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Advancements in imaging technology have enabled hardware to support 10 to 16 bits per channel, facilitating precise manipulation in applications like image editing and video processing. While deep neural networks promise to recover high bit-depth representations, existing methods often rely on scale-invariant image information, limiting performance in certain scenarios. In this paper, we introduce a novel approach that integrates a super-resolution architecture to extract detailed a priori information from images. By leveraging interpolated data generated during the super-resolution process, our method achieves pixel-level recovery of fine-grained color details. Additionally, we demonstrate that spatial features learned through the super-resolution process significantly contribute to the recovery of detailed color depth information. Experiments on benchmark datasets demonstrate that our approach outperforms state-of-the-art methods, highlighting the potential of super-resolution for high-fidelity color restoration.

Visual illusions in humans arise when interpreting out-of-distribution stimuli: if the observer is adapted to certain statistics, perception of outliers deviates from reality. Recent studies have shown that artificial neural networks (ANNs) can also be deceived by visual illusions. This revelation raises profound questions about the nature of visual information. Why are two independent systems, both human brains and ANNs, susceptible to the same illusions? Should any ANN be capable of perceiving visual illusions? Are these perceptions a feature or a flaw? In this work, we study how visual illusions are encoded in diffusion models. Remarkably, we show that they present human-like brightness/color shifts in their latent space. We use this fact to demonstrate that diffusion models can predict visual illusions. Furthermore, we also show how to generate new unseen visual illusions in realistic images using text-to-image diffusion models. We validate this ability through psychophysical experiments that show how our model-generated illusions also fool humans.

Blind all-in-one image restoration models aim to recover a high-quality image from an input degraded with unknown distortions. However, these models require all the possible degradation types to be defined during the training stage while showing limited generalization to unseen degradations, which limits their practical application in complex cases. In this paper, we propose a simple but effective adaptive blind all-in-one restoration (ABAIR) model, which can address multiple degradations, generalizes well to unseen degradations, and efficiently incorporate new degradations by training a small fraction of parameters. First, we train our baseline model on a large dataset of natural images with multiple synthetic degradations, augmented with a segmentation head to estimate per-pixel degradation types, resulting in a powerful backbone able to generalize to a wide range of degradations. Second, we adapt our baseline model to varying image restoration tasks using independent low-rank adapters. Third, we learn to adaptively combine adapters to versatile images via a flexible and lightweight degradation estimator. Our model is both powerful in handling specific distortions and flexible in adapting to complex tasks, it not only outperforms the state-of-the-art by a large margin on five- and three-task IR setups, but also shows improved generalization to unseen degradations and also composite distortions., Comment: 17 pages

A popular method for enhancing images involves learning the style of a professional photo editor using pairs of training images comprised of the original input with the editor-enhanced version. When manipulating images, many editing tools offer a feature that allows the user to manipulate a limited selection of familiar colors. Editing by color name allows easy adjustment of elements like the "blue" of the sky or the "green" of trees. Inspired by this approach to color manipulation, we propose NamedCurves, a learning-based image enhancement technique that separates the image into a small set of named colors. Our method learns to globally adjust the image for each specific named color via tone curves and then combines the images using an attention-based fusion mechanism to mimic spatial editing. We demonstrate the effectiveness of our method against several competing methods on the well-known Adobe 5K dataset and the PPR10K dataset, showing notable improvements., Comment: European Conference on Computer Vision ECCV 2024

Text-to-Image (T2I) generation has made significant advancements with the advent of diffusion models. These models exhibit remarkable abilities to produce images based on textual prompts. Current T2I models allow users to specify object colors using linguistic color names. However, these labels encompass broad color ranges, making it difficult to achieve precise color matching. To tackle this challenging task, named color prompt learning, we propose to learn specific color prompts tailored to user-selected colors. Existing T2I personalization methods tend to result in color-shape entanglement. To overcome this, we generate several basic geometric objects in the target color, allowing for color and shape disentanglement during the color prompt learning. Our method, denoted as ColorPeel, successfully assists the T2I models to peel off the novel color prompts from these colored shapes. In the experiments, we demonstrate the efficacy of ColorPeel in achieving precise color generation with T2I models. Furthermore, we generalize ColorPeel to effectively learn abstract attribute concepts, including textures, materials, etc. Our findings represent a significant step towards improving precision and versatility of T2I models, offering new opportunities for creative applications and design tasks. Our project is available at https://moatifbutt.github.io/colorpeel/., Comment: Accepted in ECCV 2024

