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The Working Voice is an accessible, go-to resource to help readers get to know, take care of, and develop their voice. An essential guide for anyone whose voice acts as an integral part of their professional role, this highly practical yet informative book provides the necessary insights to achieve real results, drawing on the experience of an expert speech and language therapist, and an accomplished actor and voice and communication coach.Each chapter offers a wealth of information on a key element of voice, including posture, tension release, breathing, resonance, volume, intonation and effective communication, alongside advice and exercises to maintain your vocal health and empower your communication in the workplace. The book includes self-assessment checklists, questionnaires and thought-provoking prompts to help you understand your voice better, identify the challenges you face as a professional voice user. It also contains exercises to enhance your vocal ability. Expert advice on what to embrace and what to avoid ensures a safe and structured path towards vocal health, quality and authentic presence.This crucial introduction to voice in the professional workplace will benefit anyone who speaks as part of their job, including education, law, media, health, entertainment and corporate professionals, whether communicating in person, online or to a large audience.

Many common vocal health problems may be successfully self-managed by singers. Even when a visit to the doctor is needed, an understanding of how the voice works, and, more importantly, when, and why it doesn't work, empowers the singer, and can make a medical visit more effective. Written by two prominent laryngologists with many decades of experience in treating singers, Keep Your Singing Voice Healthy! is a practical self-help manual that shows all singers, from beginner students to seasoned professionals, how to take charge of their vocal health. The authors demystify medical terms, explain the anatomy and function of the vocal apparatus, and give simple advice on managing common health issues, dealing with doctors and medications, and maintaining good health--all from the singer's perspective.

In the present era, statistics for emotional trauma are astonishing: over half of American seventeen-year-olds have experienced or witnessed it firsthand, and the next person you meet is more likely to carry nervous system trauma than to be left-handed. This carries over into the applied music studio where the world of emotions and feelings undoubtedly play a crucial role.An indispensable resource for the modern voice teacher, Trauma and the Voice: A Guide for Singers, Teachers, and Other Practitioners explores the body's response to trauma and practical ways that singing teachers can adapt the principles of trauma-informed care while maintaining ethical boundaries. Emily Jaworski Koriath gathers perspectives and research from across the fields of psychology, speech pathology, and vocal music education, andcontributors investigate a myriad of concepts including the physiology of trauma, the impact of trauma on learning, polyvagal theory, human attachment theory, and other relevant psychological concepts. The book provides not only the scientific underpinnings but also numerous tools and practical applications for daily studio interactions.

Seit bald 50 Jahren ist Gerhard Doss, Musikpädagoge und Stimmbildner an der Pädagogischen Hochschule der Diözese Linz, menschlich, künstlerisch und pädagogisch mit der AAP intensiv verbunden. Horst Coblenzer vom Max Reinhardt Seminar in Wien, neben Franz Muhar der Aufdecker, Erklärer und Beschreiber der AAP, war fast 40 Jahre lang, bis zu seinem Ableben, sein Wegbegleiter – als Lehrer und Mentor, Kollege und Freund, als Lebens-Mensch. In diesem Kompendium der atemrhythmisch angepassten Phonation serviert Gerhard Doss gemeinsam mit jungen Hamburger Schauspielern viele alltagstaugliche AAP-Übungen, die er mit physiologischen, psychologischen und philosophischen Kommentaren garniert. Wie das Zusammenwirken der AAP-Parameter Körperbewusstsein, Haltung, Atmung, Artikulation, Stimmfunktion und intentionale Einstellungen die kommunikativen Fähigkeiten optimiert, wird beleuchtet. Die positive Energie des Affektiven wird dabei in den Mittelpunkt gerückt, das Instinkthafte, Intuitive, das konstruktive Reflexverhalten, das Beziehungsstiftende, das unendliche Kreativitätspotential des Menschen. Seine vegetative Fähigkeit, sich immer wieder aufs Neue aufzurichten. Das Buch wendet sich an alle, die künstlerisch, pädagogisch, therapeutisch und menschlich interagieren.

A valuable guide that teaches students and professional performers alike how to train their most essential feature—their voice. For voice performers—from actors and singers to newscasters and radio hosts—even a minor voice disorder can have a significant impact on their career. Vocal training is vital if the performer wants to use his or her voice effectively and repeatedly.In Voice for Performance: Training the Actor's Voice, Third Edition, Linda Gates addresses key elements of voice and speech—respiration, vibration, resonation, and articulation—in a straightforward style to produce voices that are clear, articulate, and easily heard. While the focus of the book is on training the voice for performance in live theatre, it also features guidance for students who want to expand their vocal skills for work in radio, podcasts, television, film, voice acting, and even online meetings and presentations. This third edition features extensive updates based on advances in voice science, new pedagogical approaches, new media, and the latest technology. It also includes a companion website, voiceforperformance.com, with videos and audio of the author demonstrating the exercises, making this book a must-have for all voice performers.

