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Copyright of Contributions to Contemporary History / Prispevki za Novejšo Zgodovino is the property of Prispevki za Novejso Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions to Contemporary History / Prispevki za Novejšo Zgodovino is the property of Prispevki za Novejso Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions to Contemporary History / Prispevki za Novejšo Zgodovino is the property of Prispevki za Novejso Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Avtorica se osredotoča na tri glasbene incidente, ki so se v času Avstro-Ogrske zapisali v tržaško glasbeno zgodovino. Na podlagi poročil v tržaških časopisih skuša orisati napeto politično ozračje na prehodu iz 19. v 20. stoletje in analizirati možne razloge, ki so privedli do bojkota ali celo prepovedi nekaterih glasbenih del. Predvsem pa si prizadeva, da bi zbrala nove informacije o tržaški glasbeni preteklosti.

Copyright of Comparative Literature / Primerjalna Književnost is the property of Slovenian Comparative Literature Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

During the reign of Maria Theresia and her son Emperor Joseph II, Trieste was completely rebuilt and became an att ractive free tax port of the Habsburg Empire. From the beginning of the eighteenth century to the first decade of the twentieth century, the population of Trieste increased from 5,000 to 230,000 inhabitants with an incredible number of migrants coming from Central Europe and the Mediterranean coastal areas. The multiethnic middle class obtained a series of privileges never granted before to the nobility, and its status is recognisable through the passion for chamber music and symphonies of Wiener Klassik, played both in private and public concerts. With the help of Czech intellectuals and musicians, during the 1860s the native Slovenes established a group of societies in which Romantic music and national anthems or Lieder were played. This trend culminated in the foundation of the Narodni dom (National House) and the Glasbena matica ([Slovene] Music Society). At the same time, the Italian nationalists maintained partial control of the Opera house, and the German minority reacted with the Schillerverein, in which Julius Heller spent his energies in spreading the music of Romantic and late-Romantic authors. Despite the political clash, the three groups gave significant impulse to instrumental music, which has marked the culture of Trieste. [ABSTRACT FROM AUTHOR]

In the 19th century, political theory promoted the institutionalisation and systematisation of social issues. While it created the first systems for addressing social issues, it was rather (un)successful in establishing the systemic resources for their operation. Thus, the implementation of systemic responses to social issues has often been based on mutual solidarity in the so-called »mixed economy of welfare«. As a rule, the 'donors' cover areas of social issues that are prioritised by bourgeois society and the bureaucracy. Bourgeois society in general neglected rural areas, which bore the brunt of the early economic crisis, which was covered by large tax increases and land alienation, and with s. c. »Heimarrecht« (1863) was also predicted to take the lion's share of the social care of disabled migrant workers without property. An analysis and evaluation of the donations of John Nepomuk Kalister and his wife/widow Maria Kalister raises the question of motives for personal giving and personal responsibility in a culture of giving as the foundations on which the »mixed economy of welfare« was based. The article will specifically address the interplay of centuries-old moral and other motives and practices of giving with new, Enlightenment ones, which are also reflected in the donations and bequests of John Nepomuk Kalister. [ABSTRACT FROM AUTHOR]

Copyright of Ars Adriatica is the property of Sveuciliste u Zadru (University of Zadar) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Musicological Annual / Muzikoloski Zbornik is the property of University of Ljubljana, Faculty of the Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Radovi Zavod za povijesne znanosti HAZU u Zaru is the property of Zavod za Povijesne Znanosti HAZU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

U radu se analiziraju djela kipara Luigija Contija (1839. – 1904.) i njegovog nećaka kipara Giovannija Marina (1875. – 1926.) iz Trsta na starome Gradskom groblju u Zadru. Njihova djela potvrđuju dobre umjetničke veze između Trsta i Zadra na prijelazu stoljeća, kao i upućenost lokalnih naručitelja u suvremene trendove na području arhitekture i skulpture sepulkralnog karaktera. Donoseći nova saznanja o pojedinim grobnicama, njihovim autorima, naručiteljima i vlasnicima, rad dodatno potkrepljuje već ranije prepoznatu iznimnu spomeničku vrijednost staroga zadarskoga groblja i upućuje na daljnja istraživanja nadgrobne arhitekture i skulpture ovog kompleksa.