The rapid evolution of intelligent document processing systems demands robust solutions that adapt to diverse domains without extensive retraining. Traditional methods often falter with variable document types, leading to poor performance. To overcome these limitations, this paper introduces a text-graphic layer separation approach that enhances domain adaptability in document image restoration (DIR) systems. We propose LayeredDoc, which utilizes two layers of information: the first targets coarse-grained graphic components, while the second refines machine-printed textual content. This hierarchical DIR framework dynamically adjusts to the characteristics of the input document, facilitating effective domain adaptation. We evaluated our approach both qualitatively and quantitatively using a new real-world dataset, LayeredDocDB, developed for this study. Initially trained on a synthetically generated dataset, our model demonstrates strong generalization capabilities for the DIR task, offering a promising solution for handling variability in real-world data. Our code is accessible on GitHub., Comment: Accepted to ICDAR 2024 (Athens, Greece) Workshop on Automatically Domain-Adapted and Personalized Document Analysis (ADAPDA)

Automated and robust portrait quality assessment (PQA) is of paramount importance in high-impact applications such as smartphone photography. This paper presents FHIQA, a learning-based approach to PQA that introduces a simple but effective quality score rescaling method based on image semantics, to enhance the precision of fine-grained image quality metrics while ensuring robust generalization to various scene settings beyond the training dataset. The proposed approach is validated by extensive experiments on the PIQ23 benchmark and comparisons with the current state of the art. The source code of FHIQA will be made publicly available on the PIQ23 GitHub repository at https://github.com/DXOMARK-Research/PIQ2023., Comment: Pre-print

Progress in lighting estimation is tracked by computing existing image quality assessment (IQA) metrics on images from standard datasets. While this may appear to be a reasonable approach, we demonstrate that doing so does not correlate to human preference when the estimated lighting is used to relight a virtual scene into a real photograph. To study this, we design a controlled psychophysical experiment where human observers must choose their preference amongst rendered scenes lit using a set of lighting estimation algorithms selected from the recent literature, and use it to analyse how these algorithms perform according to human perception. Then, we demonstrate that none of the most popular IQA metrics from the literature, taken individually, correctly represent human perception. Finally, we show that by learning a combination of existing IQA metrics, we can more accurately represent human preference. This provides a new perceptual framework to help evaluate future lighting estimation algorithms.

3D lookup tables (3D LUTs) are a key component for image enhancement. Modern image signal processors (ISPs) have dedicated support for these as part of the camera rendering pipeline. Cameras typically provide multiple options for picture styles, where each style is usually obtained by applying a unique handcrafted 3D LUT. Current approaches for learning and applying 3D LUTs are notably fast, yet not so memory-efficient, as storing multiple 3D LUTs is required. For this reason and other implementation limitations, their use on mobile devices is less popular. In this work, we propose a Neural Implicit LUT (NILUT), an implicitly defined continuous 3D color transformation parameterized by a neural network. We show that NILUTs are capable of accurately emulating real 3D LUTs. Moreover, a NILUT can be extended to incorporate multiple styles into a single network with the ability to blend styles implicitly. Our novel approach is memory-efficient, controllable and can complement previous methods, including learned ISPs. Code, models and dataset available at: https://github.com/mv-lab/nilut, Comment: AAAI 2024 - The 38th Annual AAAI Conference on Artificial Intelligence