More than 30 million Americans rely on their voices for their jobs—from teachers, religious leaders, and entertainers to lawyers, executives, salespeople, and doctors. A controlled voice increases self-confidence and enhances charisma, approachability, and trustworthiness. Yet an astounding 30 percent of professionals develop preventable vocal problems that could ruin their careers. And most do not know that both the quality and tone of one's voice can be changed.The Voice Book: Caring For, Protecting, and Improving Your Voice is a one-of-a-kind reference that will save and improve your voice, your job, and your personal life. With dozens of vocal exercises and a detailed guide to the anatomy and physiology of voice, the book covers the full range of vocal health, from protecting against hoarseness and laryngitis to expanding speaking range and enhancing voice tone and quality. Illustrations, photographs, FAQs, and downloadable audio tracks make this updated edition of The Voice Book a must-read for anyone who wants a dependable, strong, and engaging voice.

A well-functioning voice is part of the professional skills needed in many occupations. Although voice is an important communication tool, it is more than that: it is something which reflects human identity. The need for speech and voice is growing in spite of increasing technology applications; even instruments and technical equipment are guided by voice. The number of people having voice problems is increasing, which implies that voice does not always function according to the speakers'needs. Voice ergonomics has been developed for improving voice health and care. This book offers background knowledge and concrete guidelines on how to improve communication environments and practices for decreasing voice loading.

Singing can be a healthy, invigorating activity for people of every age, and participating in this fully athletic exercise remains enjoyable through each season of life if the singer and singing teacher adjust expectations regarding tone quality, range, agility, and stamina. Brenda Smith systematically presents methods by which anyone can enjoy a long, healthy life of singing in So You Want to Sing for a Lifetime.This book contains chapters on the basics of singing (relaxation, posture, breathing, and resonance), practical examples of exercises and lists of repertoire suited to each age group, and suggestions for negotiating individual musical obstacles related to aging. Featuring guest-authored chapters on voice science, vocal health, and how age affects the physiology of the human voice, the book serves as a useful guide to amateur and professional singers, music educators, choral conductors, church musicians, and private voice teachers.The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing for aLifetime features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

This book provides detailed steps and outcomes of globally tested health care and voice training programs for professional speakers and occupational voice users, including teachers, media reporters, fitness instructors, telemarketers, clergy, speech pathologists, and more. Each chapter is authored by an experienced voice clinician who provides a clear description of a target population and its challenges, as well as a detailed roadmap describing a unique global experience in developing, implementing, and advocating for these programs.

For vocal pedagogy courses, this textbook covers the physics of sounds, to vocal technique, to medications, to performance anxiety. It presents anatomical, physiological, and neurological considerations, as well as covers critical issues related to patient history, laryngeal function, the physical examination, and historical perspectives of vocal pedagogy.

This text provides the essential information on anatomy, posture, breath management, physiology of tone production, achieving resonance, the International Phonetic Alphabet (IPA), classification of voices, health care for singers, a logical method for learning repertoire, stage deportment, and technology. It is the ideal text for voice classes and lessons at the university level as well as for voice lessons in the independent studio.

This book presents a comprehensive approach to the prevention, diagnosis, and treatment of voice disorders as well as up-to-date voice care and injury prevention information--specifically related to actors, singers, and other voice professionals. This second edition is completely updated with six new chapters and contributions from leading voice professionals. It is an effective resource for practitioners and clinicians, and also provides professional vocalists and coaches with insight into what to look for when seeking treatment.

Esta obra aborda temas como tradição, oralidade, transmissão, ritual, entre outros aspectos que compreendem a voz em contextos expandidos como a meditação, a espiritualidade e diferentes processos interdisciplinares que reconhecem a voz enquanto potência de tratamento de certos distúrbios afetivos, emocionais e físicos.

