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Clashes over the American family and its values have always implicitly or explicitly addressed issues of gender and highlighted the significance of present and future families to American society. This is the insight underpinning Isabel Heinemann's groundbreaking study, which traces, over the course of the twentieth century, debates on the family and its role; the relationship between the individual and society; and individual decision-making rights as well as their denial or curtailment. Unpacking these issues in a vivid and innovative analysis, the book recounts the prehistory of current conflicts over the family and gender while illuminating the relationship between social change, normative shifts, and the counter-movements spawned in response to them.

The New York Times Book Review Editor's Choice • A celebration of Ms.—the most startling, most audacious, most norm-breaking of the magazine's groundbreaking pieces on women, men, politics (sexual and otherwise), marriage, family, education, work, motherhood, and reproductive rights, as well as the best of the magazine's fiction, poetry, and letters. • Featuring Billie Jean King, Alison Bechdel, and Audre Lorde, among many others.“I've been a Ms. reader since its earliest days. The magazine's bold, boundary-breaking reporting has motivated me, infuriated me, and inspired me. And now this one extraordinary book—50 Years of Ms.—captures it all.” —Jane Fonda, actor and activist “Ms.—in 1972—normalized being a woman, abortion and all. And here we are, 50 years later, needing that now more than ever.” —Sarah Silverman, comedian, actor, and writerFor the past five decades Ms. has been the nation's most influential source of feminist ideas, and it remains at the forefront of feminism today, affecting thought and culture with a younger-than-ever readership (ages 16-20!).Ms. was the first U.S. magazine to: feature prominent American women demanding the repeal of laws that criminalized abortionexplain and advocate for the Equal Rights Amendmentrate presidential candidates on women's issuesfeature domestic violence and sexual harassment on its cover, long before either was widely understood or acknowledgedcommission and publish a national study on date rapeHere is the best reporting, fiction, and advertising, decade by decade, as well as the best photographs and features that reveal and reflect the changes set in motion by Ms., along with the iconic covers that galvanized readers. Here are essays, profiles, conversations with and features by: Alice Walker, Cynthia Enloe, Pauli Murray, Nancy Pelosi, bell hooks, Eleanor Holmes Norton, Brittney Cooper, and Joy Harjo, as well as fiction and poetry by Toni Morrison, Joyce Carol Oates, Adrienne Rich, Rita Dove, and Sharon Olds, and many others.

From Beatniks to Sputnik and from Princess Grace to Peyton Place, this book illuminates the female half of the U.S. population as they entered a'brave new world'that revolutionized women's lives.After World War II, the United States was the strongest, most powerful nation in the world. Life was safe and secure—but many women were unhappy with their lives. What was going on behind the closed doors of America's'picture-perfect'houses?This volume includes chapters on the domestic, economic, intellectual, material, political, recreational, and religious lives of the average American woman after World War II. Chapters examine topics such as the entertainment industry's evolving concept of womanhood; Supreme Court decisions; the shifting idea of women and careers; advertising; rural, urban, and suburban life; issues women of color faced; and child rearing and other domestic responsibilities.A timeline of important events and glossary help to round out the text, along with further readings and a bibliography to point readers to additional resources for their research. Ideal for students in high school and college, this volume provides an important look at the revolutionary transformation of women's lives in the decades following World War II.

If you were an independent, adventurous, liberated American woman in the 1920s or 1930s where might you have sought escape from the constraints and compromises of bourgeois living? Paris and the Left Bank quickly come to mind. But would you have ever thought of Russia and the wilds of Siberia? This choice was not as unusual as it seems now. As Julia L. Mickenberg uncovers in American Girls in Red Russia, there is a forgotten counterpoint to the story of the Lost Generation: beginning in the late nineteenth century, Russian revolutionary ideology attracted many women, including suffragists, reformers, educators, journalists, and artists, as well as curious travelers. Some were famous, like Isadora Duncan or Lillian Hellman; some were committed radicals, though more were just intrigued by the “Soviet experiment.” But all came to Russia in search of social arrangements that would be more equitable, just, and satisfying. And most in the end were disillusioned, some by the mundane realities, others by horrifying truths. Mickenberg reveals the complex motives that drew American women to Russia as they sought models for a revolutionary new era in which women would be not merely independent of men, but also equal builders of a new society. Soviet women, after all, earned the right to vote in 1917, and they also had abortion rights, property rights, the right to divorce, maternity benefits, and state-supported childcare. Even women from Soviet national minorities—many recently unveiled—became public figures, as African American and Jewish women noted. Yet as Mickenberg's collective biography shows, Russia turned out to be as much a grim commune as a utopia of freedom, replete with economic, social, and sexual inequities. American Girls in Red Russia recounts the experiences of women who saved starving children from the Russian famine, worked on rural communes in Siberia, wrote for Moscow or New York newspapers, or performed on Soviet stages. Mickenberg finally tells these forgotten stories, full of hope and grave disappointments.

