V nalogi poskušam predstaviti razvoj projekta, s katerim sem začel v drugem letniku. Glavna značilnost projekta je, da izdelki niso izdelani prostoročno, ampak je pri produkcijskem procesu poudarek na uporabi posebej za ta namen izdelanih strojev, ki s svojo obliko in funkcijo vplivajo na končno obliko izdelka. Verjel sem, da lahko s hiperprodukcijo pridem do popolnega izdelka, katerega oblika in tekstura bi bila boljša od vseh ostalih. Ta površina in oblika, ki ju ustvarjajo naprave, sta postali fetiš, ki me je gnal k ustvarjanju. Zaradi velikega števila izdelkov, ki sem jih proizvedel, se podrobnosti, ki delajo vsak izdelek edinstven, zabrišejo in se dokončno zlijejo v zbirki izdelkov, ki sem jo sestavil za semestrsko razstavo. Zbirka razkrije, da so si izdelki med seboj pravzaprav bolj podobni kot pa različni in takrat spoznam, da moj popolni izdelek, ki ga iščem, ne obstaja. To ni pomenilo konca projekta, ampak nov začetek in nova vprašanja, na katera odgovarjam z razstavo Premišljevanja - postavitev #2, ki je bila konceptualno diametralno zasnovana kot semestrska prav z namenom, da bi izpostavil problem edinstvenosti umetniškega dela v množici hipeproduciranih izdelkov. Z njo uvajam v svoje delo tudi participacijo gledalca in odpiram vprašanje vrednosti posameznega kosa, saj so morali gledalci, če so si želeli bližje ogledati izdelke na policah, pohoditi tiste na tleh In my diploma thesis, I am trying to present the development of my project, which I started two years ago. The project's main characteristic is that the art pieces are not crafted by hand but rather they are created with specially designed machines, which I designed and made myself for this purpose. Each machine with its own shape dictates the final shape of the piece. I believed that the process of hyperproduction will help me create a perfect art piece, the shape and the surface of which would be better than all others. This shape and surface, both of which are created by the machines, had become my fetish, making me produce more. Because of the large numbers of pieces that I produced, all the little details, which made each piece unique, became more and more alike this became obvious in the collection that I set up at the semestral exhibition. The collection revealed the similarities and blurred the differences between the objects, making me realize that the perfect piece I was looking for did not exist. However, this did not mean the end of my project but rather a new beginning and new questions that I am posing with the exhibition Premišljevanja - postavitev #2, which was conceptually diametral as opposed to the semestral one with the intention to expose the problem of uniqueness of an artwork in the mass of hyperproduced works. Participating viewer, who had to walk over pieces on the floor in order to see ones on the shelves, was introduced into the work to raise question of value of each individual piece.