, also taking care of the cleaning of the premises. Their hard conditions of work were a major cause of the high turnover (around 30%). Fig. 1 shows an experienced male nurse training his younger colleagues in the technical gesture of forced feeding. This scene happened before management introduced a vocational certificate in 1907 to improve training. The medical care relied mainly on the nursing staff, backed by a community life that we can perceive in the clothing exchanges in Fig. 3. The framework of what was then called "moral treatment" included entertainment, depicted in Fig. 2, and close work support to work (Fig. 5). Hygiene and comfort care, specific procedures, balneotherapy support, medication delivery, the management of restlessness, came in addition to the range of nursing care. The daily supervision of nurses, carried out by supervisors, was based on written transmissions (Fig. 4), contradicting the preconceived idea of illiteracy in the profession. Nurses' social and family conditions improved a few years before the war with the relaxation of continuous service and marriage authorization (1907). Still, permanent service did not disappear until after 1919. So, the nursing staff was not reduced to the role of keepers and they perfectly deserved the qualification of nurses, which the Bron asylum and many other lunatic asylums had recognized before 1900. But the possibility of moral treatment was undermined by the continuous increase in the number of patients. [ABSTRACT FROM AUTHOR]

Copyright of Revue Historique (0035-3264) is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Historique (0035-3264) is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Historique (0035-3264) is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de Filología Francesa is the property of Servicio de Publicaciones de la Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Thélème is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Thélème is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of College of Languages is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CECIL Cahiers d'etudes des cultures ibériques et latino-américaines is the property of Revue Cahiers d'etudes des cultures iberiques et latino-americaines (CECIL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CECIL Cahiers d'etudes des cultures ibériques et latino-américaines is the property of Revue Cahiers d'etudes des cultures iberiques et latino-americaines (CECIL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CECIL Cahiers d'etudes des cultures ibériques et latino-américaines is the property of Revue Cahiers d'etudes des cultures iberiques et latino-americaines (CECIL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Resumen: La serie Nuevos escritores mexicanos del siglo XX presentados por sí mismos lanzada por Empresas Editoriales en la Ciudad de México fue iniciada en 1966 por las autobiografías de Gustavo Sainz y José Agustín de entonces 26 y 22 años. En ambos relatos las construcciones del yo abarcan la infancia y la juventud y se basan en los temas de la vida cotidiana. Sainz y Agustín escribieron sus autobiografías para ser aceptados en el campo literario y ocupar un puesto en él. Al mismo tiempo se delimitan de la tradición poetológica, defienden su propia poética con una intención claramente contracultural. Résumé : La série Nuevos escritores mexicanos del siglo XX presentados por sí mismos lancée par Empresas Editoriales à Mexico a été initiée en 1966 par les autobiographies de Gustavo Sainz et de José Agustín, alors âgées de 26 et 22 ans. Dans les deux narrations, les constructions du soi englobent l’enfance et l’adolescence et sont basées sur les thèmes de la vie quotidienne. Sainz et Agustín écrivirent leurs autobiographies pour être acceptés dans le champ littéraire et y occuper une position. En même temps, ils se distancient de la tradition poétologique et défendent leur propre poétique avec une intention clairement contre-culturelle. Abstract: The series Nuevos escritores mexicanos del siglo XX presentados por sí mismos launched by Empresas Editoriales in Mexico City started in 1966 with the autobiographies of Gustavo Sainz and José Agustín, then 26 and 22 years old. In both stories the constructions of the self encompass childhood and adolescence and are based on the themes of everyday life. Sainz and Agustín wrote their autobiographies to be accepted in the literary field and occupy a position therein. At the same time they distance themselves from the poetological tradition, defending their own poetics with a clearly countercultural intention.

Resumen: Escrita en la cárcel, Se está haciendo tarde (1973) es sin duda la novela más contracultural de la producción de José Agustín. A partir del motivo del viaje, analizamos cómo se atenta contra las convenciones literarias y sociales de la época a través de la inversión de las expectativas del viaje, la recreación de una atmósfera asfixiante y la saturación narrativa. Résumé : Écrit en prison, Se está haciendo tarde (1973) reste sans doute le roman le plus contre-culturel de la production de José Agustín. A partir du motif du voyage, nous analysons comment on y porte atteinte aux conventions littéraires et sociales de l’époque par le biais du retournement des expectatives du voyage, de la recréation d’une atmosphère asphyxiante et de la saturation narrative. Abstract: Written in jail, Se está haciendo tarde (final en laguna) (1973) remains no doubt the most counter cultural novel of José Agustín’s production. Using the journey motif, we analyse how the literary and social conventions of that time are infringed upon through the next items: the reversal of the journey expectations, the recreation of a stifling atmosphere and the storytelling saturation.

