344 results on '"Weststeijn, Thijs"'
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2. List of Illustrations
3. Back Cover
4. Index
5. About the Authors
6. Bibliography
7. Chapter 7 – Van Hoogstraten’s Success in Britain – Fatma Yalcin
8. Chapter 9 – Great Respect and Complete Bafflement: Arnold Houbraken’s Mixed Opinion of Samuel van Hoogstraten – Hendrik J. Horn
9. Chapter 5 – Samuel van Hoogstraten’s Personal Letter-Rack Paintings: Tributes with a Message – Michiel Roscam Abbing
10. Chapter 8 – Samuel van Hoogstraten, the First Dutch Novelist? – Thijs Weststeijn
11. Appendix – Arnold Houbraken’s references to Samuel van Hoogstraten and his ‘Introduction to the Academy of Painting’ – Edited and Translated by Hendrik J. Horn
12. Chapter 3 – The Young Samuel van Hoogstraten, Corrected by Rembrandt – Ben Broos
13. Chapter 6 – A Pledge of Marital Domestic Bliss: Samuel van Hoogstraten’s Perspective Box in the National Gallery, London – Herman Colenbrander
14. Chapter 4 – “Zwierich van sprong': Samuel van Hoogstraten’s Night Watch – Paul Taylor
15. Chapter 1 – Van Hoogstraten’s Theory of Theory of Art – Jan Blanc
16. Preface: Approaches to a Multifaceted Master
17. Chapter 2 – Paradoxical Passages: The Work of Framing in the Art of Samuel van Hoogstraten – Celeste Brusati
18. Cover
19. Prolog: Samuel van Hoogstraten and the Golden Age of Dutch Art, Literature, and Science: The Present Book and Future Research
20. Cover
21. 3.3: The Professionalization of the Historical Discipline: Austrian Scholarly Periodicals, 1840-1900
22. 3.5: The Peculiar Maturation of the History of Science
23. 9.2: Toward a Humanities of the Digital? Reading Search Engines as a Concordance
24. 3.4: Manuals on Historical Method: A Genre of Polemical Reflection on the Aims of Science
25. 8.2: The Emergence of East Asian Art History in the 1920s: Karl With (1891-1980) and the Problem of Gandhara
26. 8.1: The Making of Oriental Studies: Its Transnational and Transatlantic Past
27. 3.2: History Made More Scholarly and Also More Popular: A Nineteenth-Century Paradox
28. 8.3: Cross-Cultural Epistemology: How European Sinology Became the Bridge to China’s Modern Humanities
29. 9.3: A Database, Nationalist Scholarship, and Materialist Epistemology in Netherlandish Philology: The Bibliotheca Neerlandica Manuscripta from Paper to OPAC, 1895-1995
30. 9.4: Clio’s Talkative Daughter Goes Digital: The Interplay between Technology and Oral Accounts as Historical Data
31. X. Philosophy and the Humanities
32. 9.5: Humanities’ New Methods: A Reconnaissance Mission
33. VII. East and West
34. 10.1: Making the Humanities Scientific: Brentano’s Project of Philosophy as Science
35. 3.1: A Domestic Culture: The Mise-en-scène of Modern Historiography
36. VII. Musicology and Aesthetics
37. 7.1: Between Sciences and Humanities: Aesthetics and the Eighteenth- Century ‘Science of Man’
38. 7.2: Melting Musics, Fusing Sounds: Stumpf, Hornbostel, and Comparative Musicology in Berlin
39. 7.3: The History of Musical Iconography and the Influence of Art History: Pictures as Sources and Interpreters of Musical History
40. 6.3: The Recognition of Cave Art in the Iberian Peninsula and the Making of Prehistoric Archeology, 1878-1929
41. V. Literary and Theater Studies
42. 6.2: Generic Classification and Habitual Subject Matter
43. III: Writing History
44. VI. Art History and Archaeology
45. 6.1: Embracing World Art: Art History’s Universal History and the Making of Image Studies
46. 5.1: Furio Jesi and the Culture of the Right
47. 5.3: Theater Studies from the Early Twentieth Century to Contemporary Debates: The Scientific Status of Interdisciplinary-Oriented Research
48. 4.5: What Books Are Made of: Scholarship and Intertextuality in the History of the Humanities
49. 5.2: Scientification and Popularization in the Historiography of World Literature, 1850-1950: A Dutch Case Study
50. 4.3: ‘Big Science’ in Classics in the Nineteenth Century and the Academicization of Antiquity
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