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THE peace of Vervins was not very well observed on the part of France. The ruling idea which guided the foreign policy of Henry IV was to curb the power of the House of Austria: a plan incompatible with the letter of the treaty. In pursuance of this policy Henry became the supporter of Protestantism; not, perhaps, from any lingering affection for his ancient faith—his indifference in such matters has been already seen—but because the Protestants were the natural enemies of the Austrian House. Hence he was determined to support the independence of Holland. He annually paid the Dutch large sums of money; he connived at the recruiting for them in France; and in spite of a royal prohibition, granted at the instance of the Spanish ambassador in 1599, whole regiments passed into the service of the United Provinces. In aid of these plans Henry fortified himself with alliances. He courted the Protestant Princes of Germany, and incited them to make a diversion in favour of the Dutch; he cultivated the friendship of Venice, reconciled himself with the Grand Duke of Tuscany, and attached the House of Lorraine to his interests by giving his sister, Catharine, in marriage to the Duke of Bar (January 31st, 1599); who, formerly, when Marquis of Pont-à-Mousson, had been his rival for the French Crown, and who in 1608 succeeded his father as Duke of Lorraine. The Porte was propitiated by Savary de Brèves, an able diplomatist; and the vanity of France was gratified by obtaining the protectorate of the Christians in the East. The Pope was gained through his temporal interests as an Italian Prince. Henry had promised, on his absolution, to publish in France the decrees of Trent; and, as he had refrained from doing so out of consideration for the Huguenots, he had, by way of compensation, offered to support Clement VIII in his design of uniting Ferrara to the immediate dominions of the Church; although the House of Este had often been the faithful ally of France. The direct line of the

THE peace of Vervins was not very well observed on the part of France. The ruling idea which guided the foreign policy of Henry IV was to curb the power of the House of Austria: a plan incompatible with the letter of the treaty. In pursuance of this policy Henry became the supporter of Protestantism; not, perhaps, from any lingering affection for his ancient faith—his indifference in such matters has been already seen—but because the Protestants were the natural enemies of the Austrian House. Hence he was determined to support the independence of Holland. He annually paid the Dutch large sums of money; he connived at the recruiting for them in France; and in spite of a royal prohibition, granted at the instance of the Spanish ambassador in 1599, whole regiments passed into the service of the United Provinces. In aid of these plans Henry fortified himself with alliances. He courted the Protestant Princes of Germany, and incited them to make a diversion in favour of the Dutch; he cultivated the friendship of Venice, reconciled himself with the Grand Duke of Tuscany, and attached the House of Lorraine to his interests by giving his sister, Catharine, in marriage to the Duke of Bar (January 31st, 1599); who, formerly, when Marquis of Pont-à-Mousson, had been his rival for the French Crown, and who in 1608 succeeded his father as Duke of Lorraine. The Porte was propitiated by Savary de Brèves, an able diplomatist; and the vanity of France was gratified by obtaining the protectorate of the Christians in the East. The Pope was gained through his temporal interests as an Italian Prince. Henry had promised, on his absolution, to publish in France the decrees of Trent; and, as he had refrained from doing so out of consideration for the Huguenots, he had, by way of compensation, offered to support Clement VIII in his design of uniting Ferrara to the immediate dominions of the Church; although the House of Este had often been the faithful ally of France. The direct line of the