The governments of the newly formed and expanded states of Habsburg Central Europe began remaking society in formerly imperial spaces following Austria-Hungary's defeat in 1918. Austria-Hungary's demise as a geopolitical unit did not mean the disappearance of its administrative and juridical apparatus, some of which functioned well into the interwar era. Because bureaucratic transition did not necessarily parallel political transition, there was often no immediate, dramatic change in the regulation of prostitution--or the treatment of prostitutes and women assumed to be prostitutes--in these states. Some officials/police maintained that prostitution was a "necessary evil," and sought its continued regulation, while others sought its abolition. This article analyzes continuity and change in the treatment of prostitutes in prewar/wartime Cisleithanian Austria and postwar Venezia Giulia and Slovenia. Neighboring provinces under the Habsburg Monarchy, Italy occupied the former in late 1918, while the latter became part of Yugoslavia. [ABSTRACT FROM AUTHOR]

The article aims to present some of the characteristics of the 19th--century Habsburg welfare 'system' in the province of Istria, as perceived mainly through the perspective of (in)ability to work as a key criterion for determining eligibility for social assistance. Welfare issues were not addressed in a sufficiently systematic way at the time, nor were they long--term measures, but instead they mainly involved ad hoc solutions to individual problems, which suggests that the drivers of social welfare were mainly crisis circumstances. Seasonal poverty was also a pressing problem, especially in rural areas, but in general old age, illness and unemployment were identified as central drivers of poverty. The bourgeois work ethic (which helped to shape the regulation of charity) is also relevant in this context, since it understood the alleviation of poverty primarily in terms of providing work or training for individuals living in poverty. At national and provincial levels, the concept of charity was limited to institutional care, which covered only a small part of the social issues. The financial burden for all other forms of welfare rested with the municipalities, which had to find their own ways of providing resources, relying to some extent on the bourgeois ethic of philanthropism, but also on inter--municipal solidarity. [ABSTRACT FROM AUTHOR]

Pričujoči prispevek se fokusira na področje intime, na relacijo med očetom in sinom v pesniškem opusu in korespondenci Alojza Gradnika. Ugotovili smo, da je pesniški svet Alojza Gradnika deloval predvsem v funkciji imaginarnega povezovanja s predniki po očetovi strani, dograjevanja tistega dela pesnikove intime, ki mu je bila v resničnem življenju odvzeta, manj je bila poezija prostor, v katerem se je zrcalila njegova vez s sinom in njegovimi dediči, saj je slednjo v izživel v resničnem življenju. V pesniškem svetu je tako Gradnik izgradil podobo očeta - kmeta, ki je tudi sicer zrcalila pesnikovo občudovanje očeta, njegove moralne trdnosti, delavnosti in skrbnosti. Obenem je Gradnik v poeziji izgradil podobo dedka, preko Ivana Gradnika, enega od voditeljev tolminskega punta.

Copyright of Slavistična Revija is the property of Slavisticno Drustvo Slovenije and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions to Contemporary History / Prispevki za Novejšo Zgodovino is the property of Prispevki za Novejso Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Članek je podrobna analiza nagrobnih stel Decima Fulvija Doroteja v Kopru in Pole Orcivije v Mestnem muzeju starožitnosti »J. J. Winckelmann« v Trstu. Analizirani so motivi stel in z epigrafskega vidika je obrazložen pomen grškega napisa na reliefih. Izpostavljene so konkretne teorije izvora stel in upodobljencev,ter krajše obnovitve preteklih raziskav. Po Marie-Thérèse Le Dinahet-Couilloud nagrobna stela v Kopru izvira z grškega otoka Reneja, deloške nekropole, kar je razvidno že iz primerjave s številnimi stelami z Reneje, ki imajo enake značilnosti, tako slogovne kot epigrafske. Zato članek zagovarja tudi domnevo o steli Pole Orcivije v Trstu, ki bi tudi lahko izvirala z Reneje, in na podlagi primerjav izpostavlja teorijo njenega izvora kot precej verjetno.

