Search

Your search keyword '"Walczak-Delanois, Dorota"' showing total 454 results
Start Over Author "Walczak-Delanois, Dorota"
454 results on '"Walczak-Delanois, Dorota"'

1. Morze Północne / Nordzee

Author

Walczak / Walczak-Delanois, Dorota and Walczak / Walczak-Delanois, Dorota

Abstract

volume est bilingue et contient les traductions de Kris Van Heuckelom (néerlandais), info:eu-repo/semantics/inPress, 1

Published
2024

2. Noordzee / Morze Północne

Author

Walczak / Walczak-Delanois, Dorota and Walczak / Walczak-Delanois, Dorota

Abstract

volume de poésie bilingue en polonais traduit vers néerlandais par Kris Van Heuckelom, info:eu-repo/semantics/published

Published
2024

3. Liryczno-hormonalne transformacje we współczesnym wierszu. Studium przypadków świadomości „hormolirycznej”.

Author

Walczak-Delanois, Dorota

Abstract

Referring to the natural sciences, philosophy, literary studies, and how poetic avantgardes described the place and sensation of corporeality, the article focuses on whether and how hormones signify in twenty-first-century poetry. Using the example of three creative paths and text – by Joanna Mueller, Kae Tempest, and Lisette Lombé – the author distinguishes three types of poetic action, respectively: hormonal identification or the search for a separate language, hormonal non-binary transformations, and amplification of hormonal lyrical stories. Consequently, the author posits a new consciousness resulting from biological evolution and the development of social consciousness and thought. She proposes to call it “hormolyrical consciousness,” as it is to result from the interference of hormones in poetry, which happens when strong hormonal activity fluctuates and – regardless of political changes or borders – affects all aspects of our lives. [ABSTRACT FROM AUTHOR]

Published
2024
Full Text
View/download PDF

6. From ‘Joy of Writing’ to ‘Joyful Writing’ ?A Few Considerations of Poetry in the 21st century, in :Hors la sérotonine. La Littérature du XXI siècle et les hormones

Author

Hors la sérotonine. La Littérature du XXI siècle et les hormones (5-6.05.2022: Paris L'Académie Polonaise des Sciences. Centre scientifique à Paris), Walczak / Walczak-Delanois, Dorota, Hors la sérotonine. La Littérature du XXI siècle et les hormones (5-6.05.2022: Paris L'Académie Polonaise des Sciences. Centre scientifique à Paris), and Walczak / Walczak-Delanois, Dorota

Abstract

info:eu-repo/semantics/nonPublished

Published
2023

10. The Visuality of Hortus Mirabilis in Krystyna Miłobędzka’s Poetry—A Study of Selected Examples

Author

Walczak-Delanois, Dorota

Subjects
Hortus mirabilis, visual poem, poetic garden, picture of garden, Polish contemporary poetry, Krystyna Miłobędzka, rose, calligram, avant-garde poem
Abstract

