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What can we learn about diplomacy by studying its practice through the body of an apprentice? Drawing on the works of Loïc Wacquant, this article argues that to understand the making of background dispositions, tacit rules, and situated know-how in international politics' diverse fields of practice, researchers ought to consider apprenticeship as a concept and a methodological device. This argument is based on ethnographic observations from the author's internship at the Delegation of Denmark to the OECD. As a concept, apprenticeship cultivates a sensitivity to the embodied dynamics at play in acquiring habitus. An apprenticeship is structured as a participatory and corporeal process of socialization through which an aspirant acquires or fails to acquire a prospective identity within a given field of practice. Methodologically, studying practices of initiation through the body of an apprentice enables scholars to access tacit knowledge transmissions while recognizing that such knowledge operates beneath discursive representation and logical reasoning. In advancing this argument, the article foregrounds the figure of the apprentice and the experience of apprenticeship as conduits for gaining insights into social learning in diplomacy, other fields of practice, and the broader domain of socialization in International Relations. [ABSTRACT FROM AUTHOR]

The war in Syria has been communicated to global audiences through images of dead and injured children, decapitated and tortured bodies, and ruined cities. The article shows how news media coverage of the war's impact on the city of Aleppo invoked a Gothic tradition. Drawing on Kristeva and Freud's concepts of the abject and the uncanny, the article argues that the Gothic tradition can further International Relations research on the constitution of Selves and Others. The Gothic Other is constituted through the (Gothic) Self's repulsion, fascination, and desire, and the Gothic tradition revolves around an understanding of the invisible as an in-between space of fear and anticipation. The ability to recognise Gothic themes in an image depends on one's familiarity with the Gothic tradition, hence images are theorised as having a Gothic potentiality. The article focuses on how the Anglo-Saxon Gothic tradition enabled Western readers to identify Gothic themes in news coverage of the war in Aleppo. The article adopts a multimethod strategy including a content analysis of 457 images published by Western news media; a discourse analysis of news stories; an analysis of three Gothic, uncanny iconic motifs; and an author-created comic drawing on Gothic elements from the published photographs. [ABSTRACT FROM AUTHOR]

This paper investigates secular bio-icons' political revitalization, illustrating their application as critical interventions into contemporary political struggles in the Middle East. To elucidate this phenomenon, we introduce the concept politics of revitalization to address how memory entrepreneurs can manage the past in ways that legitimize their involvement in particular visions of the future, thereby holding the potential to consolidate the position of political elites in power. Based on an analysis of three secular bio-icons: Jamila Bouhired, Leila Khaled and Hilarion Capucci, we argue that the mobilizing, resistive and aspirational potential of secular bio-icons can be utilized strategically by political actors to boost and legitimize existing (and widely contested) regimes or ideological beliefs by anchoring them in mediated renditions of historical narratives. We hold that secular bio-icons' political application constitutes a distinct social technique applied by Iran, Syria and Hizbollah to (re)activate nostalgic collective memories, pointing towards particular futures in which they entrench their political status and undermine opposing actors. [ABSTRACT FROM AUTHOR]