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The Jazzwise Magazine article covers various live performances at the Jazzfest Berlin, Enjoy Jazz festival in Heidelberg, and Tomorrow's Warriors' I AM WARRIOR event at the Jazz Cafe in London. The performances featured a diverse range of artists, from experimental jazz quartets to established musicians like Catherine Russell, showcasing a mix of traditional and avant-garde jazz styles. The events highlighted the talent and innovation of both established and emerging artists, reflecting the rich diversity and vibrancy of the contemporary jazz scene. [Extracted from the article]

The Jazzwise Magazine article highlights several new jazz album releases, including Nick Adema's "Urban Chaos" and Terry Seabrook's "Oceanic." Adema's album reflects his personal journey of grief and growth, while Seabrook's album explores environmental themes through music. The article also features reviews of other jazz albums, showcasing diverse styles and influences in the contemporary jazz scene. Overall, the article provides a comprehensive overview of recent jazz releases, offering insights into the artists' creative processes and inspirations. [Extracted from the article]

The article from Jazzwise Magazine features obituaries of three prominent figures in the jazz world. Quincy Jones, a versatile musician and producer, passed away at the age of 91, leaving behind a legacy of groundbreaking work in jazz and popular music. Alastair Robertson, founder of Hep Records, built a formidable jazz reissue label and made significant contributions to documenting jazz history. Jimmy Hastings, a skilled saxophonist and multi-instrumentalist, was known for his lyrical playing and versatility across various genres, leaving a lasting impact on the jazz community. [Extracted from the article]

This article provides an overview of three jazz albums: "60 Years" by Horace Tapscott's Pan Afrikan People's Arkestra, "Focus" by James Williams and Dennis Irwin, and "The Cry!" by Prince Lasha Quintet featuring Sonny Simmons. The article emphasizes the historical significance and musical achievements of each album, including Tapscott's socially conscious themes, Mingus's influential career, and Lasha and Simmons' innovative approach. It offers a brief summary of each album and its impact on the jazz genre. [Extracted from the article]

The article from Jazzwise Magazine titled "Great Jazz – The First Ladies of Jazz and Swing" highlights the contributions of female jazz musicians from the past. It features artists like Emily Remler, McCoy Tyner, Joe Henderson, and Dinah Washington, showcasing their talent and impact on the jazz genre. The article also discusses the limited opportunities available to female artists during that time period and celebrates their achievements. The compilation serves as a tribute to these pioneering women in jazz and swing music. [Extracted from the article]

The article discusses two live jazz recordings, "City Lights – Live in Munich, 1994" by the Oscar Peterson Quartet and "Lights On A Satellite: Live At The Left Bank" by Sun Ra & His Arkestra. The Oscar Peterson Quartet's performance in Munich marked Peterson's return to the stage after a stroke, showcasing his enduring talent alongside new band members. Sun Ra's recording captures the avant-garde essence of his Myth Science Cosmo Swing Arkestra, featuring exceptional piano playing and vocal performances. Both recordings offer unique insights into the jazz genre and the artists' creative expressions. [Extracted from the article]

The article from Jazzwise Magazine features reviews of three jazz albums: "The Tables Will Turn" by Brandon Sanders, "Parallels" by Joe Sanders, and "My Ideal" by Catherine Russell and Sean Mason. Brandon Sanders' album is described as rooted in old-school jazz traditions, with a mix of classic and contemporary elements. Joe Sanders' album showcases his musical versatility as a composer, producer, and arranger, with live and studio-recorded tracks. Catherine Russell and Sean Mason's album highlights Russell's heartfelt vocals and Mason's skilled piano accompaniment, blending old and new jazz styles seamlessly. Each album offers a unique perspective on jazz music, appealing to diverse audiences. [Extracted from the article]

The article discusses three different jazz recordings. The first recording features various jazz musicians, including Baby Dodds, Armstrong, Ory, and George Lewis, among others. The article praises Dodds' percussive variations and supportive beats. The second recording is a live performance by Bobby Wellins and his sextet, paying homage to Caledonia. The article highlights the energetic and high-energy nature of the performance. The third recording is a previously undiscovered live concert featuring Louis Stewart and Jim Hall. The article describes the story behind the recording and praises the musical chemistry between Stewart and Hall. [Extracted from the article]

The article titled "Great Jazz - Great Drummers: Masters of New Orleans Drumming" discusses the influential drummers of New Orleans and their impact on early jazz performance. The article features eleven drummers, including Tony Sbarbaro, Baby Dodds, Tubby Hall, Zutty Singleton, Paul Barbarin, Christopher 'Black Happy' Goldston, Ray Bauduc, Andrew Hilaire, Edgar Moseley, Alton Redd, and Minor 'Ram' Hall. These drummers incorporated the city's marching band traditions and African rhythms into their playing, creating a unique and influential percussive style. The article provides a detailed commentary on the techniques and rudiments used by each drummer, making it a valuable resource for those interested in New Orleans drumming. [Extracted from the article]

