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The article focuses on trumpeter Steve Lands' debut as a leader at the Satchmo SummerFest. Topics include his genre-defying musical approach, his admiration for Louis Armstrong while emphasizing his individuality, and his deep roots in gospel music and modern jazz, influenced by his experiences in both Baton Rouge and New Orleans.

The article focuses on saxophonist Ricardo Pascal and his experiences in the vibrant Louisiana's New Orleans music scene. It mentions Pascal's musical influences, his journey to New Orleans and highlights his contributions to various jazz ensembles, both locally and internationally. Topics discussed include Pascal's unique approach to jazz, his collaborations with renowned musicians, and the dynamic atmosphere of New Orleans that has influenced his musical style.

The article offers information about the upcoming Jazz Education Network's 15th Annual Conference in New Orleans, Louisiana from January 3 to January 6, 2024, covering topics such as the future of African American students and educators in jazz education.

The article evaluates music album "Capetown to Cairo" by PJ Morton, which shows the musical connections between Africa and New Orleans.

The article announces 140th anniversary of the Young Men Olympian Jr. Benevolent Association, highlighting its historical significance and ongoing impact, including the organization's role in providing burial services and community support and the details of their anniversary and annual parades.

The article offers information on bassist Ben Fox's versatility as a bandleader and composer. Topics include his recent albums, such as "Ben's Bop," which features bebop standards, "Wrong Impressions," which explores New Orleans-style traditional jazz with original compositions, and his latest release, "The Pavanist," which incorporates a more open, free-flowing approach to jazz with the inclusion of an electric keyboard.

The article offers information on the musical legacies of three renowned New Orleans musicians and their children. Topics include the influences of trombonist Corey Henry on his daughter Jazz Henry, trumpeter Leon "Kid Chocolate" Brown's impact on his offspring, and accordionist Bruce "Sunpie" Barnes's musical heritage with his family.

The article focuses on Brian Blade, a drummer from Shreveport, Louisiana, who reminisces about his experiences playing with the legendary saxophonist Wayne Shorter and discusses his upcoming performance at the New Orleans Jazz & Heritage Festival. Blade reflects on Shorter's influence on his music, his spiritual approach to drumming, and the joy of returning to his roots in New Orleans.

The article focuses on two gospel groups, the Dynamic Smooth Family and The Bester Singers, performing together at Jazz Fest, highlighting their family-oriented musical traditions and their shared set at the festival. It mentions both groups, deeply rooted in gospel music, have overcome initial hesitations about performing at Jazz Fest, now embracing the opportunity to share their faith through music on a broader platform.

The article focuses on the legacy and spiritual journey of saxophonist Charles Lloyd, particularly highlighting his iconic composition "Forest Flower" and his philosophical approach to music as a means of uplifting humanity. Lloyd's reflections on his mentors, musical influences, and experiences with jazz legends like Phineas Newborn and Booker Little underscore his profound connection to the art form and his ongoing quest for inspiration and enlightenment.

The article focuses on Danilo Pérez, a renowned musician deeply influenced by legends like Wayne Shorter and Dizzy Gillespie, emphasizing his multifaceted roles as a pianist, social activist. It mentions Pérez's dedication to spreading Shorter's mission through music, his impactful work in humanitarian causes, and his commitment to jazz education, as evidenced by his roles in the Panama Jazz Festival and the Berklee Global Jazz Institute.

The article focuses on the life and career of pianist Kenny Barron, highlighting his early influences, collaborations with jazz legends like Yusef Lateef, and his passion for teaching and performing. It mentions Barron's journey from his hometown of Philadelphia to New Orleans reflects his enduring dedication to jazz and his commitment to sharing his knowledge and experiences with younger musicians.

The article discusses that composer Charles Lloyd's new album, "The Sky Will Still Be There Tomorrow," marks his 11th release on the Blue Note label, showcasing his timeless saxophone prowess. The album includes opening track featuring Brian Blade's drums, emotionally evocative tributes to Billie Holiday, and the energetic homage to Thelonious Monk, with Lloyd's music radiateing optimism and compassion, embodying the essence of jazz's future.

Both contemporary and traditional jazz musicians are profiled. Drummer Bob French, trombone player Frank Naundorf, singer and pianist Phamous Lambert, clarinet player Pete Fountain and saxophonist Ed Petersen are among those featured.

