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The main objective of this qualitative and quantitative research paper is to explore the occurrences and relations of the anima, animus and androgynous in dreams, with particular emphasis on the consideration of the androgynous in the human psyche. The sample consists of 9 series of dreams (141 dreams in total), from 9 dreamers, 7 women (female sex/gender) and 2 men (male sex/gender), aged 25–57, heterosexual, undergoing Jungian psychotherapy, and presenting couple‐related themes. Statistical results and qualitative analysis offer new input for the re‐vision of the classical anima‐animus model, and the addition of in‐depth explorations into the androgynous, paving the way for a new model of psychopathology and psychotherapeutic clinical work, in transition. [ABSTRACT FROM AUTHOR]

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Copyright of Industrielle Beziehungen is the property of Rainer Hampp Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Die Gliederpuppe unterliegt im 19. Jahrhundert einem Bedeutungswandel. Diente sie seit der Renaissance vorwiegend als Atelierhilfe, kam sie in der beginnenden Moderne vermehrt als Bildmotiv zum Einsatz. Durch ihre Eigenschaft als Stellvertreterin des Menschen stellt sie eine Projektionsfläche dar, auf die sich gesellschaftliche Diskurse übertragen lassen. Im Gemälde Porträt von Henri Michel-Lévy (1878/79) von Edgar Degas greifen mehrere Deutungsebenen ineinander, die sich rund um Degas’ Malerkollegen und dessen achtlos an die Wand geworfene Gliederpuppe auftun. In der Bild-Szene spiegeln sich nicht nur das Verhältnis zwischen Maler und Modell, sondern gleichermaßen das zwischen Mann und Frau und den damit verknüpften zeitgenössischen Diskursen von Natürlichkeit und Künstlichkeit. Der Puppe ist als leblos-belebtes Wesen insbesondere die Komponente des Unheimlichen zu eigen. Ihre Vielschichtigkeit und Ambivalenz lassen sich in Degas’ Gemälde auf subtile Weise analysieren.

Copyright of Journal of Language & Literary Studies / Folia Linguistica & Litteraria is the property of Journal of Language & Literary Studies / Folia Linguistica & Litteraria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Österreichische Zeitschrift für Soziologie is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Als Technology of Gender im Sinne von Teresa de Lauretis (1988) steht Modeln im Zeichen des kulturell konstruierten und gesellschaftlich ausgetragenen Weiblichen. Gerade im Kontext dieses geschlechtlich so deutlich markierten Handlungsraums werden gegenwärtig Genderstereotype dekonstruiert und Identitäten infrage gestellt. Dieser Beitrag fokussiert aus modetheoretischer Perspektive auf die kulturelle Rolle des Models. Er setzt sich mit der These auseinander, dass es zu einer prägenden „Sozialfigur der Gegenwart“ im Sinne von Stephan Moebius und Markus Schroer (2010) geworden ist. Als solche adressiert das Model durch seine breit aufgefächerte, intertextuelle bzw. intermediale Präsenz grundlegende Fragen bezüglich der gegenwärtigen Relation zwischen Mode und Identitätskonstruktionen.

Practical work with women's groups With this progress report I would like to present a general idea of my work with women's groups. For fifteen years I have accompanied and supported women in their effort to find ways to enhance their self-appreciation and self-assurance by offering groups which focus on women's topics. This experience should help the participants to become aware of how they shape their life and encourage them to take an active and authentic role in it. Central to the contents of the proceedings is the meaning, the value, the handling of one's own femininity, of womanhood. By enhancing their social interest the participants will be able to integrate the male aspects and their impact into their life in a modus to complement the female and thus prevent rivalry between the sexes. By the participation in a constant group setting over a longer time (often for several years) the women become accustomed to deal with delicate personal subjects. This prepares them to discuss and come to terms with their own sexuality and intimacy. [ABSTRACT FROM AUTHOR]

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In his commentary on Plato's Parmenides Proclos describes the maternal and paternal contributions to reproduction as of equal value: The paternal seed furnishes potential λόγοι, the mother actualises them and so causes the reversion of the offspring. However, the definition of the mother as actualising cause is linked to the particular circumstances of conception in the sphere of nature. In general, Proclus bases his concept of femininity on the idea of a shared, but not equal activity by paternal and maternal causes. In the metaphysical sphere the maternal cause is distinguished by its inspiring activity, that is, it provokes the procession of powers that are permanently anchored in the father and so it enables the begetting of the offspring as an entity separate from the father. This activity involves a loss of perfection, which is the basis for a difference in value between the activities of the maternal and paternal causes. [ABSTRACT FROM AUTHOR]

