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This article examines the case of the Women’s Auxiliary Television Technical Staff (WATTS) of the Chicago television station WBKB: an all-female technical and production crew that operated from 194...

This study aims to analyse the media management strategy of Indonesian television stations during the Covid-19 pandemic. In March 2020, an outbreak of the Covid-19 pandemic in Indonesia affected the operations of broadcasting offices, which forced people to work from home. This situation affects the operations, strategy, and content of the television industry. The object of research is Kompas TV, one of the largest media companies in Indonesia, which was the first to implement a digital concept for its customers. The concepts of planning, organising, actuating, and controlling are used to analyse the strategies media utilised. The methodology employed for the current research takes the form of a case study by adopting the qualitative approach through an in-depth interview and observation. The results showed that Kompas TV, through its digital platform in the form of websites, YouTube channels, and social media, achieved an increase in the number of viewers, users, and engagement during the pandemic. In particular, the digital aspect does not only appear in communication, but also in the implementation of the Kompas TV strategy. The results of the study also revealed that strategies carried out on Kompas TV can be used as a model for other television in Indonesia to emulate, in order to sustain its business in times of crisis. Keywords: Strategy, broadcast management, Indonesia television station, pandemic Covid-19, qualitative research. https://doi.org/10.17576/JKMJC-2021-3702-15

Exposure to unhealthy food advertising is a known determinant of children's poor dietary behaviours. The purpose of this study was to quantify and characterize Canadian children's exposure to food advertising on broadcast television and examine trends over time.Objectively measured advertising exposure data for 19 food categories airing on 30 stations broadcast in Toronto were licenced for May 2011 and May 2019. Using ad ratings data, the average number of food advertisements viewed by children aged 2-11 years, overall, by food category and by type of television station (child-appealing, adolescent-appealing and generalist stations), was estimated per time period.In May 2019, children viewed an average of 136 food advertisements on television, 20% fewer than in May 2011. More than half of advertisements viewed in May 2019 promoted unhealthy food categories such as fast food (43% of exposure), candy (6%), chocolate (6%) and regular soft drinks (5%) and only 17% of their total exposure occurred on child-appealing stations. Between May 2011 and May 2019, children's exposure increased the most, in absolute terms, for savory snack foods (+7.2 ad exposures/child), fast food (+5.4) and regular soft drinks (+5.3) with most of these increases occurring on generalist stations.Canadian children are still exposed to advertisements promoting unhealthy food categories on television despite voluntary restrictions adopted by some food companies. Statutory restrictions should be adopted and designed such that children are effectively protected from unhealthy food advertising on both stations intended for general audiences and those appealing to younger audiences.RéSUMé: OBJECTIF: Cette étude quantifiait et décrivait l’exposition des enfants canadiens à la publicité alimentaire télévisuelle et examinait l’évolution des tendances. MéTHODE: Des données sur l’exposition publicitaire pour 19 catégories alimentaires diffusées sur 30 postes de télévision à Toronto ont été obtenues sous licence pour les mois de mai 2011 et mai 2019. Le nombre moyen de publicités visionnées par enfant âgé de 2 à 11 ans, au total, par catégorie d’aliments et par type de poste (attrayants auprès d’enfants, d’adolescents ou d’un large public), a été estimé pour chaque période. RéSULTATS: En mai 2019, les enfants ont visionné, en moyenne, 136 publicités alimentaires télévisuelles, soit 20 % de moins qu’en mai 2011. Plus de la moitié de leur exposition publicitaire en mai 2019 faisait la promotion de catégories d’aliments malsains tels que la restauration rapide (43 % de l’exposition), les bonbons (6 %), le chocolat (6 %) et les boissons gazeuses (5 %), et seulement 17 % de leur exposition totale est survenue sur les postes attrayants auprès d’enfants. De mai 2011 à mai 2019, l’exposition des enfants a augmenté le plus, en nombre absolu, pour les collations salées (+7,2 publicités/enfant), la restauration rapide (+5,4) et les boissons gazeuses (+5,3), la majorité de ces augmentations survenant sur les postes généralistes. CONCLUSION: Les enfants sont exposés à la publicité alimentaire télévisuelle malsaine malgré les restrictions volontaires adoptées par certaines compagnies alimentaires. Des lois protégeant adéquatement les enfants contre les publicités malsaines diffusées sur les postes généralistes et ceux attrayant aux jeunes devraient être envisagées.

