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Recuperar y analizar investigaciones que den cuenta de la violencia contra la mujer en Colombia en los últimos años, sus actores y sus motivantes Este análisis documental busca identificar los tipos de violencia que afronta la mujer Colombiana, cuáles son los motivantes principales que la generan, cómo lo afronta la mujer víctima, los principales actores y escenarios involucrados, las instituciones que protegen y ofrecen apoyo a la mujer para disminuir este maltrato, la legislación existente; mediante la recuperación teórica que conlleve a analizar de qué manera se ha abordado el tema en nuestro país y la importancia que se le ha dado en miras de brindar un apoyo a la mujer víctima de éste acto. Este documento es de enfoque cualitativo y tipo exploratorio, con diseño teoría fundamentada de tipo emergente, generado mediante la elaboración de resumen analítico del escrito y plasmado bajo una matriz de acopio, con el propósito de develar cuales son los posibles recursos para disminuir la problemática de la violencia contra la mujer, brindado orientación para un bienestar y desarrollo integral frente a sus propios derechos. This documentary analysis seeks to identify the types of violence faced by Colombian women, what are the main motivators that generate it, how does the woman victim face it, the main actors and scenarios involved, the institutions that protect and offer support to women to decrease this mistreatment, the existing legislation; through the theoretical recovery that leads to analyze how the issue has been addressed in our country and the importance it has been given in order to provide support to the woman victim of this act. This document is of a qualitative and exploratory type, with an emergent-type grounded theory design, generated through the elaboration of an analytical summary of the writing and embodied under a collection matrix, with the purpose of revealing what are the possible resources to reduce the problem of violence against women, providing guidance for well-being and comprehensive development against their own rights.

Dissertação de mestrado apresentada à Escola Superior de Comunicação Social como parte dos requisitos para obtenção de grau de mestre em Jornalismo. A presente dissertação tem como campo de observação a Modas & Bordados, uma revista dirigida às mulheres que, durante a vigência da ditadura militar e do início do regime autoritário do Estado Novo, se destacou por dar voz nas suas páginas à luta pelos direitos das mulheres. A linha orientadora desta pesquisa é, assim, discutir o papel e a influência que teve nos processos de resistência ao poder cultural do regime, em particular à visão dominante do que era ser mulher em Portugal. Entre 1928-1947 (período analisado), e sob a direção da jornalista e escritora Maria Lamas, a revista ousou introduzir novas temáticas associadas a uma nova visão de mulher, que questionavam os padrões tradicionais e conservadores. Para a prossecução dos objetivos desta investigação, optou-se por uma estratégia metodológica assente numa análise de conteúdo aos conteúdos da revista que visavam uma mulher moderna, culta e independente. Deste modo, analisaram-se uma série de textos, que versavam assuntos tão importantes como os direitos da mulher no campo político, social e cultural. A principal conclusão que se pode retirar é que a Modas & Bordados levou muito a sério a responsabilidade do jornalismo na constituição de uma esfera pública plural. Este periódico desempenhou, na imprensa feminina, um papel educativo crucial para a construção de um novo discurso sobre o papel da mulher na sociedade portuguesa, fortemente ancorado nas lutas e conquistas que já vinham a ser feitas em alguns países da Europa Ocidental e nos EUA. ABSTRACT: The following master thesis chooses as field of observation the magazine Modas & Bordados, a female oriented publication which, during the time span of the military dictatorship and the beginning of the authoritarian regime Estado Novo, was known for acknowledging the fight for women's rights throughout it's pages. The guiding line of this research is, therefore, to discuss the role and the influence that the magazine had regarding the resistance to the cultural power of the regime and, in particular, to the dominant idea of the female role in Portugal at the time. Between 1928 and 1947 (period under consideration), and under the direction of the journalist and writer Maria Lamas, the magazine dared to introduce new topics related with a new vision of the women, putting into question the traditional and conservative standards. In order to pursue the goals of this research, the methodological approach chosen is set in a substance analysis to the contents of the magazine that concerned a modern, intelligent and independent woman. Thereby, a number of texts concerning issues as women's rights on a political, social and cultural level were analyzed. The main conclusion to be drawn is that Modas & Bordados took with great seriousness the responsibility that journalism has in the establishment of a plural public sphere. This publication had, regarding the female oriented press, a crucial and instructive part in constructing a new debate towards the role of women in the Portuguese society, heavily anchored on the struggle and achievements that were already in motion in some countries in western European countries and in the United States of America. N/A