Hilda Satt Polacheck's family emigrated from Poland to Chicago in 1892, bringing their old-world Jewish traditions with them into the Industrial Age. Throughout her career as a writer and activist, Polacheck never forgot the immigrant neighborhoods, markets, and scents and sounds of Chicago's West Side. In charming and colorful prose, Polacheck recounts her introduction to American life and the Hull-House community; her chance meeting with Jane Addams and their subsequent long friendship and working relationship; her marriage; her support of civil rights and women's suffrage; her work with the Women's International League for Peace and Freedom; and her experiences as a writer for the Works Progress Administration.

This title examines the role of women on the US home front during World War II, focusing on the factory workers, volunteers, and service members who helped the Allies win the war. Compelling narrative text and well-chosen historical photographs and primary sources make this book perfect for report writing. Features include a glossary, a selected bibliography, websites, source notes, and an index, plus a timeline and essential facts. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

Beyond Combat investigates how the Vietnam War both reinforced and challenged the gender roles that were key components of American Cold War ideology. Refocusing attention onto women and gender paints a more complex and accurate picture of the war's far-reaching impact beyond the battlefields. Encounters between Americans and Vietnamese were shaped by a cluster of intertwined images used to make sense of and justify American intervention and use of force in Vietnam. These images included the girl next door, a wholesome reminder of why the United States was committed to defeating Communism, and the treacherous and mysterious'dragon lady', who served as a metaphor for Vietnamese women and South Vietnam. Heather Stur also examines the ways in which ideas about masculinity shaped the American GI experience in Vietnam and, ultimately, how some American men and women returned from Vietnam to challenge homefront gender norms.

Focusing on the interrelationships among political, economic, and social forces in the construction of prevailing cultural images and gender roles for women in society, the book examines both the process of creating and the resulting content of wartime mobilization messages found in magazine advertising aimed at American women.

This book tells the story of a generation of American and Australian women who embodied – and challenged – the prescriptions of their times. In the 1950s and early 60s they went to colleges and universities, trained for professions and developed a life of the mind. They were also urged to embrace their femininity, to marry young, to devote themselves to husbands, children and communities. Could they do both? While they might be seen as a privileged group, they led the way for a multitude in the years ahead. They were quietly making the revolution that was to come. Did they have ‘the best of all possible worlds'? Or were they caught in a double bind? Sylvia Plath's letters tell of her delighted sense of life opening before her as a ‘college girl'. Her poetry, however, tells of anguish, of reaching for distant goals. Drawing on interviews, surveys, reunion books, letters, biographical and autobiographical writing from both American and Australian women, this cultural history argues that the choices that faced educated women in that time led to the revolution of the late 1960s and 70s. Something had to give. There are lessons here for today's young women, facing again conflicting expectations. Is it possible, they ask, to ‘have it all'?

Between 1850 and 1950, at least 115 women were lynched by mobs in the United States. The majority of these women were black. This book examines the phenomenon of the lynching of women, a much more rare occurence than the lynching of men. Over the same hundred year period covered in this text, more than 1,000 white men were lynched, while thousands of black men were murdered by mobs. Of particular importance in this examination is the role of race in lynching, particularly the increase in the number of lynchings of black women as the century progressed. Details are provided--when available--in an attempt to shine a light on this form of deadly mob violence.

This book offers an examination of the Roaring Twenties in the United States, focusing on the vibrant icon of the newly liberated woman—the flapper—that came to embody the Jazz Age.Flappers takes readers back to the time of speakeasies, gangsters, dance bands, and silent film stars, offering a fresh look at the Jazz Age by focusing on the women who came to symbolize it.Flappers captures the full scope of the hedonistic subculture that made the Roaring Twenties roar, a group that reacted to Prohibition and other attempts to impose a stricter morality on the nation. Topics include the transition from silent films to talkies, the arrival of American Jazz as the country's first truly indigenous musical form, the evolution of the United States from a rural to an urban nation, the fashion and slang of the times, and more. It is an exhilarating portrait of a brief outburst of liberation that would last until the Great Depression came crashing down.

The twentieth century was a time of great transformation in the roles of American women. Women have always worked and raised families, but, theoretically, the world opened up to them with new opportunities to participate fully in society, from voting, to controlling their reproductive cycle, to running a Fortune 500 company. This content-rich overview of women's roles in the modern age is a must-have for every library to fill the gap in resources about women's lives. Students and general readers will trace the development of American women of different classes and ethnicities in education, the home, the law, politics, religion, work, and the arts from the Progressive Era to the new millennium.The twentieth century was a time of great transformation in the roles of American women. Women have always worked and raised families, but, theoretically, the world opened up to them with new opportunities to participate fully in society, from voting, to controlling their reproductive cycle, to running a Fortune 500 company. This content-rich overview of women's roles in the modern age is a must-have for every library to fill the gap in resources about women's lives. Students and general readers will trace the development of American women of different classes and ethnicities in education, the home, the law, politics, religion, work, and the arts from the Progressive Era to the new millennium.Each narrative chapter covers a crucial topic in women's lives and encapsulates the twentieth-century growth and changes. Women's participation in the workforce with its challenges, opportunities, and gains is the focus of Chapter 1. The developing role of women and the family, taking into consideration consumerism and feminism, is the subject of Chapter 2. Chapter 3 explores women and pop culture and the arts-their roles as creators and subjects. Chapter 4 covers education from the early century's access to higher education until today's female hyperachiever. Chapter 5 discusses women and government, from winning the vote through the battle for the Equal Rights Amendment, to Women's Lib, and public office holding. Chapter 6 addresses women and the law, their rights, their use of the law, their practice of it, and court cases affecting them. The final chapter overviews women and religious participation and roles in various denominations. An historical introduction, timeline, photos, and selected bibliography round out the coverage.

