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Penelitian ini bertujuan untuk mengetahui Organizational Citizenship Behavior in Islamic Perspective (OCBIP) pada organisasi ekonomi bernuansa sosial di Indonesia. Lembaga Islamic Micro Financial Institutions (IMFI, KSSPS BMT) dipilih karena memiliki keunikan dari fungsi ganda (sosial dan ekonomi) yang menyatu pada setiap fungsi hingga staf organisasi. Responden karyawan dipilih secara convenience. Pengambilan data menggunakan alat bantu koesioner, selanjutnya dianalisis dengan metoda deskriptif kuantitatif. Hasil penelitian menunjukkan bahwa OCBIP karyawan organisasi ekonomi bernuansa sosial adalah tinggi (79,4%). Dimensi Altruisme (4,218) mendapatkan penilaian lebih tinggi dari pada dimensi lainnya (dakwah 3,948, civic virtue 3,801, raf’al haraj 3,71). Pengaruh demografi terhadap penilaian dimensi OCBIP memerlukan penelitian lebih lanjut.

The social change dynamic in globalization era impacts on the students’ reduced love to local wisdom culture so that they understand poorly the meaning of local wisdom culture existence as cultural heritage rich of life prudence values. This research aimed to analyse the internalization of local wisdom culture values through I-Spring technology-based art and culture learning. The unit of analysis used in this qualitative research with case study approach was the stakeholders of SMA Batik 2 Surakarta selected using purposive sampling technique. Techniques of collecting data used were observation, in-depth interview, and documentation. Data validation was carried out using source triangulation, while data analysis was carried out using an interactive model. The result of research showed that I-Spring technology-based art and culture learning could be a learning media facilitating the students to internalize local wisdom culture values. Through I-Spring learning media, students could internalize, externalize, and objectify local wisdom values in order to achieve the balance of students’ conscience, supra-ritual, and intellectuality related to God through the content of local wisdom values.

Penelitian ini bertujuan untuk mendeskripsikan dan menganalisis nilai pendidikan karakter dalam film “Sang Kiai”. Jenis penelitian ini adalah penelitian kualitatif. Penelitian ini berbentuk deskripsi kualitatif menganalisis film “Sang Kiai” melalui struktur dan tekstur. Untuk pembahasan struktur dan tekstur menggunakan teori Kernodle. Analisis struktur drama film “Sang Kiai” yang terdiri dari tema, penokohan, dialog, latar, alur, konflik, Amanat. Tekstur drama film “Sang Kiai” yang terdiri dari sinematografi, dialog, mood, editing, suara skor musik, ilustrasi musik. Serta mengacu pada pusat kurikulum kementrian Pendidikan Nasional (2011) yang terdiri 18 nilai pendidikan karakter. Nilai pendidikan karakter tersebut terdiri dari nilai (1)Religius, (2) Jujur, (3) Toleransi, (4) Disiplin, (5) Kerja Keras,(6) Kreatif, (7) Mandiri, (8) Demokratis, (9) Rasa Ingin Tahu, (10) Semangat Kebangsaan, (11) Cinta Tanah Air, (12) Menghargai Prestasi, (13) Bersahabat, (14) Cinta Damai, (15) Gemar Membaca, (16) Peduli Lingkungan, (17) Peduli Sosial, (18) Tanggung Jawab. Teknik pengumpulan data menggunakan teknik wawancara, observasi, dan analisis dokumen berupa video film “Sang Kiai”. Validitas data dalam penelitian ini menggunakan 3 triangulasi. Triangulasi data, triangulasi teori, dan triangulasi metode.Hasil penelitian film “Sang Kiai” ini menunjukkan dari segi struktur dan tekstur film “Sang Kiai” terdapat 8 nilai pendidikan karakter dalam film “Sang Kiai”. Diantaranya nilai religius, disiplin, kerja keras, demokratis, rasa ingin tahu, semangat kebangsaan, menghargai prestasi, bersahabat/komunikatif. Penelitian ini menyimpulkan dari 8 nilai pendidikan karakter yang ada di dalam film “Sang Kiai” yang memiliki tujuan (1) Mengajak penonton untuk selalu ingat terhadap Tuhan yang maha Esa, (2) Menumbuhkan rasa untuk selalu cinta tanah air dan semangat dalam berkebangsaan, (3) Menumbuhkan rasa disiplin dan menghargai sesama makhluk hidup, (4) Menumbuhkan rasa bersahabat dengan siapa saja.Kata kunci : Pendidikan, Karakter, Film