The purpose of this study is to describe the meaning of wabi-sabi that contained in the Tai-an tea room at Myokian Shrine, Kyoto Prefecture, Japan. The research of data is a video from the television program produced by NHK television station with a duration of five minutes named Hyouge Mono: Meihin Meiseki episode 7. The program features three sections of the tea room, there are nijiriguchi (the door), chashitsu (the tea room) and tokonoma (the alcove). This research used John Fiske's television semiotics theory which consists of three levels, the reality level, the representation level and the ideology level to find the codes that seen in the three sections. The method used is a qualitative descriptive method. The analysis of the reality and representation levels produces an ideology level in the form of a wabi-sabi philosophy represented by the zen aesthetic by Shinichi Hisamatsu. The results of this study indicate that in the Tai-an tea room contain several zen characteristics, there are kanso (simple), datsuzoku (free), fukinsei (asymmetric) and yugen (subtle). These characteristics represent simplicity, resignation, humility and tranquility in wabi-sabi and help to realize the concept of ichi go ichi e that aimed by Sen no Rikyu

O artigo busca compreender as maneiras pelas quais diálogos com/entre regimes representacionais da cozinha inscrevem-se no reality show Cook Off – Duelo de Sabores, exibido em 2015 pela emissora televisiva portuguesa RTP1. Ao mesmo tempo, evidencia como a produção mobiliza e, sobretudo, tensiona visibilidades hegemônicas do gênero reality show. Nesse percurso, identificam-se tensionamentos relativos tanto aos enquadramentos da temática da competição quanto às representações do que denominamos uma “cozinha como culinária”. Quanto ao segundo ponto, não obstante o olhar gastronomizado dos chefs assuma uma posição hierarquicamente destacada, o programa dá a ver imagens que evidenciam o (re)conhecimento de uma cozinha cotidiana e popular, nas quais se entreveem “artes de fazer” do dia a dia.

Este artigo centra-se na abordagem da Transmídia diante de uma matéria jornalística intitulada "Ministério Público denuncia o ex-presidente Lula e mais dez pessoas", exibida em 11/10/2016 no telejornal da TV Record, emissora de televisão brasileira, que abordou o envolvimento dos Governos do Brasil e Angola, atrelados a uma empreiteira brasileira chamada Odebrecht, envolvendo manobras financeiras de origens duvidosas quanto à sua licitude, e demonstrado um jornalismo investigativo em combate à corrupção.

Traffic is activity on a page of a site resulting from Internet visits and activity on that page. The more a site is visited, and the more activity Internet users engage in on the site’s pages, the higher its traffic. Traffic is like an audience on a television station, listener to the radio station, or circulation on print media. Traffic is the overall activity of readers on online media sites. Data collection from cnnindonesia.com is the commodification of content in an online forum, as in Kaskus and Kompasiana. The media are certainly competing to present exciting news content so that their readers remain loyal to their online. Exciting content on news portals and other efforts are employed solely to increase traffic. One such effort is the use of referral traffic, that is traffic which comes from other websites other than the major search engines, sources such as forums, blogs, and minor search engines are categorized as referral traffic. Visitors come to the online media portal through other websites and blog intermediaries. Although the contribution of made by referral traffic is not as great as the other sources, this practice considered quite useful as it does increase traffic in the media, traffic which is essential—and a measure of success.

