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In present time Intercultural communication is one of the issues of the day. Intercultural communication is closely connected with language worldview as any language reflects the world and culture worldviews. The article is aiming at OOV (out-of-vocabulary words) that present Tatar specific culture concepts. To research such words first we have arranged them into groups and then compared them with their equivalents in English. The more words we need to explain the meaning of the concept in other language the bigger is the difference in the sphere of concepts of the peoples whose languages we learn. We use the method of a dictionary article analysis, comparative and analytical methods to research the Tatar people specific concepts. We have investigated the semantic group “Food” and have calculated the semantic distance coefficient for this group. The coefficient made up 9.93 and it is showing that the sphere of concepts of this field differs much for Tatar and English people. The research results can be used in future research of the Tatar language and culture, Intercultural Communication as well as in Theory and Practice of Machine Translation.

In this article literary and critical activity of the hero poet Moussa Jalil in the context of a historico-literary situation 1920 - 1930 - x is analyzed. In the Tatar literary criticism these years are characterized by difficult and contradictory development of literary criticism where Marx-Lenin methodology of studying literature are formed which cornerstone the Lenin theory of reflection, the doctrine about categories of class, party membership and nationality, the concept of liberation movement. On the example of the analysis of theoretical views of M. Jalil the way of forming the main creative method of the Soviet literature - socialist realism is traced. In the critical works special character, the principles and poetics of a new creative method are more boldly shown. In M. Jalil's articles the concept of the literary hero of the Soviet art is also developed. The critic estimated also modern Tatar poetry. In a complex studying life and works of modern poets, he estimates as well as stylistic and language features, and some aspects of their versification. The main characteristics of the critical activity are defined by authors of article: literary, realistic, publicistic criticism. It investigates also some questions of poetics of literary criticism. M. Jalil though considered pre-revolutionary heritage through class prism, he on the agenda raised a question of the studying and preservation. The critic highly appreciated the ideological and esthetic value of spiritual heritage of such classics as G. Tuqay, G. Kamal, M. Gafuri, Sh. Kamal etc. Relevance of work is explained by few studies of critical heritage of the poet. The used methods and the principles gave the chance more fully and systemically to investigate literary and critical heritage of M. Jalil and to reveal his role in formation and forming the Soviet literary criticism.

In present time Intercultural communication is one of the issues of the day. Intercultural communication is closely connected with language worldview as any language reflects the world and culture worldviews. The article is aiming at OOV (out-of-vocabulary words) that present Tatar specific culture concepts. To research such words first we have arranged them into groups and then compared them with their equivalents in English. The more words we need to explain the meaning of the concept in other language the bigger is the difference in the sphere of concepts of the peoples whose languages we learn. We use the method of a dictionary article analysis, comparative and analytical methods to research the Tatar people specific concepts. We have investigated the semantic group “Food” and have calculated the semantic distance coefficient for this group. The coefficient made up 9.93 and it is showing that the sphere of concepts of this field differs much for Tatar and English people. The research results can be used in future research of the Tatar language and culture, Intercultural Communication as well as in Theory and Practice of Machine Translation.

In this article literary and critical activity of the hero poet Moussa Jalil in the context of a historico-literary situation 1920 - 1930 - x is analyzed. In the Tatar literary criticism these years are characterized by difficult and contradictory development of literary criticism where Marx-Lenin methodology of studying literature are formed which cornerstone the Lenin theory of reflection, the doctrine about categories of class, party membership and nationality, the concept of liberation movement. On the example of the analysis of theoretical views of M. Jalil the way of forming the main creative method of the Soviet literature - socialist realism is traced. In the critical works special character, the principles and poetics of a new creative method are more boldly shown. In M. Jalil's articles the concept of the literary hero of the Soviet art is also developed. The critic estimated also modern Tatar poetry. In a complex studying life and works of modern poets, he estimates as well as stylistic and language features, and some aspects of their versification. The main characteristics of the critical activity are defined by authors of article: literary, realistic, publicistic criticism. It investigates also some questions of poetics of literary criticism. M. Jalil though considered pre-revolutionary heritage through class prism, he on the agenda raised a question of the studying and preservation. The critic highly appreciated the ideological and esthetic value of spiritual heritage of such classics as G. Tuqay, G. Kamal, M. Gafuri, Sh. Kamal etc. Relevance of work is explained by few studies of critical heritage of the poet. The used methods and the principles gave the chance more fully and systemically to investigate literary and critical heritage of M. Jalil and to reveal his role in formation and forming the Soviet literary criticism.