Krystyna Miłobędzka (born 1932) is one of the most interesting and unique phenomena of the Polish poetry scene of the 20th and 21st centuries. Two characteristics of her poetry, the visual character of her many poems and her preoccupation with the concept of the garden-world, are worth a closer look. Miłobędzka’s poetry refers to the topoï of the garden-world in single poems and cycles of poetic texts. Her hortus mirabilis, inserts itself into the sphere of the metaphysical reflection of nature, giving Miłobędzka’s poetry a specific dynamic in which the “I”—the gardener—has a significant role as an observer, and as a creator of entities. The activity of looking, which happens, in fact, in all types of verbs and aspects, is in this specific sphere (look, watch, see), fundamental to defining oneself in the world and the world’s relationship to oneself. In this perspective, the image of the garden from childhood, is confronted by a necessary new visualization. The temporal aspect of the garden is at the center of existence, in the cyclical return of nature’s laws of rebirth and death, which are relevant to the personal, singular perspective of the end in many of Miłobędzka’s volumes. In Anaglify (Anaglyphs), some poems particularly fit the issue of visuality in poetry, not only at the conceptual level, the place granted to observation, the poet-particular observer, but the poem itself. They are conceived as graphic and pictorial realizations. Poems from the volume dwanaście wierszy w kolorze (twelve poems in color) or wszystkowiersze (omnipoems) are special cases of these. The selected words are conceived in color, and their arrangement on the space of the page has meaning. The parallel between looking and writing, which Miłobędzka consistently uses in her writing method and poetically admits, is also very important. Although her poetic diction alludes to historical avant-garde and linguistic poetry achievements, her lyrical savoir-faire is characterized by a certain new minimalist construction and a separate, recognizable style. Miłobędzka’s innovativeness lies in combining seemingly distant and sometimes poetically opposite categories: full, ambiguous image-in-poem and asceticism by means of expression, such as a minimal number of words. Her poetry is deeply rooted in perceiving, seeing, watching, and contemplating the world—faithful to its physicality but also open to the most essential questions of philosophy asking about existence and its limits. This new visibility of elements is reflected in authentic poetic delight and in the “visualizing” form, where the poem also becomes an image on the plane of a sheet of paper or becoming one side of the house wall as a mural poem.

Published
2022
Full Text
View/download PDF

14. „Jak to (nie) zachwyca?” – Poezja polska i zachwyt. Małe studium współczesnych przypadków i rozpoznań.

Author

Walczak-Delanois, Dorota

Subjects
MODERN poetry, POETICS, MAGIC, POETRY (Literary form), PANORAMAS, LITERATURE
Abstract

The article is an attempt at presenting a small panorama of reflections on the category of delight-enchantment as a poetic impulse and as a theme in selected Polish poems from the turn of the 20th century to the year 2022. It starts from a discussion of the need for delight in contemporary literature. Apart from exemplifications, illustrations and observations on the subject of poetic enchantment in contemporary Polish poetry and the paths leading to it, the author proposes here to examine various poetics and conditions enabling delight to appear or to be absent in contemporary poetry. [ABSTRACT FROM AUTHOR]

Published
2023
Full Text
View/download PDF

15. GEORGES RODENBACH AU plus COMPLET OU LE LIVRE DE JOËL GOFFIN GEORGES RODENBACH 100 ARTICLES. CHRONIQUEUR PARISIEN DE LA BELLE ÉPOQUE 1888–1898

Author

Walczak / Walczak-Delanois, Dorota and Walczak / Walczak-Delanois, Dorota

Abstract

The article concerns the work of Joël Goffin who selected, presented and annotated one hundred articles written by Georges Rodenbach from the years 1881–1898. As a Parisian columnist, the Belgian writer has showed an interest in modernity in its different registers, devoting his attention and his high-flying pen to literary, artistic, but also societal and scientific subjects., SCOPUS: ar.j, info:eu-repo/semantics/published

Published
2022

17. MARIAN PANKOWSKI'S POETIC ART: BETWEEN THE POLISH AND THE FRANCOPHONE ELEMENTS.

Author

Walczak-Delanois, Dorota

Subjects
LITERARY form, FRENCH language, HUMAN beings, POETS, POETRY (Literary form)
Abstract

The literary output of Marian Pankowski (1919--2011) is rich in all literary genres. Nevertheless, relatively little has been written about his poetry, which is the subject of this study. Shaped by his personal experience, both as a human being and as a reader, Pankowski's poems reflect the clash he faces every day, trying to master French and become part of the French-speaking world. In his carefully thought-out lyric form (alliterations, metaphors, similes), which is an explicit reference to the avant-garde and to the Skamander group, a group of experimental Polish poets, there is no place for the verbosity present in his prose. The analysis of some of Pankowski's lesser-known or even unknown poems undertaken in this study proposes an alternative way of reading his poetic texts. The author of the article points out certain poetic images built upon a sensuous yet controlled perception of the world, based mainly on the senses of hearing and sight. The sense of touch, however, is completely suppressed, as if suggested by the heightened sense of sight. For the poet, his own corporeality is a taboo. He therefore seems to transpose it to the presented world. Pankowski's poetry, wrongly associated only with his early works, is worth knowing. It is interesting, educational as well as visually and verbally intriguing. [ABSTRACT FROM AUTHOR]