The polemic of ex-convict candidates for legislative members has given special attention to academics and the general public. In this case, the polemic lies in the overlap between regulations number 7 of 2017 about General Elections and Regulation of Election Commission number 20 of 2018 about the nominations of DPR, provincial DPRD and Regency / city DPRD members. The core problem in the regulation is the limitation of political rights for ex-convicts (Croupier of Drugs, Sexual Crimes against Children and Corruption). Whereas the higher level regulation does not limit this. This research is a library research. Namely research that uses all sources of research from books, journals, articles, research, laws, and from the internet. After the sources are obtained and then analyzed using related theories. This research focuses on the normativity strategy that should have been carried out and applied by the general election commission in limiting former convicts in the 2019 general election. The normativity strategy that should be carried out by the general election commission on the limitation of convicted persons in general elections in Indonesia is the making of regulations relating to the submission of honesty to the public that those who nominate themselves as prospective legislative candidates are ex-convicts. One of the strategies that must be regulated in the regulation is, Submission to the public through social media, in this case the delivery must be regulated more stringently and in more detailed procedures, because it is feared that political actors whose status as ex-convicts only pay to one television station and get a certificate or proof. However, the provision of information is not broadcast on the television station, and so forth.

Este artigo se propõe a analisar um pontual acontecimento discursivo presente na entrevista de Regina Duarte, ex-secretária especial de cultura do governo brasileiro, para a emissora de televisão CNN Brasil, em 7 de maio de 2020. Mais especificamente, defende-se a hipótese de que a marchinha “Pra frente, Brasil”, cantada por Regina durante a entrevista, funcionou como um acontecimento discursivo sutilmente integrado a uma rede interdiscursiva que, no Brasil, continuamente reforça simbólicas reciclagens da memória histórica referente ao período da Ditadura Militar (1964-1985) por meio da atualização da memória discursiva. Para tanto, a partir de conceitos-chave dentro do quadro teórico-metodológico da Análise do Discurso francesa, desenvolve-se um percurso conceitual pautado, sobretudo, nas noções de memória histórica, memória discursiva, interdiscurso e pré-discurso.

This study examines the effects of local television stations’ Facebook posts on news engagement. By scraping 4,151 Facebook posts from a local television station’s Facebook page, this investigation...

In 2010, the United States' Twenty-First Century Communication and Video Accessibility Act (CVAA) required local television broadcasters provide captions when they re-distributed their news broadcasts online if the material had been broadcast with captions. Concerned that broadcasters were trying to skirt the CVAA by breaking up the online version of their newscasts into individual clips, in 2014, the Federal Communication Commission (FCC) mandated broadcasters caption online news clips as well, effective January 2016. Research conducted shortly before the rules announcement found many stations ill-prepared for the new mandate. In the current study, we examined a stratified sample of 20% of US television station markets to see how well local news stations responded to the new captioning mandate and to see whether or not the burden of captioning newsclips may have led to a reduction in the number of stations putting newsclips online, a concern expressed at the time by then FCC Commissioner Ajit Pai. We found that while the captioning rate has improved substantially since studies conducted shortly before the law was announced, around 30% of the news clips we examined were uncaptioned. We did not find a reduction in the number of stations with video clips. All of the 156 sampled station web sites included video clips.

As one of the electronic media, television is present in the most private space of television toactually live from advertisers. The public or the public in this case is placed in one position as acommodity that is able to capture advertisers who can provide income for the life of the televisionstation. human life. Television is present in the family room, even the bedroom. audiences have the rightto receive quality shows that are useful for them, and not only give priority to the benefits of televisionstation owners. The media has so far been influenced by ratings so enforcement of the code of conductis often ignored. Ratings also cause uniformity of type of viewing on television stations. Law No. 32 of2002 concerning Broadcasting was born from the spirit of freedom of opinion and obtain the widestpossible information for the community. The Broadcasting Law is a law governing the principles ofbroadcasting that apply in Indonesia. This includes the principles, objectives, functions and directionof national broadcasting, regulating the provisions of the Indonesian Broadcasting Commission,broadcasting services, Public Broadcasting Institutions, Private Broadcasting Institutions, SubscribedBroadcasting Institutions, Community Broadcasting Institutions, Foreign Broadcasting Institutions,Broadcasting Stations and broadcast coverage, and licensing and broadcast activities. The principlesin the Broadcasting Law are held based on the Pancasila and the 1945 Constitution of the Republic ofIndonesia with the principles of benefits, fair and equitable, legal certainty, security, diversity,partnerships, ethics, independence, freedom, and responsibility.