In this article literary and critical activity of the hero poet Moussa Jalil in the context of a historico-literary situation 1920 - 1930 - x is analyzed. In the Tatar literary criticism these years are characterized by difficult and contradictory development of literary criticism where Marx-Lenin methodology of studying literature are formed which cornerstone the Lenin theory of reflection, the doctrine about categories of class, party membership and nationality, the concept of liberation movement. On the example of the analysis of theoretical views of M. Jalil the way of forming the main creative method of the Soviet literature - socialist realism is traced. In the critical works special character, the principles and poetics of a new creative method are more boldly shown. In M. Jalil's articles the concept of the literary hero of the Soviet art is also developed. The critic estimated also modern Tatar poetry. In a complex studying life and works of modern poets, he estimates as well as stylistic and language features, and some aspects of their versification. The main characteristics of the critical activity are defined by authors of article: literary, realistic, publicistic criticism. It investigates also some questions of poetics of literary criticism. M. Jalil though considered pre-revolutionary heritage through class prism, he on the agenda raised a question of the studying and preservation. The critic highly appreciated the ideological and esthetic value of spiritual heritage of such classics as G. Tuqay, G. Kamal, M. Gafuri, Sh. Kamal etc. Relevance of work is explained by few studies of critical heritage of the poet. The used methods and the principles gave the chance more fully and systemically to investigate literary and critical heritage of M. Jalil and to reveal his role in formation and forming the Soviet literary criticism.

In present time Intercultural communication is one of the issues of the day. Intercultural communication is closely connected with language worldview as any language reflects the world and culture worldviews. The article is aiming at OOV (out-of-vocabulary words) that present Tatar specific culture concepts. To research such words first we have arranged them into groups and then compared them with their equivalents in English. The more words we need to explain the meaning of the concept in other language the bigger is the difference in the sphere of concepts of the peoples whose languages we learn. We use the method of a dictionary article analysis, comparative and analytical methods to research the Tatar people specific concepts. We have investigated the semantic group “Food” and have calculated the semantic distance coefficient for this group. The coefficient made up 9.93 and it is showing that the sphere of concepts of this field differs much for Tatar and English people. The research results can be used in future research of the Tatar language and culture, Intercultural Communication as well as in Theory and Practice of Machine Translation.

In present time Intercultural communication is one of the issues of the day. Intercultural communication is closely connected with language worldview as any language reflects the world and culture worldviews. The article is aiming at OOV (out-of-vocabulary words) that present Tatar specific culture concepts. To research such words first we have arranged them into groups and then compared them with their equivalents in English. The more words we need to explain the meaning of the concept in other language the bigger is the difference in the sphere of concepts of the peoples whose languages we learn. We use the method of a dictionary article analysis, comparative and analytical methods to research the Tatar people specific concepts. We have investigated the semantic group “Food” and have calculated the semantic distance coefficient for this group. The coefficient made up 9.93 and it is showing that the sphere of concepts of this field differs much for Tatar and English people. The research results can be used in future research of the Tatar language and culture, Intercultural Communication as well as in Theory and Practice of Machine Translation.