Efforts to build watershed management models from upstream to downstream are often constrained with the limited availability of hydrological data records. In Asia, including Indonesia, there are still many watershed areas that do not have data recording tools that are able to assist decision makers in river basin management. The area around Lake Singkarak, West Sumatra, is a catchment area that has been critically categorized as a result of changes in land use in the upper reaches of which the forests have previously become cultivated for dryland farming. This development obviously affects water availability for downstream uses, especially for wetland farming and fisheries. This study is a preliminary study that has the ultimate goal of building an integrated watershed management model in a participatory manner with relevant stakeholders. The initial phase of this study was conducted by exploring all aspects of social, economic, and natural environment in one watershed in Lake Singkarak, Batang Paninggahan river basin. Data were collected from the availability of secondary data, in-depth interviews with key informants, river tracking, and focused group discussions. The results of this preliminary study mainly cover the outlining socioeconomic conditions of the community, the study of land use change, climate change, and its impact on agriculture and the economy of society. The causal relationship of land-use change and climate change to its impact on agricultural economic activities in the watershed area will be the basis for building a sustainable watershed management model at the study site.

This work evaluated the performance of International Telecommunication Union-Radiocommunication Sector (ITU-R) P.837-6 and P.837-7 models (Annex 1) to estimate one-minute rainfall rates in Indonesia. In addition to the default ITU-R P.837-6, the input of ITU-R P.837-6 is also modified using data which has better spatial resolution, i.e. a combination of Tropical Rainfall Measuring Mission (TRMM) 3A25 and 3B43 (ITU-R+3A25+3B43), 3B42 and 3B43 (ITU-R+3B42+3B43), Global Satellite Mapping of Precipitation (ITU-R+GSMaP), and Global Precipitation Measurement (ITU-R+GPM). Among the five test sites, the default ITU-R P.837-6 and ITU-R+3A25+3B43 could predict one-minute rainfall rates at two locations accurately. The ITU-R P.837-7 exhibited a marginally better performance for sites that had a high percentage of very heavy rain, particularly at large (1%) and small (0.001%) percentages of time exceeded. The spatial distribution of rainfall rate produced by ITU-R P.837-7 and ITU-R+3A25+3B43 was closer to the pattern demonstrated by recent satellite precipitation measurements.

This work evaluated the performance of International Telecommunication Union-Radiocommunication Sector (ITU-R) P.837-6 and P.837-7 models (Annex 1) to estimate one-minute rainfall rates in Indonesia. In addition to the default ITU-R P.837-6, the input of ITU-R P.837-6 is also modified using data which has better spatial resolution, i.e. a combination of Tropical Rainfall Measuring Mission (TRMM) 3A25 and 3B43 (ITU-R+3A25+3B43), 3B42 and 3B43 (ITU-R+3B42+3B43), Global Satellite Mapping of Precipitation (ITU-R+GSMaP), and Global Precipitation Measurement (ITU-R+GPM). Among the five test sites, the default ITU-R P.837-6 and ITU-R+3A25+3B43 could predict one-minute rainfall rates at two locations accurately. The ITU-R P.837-7 exhibited a marginally better performance for sites that had a high percentage of very heavy rain, particularly at large (1%) and small (0.001%) percentages of time exceeded. The spatial distribution of rainfall rate produced by ITU-R P.837-7 and ITU-R+3A25+3B43 was closer to the pattern demonstrated by recent satellite precipitation measurements.