This research is related to Berita Satu News Channel’s marketing communication activity based by the application of a redactional policy of a press company in the form of a television station in the paid network of cable television and satellite. Berita Satu News Channel’s marketing communication activity utilizes the majority of Lippo Group network’s force, which acted as the core company. These research theories are the organizational control theory and the promotional mix theory. Post-positivism is the paradigm that’s used with its qualitative approach and a descriptive method to depict a real marketing communication process execution of Berita Satu News Channel. Keywords: Policy, Redactional, Communication, Marketing, Television, News, Journalism, News. eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.DOI: https://doi.org/10.21834/ebpj.v5iSI1.2292

Televisi 9 (TV9) adalah lembaga penyiaran swasta yang dimiliki oleh Pengurus Wilayah Nahdlatul Ulama (PWNU) Jawa Timur. TV9 dihadapkan pada persoalan manajemen ala NU yang kental dengan corak pesantren, baik secara SDM maupun sistem manajemen yang dikembangkan perusahaan. Namun manajemen yang diterapkan justru membuat TV9 mampu menjangkau pemirsanya secara maksimal. Untuk itu, penelitian ini memiliki tiga fokus kajian yaitu; Pertama, strategi manajemen apa yang diterapkan oleh TV9 dalam menjalankan kebijakan penyiarannya? Kedua, bagaimana upaya TV9 dalam bersaing dengan TV-TV swasta lain? Ketiga, bagaimana produksi acara dilakukan di TV9? Untuk menjawab fokus tersebut, peneliti menggunakan metode kualitatif. Melalui pembacaan itu, penelitian ini memperoleh hasil yaitu; Pertama, meski dimiliki dan dikelola oleh Nahdlatul Ulama (NU), sebagai entitas bisnis TV9 bertujuan mengejar profit. Manajemen TV9 dikelola dengan tujuan untuk mendapatkan pangsa pasar yang sebesar-besarnya terhadap warga muslim kota (urban moslem) khususnya warga nahdliyin. TV9 mampu mendesain program acara dengan karakteristik dan kepeminatan warga nahdliyin sehingga mendapatkan penerimaan yang positif dan berpengaruh terhadap naiknya performance share and rating. Kedua, sebagai televisi religi, TV9 lebih memilih star dominant dengan menghadirkan narasumber dari kalangan NU yang memiliki pesantren, santri yang banyak dan berpengaruh di masyarakat. Program acara dakwah dikemas dengan fleksibel, ringan namun tak meninggalkan substansi dakwah. Ketiga, adapun faktor-faktor yang menjadi determinasi primer dalam proses pembuatan program acara dakwah adalah; 1) menarik animo masyarakat, 2) menaikkan rating and share, 3) memancing pihak iklan untuk menyosialisasikan produknya melalui siaran dakwah di TV9.

The mass media that develops in the community have a variety of forms. There are mass media in the form of audio mass media (in the form of sounds), visual mass media (in the form of images, both non-moving images and moving images), and audio-visual mass media (in the form of sounds and images). Nowadays, the mass media which are the most widely owned and used as media of information, entertainment, education, and social controlled by the public are mostly mass media in the form of television. This media (television) has its own advantages where people can enjoy objects of information and communication in the form of audio-visual at the same time. The existence of mass media including television occupies a place that is urgent, because the mass media in addition to being a medium of communication (channel of communication) that functions as a messenger and acts as a source of messages (massage resource). Television excels in building attraction, perception, change and imagination in constructing reality. Through television, people can choose various shows that are needed by them. These shows are news, entertainment, or educational information shows. While other television station programs offer a very physical, materialistic luxury, Trans 7 offers a different alternative. The talk show so-called Empat Mata, which has now changed its name to not four eyes, was delivered by the presenter, as well as comedian Tukul Arwana who presents contextually related to people’s interest that is effortlessly undertood, immidiately accepted, and non-complicated interpretation to figure out its purpose. This paper reviews the role of television shows on morals and the role of industrial workers in the world of intertiment.