Methodologically, the article comes from geocriticism, the field of comparative literature. The research focus is on poetry about Trieste in the 20th century, on the analysis of the poetic discourse about Trieste which reflects different historical interpretations of the Trieste region through the poetic representation of Trieste. Thus, the article analyzes the literarization of Trieste by poets from the Slovenian Trieste community, poets from the Italian community, and authors from the Istrian Trieste community, taking into account the multifocalization of views on a specific reference space. Based on the corresponding corpus of poems, we have captured the intersection of the poems in the representations and feelings of the decaying and disintegrating Trieste after the Second World War. At the same time, we identified different representations of the city over time: Trieste as a Roman city; Trieste as an Italian city; Trieste as a symbol of pain; Trieste as a symbol of alienation. [ABSTRACT FROM AUTHOR]

Due to the close proximity of the “Other”, Slovene inhabitants of Trieste were inclined to seek broader alliances, whether they were connected to Russophilia, Slavic reciprocity or the Yugoslav idea. It is therefore particularly interesting to observe how they reacted to internationalism, which was in the late 19th century becoming increasingly popular by social democracy. Where do socialism and liberalism stand apart, how does class struggle fight nationalism as an emancipatory movement? This was clearly shown in the Russian Revolution of 1905; no other Slovenian newspaper reported about it with such an intensity as the liberal Edinost and the socialist Rdeči prapor in Trieste. Edinost continued to advocate the Tsar as the personalization of Russia itself, and Rdeči prapor stood firmly on the stand of the people’s uprising. A full-year analysis of the accounts of both newspapers shows how ideologically unmanaged and changing their views were, and at the same time it points out the direction in which both ideas will develop in the 20th century. Answers to some topical questions (e.g. Is the struggle for a woman’s equality a matter of a national or class struggle?) have crystallized over the years, but the relationship between the nation and the class has always remained variable. It is also interesting to observe how socialist theory formed its local variations; the socialists Henrik Tuma and Karel Slanc see the future of socialism in Trieste, as it is supposed to be the perfect town for the beginning of the workers’ movement. However, to a certain extent, they remained faithful to national frameworks and even to the framework of the monarchy. But this can not be said for all social democrats, e.g. Ivan Regent and Etbin Kristan were much more committed to internationalism. The survey also shows how liberalism (nationalism) competed with socialism: the liberal discourse had radicalized and, to a certain extent, even took over the socialist vocabulary. Although it may sometimes seem that the ideological and political views intertwined and, to some extent, even merged, we keep noticing sudden withdrawals and mutual rejections that are being drawn to the present times. [ABSTRACT FROM AUTHOR]

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Art History is the property of Radovi Instituta za Povijest Umjetnosti and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

By taking into account census data, contemporary periodicals, archival material and oral sources, the article addresses the question of how the status and work possibilities of (Slovene) female servants in Trieste changed after the WWI with the newly established border between Italy and the Kingdom of Serbs, Croats and Slovenes. It examines the persistence and permutations of their migratory routes and analyses how servants who continued to work in Trieste after the war had to deal with the Italianisation process and which organisational networks supported them. It also analyses how Slovene servants, born in places that after the war remained outside Italy, negotiated their citizenship. [ABSTRACT FROM AUTHOR]

