1. Semantic of color in the poetics of Vladimir Mayakovsky
- Author
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Gennady G. Slyshkin, Vitaly Viktorovich Goncharov, Marina R. Zheltukhina, Susanna R. Makerova, and Zaineta R. Khachmafova
- Subjects
White (horse) ,LC8-6691 ,Poetry ,media_common.quotation_subject ,Art history ,Art ,Special aspects of education ,Education ,First world war ,Spanish Civil War ,Palette (painting) ,Poetics ,New Economic Policy ,media_common - Abstract
This article analyzes the use of color in the poetic works of Vladimir Mayakovsky as a symbolic actualization of the most important aspects of both the reality surrounding the poet and the world of his inner experienceshe authors note that the poet's choice of a particular color palette in his literary works is often determined by a number of objective and subjective factors: personal sensual love experiences, including complicated and fairly long relationships within the love triangle "Lilya Brik - Osip Brik - Vladimir Mayakovsky"; events of the early twentieth century, rapidly replacing each other, in which not only Russia, but the whole world were immersed (World War I, revolution, civil war in Russia, new economic policy, etc.). And, although the poet constantly mentions in his works about the rich color palette of the surrounding world, including thousands of colors, the authors of the article substantiate the position that in reality Vladimir Mayakovsky uses a rather limited number of colors and shades (the most popular with him are gold, red, black and white).
- Published
- 2021