Published
2023
Full Text
View/download PDF

23. Poems by polish female poets and the burning issue of religion

Author

Walczak / Walczak-Delanois, Dorota and Walczak / Walczak-Delanois, Dorota

Abstract

The aim of this paper is to show the presence of religion and the particular evolution of lyrical matrixes connected to religion in the Polish poems of female poets. There is a particular presence of women in the roots of the Polish literary and lyrical traditions. For centuries, the image of a woman with a pen in her hand was one of the most important imponderabilia. Until the 19th century, Polish female poets continued to be rare. Where female poets do appear in the historical record, they are linked to institutions such as monasteries, where female intellectuals were able to find relative liberty and a refuge. Many of the poetic forms they used in the 16th, late 17th, and 18th centuries were typically male in origin and followed established models. In the 19th century, the specific image of the mother as a link to the religious portrait of the Madonna and the Mother of God (the first Polish poem presents Bogurodzica, the Virgin Mary, the Mother of Jesus) reinforces women’s new presence. From Adam Mickiewicz’s poem Do matki Polki (To Polish Mother), the term “Polish mother” becomes a separate literary, epistemological, and sociological category. Throughout the 20th century (with some exceptions), the impact of Romanticism and its poetical and religious models remained alive, even if they underwent some modifications. The period of communism, as during the Period of Partitions and the Second World War, privileged established models of lyric, where the image of women reproduced Romantic schema in poetics from the 19th-century canons, which are linked to religion. Religious poetry is the domain of few female author-poets who look for inner freedom and religious engagement (Anna Kamieńska) or for whom religion becomes a form of therapy in a bodily illness (Joanna Pollakówna). This, however, does not constitute an otherness or specificity of the “feminine” in relation to male models. Poets not interested in reproducing the established roles reach for the second type of, SCOPUS: ar.j, info:eu-repo/semantics/published

Published
2021

24. RODENBACH 100 ARTICLES. CHRONIQUEUR PARISIEN DE LA BELLE ÉPOQUE 1888-1898.

Author

Walczak-Delanois, Dorota

Subjects
MODERNITY, JOURNALISTS, AUTHORS
Abstract

The article concerns the work of Joël Goffin who selected, presented and annotated one hundred articles written by Georges Rodenbach from the years 1881-1898. As a Parisian columnist, the Belgian writer has showed an interest in modernity in its different registers, devoting his attention and his high-flying pen to literary, artistic, but also societal and scientific subjects. [ABSTRACT FROM AUTHOR]

Published
2022
Full Text
View/download PDF

25. „Rien ne va plus” w naszej pamięci? Uwagi o wierszu polskim i belgijskim jako kardiogramie rzeczywistości „politycznej”. (« Rien ne va plus » dans notre mémoire? Quelques remarques sur le poème polonais et belge en tant que cardiogramme « politique »), in :POLITYKA I PAMIĘĆ W LITERATURZE POLSKIEJ (OD PRZEŁOMU ROMANTYCZNEGO) STUDIA PRZYPADKÓW.

