387 results on '"Thèses électroniques."'
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2. Violetting though August's end, or The sunset in water, the carillon-chime in square : an original chamber opera and a critical essay on the trajectory of American minimalist opera
3. Gordon Binkerd's Intermezzo from Essays for the piano (1976) : comprehensive analysis of Brahmsian compositional influences and stylistic elements
4. Voice building exercises from the Cornelius L. Reid archive : an introduction
5. The 1896 Vienna Tonkünstler-Verein competition : the three award winning works and seven anonymous submissions with clarinet
6. Babel : a composition for rock band, soprano quartet, and chamber ensemble, music and critical essay
7. Béla Bartók's editorial input as seen in his edition of Piano sonata Hob. XVI:49 in E flat major by Joseph Hayden
8. The combination of eastern and western musical worlds : Korean performance techniques applied to the western symphony orchestra in Isang Yun's Tänzerische Fantasie für grosses Orchester, Muak (1978)
9. A contemporary application of Boris Goldovsky's method for training the operatic singer-actor : a model for today's university opera workshop instructor
10. Theorizing atonality : Herbert Eimert's and Jefim Golyscheff's contributions to composing with twelve tones
11. Pedagogical applications of scat singing within the jazz trombone studio
12. The influence of indigenous Bushmen musical elements and significant compositional traits on Niel Van der Watt's song cycle, Die wind dreun soos 'n Ghoera, 'n Siklus Boesman-mites
13. A comparison of rhythm, articulation, and harmony in Jean-Michel Defaye's À la manière de Stravinsky pour trombone et piano to common compositional strategies of Igor Stravinsky
14. The application of common practice elements in modern music : examining examples of musical continuity in selected piano works of James R. Wintle
15. Breaking the doubler barrier : using Sy Brandon's Divertissement to demonstrate a practical approach to performing multiple woodwind works
16. Rhythmic consonance and dissonance in Eckhard Kopetzki's works for solo percussion : Topf-Tanz and Canned heat
17. The first movement of Piano sonata in B-flat minor by Julius Reubke : a comparison of three editions from the performer's point of view
18. The influence of Norwegian folk elements on Thomas Dyke Tellesen's Mazurkas, op. 3 (1849) and op. 14 (1853)
19. Utilizing standard violin orchestral excerpts as a pedagogical too : an analytical study guide with functional exercises
20. Form and pianistic texture in the operatic fantasies based on La sonhnambula and Der Freischütz of Franz Liszt and Julian Fontana : a comparison of compositional approach
21. Thematic and formal narrative in Respighi's Sinfonia drammatica
22. The poetic and musical dialogue of Ambrosini and Cavalcanti : a study of Claudio Ambrosini's A guisa di un arcier presto soriano, for solo flute
23. James MacMillan's St. John Passion : the role of Celtic folk idioms and the reproaches
24. Reading Isang Yun's Concerto no. 3 beyond western notational norms
25. Temporality and ryhthmic structure in Thirteen drums by Maki Ishii and Rebond A by Iannis Xenakis
26. A performance edition of the Alessandro Rolla Concerto in F for viola and orchestra, op. 4 (BI 549)
27. Comparative analysis of the musical distortion in Kaikhosru Sorabji's and Vladimir Horowitz's piano paraphrases based on Bizet's opera Carmen
28. Carlos Guastavino's Sonata para trombón o trompa y piano : analysis of Argentine song and formal western music tradition applied to trombone repertoire
29. The measurement of occupational identity among undergraduate preservice music teachers : a test development study
30. Erich Wolfgang Korngold's idea of the modern : developing variation in the Piano concerto in C sharp, opus 17
31. Under the influence of Marc Blitzstein : Leonard J. Lehrman's uses of serial techniques for dramatic purposes in Karla
32. Before I die : original composition with a critical essay exploring the techniques of six crossover composers
33. A performance guide for the unique challenges in Concerto for tuba and chamber orchestra by Jan Bach
34. Gualterio Armando's 34 Canciones hispanoamericanas para canto y piano : a comprehensive edition and an analytical study of the work's thematic unity, chromaticism, and use of musical quotations
35. A performer's guide to the dramatic, vocal, and musical challenges of Judith Weir's opera King Harald's Saga
36. The pedagogy of Robert Dick
37. A comparative examination of six American master trumpet teachers and the regional schools of playing that they represent
38. An examination of text reflection and imagery in Zoltán Gárdonyi's Fünf Lieder nach Gedichten von Rainer Maria Rilke
39. An analysis of Honegger's Cello concerto (1929) : a return to simplicity
40. The intimacy of death : Mahler's dramatic narration in Kindertotenlieder
41. Defining the contralto voice through the repertoire of Ralph Vaughan Williams
42. Charles Wuorinen's Flute variations II : an analysis and performance guide
43. Ligeti's early experiments in compositional process : simple structures in Musica ricercata
44. Prokofiev beckons : the double bass into the modern age, a pedagogical study of the op. 39 quintet
45. Shotakovich's use of satire in Anti-formalist Rayok with a focus on the music of the character D.T. Troikin
46. Sitting next to Bach : the influence of J.S. Bach on Sven-David Sandström's Bach motet project, with a focus on the motets Geist Hilft and Singet dem Herrn
47. The Russian Taffanel : the significance of Vladimir Tsybin and his Concerto allegro no. 3
48. The automatic compensating euphonium as the ideal choice for performing music composed originally for ophicleide
49. Constructions of choir identity in a high school
50. Selected operas of Isabelle Aboulker as repertoire for the university opera studio
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