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3. Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods

6. Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods

8. Characterization and Removal of a Disfiguring Oxalate Crust on a Large Altarpiece by Hans Memling

12. Correlated x-ray fluorescence and ptychographic nano-tomography on Rembrandt’s The Night Watch reveals unknown lead “layer”

13. 4. Methods and Materials of the Amsterdam Sunflowers

14. 5. Chemical Alteration and Colour Changes in the Amsterdam Sunflowers

15. 7. Conservation of the Amsterdam Sunflowers: From Past to Future

16. Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods

22. Methods and Materials of the Amsterdam Sunflowers

23. Chemical Alteration and Colour Changes in the Amsterdam Sunflowers

24. Conservation of the Amsterdam Sunflowers

26. Frontispiz: Lead(II) Formate in Rembrandt's Night Watch : Detection and Distribution from the Macro‐ to the Micro‐scale

31. Lead(II) Formate in Rembrandt's Night Watch : Detection and Distribution from the Macro‐ to the Micro‐scale

33. New Opportunities Offered by the ESRF to the Cultural and Natural Heritage Communities

38. The “Historical Materials BAG”: A New Facilitated Access to Synchrotron X-ray Diffraction Analyses for Cultural Heritage Materials at the European Synchrotron Radiation Facility

39. The “Historical Materials BAG”: A new facilitated access to synchrotron X-ray diffraction analyses for cultural heritage materials at the European Synchrotron Radiation Facility

40. The “Historical Materials BAG”: A New Facilitated Access to Synchrotron X-ray Diffraction Analyses for Cultural Heritage Materials at the European Synchrotron Radiation Facility

41. Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods

45. CHAPTER 18. Examination of Vincent van Gogh's Paintings and Pigments by Means of State-of-the-art Analytical Methods

49. Additional file 1 of Identifying VOCs in exhibition cases and efflorescence on museum objects exhibited at Smithsonian’s National Museum of the American Indian-New York

50. Additional file 1 of Formation of zinc oxalate from zinc white in various oil binding media: the influence of atmospheric carbon dioxide by reaction with 13CO2

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