Author

Walczak / Walczak-Delanois, Dorota and Walczak / Walczak-Delanois, Dorota

Abstract

info:eu-repo/semantics/published

Published
2020

27. POETYCKIE PODWOJENIE. Marian Pankowski – polski poeta języka francuskiego / DÉDOUBLEMENT POÉTIQUE. Marian Pankowski – poète polonais de langue française

Author

Walczak / Walczak-Delanois, Dorota and Walczak / Walczak-Delanois, Dorota

Abstract

En FR :Ce livre bilingue (polonais et français) est composé de deux partie principales.La première, monographique, contient plusieurs chapitres. Dans le premier intitulé BIOGRAPHIE NON SEULEMENT POÉTIQUE est présenté le parcours biographique hors du commun et un aperçu global de l’œuvre de Marian Pankowski. Dans RENCONTRES D’AUTEURS – RENCONTRES DE TRADUCTEURS, nous pouvons voir son évolution dans le milieu universitaire, littéraire et critique de Belgique ;comprendre son activité en tant que poète, traducteur et passeur des autres poètes. Le chapitre suivant présente les affinités poétiques de l’auteur et le fonctionnement de son imaginaire. Les volumes polonais qu’il crée avant la publication de ses poèmes français sont également présentés dans la partie LA VIE EN VERS :LES MATRICES POÉTIQUES DE MARIAN PANKOWSKI. La partie LES MONDES PARALLÈLES :COULEUR DE JEUNE MÉLÈZE ET POIGNÉE DU PRÉSENT, met l’accent sur ces deux volumes en français, les contextualise et explique l’importance de la langue française dans la démarche pankovienne. LES ÉTATS HEUREUX, le dernier chapitre de la première partie de l’ouvrage, résume cette période dense pour Marian Pankowski en mettant ses accomplissements face à la critique littéraire mais en le montrant aussi comme un auteur pleinement conscient qui retrouve le bonheur tant rêvé de l’écriture et celui, simple et humain, de la vie d’un homme.La deuxième partie de l’ouvrage présente les poèmes français de Marian Pankowski, poèmes traduits en polonais pour la première fois dans leur intégralité. Chaque poème est suivi d’un commentaire du poème qui présente les versions éventuelles et / ou parallèles de ceux – ci. Le livre est complété par un index des auteurs, traducteurs et rédacteurs ainsi que par une BIBLIOGRAPHIE POÉTIQUE et des remerciements. Enfin, des illustrations qui aident à visualiser les mondes francophone et polonophone de Pankowski complètent la publication., En PL: Pierwsza część książki to BIOGRAFIA NIE TYLKO POETYCKA, w której zawarte zostały: biografia autora i ogólna charakterystyka dzieła literackiego. W drugiej części SPOTKANIA AUTORSKIE – SPOTKANIA TRANSLATORSKIE możemy ujrzeć Mariana Pankowskiego ewoluującego w środowisku uniwersyteckim, literackim i krytycznym Belgii; możemy zrozumieć jego działalność w roli poety, tłumacza poezji i passeur – „przewoźnika” dla innych poetów. Następny rozdział przedstawia powinowactwa poetyckie autora i funkcjonowanie jego imaginarium. Tomy poezji w języku polskim, które napisał przed publikacją swych wierszy francuskojęzycznych