The current re-politicization of our society is reinforced on the one hand by right-wing populist and right-wing extremist actors and on the other hand goes hand in hand with a mobilization of counterforces. In the course of these confrontations, which are not least carried out in and via the so-called social media, new movement formations emerge. One of these formations are the "Omas gegen Rechts" / "grannies against the right" (OgR). The article takes a closer look at the civil society initiative in three ways: firstly, as a specific movement that is committed against right-wing populism; secondly, as a movement that is strongly organized via platform media and thus breaks with media-related age images; and thirdly, as a movement that is carried by older women, who rarely appear as publicly visible political actors. Combining these three aspects, the question is discussed whether and to what extent the OgR can be spoken of as a female ageing avant-garde. [ABSTRACT FROM AUTHOR]

Although cases of Christian stigmatization have become rare, general interest in this unusual physical phenomenon endures. Yet, a study of the cases of Madeleine Lebouc and Yvonne-Aimée de Jésus has revealed that their stigmata proceed either from self-mutilation or fraud. However, that's not the main point. Research into this peculiar form of relationship between a subject and his body proves to be quite rewarding, mainly because the phenomenon is sustained by a mystic relation to Jesus. Based on Freud's and Lacan's theories and on clinical elements, the present paper describes the two main functions of stigmata for these subjects, i.e. the processing of uncontrollable jouissance assigned to the body itself and the development of a process of representation that enables the subject to accept it and to deal with it. [ABSTRACT FROM AUTHOR]

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Copyright of Freiburger Zeitschrift für GeschlechterStudien (FZG) is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Der Beitrag fokussiert auf die Protagonistinnen und zugleich Erzählerinnen von Stephenie Meyers Twilight-Saga und E. L. James’ Fifty-Shades-Trilogie und vergleicht sie mit ihrem Prototyp, Jane Eyre aus dem gleichnamigen Roman von Charlotte Brontë. Im Zentrum steht eine Analyse der Selbstbeschreibung von Bella, Ana und Jane als gewöhnlich, unscheinbar und wenig attraktiv. Indem diese Selbstbeschreibung in den Kontext des Gesamttextes – und damit der Liebesgeschichte und ihrer seit dem 19. Jahrhundert etablierten Begehrensökonomie – gestellt wird, kann herausgearbeitet werden, wie die Sichtweise der Erzählerinnen im Text gewichtet und punktuell infrage gestellt wird und wie sich die Protagonistinnen im Laufe der Erzählung in feminine und begehrenswerte Frauen verwandeln. Dadurch kann in den Blick genommen werden, welche spezifische Form weißer bürgerlicher heterosexueller Weiblichkeit in heteronormativen Liebesgeschichten entworfen und bekräftigt wird.

Copyright of GENDER: Zeitschrift für Geschlecht, Kultur und Gesellschaft is the property of Verlag Barbara Budrich GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

At first glance, women's radicalization seems to be opposed to the feminine, considered to be side by side with Eros. This paper seeks to show how, on the contrary, there is a structural link between femininity and radicalization. Based on the study of several clinical cases, it reveals how the central problem of these women is the threat of returning to the pre-Oedipal bond to the mother. [ABSTRACT FROM AUTHOR]

The question "What is a woman?" and the logic of exception on which a hysterical woman bases herself in her relationship with femininity reveal one of her beliefs: that the bar placed by Lacan on Woman does not exist. The distinction between this logic and the feminine logic of the "not-whole" is the opportunity to once again place beliefs on femininity within psychoanalytic theory and to question the paradoxical uses of "feminine" and "masculine" positions. [ABSTRACT FROM AUTHOR]

The main objective of this qualitative and quantitative research paper is to explore the occurrences and relations of the anima, animus and androgynous in dreams, with particular emphasis on the consideration of the androgynous in the human psyche. The sample consists of 9 series of dreams (141 dreams in total), from 9 dreamers, 7 women (female sex/gender) and 2 men (male sex/gender), aged 25-57, heterosexual, undergoing Jungian psychotherapy, and presenting couple-related themes. Statistical results and qualitative analysis offer new input for the re-vision of the classical anima-animus model, and the addition of in-depth explorations into the androgynous, paving the way for a new model of psychopathology and psychotherapeutic clinical work, in transition., (© 2023 The Society of Analytical Psychology.)

Copyright of Ethnologie Française is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)