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The article offers several classical concerts held as of February 2017, including singers Pattabhirama Pandit, Sikkil Gurucharan, and A. Kanyakumari.

The article offers the author's insights on the legacy of Sathur A. G. Subramaniam, an Indian musician and teacher of his mother Ananthalakshmi Sadagopan, and mentions their rendition of Tyagaraja's classical music, A. G.'s songs including "Nidhi chala," and Dikshitar's "Sree Krishnam."

The author explores some men in India who popularise the art of Bharatanatyam genre of Indian classical dance, including lawyer and classical artist E. Krishna Iyer, Carnatic classical composer Muthiah Bhagavatar, and Sanskrit scholar and musicologist V. Raghavan.

The article discusses the 39th Aradhana Festival of Carnatic music held in Cleveland during Easter weekend of 2016.

The article focuses on Bharatanatyam bani in India with an outline of its formation and development.

The article presents a reprint of the article "V.V. SADAGOPAN: The star that lights the way," by Sujatha Vijayaraghavan, which first published in the March 4, 2005 issue of the periodical "The Hindu." Topics discussed include Viravanallur Vedantam Sadagopan whose acclaimed masterpieces was Tyagaraja kriti "Enta vedukondu Raghava," his passion for children music education, and Sadagopan revived the "Indian Music Journal" and translated the periodical "Nalayira Divya Prabandham."

The article offers the author's insights on the wonder boy, Indian mandolin player and composer U. Shrinivas. She says that the musical maturity of Shrinivas and the flights of his imagination won him the admiration of great musicians of his time. She describes how Shrinivas plays ragas. She states that younger generation musicians like Shrinivas have brought the resurgence in Carnatic music.

The article focuses on the ragam-tanam-pallavi and mentions several Carnatic music concerts on ragam-tanam-pallavi held at Chennai, India performed by singers like T. Rukmini, Pattabhirama Pandit and Sikkil Gurucharan.

A personal narrative is presented which explores the author's experience of being violinist and also discusses musical career of female violinist, A. Kanyakumari, who was awarded as the prestigious title of "Sangita Kalanidhi" by the Music Academy.

The article profiles Kalanidhi Narayanan, a Bharatanatyam dancer, who became known as "The Treasure of Art" in India.

The author discusses the music performances and concerts at the Parthasarathy Swami Sabha, Bharati, Beheemasena Gardens in Mylapore, India, focusing on the performances of musicians including Ramakrishnan Murthy, Sikkil Gurucharan, and Venkatesh Kumar.

The article offers the author's views on the impact of the size of the stage on the performance of a dancer, particularly of a young Bharatanatyam dancer. It is inferred that the standard stage of the modern generation, which measures 60 feet by 40 feet, have come to dictate not just a dancer's height, but also the performance. It examines how the stage's size may affect a dancer's performance

The article describes a group of young dancers from Mumbai, India under the mentorship of dancer Vaibhav Arekar.