The article discusses several jazz albums. The first album, "Swings and Roundabouts" by the Phil Bancroft Trio, is a reissue of a recording from 1996. The album showcases Bancroft's rhythmic and melodic skills, with a focus on ensemble playing. The second album, "The Jumpin' Beat For The Hip Kids" by Tiny Bradshaw, features the bandleader's jump-blues style and scat singing. Bradshaw was a popular R&B and jump bandleader in the early 1950s. The third album, "The Famous 1938 Carnegie Hall Jazz Concert" by Benny Goodman, is a reissue of a classic concert. The article discusses the editorial issues involved in reissuing the concert and compares it to another reissue. The fourth album, "You're (Not) Elected Charlie Brown" by Vince Guaraldi, features short cues for a Peanuts special. The album is sentimental and will appeal to fans of Charles Schultz's work. [Extracted from the article]

The article discusses three different jazz albums: "Live in Soho" by Emil Viklický and Imogen Ryall, "Three Of Us Are From Houston And Reuben Is Not" by Walter Smith III, and "Ebo Taylor" by Ebo Taylor. The article provides brief descriptions and reviews of each album, highlighting the musical styles, compositions, and performances of the artists. It emphasizes the unique qualities and contributions of each album, showcasing the diversity and talent within the jazz genre. [Extracted from the article]

The article discusses several jazz albums, including "Side Hustle" by Thom Rotella, "Unfolding" by Louis Sclavis and Benjamin Moussay, "Little Big III" by Aaron Parks, "Purple/Black Volume 2" by David Preston, and "Quintet Music" by Travis Reuter. The albums cover a range of styles and influences, from classic jazz organ trios to contemporary song-form and experimental compositions. Each album showcases the musicians' technical skill and artistic expression, offering a diverse and engaging listening experience. [Extracted from the article]

This article from Jazzwise Magazine discusses several jazz albums and provides brief descriptions of each. The first album mentioned is "Relentless" by Dane Zone, which features a shifting urban scene and includes guest instrumentalists such as Binker Golding and Theo Croker. The article also mentions "Portrait" by Samara Joy, which is described as a testament to resilience and the enduring power of music. Another album highlighted is "Above Your House" by Henrik Jensen, which is a piano trio recording with a mix that some may find problematic. Lastly, the article discusses "Legend Of e'Boi (The Hypervigilant)" by Darius Jones, praising the saxophonist's compositions and the chemistry between the musicians. Overall, the article provides a brief overview of each album and offers insights into their musical qualities. [Extracted from the article]

The article discusses three different jazz albums: "Phil Haynes' 4 Horns & What? The Complete American Recordings," "King Kolax's Those Rhythm and Blues," and "Howard McGhee's Maggie's Back In Town!!" The first album features drummer Phil Haynes and his band, who were part of the experimental downtown scene in New York in the 1980s and 90s. The second album showcases the work of trumpeter and bandleader King Kolax, who played in Chicago and was known for his R&B style. The third album marks Howard McGhee's comeback in 1961 after struggling with drug addiction, and it features his unique bebop trumpet style. [Extracted from the article]

This article discusses two different jazz albums. The first album, "Trumpets of Michel Ange," is by Ibrahim Maalouf, a Francophone trumpeter known for his fusion of jazz and Arabic music. The album features collaborations with various musicians, including Trombone Shorty and Toumani Diabaté. The second album, "Lux Quartet Tomorrowland," is a joint project by Myra Melford and Allison Miller, two highly skilled and compatible musicians. The album showcases their command of contemporary jazz and features contributions from other talented musicians. Both albums offer unique and compelling jazz compositions that are worth exploring. [Extracted from the article]

The article discusses three different jazz albums. The first album, titled "Tis Autumn," features a trio led by a pianist who splits his time between Miami and Los Angeles. The album includes original tracks that capture the laid-back atmosphere of the West Coast. The second album, "Breaking Stretch," is by vibraphone-marimba specialist Patricia Brennan. Her Latin heritage influences her intricately percussive writing, and the album balances an eccentric playfulness with a spooky grey soundworld. The third album, "Only the Horizon," is by Jeff Coffin, known for his association with the Dave Matthews Band. This jazz-oriented instrumental album features over 40 musicians and includes big tunes and arrangements. Overall, these albums offer diverse perspectives and showcase the talent of the musicians. [Extracted from the article]

Jim Rattigan When Three Worlds Records TWR 0005 In the album notes, French Horn player Jim Rattigan says: 'Having had a career in classical music and now playing jazz, I [...]