są także obecne w części kolejnej ŻYCIE WIERSZEM – POETYCKIE MATRYCE MARIANA PANKOWSKIEGO. Część ŚWIATY PARALELNE: KOLOR MŁODEGO MODRZEWIA I UŚCISK TERAŹNIEJSZOŚCI, stawia w centrum zainteresowania dwa tomy francuskojęzyczne, kontekstualizuje je i wyjaśnia rangę języka francuskiego w przedsięwzięciu Pankowskiego. STANY SZCZĘŚLIWE, ostatni rozdział pierwszej części dzieła, reasumuje tę część intensywnego czasu dla Mariana Pankowskiego, który spełnia się w ocenie krytyki literackiej, ale także jako autor w pełni świadomy, który odnajduje szczęście w wymarzonym pisaniu i szczęście proste, ludzkie, w codziennym życiu człowieka.Druga część książki zawiera wiersze francuskie Mariana Pankowskiego, które Walczak-Delanois przetłumaczyła w całości, zachowując porządek dwóch tomów pt. "Couleur de jeune mélèze" i "Poignée du présent". Najpierw zamieszczony został tekst wiersza francuskiego a następnie jego tłumaczenie na polski. Każdy wiersz opatrzony został komentarzem do wiersza, który przedstawia ewentualne lub / i paralelne wersje tekstu. Potem kolejno następują: indeks autorów, tłumaczy i redaktorów oraz „poetycka” bibliografia.Warto dodać, że zamieszczone w książce ilustracje, pomagają uwidocznić czytelnikowi frankofoński świat Pankowskiego., La publication est bilingue. En français et en polonais. Plusieurs recensions ( en français, anglais et polonais, ont été écrites à son sujet: ici-oint, les pdf ou les liens et les références bibliographiques :* Agata Araszkiewicz, Poetycka archeologia „autora podwójnego” 3 (Dorota Walczak-Delanois, „Poetyckie podwojenie. Marian Pankowski – polski poeta języka francuskiego”), 30. 06. 2021 Magazyn "WIZJE"https://magazynwizje.pl/aktualnik/araszkiewicz-walczak/* Tomasz Chomiszczak, Pankowski - reaktywacja, czyli na początku była poezja, "Nowy napis co tydzień" 2021 nr 88, p. https://nowynapis.eu/tygodnik/nr-88/artykul/pankowski-reaktywacja-czyli-na-poczatku-byla-poezja* Jack Hutchens, On Pankowski's poetry, "The Polsh Review" 2023* Łukasz Kraj, Zwielokrotnione podwojenie – poeta Marian Pankowski woczach Doroty Walczak--Delanois”, "ROCZNIK KOMPARATYSTYCZNY - A COMPARATIVE YEAR BOOK" 2021, n° 10, p. 10 311-320.DOI: 10.18276/rk.2021.12-14. * Ewa Rajewska, Pan(k)optikum poetyckie, "ARCHIWUM EMIGRACJI. STUDIA - SZKICE-DOKUMENTY", 2021-22, n° 29, p. 374-377. http://dx.doi.org/10.12775/AE.2021-22.024* Pierre Schroven, Marian Pankowski, poète polonais de la langue française, "DIERESE. Poésie et littérature" 2021-2022, n° 83, p. 298-300. * Przemysław Szczur, Du dédoublement auctorial au dédoublement lectoral. À propos de "Poetyckie Podwojenie. Marian Pankowski - Polski Poeta Języka Francuskiego / Dédoublement poétique. Marian Pankowski - poète polonais de langue française de Dorota Walczak-Delanois, "Romanica Cracoviensia" 2022 n° 1, p. 115-119 DOI: 10.4467/2084391 https://www.ejournals.eu/Romanica-Cracoviensia/2022/Tom-22-Numer-1/art/21647, info:eu-repo/semantics/published, 1