The community of development partners in the Republic of Moldova would be honored to engage in the development policy dialogue with the new Government. This briefing book from development partners is offered as a first step in such a dialogue and is solely intended to assist the new Government by providing development partners views and proposals that it can use to the extent it considers useful and relevant. These recommendations are based on Moldova s existing policy orientations as set out in the National Development Strategy Moldova 2020, its international obligations, and the Association Agreement (AA) with the European Union (EU). Moldova made a formal commitment to accelerate the country s development by making it capital-intensive, sustainable and knowledge-driven. With a strategic framework outlining Moldova s development path in place, it is now critical to accelerate implementation of the reforms including those set out in the Association Agenda to move closer to the EU. Moldova faces significant risks in the financial sector, which should be addressed as a matter of urgency. A well-regulated and reliable banking sector is fundamental to business, people and international investors. At the same time a robust system of public financial management should be in place to ensure transparency and accountability of public finances. Moldova should develop a competitive business environment attractive to new investment. Moldova should also take advantage of new trading opportunities through effective implementation of the Deep and Comprehensive Free Trade Area (DCFTA).

This thesis is a logos — the beginning of a new paradigm in legal theory. Its objective is to begin a new line of intellectual inquiry. It is meant to open up a new theoretical framework within which different Indigenous peoples can explore and consider their legal regimes. Thus this thesis is an attempt to offer the reader a ‘dialogical encounter with an Indigenous jurisprudence’. Hence I carry out this act of legal reclamation by redefining jurisprudentia through my Yugumbeh language and determining its meaning through the concepts of talngai and gawarima. Thus it becomes a Talngai-gawarima jurisprudence. This Talngai-gawarima jurisprudence will bring the reader into a dialogical encounter with a reading of the law of Corpus Australis — that law is conceptualised as Land is the Law. This definition gives shape to the jurisprudential framework that orders the chapters — a shape that is not just abstract but physical and metaphysical; a shape that is circular and concentric at the same time, and so allows for the triadic layering of meaning to each reading. I have constructed this visual representation as follows: the outer circle is the cosmology, so that the human never forgets that they are inside a universe — a universe that has a law. This law is found in the second circle, which on one hand resembles the ancient Greek law of physis, but on the other hand is a law based on relationship and so is titled in this thesis as the Law of Relationship. This is a relationship that orders the placing of the individual in the innermost circle and patterns their rights and responsibilities into the Land. The jurisprudential texts which inform the theoretical framework of this thesis are found in the works of three Senior Law Men: SLM Bill Neidjie, SLM David Mowaljarlai and SLM Wandjuk Marika, who have turned to the literate tradition to bring to our attention the urgent message that the Djang (primordial energy) is out of balance and the rebalancing of that Djang is up to the individual through their lawful behaviour, a behaviour which patterns them back into land. The source of the imbalance, I argue, was the sublimation of Women’s law and their ceremonial access to the Land. To test this hypothesis, I carried out a reading of three contemporary narratives (Whale Rider, Thunderheart and Plains of Promise) which address issues relating to Indigenous peoples and their law. In each of the jurisprudential readings, I demonstrate how Indigenous peoples and their laws are actualised. At the end of each chapter, I also reiterate the importance of the reintegration of women’s law and ceremony if the gift of law which the Senior Law Men are offering is to be recognised by other laws. This thesis, therefore, is a new story of law about an ancient knowing, a knowing which calls to the present to re-balance behaviour and understanding of Land if we are to survive. This call is to Indigenous peoples and is about the importance of understanding their law as Land is the Law.