So können Musiker gut und gesund ein Leben lang spielen Erfahrene Musiker kennen die Warnzeichen ihres Körpers: Ein leichter Spannungskopfschmerz, Schwindel oder Gelenkschmerzen sind ein sicheres Zeichen, dass ihnen die Musik in letzter Zeit wichtiger war als die eigene Gesundheit. Die Gründe für gesundheitliche Probleme bei Musikern und Sängern können vielfältig sein. Stress und Anspannung vor dem Konzert, ein zu hoher Lärmpegel im Orchestergraben oder Fehlhaltungen beim täglichen Üben sind nur einige der möglichen Faktoren. Hintergrundwissen zu den körperlichen und psychischen Grundlagen des gesunden Musizierens helfen, die Ursachen der eigenen Symptome zu finden und geeignete Gegenmaßnahmen zu ergreifen. Prof. Dr. Claudia Spahn, Leiterin des Freiburger Instituts für Musikermedizin, Prof. Dr. med. Bernhard Richter, Professor am Freiburger Institut für Musikermedizin und staatlich geprüfter Sänger (KA), und Alexandra Türk-Espitalier, Musikerin, Physiotherapeutin und Lehrbeauftragte, geben Berufsmusikern und Hobby-Musikern wertvolle Tipps: Kompakte Informationen für Musikstudenten, Orchestermusiker, Musikpädagogen, Instrumentalisten und SängerInstrumentenspezifische Risiken und präventive Übungen für Pianisten, Bläser, Streicher, Schlagzeuger und viele anderePraxiserprobte Tipps zum Umgang mit Stress und Emotionen beim Spielen und bei AuftrittenBerufsvorbereitung im Musikstudium und Praxistipps für den Berufsalltag Gesundes Üben für Berufsmusiker und Hobby-Musiker Praktische Übungen zur Prävention, zur Verhinderung von Fehlhaltungen und zur Linderung bereits vorhandener Beschwerden runden das Buch ab. Dabei gehen die Autoren auf unterschiedliche Lebensphasen, Instrumente und Berufsfelder ein. Dirigenten und Musiklehrer, Orchester- und Kirchenmusiker, Opernsolisten und Choristen, Pop- und Rockmusiker finden konkrete Empfehlungen zur Steigerung von Beweglichkeit und körperlicher Fitness, zum Gehörschutz, zu gelenkschonenden Bewegungsabläufen sowie zum Umgang mit Lampenfieber, Angst und Stress. Mit diesem Wissen zu den physischen und psychischen Grundlagen des gesunden Musizierens behalten Sie die Freude an der Musik ein Leben lang!

Every discipline tends to develop its own particular language and ways of communicating. This is true also about the various disciplines that talk about and describe the human voice - particularly as it relates to singing. The aim of this book is to bridge any gaps in communication, foster better understanding of the singing voice and encourage collaboration between those involved in performance, teaching, therapy and medicine. Because there is increasing interest in research in all these disciplines, creating a'common ground'for communication about the singing voice is essential for mutual understanding and for effective prevention and treatment of disorders in singers. One object for the artistic and scientific professions is to understand each other better by finding a vocabulary and terminology which they can share and use effectively. Difficulty in communication often arises when a singer or teacher of singing attempts to describe something sensory in nature by use of imagery and sign-language to non-singers, including the health and medical profes­ sions; and, in the same way, the use of obscure and sometimes frightening terminology by those in the medical sciences when offering explanations to singers. Teaching and simple language was and is needed from both sides. A number of advances are helping to create rapid change in bridging gaps in communication and in adding new information: 1. The formation of Associations for Performing Arts Medicine on a na­ tional and international scale are bringing new awareness to those who work with singers and other artists.

Choral Pedagogy, Third Edition, is the ideal text for voice teachers, choral conductors, church musicians, and professional and amateur singers who wish to develop strategies for lifelong singing. It concisely and clearly presents the principles of voice pedagogy from the perspective of both conducting and voice science in a user-friendly fashion, including helpful charts and simple anatomic diagrams. In addition, it offers teaching methods from history and philosophy, medical and voice science, and pedagogical concepts from active musical experts. Special attention is given to the needs of amateur singers and conductors. Topics covered include choral diction, posture and seating, rehearsal practices, and matters of vocal health.

Every discipline tends to develop its own particular language and ways of communicating. This is true also about the various disciplines that talk about and describe the human voice - particularly as it relates to singing. The aim of this book is to bridge any gaps in communication, foster better understanding of the singing voice and encourage collaboration between those involved in performance, teaching, therapy and medicine. Because there is increasing interest in research in all these disciplines, creating a'common ground'for communication about the singing voice is essential for mutual understanding and for effective prevention and treatment of disorders in singers. One object for the artistic and scientific professions is to understand each other better by finding a vocabulary and terminology which they can share and use effectively. Difficulty in communication often arises when a singer or teacher of singing attempts to describe something sensory in nature by use of imagery and sign-language to non-singers, including the health and medical profes­ sions; and, in the same way, the use of obscure and sometimes frightening terminology by those in the medical sciences when offering explanations to singers. Teaching and simple language was and is needed from both sides. A number of advances are helping to create rapid change in bridging gaps in communication and in adding new information: 1. The formation of Associations for Performing Arts Medicine on a na­ tional and international scale are bringing new awareness to those who work with singers and other artists.