This article explores three jazz albums by Mal Waldron, a renowned jazz pianist. The first album, "Four Classic Albums," showcases Waldron's versatility as both a sideman and a leader, featuring collaborations with notable musicians like John Coltrane. The second album, "The Mighty Warriors," is a duo concert with Steve Lacy, where they interpret the music of Thelonious Monk. The third album, "What Was Happening," highlights Waldron's original compositions and distinctive improvisational style. These albums serve as a testament to Waldron's talent and his significant contributions to the jazz genre. [Extracted from the article]

The article focuses on personal life of saxophonist Simon Spillett impacted by loss of partner vocalist Tina May. Topics discussed include attention of Spillett to Hayes legacy that influenced his playing stance, 50th anniversary of the death of the musician Edward Brian Hayes, and impression of Hayes to the flow of British modern jazz of the 1960s.

This article discusses two jazz albums: "All The Hits And More" by Chick Webb & His Orchestra and "The Divine One - A Centenary Tribute: Her 50 Finest 1944-62" by Sarah Vaughan. The Chick Webb album is a 4-CD collection that covers Webb's recordings as a drummer and bandleader from 1929 to 1939. Despite Webb's physical challenges, he established himself as a prominent figure in the early swing era. The Sarah Vaughan album celebrates her centenary year and features lesser-known tracks alongside her collaborations with notable musicians such as Miles Davis and Clifford Brown. The collection showcases Vaughan's journey to stardom and includes a variety of musical styles and collaborations throughout her career. [Extracted from the article]

The article discusses three jazz albums: "The Jazzanians" by The Jazzanians, "Epiphany" by Vince Mendoza & the London Symphony Orchestra, and "Four Classic Albums" by Wes Montgomery. "The Jazzanians" is an important album that emerged from a group of talented students in South Africa and had a significant impact on jazz education in the country. "Epiphany" is a beautiful album that breaks traditional jazz rules and integrates jazz soloists into a symphony orchestra. "Four Classic Albums" features Wes Montgomery's notable albums and showcases his unique guitar style. [Extracted from the article]

This article discusses several jazz albums and provides brief descriptions of each. The first album, "Hills & Valleys" by Söndörgó feat. Chris Potter, showcases the Hungarian quintet's fusion of Southern Slavic music with improvisation. The second album, "Superlocrian" by Hills & Valleys, is described as a chamber-jazz septet that combines classical polyphony with jazz harmonies. The third album, "Harken!" by Three Way, is a swinging and melodic quartet that maintains a chamber-like intimacy. The fourth album, "My Prophet" by Oded Tzur, is praised for its unified group sound and spiritual elements. The fifth album, "Band of Bands" by Mike Westbrook, features master musicians who have played in various Westbrook line-ups and showcases their talent and versatility. [Extracted from the article]

This article from Jazzwise Magazine features three separate reviews of jazz albums. The first review discusses a live album by Ken Peplowski, who returned to performing after a period of health issues. The reviewer notes Peplowski's skill on both tenor saxophone and clarinet. The second review focuses on a collaboration between Ivo Perelman and Matthew Shipp, highlighting their unique language and exploration of tonality and atonality. The final review discusses two releases by William Parker, one featuring a trio with Hamid Drake and Cooper-Moore, and the other showcasing Parker's spoken word poetry accompanied by Ellen Christie's soundscapes. Overall, the reviews provide insights into the musicians' performances and creative approaches. [Extracted from the article]

This document is a collection of brief reviews of various jazz albums. The first review discusses a musician named Bourne and his album "Creole Orchestra," which is described as emotionally expressive and inspired by dark fairy tales. The second review is about Gary Brunton's album, which is autobiographical and explores themes of loss and resilience. The third review is about Chris Corsano's solo album, which showcases his diverse musical collaborations. The fourth review is about Etienne Charles' album "Cultzck," which incorporates his Creole heritage and cultural traditions. The final review is about the Neil Cowley Trio's album "Entity," which is described as mysterious, melancholic, and minimalistic. [Extracted from the article]

The article discusses several jazz albums, providing brief descriptions and evaluations of each. The first album, "Almost All Things Considered" by SOL SOL, features compositions by saxophonist Elin Forkelid and guitarist David Stackenäs, creating a unique blend of composition and free improvisation. The second album, "Something Else!" by Soul Jazz, is a tribute to late jazz masters and aims to attract newer listeners to groove-centric music. The third album, "Sanyas" by Steve Turre, is a live recording that received mixed reviews, with some finding it tedious. The fourth album, "Horizons" by Alex Sipiagin, showcases the tight themes and compact improvisations of a group of musicians who have been playing together for over a decade. [Extracted from the article]

This article discusses several jazz albums and provides brief descriptions of each. The first album, "SOL SOL" by Elin Forkelid and David Stackenäs, features a mix of composed and improvised tracks that showcase the tension between their different styles. The second album, "Soul Jazz" by Vincent Herring, is a tribute to late jazz masters and aims to attract new listeners to the genre. The third album, "Sanyas" by Steve Turre, is recorded live and features a mix of semi-free collective improvisation and more structured compositions. The fourth album, "Horizons" by Alex Sipiagin, showcases the tight themes and compact improvisations of a group of musicians who have been playing together for over a decade. [Extracted from the article]