In this article literary and critical activity of the hero poet Moussa Jalil in the context of a historico-literary situation 1920 - 1930 - x is analyzed. In the Tatar literary criticism these years are characterized by difficult and contradictory development of literary criticism where Marx-Lenin methodology of studying literature are formed which cornerstone the Lenin theory of reflection, the doctrine about categories of class, party membership and nationality, the concept of liberation movement. On the example of the analysis of theoretical views of M. Jalil the way of forming the main creative method of the Soviet literature - socialist realism is traced. In the critical works special character, the principles and poetics of a new creative method are more boldly shown. In M. Jalil's articles the concept of the literary hero of the Soviet art is also developed. The critic estimated also modern Tatar poetry. In a complex studying life and works of modern poets, he estimates as well as stylistic and language features, and some aspects of their versification. The main characteristics of the critical activity are defined by authors of article: literary, realistic, publicistic criticism. It investigates also some questions of poetics of literary criticism. M. Jalil though considered pre-revolutionary heritage through class prism, he on the agenda raised a question of the studying and preservation. The critic highly appreciated the ideological and esthetic value of spiritual heritage of such classics as G. Tuqay, G. Kamal, M. Gafuri, Sh. Kamal etc. Relevance of work is explained by few studies of critical heritage of the poet. The used methods and the principles gave the chance more fully and systemically to investigate literary and critical heritage of M. Jalil and to reveal his role in formation and forming the Soviet literary criticism.

In this article literary and critical activity of the hero poet Moussa Jalil in the context of a historico-literary situation 1920 - 1930 - x is analyzed. In the Tatar literary criticism these years are characterized by difficult and contradictory development of literary criticism where Marx-Lenin methodology of studying literature are formed which cornerstone the Lenin theory of reflection, the doctrine about categories of class, party membership and nationality, the concept of liberation movement. On the example of the analysis of theoretical views of M. Jalil the way of forming the main creative method of the Soviet literature - socialist realism is traced. In the critical works special character, the principles and poetics of a new creative method are more boldly shown. In M. Jalil's articles the concept of the literary hero of the Soviet art is also developed. The critic estimated also modern Tatar poetry. In a complex studying life and works of modern poets, he estimates as well as stylistic and language features, and some aspects of their versification. The main characteristics of the critical activity are defined by authors of article: literary, realistic, publicistic criticism. It investigates also some questions of poetics of literary criticism. M. Jalil though considered pre-revolutionary heritage through class prism, he on the agenda raised a question of the studying and preservation. The critic highly appreciated the ideological and esthetic value of spiritual heritage of such classics as G. Tuqay, G. Kamal, M. Gafuri, Sh. Kamal etc. Relevance of work is explained by few studies of critical heritage of the poet. The used methods and the principles gave the chance more fully and systemically to investigate literary and critical heritage of M. Jalil and to reveal his role in formation and forming the Soviet literary criticism.

In present time Intercultural communication is one of the issues of the day. Intercultural communication is closely connected with language worldview as any language reflects the world and culture worldviews. The article is aiming at OOV (out-of-vocabulary words) that present Tatar specific culture concepts. To research such words first we have arranged them into groups and then compared them with their equivalents in English. The more words we need to explain the meaning of the concept in other language the bigger is the difference in the sphere of concepts of the peoples whose languages we learn. We use the method of a dictionary article analysis, comparative and analytical methods to research the Tatar people specific concepts. We have investigated the semantic group “Food” and have calculated the semantic distance coefficient for this group. The coefficient made up 9.93 and it is showing that the sphere of concepts of this field differs much for Tatar and English people. The research results can be used in future research of the Tatar language and culture, Intercultural Communication as well as in Theory and Practice of Machine Translation.

In present time Intercultural communication is one of the issues of the day. Intercultural communication is closely connected with language worldview as any language reflects the world and culture worldviews. The article is aiming at OOV (out-of-vocabulary words) that present Tatar specific culture concepts. To research such words first we have arranged them into groups and then compared them with their equivalents in English. The more words we need to explain the meaning of the concept in other language the bigger is the difference in the sphere of concepts of the peoples whose languages we learn. We use the method of a dictionary article analysis, comparative and analytical methods to research the Tatar people specific concepts. We have investigated the semantic group “Food” and have calculated the semantic distance coefficient for this group. The coefficient made up 9.93 and it is showing that the sphere of concepts of this field differs much for Tatar and English people. The research results can be used in future research of the Tatar language and culture, Intercultural Communication as well as in Theory and Practice of Machine Translation.