Anthony F. Jahn, MD, internationally acclaimed otolaryngologist and Director of Medical Services at the Metropolitan Opera in New York, offers a comprehensive guidebook on a wide range of health and disorders that affect the voice. A vital tool for singers, voice teachers, and choral directors, The Singer's Guide to Complete Health empowers vocal performers to take charge of their own minds and bodies, providing advice about a variety of health issues that affect professional well-being as well as remedies to the most important and common health problems that singers face in their careers. Dr. Jahn has invited a diverse group of health care specialists and music professionals to share their expertise and tips with singers and their teachers. The chapters cover a broad spectrum of topics, including not only vocal issues, but also general physical and psychological well-being, diet, and exercise, accompanied by easy-to-follow illustrations, diagrams and charts. Each chapter provides a clear explanation of an aspect of health of practical relevance to vocalists. The book enables singers to make informed decisions about their own health, and gives guidance on seeking appropriate professional help and self-remedies. It includes numerous suggestions on ways to prevent illness and maintain a healthy vocal lifestyle, not only with traditional methods such as diet, exercise, and Alexander technique, but also holistic approaches such as meditation, yoga, tai chi, acupuncture, and Chinese herbs. A comprehensive blend of professional voice expertise and medical science, The Singer's Guide to Complete Health is an essential addition to bookshelves and medicine cabinets of both singers and those who care for them.

Singers must equip themselves with enough knowledge to clearly convey specific sensations and difficulties with their instrument. Understanding of potential dangers and disorders, familiarity with a variety of medical procedures, and comprehension in various facets of diagnosis and treatments empower singers to'own,'just like other musicians, their instrument. The Owner's Manual to the Voice provides singers with the knowledge necessary to communicate effectively and in intelligent terms about their instrument, especially when conversing with medical professionals. Beginning with an overview of the vocal anatomy, lead author Rachael Gates, and co-authors L. Arick Forrest, M.D. and Kerri Obert, M.A., C.C.C/S.L.P, proceed through detailed discussions of caring for the voice and common causes of vocal changes and problems before guiding the reader through the process of choosing, talking to, and working with an ENT. In so doing, they give insights that any professional voice user - whether singer, actor, broadcaster, politician, teacher, preacher, or lawyer - will find helpful if not essential.

This book should help conductors adjust expectations and methods to suit the condition and abilities of older singers. Maintaining one’s vocal skill in later years is the goal, since getting better may not be possible. Knowing that every choral conductor hopes a choir will improve from season to season, a new paradigm for the aging choir must be established. Once involved, the conductor of older singers is certain to reap the benefits of making music with people whose appreciation of the text, the music and the act of singing is deeper than in any younger ensemble.

The human voice expresses more than words, more than music. Vocal expression links the listener directly to another person's inner feelings, body, and soul. Keeping the voice healthy used to be as mysterious as the power of voice itself. Modern science has revealed much about the vocal mechanism and its health requirements, but simple information for the average voice user has remained hard to find and harder to trust. In Everyday Voice Care: The Lifestyle Guide for Singers and Talkers, respected voice therapist Joanna Cazden brings together a wealth of practical tips and advice to help keep your own expressive voice in top working order. Drawing from her experience as a singer, theater artist, and a licensed speech pathologist who has treated more than 1 000 voice patients, Cazden integrates up-to-date medical information with common-sense suggestions and sympathy for the demands of contemporary life. Chapters on food and drink, cold remedies, loud parties, travel, fitness routines, and when to see a doctor are complemented by notes on alternative health care and the spiritual dimension of vocal rest. This invaluable resource for voice and speech professionals, students, and teachers will answer even the age-old question of whether to put lemon or honey in your tea.

L'opera offre una panoramica multidisciplinare sulla voce. Racchiude contributi che discipline diverse hanno dato allo studio della voce: strumento essenziale di ogni relazione e di quella d'aituo in particolare.

“The author's in-depth knowledge, gleaned from his years of experience, shines through… an important work from a respected voice in the medical profession.” —Janine Pearson, Head of Voice and Coaching, Stratford Shakespeare Festival Finally, a book that addresses the wear, tear, and care of the voice in a simple yet scientifically grounded way— a way that will help you strengthen and protect your voice. This concise yet comprehensive book includes: —easy-to-understand chapters on voice production 101 and energy 101 —a description of what happens during a visit to the voice doctor —a chapter on the origins of the most common type of vocal strain —tips on proper breath support, hydration, and vocal exercises. Finding Your Voice blends the author's understanding of Western medicine and Eastern energy systems. With this book in hand, you can avoid misusing or abusing your voice— or make your way back to vocal health if you do.