The jazz musicians chosen by New Orleans magazine as the 1997 Jazz All-Stars are profiled. They include seven members of a hypothetical traditional jazz band and five members of a modern jazz band. A list of past winners is included.

New Orleans magazines highlights jazz musicians who live and work in the New Orleans, LA area. The awardees are grouped either in the traditional or contemporary category. A brief profile of each of the ten 1996 awardees is presented.

The article informs that Lawrence Cotton Legendary Experience, band owned by pianist Lawrence Cotton, will perform at Satchmo SummerFest on July 31, 2021, under the leadership of Cotton.

Neville believes that his singing style is influenced by his father, his mother and his childhood. He has a spiritual quality to his voice and receives many requests to sing 'Ave Maria' at weddings. Neville had a strong Catholic upbringing.

The best contemporary jazz musicians who reside and perform mainly in New Orleans, LA, in 1995 are pianist Emile Vinette, saxophone player Al Belleto, bass player George French, drummer Shannon Powell, and trumpeter Marlon Jordan. Seven of the best traditional jazz musicians also are profiled.

The New Orleans Jazz and Heritage Festival has aided jazz and gospel singers in their careers. Legendary performances include those by Professor Longhair, Irma Thomas, and Big Chief Bo Dollis of the Wild Magnolias Mardi Gras Indian gang.

Jazz musicians in and around New Orleans, LA, can be divided into roughly two categories, traditional jazz and contemporary jazz artists. The former includes Lionel Ferbos, Charles Burbank and Worthia G. Thomas, among others, while the latter includes Harold Battiste, Delfeayo Marsalis and Michael Ray.

Thirteen New Orleans, LA, jazz players are profiled: Clarence Ford, Peter Badie, Wallace Davenport, Sadie Goodson, Milford Dolliole, Lucien Barbarin, Les Muscutt, Mike Pellera, Edward 'Kidd' Jordan, Kent Jordan, Walter Payton, Brian Blade and Germaine Bazzle.

New-Orleans, LA, is known for jazz music. Twelve native jazz musicians are profiled, including those who play traditional and those who perform more contemporary styles. Winners from 1990 and 1991 are listed.

The Zion Harmonizers gospel group were founded in New Orleans, LA, in 1939. A history of the group is given along with the attitudes of current members and plans for performances and recordings.

The article discusses Mandingo Warriors Black Indian tribe leader Victor Harris Sr.'s celebration of the 2024 Carnival Day in New Orleans, Louisiana which will be the last time he will emerge as the Spirit of Fi Yi Yi. Topics discussed include Harris' banishment from the Yellow Pocahontas in 1984 which led to the rise of Fi Yi Yi spirituality, his masking as a Mardi Gras Indian during the Carnival Day and the decision to transfer leadership to his son Victor Jr. in the future.

The article highlights saxophonist and vocalist Gladney, a sixth-generation native of the Lower Ninth Ward, kicking off the January Contemporary Jazz Series at the George and Joyce Wein Heritage Center, emphasizing his unique style, musical journey and contributions to the next generation of New Orleans jazz; topics include Gladney's influence on the modern jazz scene, his role as a music educator at NOCCA and his distinctive performance style.

The article highlights Fred Joseph Johnson Jr.'s lifelong dedication to serving the Black community in New Orleans through various impactful endeavors, such as Mardi Gras Indian traditions, youth organizations, co-founding the Black Men of Labor and leading a non-profit; topics include New Orleans culture, Mardi Gras Indians, community service.

The article offers information on musician Charlie Gabriel, who at age of 11 started playing clarinet and saxophone professionally with renowned Eureka Brass Band of New Orleans. According to Ben Jaffe, artistic director and sousaphonist of the Preservation Hall Jazz Band, energy of Charlie is gigantic when one hears him play, it seems that the whole history of jazz in front. It is evident that his contributions to the Preservation Hall Jazz Band go beyond his multitalent.

The article presents the views of artistic director and drummer in New Orleans Jazz Orchestra Adonis Rose about his band and its music. Topics of discussion includes he boasts on the team of greatest musicians in the world playing and the best professors. New Orleans Jazz Market owned by NOJO, offers a the 350-seat auditorium with natural wood walls for acoustic quality and warm glow. Rose attended Warren Easton High School alongwith New Orleans Center for the Creative Arts.

The article discusses Courtney Bryan, a New Orleans-born pianist, composer, and educator, who received the prestigious 2023 MacArthur Fellowship award, colloquially known as the "genius grants," acknowledging her outstanding contributions to music and education.