This paper analyses the ways in which the town of Trieste and its surrounding area are portrayed in literary works in the period following World War II. To this end, we have adopted a comparative approach in analysing three novels about the town of Trieste written by Irena Žerjal, Marisa Madieri and Jan Morris, belonging to different cultural and language traditions. Our analysis applied an interdisciplinary approach; geocriticism and literary imagology as well as the concepts of traumatic collective memory and postmemory. From a geocritical perspective, we have interpreted the literarisation of the town of Trieste from three different perspectives: the perspective of a Slovene author (Irena Žerjal); the Western-European perspective (Jan Morris); and the exile's perspective (Marisa Madieri). All three authors adopt a similar approach in their literary representations of the town of Trieste, namely going back in time, which allows them to shift the action from the present to the past, i.e. to Trieste as they knew it in their youth. In doing so, each author focuses on a different part of town. In those rare occurrences where action is set in the same places, each author ascribes a different meaning to the location. While the authors acknowledge the presence of the Other in Trieste, this has a negligible impact on the no vel's course of action. [ABSTRACT FROM AUTHOR]

Copyright of Zgodovinski Casopis is the property of Zveza Zgodovinskih Drustev Slovenije and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Treaties & Documents / Razprave in Gradivo is the property of Institut za Narodnostna Vprasanja and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Cet article analyse le contexte rédactionnel et les réseaux des consuls de Trieste (1810-1813) à l'époque napoléonienne, dans une perspective d'histoire culturelle, avec une attention particulière à la circulation de la pensée des Lumières, des savoirs français, italianisants et allemands et des pratiques documentaires à la fin de l'Ancien Régime. Armand-Louis-Maurice Séguier (1770-1831), qui était consul pendant l'Empire français (1810-1813), fut le rédacteur de trois mémoires rédigés entre mai et juillet 1810. Ces documents inédits étaient adressés à Nompère de Champigny, ministre des Affaires Étrangères, et ils sont conservés aux Archives Nationales de France. Ces sources sont importantes, car elles explicitent les réseaux intellectuels du consul, ses lectures et ses références culturelles. En effet, ces sources fragmentaires peuvent aider à dresser la 'bibliothèque de travail' de Séguier. L'exploitation de ces sources reflète les caractéristiques des travaux du consul et elles expliquent la circulation des idées économiques des Lumières. [ABSTRACT FROM AUTHOR]

The article is dedicated to presenting facts about Jožefina Češko (Ze- schko), married Terpinc (1805-1885), born to the family of the glass mas- ter Franc Češko and his wife Terezija, born Ogrin. In a rich bourgeois family, Jožefina grew up to become an intelligent and emotionally mature person, popular for her beauty and intended marriage to Andrej Smole. A rich wed- ding, life in a mansion, cosmopolitanism and travelling through Europe -- all this kindled the imagination of the people in Ljubljana, who kept talking about her and her life long after her death. The memory of her intensified her bad image. The article presents the architects of such an image and the reasons for it. At the same time, it presents facts about the real Jožefina. [ABSTRACT FROM AUTHOR]

Objectives: Frailty in older people associates with poor outcomes. Screening by ED physicians would greatly facilitate detection of frail older patients but our previous attempt to introduce routine ED-physician screening with Short Emergency Geriatric Assessment (SEGA), a 13-item frailty tool that French geriatricians use to identify frail patients, failed due to its length and complexity. A national committee recently generated a new version of the fast and simple 5-item Triage Risk Screening Tool (TRST) in which a subjective item ('nurse concern') was replaced by an item assessing basic activities of daily living. The ability of ED physicians using this French-TRST to accurately detect frail patients who require comprehensive geriatric assessment was assessed. Design: Prospective cross-sectional study on diagnostic accuracy relative to the gold standard, namely, geriatrician-administered SEGA. Setting: Tertiary-care hospital, France. Subjects and measurements: The participants were 498 ≥75-year-old patients who visited the ED in 2018–2019 and were administered French-TRSTs by first ED physicians and then geriatricians, followed by SEGA, all within 24 hours. Diagnostic accuracy variables were calculated. Geriatrician-TRST was used to identify TRST items that associated with ED physician misclassification of frail patients. Results: Emergency-TRST was significantly less sensitive than Geriatrician-TRST (88% vs. 93%; p=0.04) and tended to have lower negative predictive value (66% vs. 77%; p=0.09). Emergency-TRSTs rated four French-TRST items less well than Geriatrician-TRSTs. Conclusions: As a substitute for SEGA in the ED, the French-TRST performed quite well overall but the ED physicians detected frail patients less well than the geriatricians. Modifications of the French-TRST that may improve the diagnostic performance of ED physicians are discussed. [ABSTRACT FROM AUTHOR]