Recent advances in camera designs and imaging pipelines allow us to capture high-quality images using smartphones. However, due to the small size and lens limitations of the smartphone cameras, we commonly find artifacts or degradation in the processed images. The most common unpleasant effects are noise artifacts, diffraction artifacts, blur, and HDR overexposure. Deep learning methods for image restoration can successfully remove these artifacts. However, most approaches are not suitable for real-time applications on mobile devices due to their heavy computation and memory requirements. In this paper, we propose LPIENet, a lightweight network for perceptual image enhancement, with the focus on deploying it on smartphones. Our experiments show that, with much fewer parameters and operations, our model can deal with the mentioned artifacts and achieve competitive performance compared with state-of-the-art methods on standard benchmarks. Moreover, to prove the efficiency and reliability of our approach, we deployed the model directly on commercial smartphones and evaluated its performance. Our model can process 2K resolution images under 1 second in mid-level commercial smartphones., Comment: IEEE/CVF WACV 2023 (Oral)

In the film industry, the same movie is expected to be watched on displays of vastly different sizes, from cinema screens to mobile phones. But visual induction, the perceptual phenomenon by which the appearance of a scene region is affected by its surroundings, will be different for the same image shown on two displays of different dimensions. This presents a practical challenge for the preservation of the artistic intentions of filmmakers, as it can lead to shifts in image appearance between viewing destinations. In this work we show that a neural field model based on the efficient representation principle is able to predict induction effects, and how by regularizing its associated energy functional the model is still able to represent induction but is now invertible. From this we propose a method to pre-process an image in a screen-size dependent way so that its perception, in terms of visual induction, may remain constant across displays of different size. The potential of the method is demonstrated through psychophysical experiments on synthetic images and qualitative examples on natural images., Comment: pre-print

Visual illusions are a very useful tool for vision scientists, because they allow them to better probe the limits, thresholds and errors of the visual system. In this work we introduce the first ever framework to generate novel visual illusions with an artificial neural network (ANN). It takes the form of a generative adversarial network, with a generator of visual illusion candidates and two discriminator modules, one for the inducer background and another that decides whether or not the candidate is indeed an illusion. The generality of the model is exemplified by synthesizing illusions of different types, and validated with psychophysical experiments that corroborate that the outputs of our ANN are indeed visual illusions to human observers. Apart from synthesizing new visual illusions, which may help vision researchers, the proposed model has the potential to open new ways to study the similarities and differences between ANN and human visual perception.

Visual illusions teach us that what we see is not always what it is represented in the physical world. Its special nature make them a fascinating tool to test and validate any new vision model proposed. In general, current vision models are based on the concatenation of linear convolutions and non-linear operations. In this paper we get inspiration from the similarity of this structure with the operations present in Convolutional Neural Networks (CNNs). This motivated us to study if CNNs trained for low-level visual tasks are deceived by visual illusions. In particular, we show that CNNs trained for image denoising, image deblurring, and computational color constancy are able to replicate the human response to visual illusions, and that the extent of this replication varies with respect to variation in architecture and spatial pattern size. We believe that this CNNs behaviour appears as a by-product of the training for the low level vision tasks of denoising, color constancy or deblurring. Our work opens a new bridge between human perception and CNNs: in order to obtain CNNs that better replicate human behaviour, we may need to start aiming for them to better replicate visual illusions.

Image dehazing deals with the removal of undesired loss of visibility in outdoor images due to the presence of fog. Retinex is a color vision model mimicking the ability of the Human Visual System to robustly discount varying illuminations when observing a scene under different spectral lighting conditions. Retinex has been widely explored in the computer vision literature for image enhancement and other related tasks. While these two problems are apparently unrelated, the goal of this work is to show that they can be connected by a simple linear relationship. Specifically, most Retinex-based algorithms have the characteristic feature of always increasing image brightness, which turns them into ideal candidates for effective image dehazing by directly applying Retinex to a hazy image whose intensities have been inverted. In this paper, we give theoretical proof that Retinex on inverted intensities is a solution to the image dehazing problem. Comprehensive qualitative and quantitative results indicate that several classical and modern implementations of Retinex can be transformed into competing image dehazing algorithms performing on pair with more complex fog removal methods, and can overcome some of the main challenges associated with this problem., Comment: 13 pages, 5 figures