Written to save careers one voice at a time through scientifically proven methods and advice, this resource teaches people how to protect and improve one of their most valuable assets: their speaking voice. Simple explanations of vocal anatomy and up-to-date instruction for vocal injury prevention are accompanied by illustrations, photographs, and FAQs. An audio CD of easy-to-follow vocal-strengthening exercises—including Hum and Chew, Puppy Dog Whimper, Sirens, Lip Trills, and Tongue Twisters—is also included, along with information on breathing basics, vocal-cord vibration, and working with students who have medical complications such as asthma, acid reflux, or anxiety.

During the past decades,'Dynamics of the singing voice'has successfully been established as a reference text for teachers of singing, singers, choral conductors and organists, speech and voice therapists, laryngologists and other health professionals, psychologists and those in linguistics. It discusses the physiological, psychological, musical and emotional aspects of the voice, particularly as they relate to singing but also to speaking. The book provides a greater understanding of how the voice works and the many factors involved in singing as well as an objective discussion of singing without reference to specific techniques. In this fifth edition, the author has now updated and rearranged the content. Furthermore she has added a new chapter on vocal pedagogic aspects in order to meet the requirements of the art of singing of the 21st century. Thus this new book provides the reader with the established concepts in combination with the latest knowledge about modern approaches to the singing voice.

Written for a wide range of voice professionals, particularly singing and voice teachers, this book presents reports on cases of performers with special needs and offers myriad solutions that help to preserve the voice and prevent further damage.

A compelling text and truly beneficial book for both amateurs and professionals, this book addresses typical vocal health problems encountered by singers and offers them, and their caregivers, practical suggestions, including straightforward, step-by-step exercises to improve vocal function. In particular, the book focuses on the needs of special groups of singers, such as public school music teachers and choral directors.

Within the body lie all the elements (anatomy, physiology and the connection between the mind and body) which are needed to produce sound. Every instrument has a frame. The unique thing about the human vocal instrument is that the body skeleton is the frame. The purpose of this book is to help the voice professional understand this instrument and know how to take care of it. This book defines common problems and discusses how to fix these problems based on the specialization of the voice professional.

The simple but vital premise behind this important book is that a healthy voice is a beautiful voice, and a clear tone and pleasant sound will arise from a healthy vocal technique. Based on the concepts of voice therapy, laryngology, and voice science, The New Voice Pedagogy presents a no-nonsense look at the ways knowledge gained through modern science can be applied to teaching voice. Marilee David, an experienced teacher and performer, first explains the physiology of the voice, then examines individual aspects of singing, such as breathing, mouth position, phrasing, tone quality, pitch, resonance, and registration, and offers instruction and exercises appropriate to each component. David also considers the effects of different lifestyle factors and situations on the voice, such as singing with a cold or illness, common medications, obesity, hormones, and aging. She describes symptoms and treatments of common voice problems, including hoarseness, laryngitis, types of dysphonias, and examples of abuse and misuse, giving an overview of voice therapy and diagnostic tools. An important chapter on ethics, unique to this book, uses case studies to examine ethical questions that arise in the voice studio. New to this second edition are expanded sections on posture and kyphosis, HIV and AIDS, and the aging voice, and a helpful glossary of terms used in voice therapy, laryngology, and voice science is included. The bibliography of over three hundred books and articles provides a supplemental reading list for those interested in learning more, and a new final chapter summarizes the pedagogical concepts explored.

Renowned French otolaryngologist Jean Abitbol, a lifetime student of the human voice, takes readers on an unforgettable odyssey spanning man's first use of voice through the acquisition of language to the use of voice as an expression of self. With great wit and charm, Dr. Abitbol's narrative encompasses everything from the psychological to the physiological, from explaining the workings of the voice to celebrating the human voice's highest achievements.

This second volume considers the medical and non-medical issues affecting the human voice, including diagnosis and treatment of voice problems, the effects of physical injury, posture, pollutants and irritants, psychological effects, voice therapy, medication, and much more. The world-renowned contributors present everything that students need for vocal pedagogy or speech and language pathology coursework, and that professional and amateur performers and their teachers must consider in their daily lives.

The new edition of this classic text has now been revised and expanded (with completely new chapters on children's singing, the aging voice, vocal health strategies for choral music educators, and vocal pedagogy and choral singing) to the extent that the work is now necessarily and logically divided into two volumes. This first volume focuses on the science behind the many common problems that afflict voice users and enables understanding of the medical approach to problem analysis.