In this article literary and critical activity of the hero poet Moussa Jalil in the context of a historico-literary situation 1920 - 1930 - x is analyzed. In the Tatar literary criticism these years are characterized by difficult and contradictory development of literary criticism where Marx-Lenin methodology of studying literature are formed which cornerstone the Lenin theory of reflection, the doctrine about categories of class, party membership and nationality, the concept of liberation movement. On the example of the analysis of theoretical views of M. Jalil the way of forming the main creative method of the Soviet literature - socialist realism is traced. In the critical works special character, the principles and poetics of a new creative method are more boldly shown. In M. Jalil's articles the concept of the literary hero of the Soviet art is also developed. The critic estimated also modern Tatar poetry. In a complex studying life and works of modern poets, he estimates as well as stylistic and language features, and some aspects of their versification. The main characteristics of the critical activity are defined by authors of article: literary, realistic, publicistic criticism. It investigates also some questions of poetics of literary criticism. M. Jalil though considered pre-revolutionary heritage through class prism, he on the agenda raised a question of the studying and preservation. The critic highly appreciated the ideological and esthetic value of spiritual heritage of such classics as G. Tuqay, G. Kamal, M. Gafuri, Sh. Kamal etc. Relevance of work is explained by few studies of critical heritage of the poet. The used methods and the principles gave the chance more fully and systemically to investigate literary and critical heritage of M. Jalil and to reveal his role in formation and forming the Soviet literary criticism.

In present time Intercultural communication is one of the issues of the day. Intercultural communication is closely connected with language worldview as any language reflects the world and culture worldviews. The article is aiming at OOV (out-of-vocabulary words) that present Tatar specific culture concepts. To research such words first we have arranged them into groups and then compared them with their equivalents in English. The more words we need to explain the meaning of the concept in other language the bigger is the difference in the sphere of concepts of the peoples whose languages we learn. We use the method of a dictionary article analysis, comparative and analytical methods to research the Tatar people specific concepts. We have investigated the semantic group “Food” and have calculated the semantic distance coefficient for this group. The coefficient made up 9.93 and it is showing that the sphere of concepts of this field differs much for Tatar and English people. The research results can be used in future research of the Tatar language and culture, Intercultural Communication as well as in Theory and Practice of Machine Translation.

In this article literary and critical activity of the hero poet Moussa Jalil in the context of a historico-literary situation 1920 - 1930 - x is analyzed. In the Tatar literary criticism these years are characterized by difficult and contradictory development of literary criticism where Marx-Lenin methodology of studying literature are formed which cornerstone the Lenin theory of reflection, the doctrine about categories of class, party membership and nationality, the concept of liberation movement. On the example of the analysis of theoretical views of M. Jalil the way of forming the main creative method of the Soviet literature - socialist realism is traced. In the critical works special character, the principles and poetics of a new creative method are more boldly shown. In M. Jalil's articles the concept of the literary hero of the Soviet art is also developed. The critic estimated also modern Tatar poetry. In a complex studying life and works of modern poets, he estimates as well as stylistic and language features, and some aspects of their versification. The main characteristics of the critical activity are defined by authors of article: literary, realistic, publicistic criticism. It investigates also some questions of poetics of literary criticism. M. Jalil though considered pre-revolutionary heritage through class prism, he on the agenda raised a question of the studying and preservation. The critic highly appreciated the ideological and esthetic value of spiritual heritage of such classics as G. Tuqay, G. Kamal, M. Gafuri, Sh. Kamal etc. Relevance of work is explained by few studies of critical heritage of the poet. The used methods and the principles gave the chance more fully and systemically to investigate literary and critical heritage of M. Jalil and to reveal his role in formation and forming the Soviet literary criticism.