The development of learning media in fine art material very much needed at this time. This study aims to determine the characteristics and feasibility of I-Spring technology learning media in two-dimensional art material. I-Spring is a computer-based application that can package learning materials with interactive multimedia and hasnevaluation tools that attract students' attention. The method of research used is researchand development with research subjects as much as 26 (twenty-six) students of class X SMA Batik 2 Surakarta. Development of I-Spring technology learning media must include stages; (1) preliminary research, (2) development, design, (3) production, (4)product validation Then the product validation stage, the stage where the product in the form of two-dimensional art learning media produced, tested for feasibility throughseveral stages, namely; (1) expert test, (2) revision I, (3) small group trial, (4) revision II, (5) large group trial, (6) revision III. The results showed that media feasibility was measured through product alidation by media experts, material experts, and students with completeness criteria of 64% in the good category. The material expert test results were 89% very good criteria, and the media expert test was 93% very good criteria, provided that they had to go through the revision stage I, then the small group test results were 88% very good criteria to revise II requirements, and large group test results 90% very good category with revision III quirements. Based on the results of product validation, it can conclude that I-Spring technology learning edia in twodimensional art material for class X high school declared feasible to be mass produced and applied in the classroom

This research is meant to prove the result of aesthetic aspect in wayang kulit performance of Jawa Timur style categorized as ‘kerakyatan (folk)’ pakeliran. The problem is analyzed based on the concept of ‘garap pakeliran’ offered by Sugeng Nugroho (2012) and the theory belongs to Umar Kayam (1981) concerning arts categorization. The method used is qualitative method with descriptive analysis. The data is collected through library study, documentation studies, interview, and field observation. The research finding shows that the current wayang kulit performance of Jawa Timur style cannot be categorized as folk art but rather to be kitsch. It represents a performing art that always change and move on along the time. It is attempted to be more interesting supposed to be survived and to earn money.Keywords: wayang kulit, Jawa Timuran, performance treatment.

Abstra k Tujuan pengabdian pada masyarakat ini adalah memberikan bekal kepada karyawan KSPPS (Koperasi Simpan Pinjam Pembiayaan Syariah) Al Huda Wonosobo untuk menilai kelayakan usaha dari (calon) anggota yang mengajukan permohonan pembiayaan. Kegiatan pelatihan ini diikuti oleh staff marketing dan manajer dari 17 cabang KSPPS Al Huda yang tersebar di Kabupaten Wonosobo dan Banjarnegara, Jawa Tengah. Pelatihan dilakukan selama dua sesi dan diisi oleh tiga narasumber yang secara bergantian memberikan pemaparan mengenai pentingnya melakukan penilaian kelayakan usaha ditinjau dari berbagai perspektif agar organisasi dapat meminimalkan resiko kesalahan penilaian pembiayaan dan kerugian bagi organisasi. Selain itu pada sesi ini juga disampaikan pentingnya organisasi bisnis menjadi organisasi pembelajar dan siap untuk beradaptasi terhadap perubahan. Pada akhir sesi pelatihan peserta menyusun tabel indikator kelayakan usaha yang akan menjadi pedoman ketika peserta melakukan survey kelayakan usaha. Implikasi dari pelatihan ini meningkatnya kemampuan analisis kelayakan usaha di kalangan tenaga marketing dan manajer yang pada jangka panjang mendorong peningkatan kinerja organisasi . Kata Kunci: pelatihan, studi kelayakan usaha, staf marketing, manaje r. Abstra ct The purpose of this community service is to provide supplies to employees of KSPPS (Koperasi Simpan Pinjam Pembiayaan Syariah) Al Huda Wonosobo to assess the business feasibilitiy of its financing customers. This training activity was attended by marketing staff and managers from 17 branches of KSPPS Al Huda spread across Wonosobo and Banjarnegara districts, central Java. The training were conducted during two sessions and taught by three speakers who alternately provide exposure on the importance of conducting feasibility assessments of efforts reviewed from various perspectives so that the organization can minimize the risk of financing errors and losses for the organization. In addition, this session also conveyed the importance of business organizations becoming learner organizations and ready to adopting the changes. At the end of the training session, participants compiled a table of business feasibility indicators that will become guidelines when participants conduct a business feasibility survey. The implications of this training are the increasing ability to analyze business feasibility among marketing personnel and managers who in the long run encourage the improvement of the organization's performance . Key Word: training, feasibility study, marketing officers, managers.