Copyright of Journal of the Institute of Croatian History / Radovi Zavoda za Hrvatsku Povijest is the property of Zavod za Hrvatsku Povijest, Filozofski Fakultet and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

• Construction of flowable interior mesh faces on a blade in tridimensional rotational flow sieve tray (TRST). • The effects of centrifugal force, projected area of the sieve holes, and rotational fluid accumulation were clarified. • The formulas were established to calculate the proportions along the flow direction. The distribution law of the rotational and perforated fluid in tridimensional rotational flow sieve trays (TRST) is the key point for revealing its working mechanism and engineering application. Due to complex issues such as overlapping blades, rotational fluid accumulation, and centrifugal force within TRST, it is very difficult to accurately calculate the flow ratio. In this paper, the flowable interior mesh faces were constructed at all sieve holes on a blade, and the velocity distribution on the interior faces was simulated as the fluid perforated through the different sieves, thus calculating the volume flow rate and ratio of the flow through perforations. And the three-blade unit experiment was designed to calculate the perforated ratio of the entire blade. Compared with the simulated values, the relative differences of the gas and liquid phases were within 25% and 10%, respectively, which were in good agreement. [ABSTRACT FROM AUTHOR]

Throughout history many Germanophone authors have lived in Trieste. One was Hilaria von Eckhel (1873- 1948). Her collection of short prose Zwischen Wellen und Steinen, the works Il mio Carso by Italian Triestine author Scipio Slataper (1888-1915), and Na obali by Slovene Triestine author Marica Nadlišek (1867-1940) portray Trieste and its surroundings from three different perspectives. The article is a comparative analysis of the literary representations of Trieste and the region. The analysis uses the method of geocriticism to focus mainly on the categories of space and identit y in literature. [ABSTRACT FROM AUTHOR]

The author presents a case study on influenza epidemic in Koper (Capodistria) between the autumn of 1918 and the spring of 1919. The epidemic outbreak is placed within the context of a long-lasting indigence, malnutrition (protein low and deficient food) and poverty, which was a direct consequence of the war and which strongly affected the immunity of the population in the region, with Trieste and smaller Istrian coastal towns included. Besides, chaotic political situation (war ending, changing of authorities and establishing provisional administrative structures after the end of the Austrian rule and before the final reestablishment of Italian authority in the Julian March) was not in favour of the hard situation and led to disorganized confrontation with health issues, absence of physicians and medicine shortage s. The paper tries to reconstruct the epidemic situation through scarce quantitative data (parish registers) and narrative sources (newspapers, memoirs, school chronicles etc.). Methodological obstacles in evidencing the appearance of this disease, are especially regarding inconsequent and non-uniform recording of the cause of death in the parish registers, lack of morbidity data due to non-obligatory announcing of influenza cases, prevalence of political topics but also the censorship, to which the daily (and other) press of the time was subjected. Despite these limitations, the paper tries to contribute, at least in part, to the deficient knowledge about the living conditions and social circumstances of the civilian population within the Julian March at the very end of the World War I. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Contemporary History / Časopis za Suvremenu Povijest is the property of Croatia Institute for History and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Treaties & Documents / Razprave in Gradivo is the property of Institut za Narodnostna Vprasanja and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)