L’article prolonge les réflexions sur l’américanisation de la presse magazine au Québec durant l’entre-deux-guerres, en analysant dans les périodiques eux-mêmes les rapports entre la rhétorique antiaméricaine, l’axiome national et la moyennisation des pratiques et discours culturels et médiatiques. L’analyse porte sur deux magazines publiés au tournant des années 1930, soit La Revue moderne (1919-1960) et Mon Magazine (1926-1932), et s’intéresse plus spécifiquement au discours éditorial des périodiques, ainsi qu’à deux initiatives exemplaires : un concours littéraire et la construction d’une « maison moderne ».

Copyright of Canadian Bulletin of Medical History is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Canada has recently concluded its prohibition on the recreational use of cannabis, which lasted for nearly a century. However, when cannabis was first criminalized in 1923, there was effectively no use of it in Canada at that time, and scholars have struggled to identify the specific reasons for which cannabis was added to the schedule of prohibited drugs. When situated within the drug discourse of the time, the lack of an explanation for criminalization becomes less surprising; the contemporary links between addiction, drug use, and racism likely transformed any prohibitive drug control measures into the kind of policy that did not require debate or analysis on the part of Parliament. Drugs and racial minorities were presented as connected threats to the integrity of the white Canadian population and to moral order, and moral reformers capitalized on this connection to support the criminalization of drugs. While the documentary source of the criminalization of cannabis remains unknown, these discursive conditions are of far greater import in understanding why cannabis was criminalized. [ABSTRACT FROM AUTHOR]

Copyright of Revue Historique (0035-3264) is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Population & Sociétés is the property of Institut National d'Etudes Demographiques and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Utiliser une scénographie construite par Velázquez et Le Brun trois cents ans plus tard est-il un choix politique fertile ? Le tricentenaire du traité des Pyrénées en 1959 est méconnu car il fut d’emblée oublié. Pourtant, cette célébration fastueuse fut conçue par les diplomates espagnols et français comme représentation totale d’un dégel entre les deux voisins à la fin d’une décennie où, à la faveur de la Guerre Froide, le régime franquiste rompt son isolement. D’où vient l’échec ? Après avoir cerné la résonance limitée de cet événement dans une première partie, le deuxième temps de l’analyse porte sur les préparatifs de cette représentation ex nihilo. Les leçons tirées par les décideurs dans les décennies suivantes sont étudiées dans la troisième partie. Au cœur de chaque axe, ce travail scrute l’articulation entre volonté de dégel bilatéral et représentation multivectorielle de cette volonté, vécue différemment par les organisateurs, les médias et l’opinion. Les principales sources utilisées sont les archives diplomatiques espagnoles et françaises. Histoire diplomatique, des arts et des représentations se côtoient ici.

During the period between 1890 and 1909, the press played a crucial role in the dissemination of gender identities. It would be through the media of this era where the different expressions of masculinity and femininity were condemned, signaled, and promoted. In this investigation, the Madrid newspaper, EL ÁLBUM IBERO-AMERICANO, is the principal source used in order to trace these alterations. The methodology used to localize the marks of these changes, above all those related to the masculine, has been to select the opinion articles most connected with the modifications in these gender paradigms. The information obtained from the analysis of these articles has been complemented with the localization of the advertising section of the newspaper, of products linked to these changes, such as Pastillas Bonald or the Polvos Coza. This research concludes that EL ÁLBUM IBERO-AMERICANO was more than a feminine newspaper. From its pages, masculine alternatives were offered so that their readers would leave aside social expressions that were more typical of what from this medium was defined as «ugly sex» than of men who intended to live in an open society with parity between the sexes. [ABSTRACT FROM AUTHOR]

Copyright of Revue Historique (0035-3264) is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)