The relationship between the radar reflectivity factor ( $Z$ ) and rainfall rate ( $R$ ), which is called the $Z-R$ relationship $(Z=AR^{b})$ , is important to convert $Z$ from weather radar to $R$ because a weather radar does not measure the rainfall amount directly. The $Z-R$ relationship can be governed from raindrop size distribution (DSD) data. However, the DSD varies not only within a specific storm type but also across different storm types and climatic regimes. Therefore, the use of a single $Z-R$ relation such as a climatological $Z-R$ relationship type $Z=200R^{1.6}$ (Marshall-Palmer) for converting radar reflectivity into $R$ will underestimate or overestimate rainfall rate. In this research, the $Z-R$ relationships for weather radar in Indonesia were governed through a network of the Particle Size and Velocity (Parsivel) optical disdrometer along equatorial Indonesia. The Parsivel were installed at Manado (Sulawesi) and Biak (Papua). In addition to the aforementioned sites, we have been conducting DSD observations at Padang, Sicincin, Kototabang (Sumatra) and Pontianak (Kalimantan). In general, the coefficients $A$ and $b$ of $Z-R$ equations vary from 200–400 and 1.36-1.47, respectively. This value shows a significant diurnal variation. In Biak and Manado, coefficient $A$ during 00–11 local time (LT) is larger than that during 12–23 LT. However, in Sicincin, Padang, Kototabang and Pontianak, coefficient $A$ during 00–11 LT much smaller than that during 12–23 LT. It was also found that coefficient $A$ in Pontianak is much larger than other sites which indicates a higher concentration of large size drop in this area as seen from a larger value of mass-weighted mean diameter $(D_{m})$ .

Film Ada Apa dengan Cinta? 2 is a romance drama genre fi lm that was released in 2016. This study will identify the characteristics of the genre of the fi lm Ada Apa Dengan Cinta? 2 as drama romance. Dilakuakan identifi cation process using the basic scheme of the genre. The analysis aims to look at the depth of a movie as a genre film drama romance. The theory used is a genre theory drama by Jane Stokes as the main genre and romance as a sub-genre. The results of the research will be found pieces of pictures depicting scenes drama become romance film characteristics are becoming a common convention in the fi lm Ada Apa Dengan Cinta? 2. Characteristics of the setting and location diantanya is commonly used in everyday life, using the iconography in the form of specifi c causal fashion, narrative events culinary journey, locations and adventurous vacation, the whole character is the protagonist, and the structure of the plot told a farewell and an encounter back in love triangle. As a sequel, the film has differences with its predecessor

 Wayang Babad Nusantara  represents a creation  of a shadow puppet show which used as a means of transmission  of nationalism  values  towards younger  generations.  This type  of show has the aspect  of innovations  in several  elements  of pakeliran,  which are: the heroic story  of National heroes’ struggle, the authentic  puppets bas on the reinterpretation  of the figure in the history, a new musical score, and the scene-system with the shadow puppet show structure.  This show is interestingly  wrapped with the story of Gajah Mada. The spirit of these figure  serves as the good example for young  generations  to love their  country.  The nationalism  value,  which contain  the teaching  of patriotism  and allegiance can build the awareness  of the children  of the nation  so that they will always  love the land  of Indonesia.  Keywords: Babad shadow puppet, nationalism  values,  young  generations      ABSTRAK  Wayang Babad Nusantara merupakan rekayasa model pertunjukan wayang yang dipergunakan sebagai wahana transmisi nilai-nilai kebangsaan bagi generasi muda. Pertunjukan wayang ini memiliki kebaruan dalam berbagai unsur pakeliran, yaitu: cerita sejarah perjuangan pahlawan bangsa, boneka wayang hasil reinterpretasi dari figur tokoh, musik komposisi baru, dan sistem pengadegan dengan struktur pertunjukan wayang. Pertunjukan wayang ini dikemas secara menarik dengan menyajikan cerita Gajah Mada. Spirit perjuangan tokoh Gajah Mada ini memberikan suri teladan bagi generasi muda untuk selalu cinta tanah air. Nilai kebangsaan yang memuat ajaran mengenai patriotisme dan nasionalisme memberikan kesadaran dan menggugah kesadaran anak bangsa untuk selalu mencintai Tanah Air Indonesia.  Kata kunci: wayang babad, nilai kebangsaan, generasi muda