THE peace of Vervins was not very well observed on the part of France. The ruling idea which guided the foreign policy of Henry IV was to curb the power of the House of Austria: a plan incompatible with the letter of the treaty. In pursuance of this policy Henry became the supporter of Protestantism; not, perhaps, from any lingering affection for his ancient faith—his indifference in such matters has been already seen—but because the Protestants were the natural enemies of the Austrian House. Hence he was determined to support the independence of Holland. He annually paid the Dutch large sums of money; he connived at the recruiting for them in France; and in spite of a royal prohibition, granted at the instance of the Spanish ambassador in 1599, whole regiments passed into the service of the United Provinces. In aid of these plans Henry fortified himself with alliances. He courted the Protestant Princes of Germany, and incited them to make a diversion in favour of the Dutch; he cultivated the friendship of Venice, reconciled himself with the Grand Duke of Tuscany, and attached the House of Lorraine to his interests by giving his sister, Catharine, in marriage to the Duke of Bar (January 31st, 1599); who, formerly, when Marquis of Pont-à-Mousson, had been his rival for the French Crown, and who in 1608 succeeded his father as Duke of Lorraine. The Porte was propitiated by Savary de Brèves, an able diplomatist; and the vanity of France was gratified by obtaining the protectorate of the Christians in the East. The Pope was gained through his temporal interests as an Italian Prince. Henry had promised, on his absolution, to publish in France the decrees of Trent; and, as he had refrained from doing so out of consideration for the Huguenots, he had, by way of compensation, offered to support Clement VIII in his design of uniting Ferrara to the immediate dominions of the Church; although the House of Este had often been the faithful ally of France. The direct line of the

THE peace of Vervins was not very well observed on the part of France. The ruling idea which guided the foreign policy of Henry IV was to curb the power of the House of Austria: a plan incompatible with the letter of the treaty. In pursuance of this policy Henry became the supporter of Protestantism; not, perhaps, from any lingering affection for his ancient faith—his indifference in such matters has been already seen—but because the Protestants were the natural enemies of the Austrian House. Hence he was determined to support the independence of Holland. He annually paid the Dutch large sums of money; he connived at the recruiting for them in France; and in spite of a royal prohibition, granted at the instance of the Spanish ambassador in 1599, whole regiments passed into the service of the United Provinces. In aid of these plans Henry fortified himself with alliances. He courted the Protestant Princes of Germany, and incited them to make a diversion in favour of the Dutch; he cultivated the friendship of Venice, reconciled himself with the Grand Duke of Tuscany, and attached the House of Lorraine to his interests by giving his sister, Catharine, in marriage to the Duke of Bar (January 31st, 1599); who, formerly, when Marquis of Pont-à-Mousson, had been his rival for the French Crown, and who in 1608 succeeded his father as Duke of Lorraine. The Porte was propitiated by Savary de Brèves, an able diplomatist; and the vanity of France was gratified by obtaining the protectorate of the Christians in the East. The Pope was gained through his temporal interests as an Italian Prince. Henry had promised, on his absolution, to publish in France the decrees of Trent; and, as he had refrained from doing so out of consideration for the Huguenots, he had, by way of compensation, offered to support Clement VIII in his design of uniting Ferrara to the immediate dominions of the Church; although the House of Este had often been the faithful ally of France. The direct line of the

Within his complex musical textures, Charles Ives (1874-1954) often creates an integrated structure by employing techniques of restatement, such as ostinato and imitation; by applying systematic procedures such as serialism to one or more musical parameters; or by consistently combining a systematic procedure with restatement to increase or decrease complexity gradually and predictably. The central chapters of this study examine three of these techniques (wedge-palindrome, ostinato, and imitation) by analyzing examples from a group of representative works for chamber ensemble, piano, or chorus. Most of these short pieces are "experimental" in nature. Rather than writing out an isolated exercise, Ives would first try out new sounds and ideas or perhaps modify conventional devices, such as canon or ostinatino, within an actual composition. Later, a procedure that had been proved in this manner could be more easily incorporated into a substantial work like a symphony or sonata, though possibly in a less strict arrangement. The final chapter evaluates several examples from Ives's larger works to discover how these techniques are used within a nonexperimental environment. The concepts of ostinato and imitation are generally understood, but "wedge-palindrome" requires an explanation. Ives often treats the progressive and systematic modification of musical parameters, particularly texture of rhythm, as an independent technique in the experimental compositions. Typically, a wedge-like shape evolves as a widespread chord gradually and symmetrically contracts to a unison or a compact tone cluster. The inverse of this procedure, in which a simple element gradually and symmetrically expands, may also occur. In both procedures, the outermost voices form the outline of a wedge. If two wedges, one the inverse of the other, are presented as a cycle, a wedge-palindrome is created. When Ives applies this procedure to note values, the effect of an accelerando or ritardando is produced