Our Mothers'War is a stunning and unprecedented portrait of women during World War II, a war that forever transformed the way women participate in American society.Never before has the vast range of women's experiences during this pivotal era been brought together in one book. Now, Our Mothers'War re-creates what American women from all walks of life were doing and thinking, on the home front and abroad. These heartwarming and sometimes heartbreaking accounts of the women we have known as mothers, aunts, and grandmothers reveal facets of their lives that have usually remained unmentioned and unappreciated. Our Mothers'War gives center stage to one of WWII's most essential fighting forces: the women of America, whose extraordinary bravery, strength, and humanity shine through on every page.

As the Victorian era drew to a close, American culture experienced a vast transformation. In many ways, the culture changed even more rapidly and profoundly for women. The'new woman,'the'new freedom,'and the'sexual revolution'all referred to women moving out of the Victorian home and into the public realm that men had long claimed as their own. Modern middle-class women made a distinction between emotional styles that they considered Victorian and those they considered modern. They expected fulfillment in marriage, companionship, and career, and actively sought up-to-date versions of love and happiness, relieved that they lived in an age free from taboo and prudery. Drawing on the diaries, letters, and memoirs of women from a wide range of backgrounds and geographic regions, this volume offers insights into middle-class women's experiences of American culture in this age of transition. It documents the ways in which that culture--including new technologies, advertising, and movies--shaped women's emotional lives and how these women appropriated the new messages and ideals. In addition, the authors describe the difficulties that women encountered when emotional experiences failed to match cultural expectations.

In the winter of 1972, the first issue of Ms. magazine hit the newsstands. For some activists in the women's movement, the birth of this new publication heralded feminism's coming of age; for others, it signaled the capitulation of the women's movement to crass commercialism. But whatever its critical reception, Ms. quickly gained national success, selling out its first issue in only eight days and becoming a popular icon of the women's movement almost immediately. Amy Erdman Farrell traces the history of Ms. from its pathbreaking origins in 1972 to its final commercial issue in 1989. Drawing on interviews with formereditors, archival materials, and the text of Ms. itself, she examines the magazine's efforts to forge an oppositional politics within the context of commercial culture. While its status as a feminist and mass media magazine gave Ms. the power to move in circles unavailable to smaller, more radical feminist periodicals, it also created competing and conflicting pressures, says Farrell. She examines the complicated decisions made by the Ms. staff as they negotiated the multiple--frequently incompatible--demands of advertisers, readers, and the various and changing constituencies of the feminist movement. An engrossing and objective account, Yours in Sisterhood illuminates the significant yet difficult connections between commercial culture and social movements. It reveals a complex, often contradictory magazine that was a major force in the contemporary feminist movement.

This title brings together twenty-five writings by women who share their rich and varied World War II experiences, from serving in the military to working on the home front to preparing for the postwar world. By providing evidence of their active and resourceful roles in the war effort as workers, wives, and mothers, these women offer eloquent testimony that World War II was indeed everybody's war. Litoff and Smith combine pieces by well-known writers, such as Margaret Culkin Banning and Nancy Wilson Ross, with important-but largely forgotten-personal accounts by ordinary women living in extraordinary times. This volume is divided into the six sections listed below:Preparing for WarIn the MilitaryAt'Far-Flung'FrontsOn the Home FrontWar JobsPreparing for the Postwar World

During World War II, more than 12,000 male conscientious objectors seeking alternatives to military service entered Civilian Public Service to do forestry, soil conservation, or other'work of national importance.'But this government-sponsored, church-supported program also attracted some 2,000 women--most of whom were part of Mennonite, Amish, Brethren, or Quaker families with deeply held antiwar beliefs--to 151 alternative service locations across the country. Rachel Waltner Goossen tells the story of these women against the'good war,'women who identified themselves as conscientious objectors. Despite cultural hostility and discriminatory federal policies, they sought to demonstrate their humanitarian convictions by taking part in Civilian Public Service work. Based on little-known archival sources as well as oral history interviews and questionnaire responses, Goossen's study reveals the extent to which these women's religious and philosophical beliefs placed them on the margins of American society. Encouraged by religious traditions that prized nonconformity, these women made unusual choices, questioned government dictums, and defied societal expectations, all of which set them apart from the millions of Americans who supported the war effort.

Interweaving personal stories with historical photos and background, this lively account documents the history of the more than 40,000 women who served in relief and military duty during World War I. Through personal interviews and excerpts from diaries, letters, and memoirs, Lettie Gavin relates poignant stories of women's wartime experiences and provides a unique perspective on their progress in military service. American Women in World War I captures the spirit of these determined patriots and their times for every reader and will be of special interest to military, women's, and social historians.