Published
2020

28. Introduction

Author

Veivo, Harri, James, Petra, Walczak-Delanois, Dorota, Equipe de recherche sur les littératures, les imaginaires et les sociétés (ERLIS), Université de Caen Normandie (UNICAEN), Normandie Université (NU)-Normandie Université (NU), Centre Interdisciplinaire de Recherches Centre-Européennes (CIRCE), Cultures et sociétés d’Europe orientale, balkanique et médiane (EUR'ORBEM), Sorbonne Université (SU)-Centre National de la Recherche Scientifique (CNRS)-Sorbonne Université (SU)-Centre National de la Recherche Scientifique (CNRS), and Université libre de Bruxelles (ULB)

Subjects
[SHS.LITT]Humanities and Social Sciences/Literature, Etudes-nordiques, Beat Literature
Abstract

Edited by Harri Veivo, Petra James, Dorota Walczak-Delanois.E-Book (PDF) ISBN: 978-90-04-36412-7. (2018); International audience

Published
2019
Full Text
View/download PDF

30. Célébration du Centenaire de Marian Pankowski

Author

Célébration du Centenaire de Marian Pankowski (7-8.09. 2019: ULB et Collège de Belgique), Walczak / Walczak-Delanois, Dorota, Bocianowski, Cécile, Célébration du Centenaire de Marian Pankowski (7-8.09. 2019: ULB et Collège de Belgique), Walczak / Walczak-Delanois, Dorota, and Bocianowski, Cécile

Abstract

info:eu-repo/semantics/nonPublished

Published
2019

31. Marian Pankowski, in :LITERARY ENCYCLOPEDIA

Author

Walczak / Walczak-Delanois, Dorota, Van Heuckelom, Kris, Walczak / Walczak-Delanois, Dorota, and Van Heuckelom, Kris

Abstract

info:eu-repo/semantics/published

Published
2019

34. Między Sanokiem a Brukselą - wspomnienia o Marianie Pankowskim w setną rocznicę urodzin / Entre Sanok et Bruxelles – souvenirs sur Marian Pankowski au centenaire de sa naissance.

Author

Walczak / Walczak-Delanois, Dorota, Chomiszczak, Tomasz, Walczak / Walczak-Delanois, Dorota, and Chomiszczak, Tomasz

Abstract

Le livre, publié sous le patronage honoraire de Madame Danielle Pankowski-Martinet et avec le soutien financier de Philixte – centre de recherche à l’Université Libre de Bruxelles, de l’Institut Polonais à Bruxelles et la Mairie de Sanok, contient les textes de professeurs, gens de théâtre et de la culture, traducteurs, critiques littéraires, amis et famille de Marian Pankowski. Ce sont :Tomasz Chomiszczak, Bolesław Faron, Krystyna Latawiec, la famille Pankowski, Krystyna Ruta-Rutkowska, Janusz Szuber, Paul Beers, Guy Camberleng, Jacqueline Clément, Jacques De Decker, Anna François-Kos, Alain Van Crugten, Dorota Walczak-Delanois., Publication bilingue :en polonais et en français, info:eu-repo/semantics/published, 1

Published
2019

39. Look at the Road! About the Polish Way of this Big Beat, in: BEAT LITERATURE IN A DIVIDED EUROPE.

Author

Walczak / Walczak-Delanois, Dorota and Walczak / Walczak-Delanois, Dorota

Abstract

American Beat literature did not reach Polish readers in the 1950s easily due to the restrictive nature of the country’s political system. However, Leopold Tyrmand – a great advocate of jazz – Marek Hłasko – a kind of hobo adventurer – and Edward Stachura – a vagabond singer – can be considered as representing a Polish version of Beat. Labelled as “marginal” or émigrés, they succeeded in renewing Polish literature from the 1950s onwards. This chapter also discusses issues related to the relevant social and cultural context of Poland, such as the reception of the figure of the beatnik and hitchhiking. Ginsberg, who visited Poland several times, was the best known member of the Beat Generation. His poem “Café in Warsaw” and Miron Białoszewski’s short story Bitnik are important literary testimonies to Beat in Poland. The chapter ends with a discussion on post-1989 authors who represent non-conformist literature and a new style of being on “the road.”, info:eu-repo/semantics/published

Published
2018

46. Beat Literature in a Divided Europe

Author

Veivo, Harri M.S., Walczak / Walczak-Delanois, Dorota, James, Petra, Veivo, Harri M.S., Walczak / Walczak-Delanois, Dorota, and James, Petra

Abstract

Beat Literature in Europe offers twelve in-depth analyses of how European authors and intellectuals on both sides of the Iron Curtain read, translated and appropriated American Beat literature. The chapters combine textual analysis with discussions on the role Beat had in popular music, art, and different subcultures.The book participates in the transnational turn that has gained in importance during the past years in literary studies, looking at transatlantic connections through the eyes of European authors, artists and intellectuals, and showing how Beat became a cluster of texts, images, and discussions with global scope. At the same time, it provides vivid examples of how national literary fields in Europe evolved during the cold war era., info:eu-repo/semantics/published