In this article literary and critical activity of the hero poet Moussa Jalil in the context of a historico-literary situation 1920 - 1930 - x is analyzed. In the Tatar literary criticism these years are characterized by difficult and contradictory development of literary criticism where Marx-Lenin methodology of studying literature are formed which cornerstone the Lenin theory of reflection, the doctrine about categories of class, party membership and nationality, the concept of liberation movement. On the example of the analysis of theoretical views of M. Jalil the way of forming the main creative method of the Soviet literature - socialist realism is traced. In the critical works special character, the principles and poetics of a new creative method are more boldly shown. In M. Jalil's articles the concept of the literary hero of the Soviet art is also developed. The critic estimated also modern Tatar poetry. In a complex studying life and works of modern poets, he estimates as well as stylistic and language features, and some aspects of their versification. The main characteristics of the critical activity are defined by authors of article: literary, realistic, publicistic criticism. It investigates also some questions of poetics of literary criticism. M. Jalil though considered pre-revolutionary heritage through class prism, he on the agenda raised a question of the studying and preservation. The critic highly appreciated the ideological and esthetic value of spiritual heritage of such classics as G. Tuqay, G. Kamal, M. Gafuri, Sh. Kamal etc. Relevance of work is explained by few studies of critical heritage of the poet. The used methods and the principles gave the chance more fully and systemically to investigate literary and critical heritage of M. Jalil and to reveal his role in formation and forming the Soviet literary criticism.

In present time Intercultural communication is one of the issues of the day. Intercultural communication is closely connected with language worldview as any language reflects the world and culture worldviews. The article is aiming at OOV (out-of-vocabulary words) that present Tatar specific culture concepts. To research such words first we have arranged them into groups and then compared them with their equivalents in English. The more words we need to explain the meaning of the concept in other language the bigger is the difference in the sphere of concepts of the peoples whose languages we learn. We use the method of a dictionary article analysis, comparative and analytical methods to research the Tatar people specific concepts. We have investigated the semantic group “Food” and have calculated the semantic distance coefficient for this group. The coefficient made up 9.93 and it is showing that the sphere of concepts of this field differs much for Tatar and English people. The research results can be used in future research of the Tatar language and culture, Intercultural Communication as well as in Theory and Practice of Machine Translation.

In Colombia, the agricultural sector has difficulties in integrating technologies, particularly in handpicking. This is the case of citrus products in Caldas. This research applies engineering methods in oranges handpicking on a farm located in Arauca, Caldas. The study aims at understanding collecting operation processes in order to be standardized. The results allowed to determine the elements of the operation; the movements in the groove, branches, tree and micro-movements or therbligs. Besides, efficient and inefficient movements that can be used for the design of tools, standardization of picking process and definition of labor competition rules that are fundamental to the competitiveness of citrus sector were also identified., En Colombia, el sector agrícola presenta dificultades en la integración de tecnologías, específicamente en la recolección manual; este es el caso de los cítricos en Caldas. Este estudio aplicó técnicas de Ingeniería de Métodos en la recolección manual de naranjas, en una finca localizada en Arauca, Caldas, con el fin de comprender la operación de recolección con miras a su estandarización. Los resultados permitieron determinar los elementos que conforman la operación; los movimientos realizados en el surco, las ramas, el árbol y los micromovimientos o therbligs; se identificaron además los movimientos eficientes e ineficientes que pueden ser empleados para el diseño de herramientas, la estandarización del proceso de recolección y la definición de normas de competencia laborales que son aspectos fundamentales para la competitividad del sector citrícola.

In Colombia, the agricultural sector has difficulties in integrating technologies, particularly in handpicking. This is the case of citrus products in Caldas. This research applies engineering methods in oranges handpicking on a farm located in Arauca, Caldas. The study aims at understanding collecting operation processes in order to be standardized. The results allowed to determine the elements of the operation; the movements in the groove, branches, tree and micro-movements or therbligs. Besides, efficient and inefficient movements that can be used for the design of tools, standardization of picking process and definition of labor competition rules that are fundamental to the competitiveness of citrus sector were also identified., En Colombia, el sector agrícola presenta dificultades en la integración de tecnologías, específicamente en la recolección manual; este es el caso de los cítricos en Caldas. Este estudio aplicó técnicas de Ingeniería de Métodos en la recolección manual de naranjas, en una finca localizada en Arauca, Caldas, con el fin de comprender la operación de recolección con miras a su estandarización. Los resultados permitieron determinar los elementos que conforman la operación; los movimientos realizados en el surco, las ramas, el árbol y los micromovimientos o therbligs; se identificaron además los movimientos eficientes e ineficientes que pueden ser empleados para el diseño de herramientas, la estandarización del proceso de recolección y la definición de normas de competencia laborales que son aspectos fundamentales para la competitividad del sector citrícola.