Published
2018

47. L'appropriation de l'art contemporain par les artistes du bloc de l'Est. Étude sur le positionnement culturel (V. Komar et A. Melamid, Z. Kulik, G. Richter)

Author

Lenain, Thierry, Drouot, Olivier D.O., Den Tandt, Christophe, De Rudder, Denis D.R.D., Walczak / Walczak-Delanois, Dorota, De Zegher, Catherine D.Z.C., Chaushova, Aleksandra, Lenain, Thierry, Drouot, Olivier D.O., Den Tandt, Christophe, De Rudder, Denis D.R.D., Walczak / Walczak-Delanois, Dorota, De Zegher, Catherine D.Z.C., and Chaushova, Aleksandra

Abstract

Étant une collaboration entre l’ULB et l’ENSAV La Cambre, ce doctorat en art et sciences de l’art comporte une recherche théorique et une artistique. Les relations entre les deux pôles sont des relations d’ordre critique. Il existe certes des collisions où le travail théorique est un commentaire critique sur le travail artistique, et si possible, vice versa. Il ne s’agit pas d’un commentaire littéral sur mes œuvres, mais d’un commentaire qui reflète mes propres incertitudes quant à ma position d’artiste au sein et à l’égard de l’art contemporain.Le changement de pouvoir en 1989 mit les artistes d’Europe de l’Est devant des choix :changer et accepter le langage dominant de l’art contemporain développé à l’Ouest pendant les dernières 40 années, s’appropriant ainsi « l’histoire de l’art manquée » ;utiliser la symbolique totalitaire comme un langage qui les rend reconnaissables précisément par leur altérité ou bien développer d’autres types de réactions personnelles. Afin de mieux comprendre la situation de départ de ces artistes, le premier chapitre est consacré à l’organisation du marché de l’art dans l’ancien bloc de l’Est. Le deuxième chapitre traite des représentations incarnées le plus souvent par les artistes d’Europe de l’Est et des stéréotypes qui ont influencé la perception du monde occidental à l’égard de leur identité. En ressortent quelques images stéréotypales principales, nées au cours d’époques différentes :celle de la barbarité comme vision de soi (qui date du 18ème siècle), celle des révolutionnaires avant-gardistes (des années 1920), celle de la quête pour la liberté artistique occidentale et celle de la victimisation (au cours de la guerre froide).Les trois cas de réactions individuelles étudiés sont ceux de Komar et Melamid, Zofia Kulik et Gerhard Richter. Les artistes conceptuels russes Komar et Mélamid développent un travail où ils emploient des styles artistiques différents choisis pour leur qualité théâtrale :en tant que masques qui permettent u, Doctorat en Art et Sciences de l'Art, info:eu-repo/semantics/nonPublished

Published
2018

49. abécédaire d'un coeur rebelle

Author

Walczak / Walczak-Delanois, Dorota and Walczak / Walczak-Delanois, Dorota

Abstract

3 premières pages :https://www.loeilebloui.fr/abecedaire-lespremierespages/ Abécédaire d’un cœur rebelle témoigne de la fascination de l’auteure pour la langue française. Ces mi-poèmes, mi-histoires – espiègles, sensuels, drôles ou sérieux – sont nés d’une rébellion face à la difficulté d’exprimer le monde et soi-même dans un langage personnel et dans une langue étrangère.Les dessins réalisés à l’encre avec un bout de branche de groseillier dont partie intégrante de ce voyage incongru à travers les lettres et les êtres., Les liens :https://www.loeilebloui.fr/labecedaire-chronique/ Samia Hammami, Imaginaire et probabilité "Carnets et Instants" 2019 https://le-carnet-et-les-instants.net/2019/01/20/walczak-abecedaire-d-un-coeur-rebelle, info:eu-repo/semantics/published

Published
2018

Catalog

Books, media, physical & digital resources
See catalog results