This paper aims to discover the intertextual relationship between the story Banjaran Kunthi and other basic stories which already existed beforehand, and also with a number of classical shadow puppet (wayang purwa) story sources, based on an intertextual theory in a literary study. The results of the research show that banjaran is a form of wayang story which tells about the life of a particular character in a single performance. The ideas, events, characterization, and composition of scenes which make up a banjaran story are the result of a transformation of a series of particular wayang stories, either directly or through a basic story which already existed beforehand. To a certain extent, the scenes in a banjaran story show no coherence with a number of the basic stories which are adopted and the various episodes contained in the series of wayang stories.Keywords: Banjaran Kunthi, story, intertextual relationship.

One of the consequences of the ongoing climate change is the increasing likelihood of extreme precipitation frequency in the future, which causes the declining trend of total precipitation that affects water debits in the watersheds and brings difficulties to a city like Padang that is situated near the watersheds. In order to elaborate on this, a number of extreme precipitation indices recommended by ETCCDMI was utilized to assess the extreme precipitation condition for the period 1975-2013. These indices were calculated based on the rain-gauge stations along the watersheds in and around Padang. Before processing the data, a series of homogeneity test were undertaken to make sure the data were comparable. The results showed that there was a significant declining trend on the total annual precipitation (PRCPTOT), an increasing trend of the number of days without rain (R0) and a decreasing frequency of the number of days with precipitation of more than 50 mm in the Batang Kuranji Watershed. The results suggested that atmospheric circulations, such as El Nino and positive Dipole Mode, have played their role on the trend as a result of their intensified frequency due to global warming.

Mira Lesmana, produser terkemuka Indonesia, membuat gebrakan dengan meliris dan menulis sendiri cerita film Ada Apa dengan Cinta 2. Kekuatan film ini tidak semata-mata bersandar dari sekuel sebelumnya, namun juga dikemas dengan aliran cerita yang menarik. Alur menggantung pada sekuel sebelumnya merupakan peluang besar untuk mengembangkan kreatifitas. Bentuk kreativitas Mira Lesmana dalam menulis cerita film ini adalah untuk mengubah karakter utama, Rangga. Karakter Rangga sengaja dibuat berbeda didasari tokoh Cinta. Perubahan karakter Rangga terjadi pada awal dan akhir cerita. Perubahan karakter Rangga dapat dilihat dari ekspresi, dialog dan tanggapan dari orang lain mengetahui sehingga dapat diketahui perubahan karakter dasar (karakter tokoh 3D) adalah fisiologis, sosiologis, dan psikologis. Perubahan karakter Rangga dapat diketahui melalui pendekatan psikologi yang didalamnya memuat karakterisasi tokoh, kostelasi tokoh, dan konsepsi tokoh. Melalui pendekatan tersebut akan nampak struktur, dinamika, dan perkembangan tokoh Rangga sehingga dapat diketahui perubahan karakter Rangga yang berdampak pada kehidupannya dalam film ini. Mira Lesmana , Indonesia's leading producer, made a breakthrough by writing story itself and released the film “What’s Up with Love? 2”. The strength of the film is not simply leaning on the previous sequel, but also packed with interesting stories flow. Flow hang on previous sequel is a great opportunity to develop creativity. Mira Lesmana form of creativity in the writing of this movie is to change the main character, Rangga . Characters of Rangga deliberately made different based on the character of Cinta . Rangga character changes occur at the beginning and end of the story. Character of Rangga change can be seen from the expression, dialogue and feedback from others to know that it can be seen changes in the basic character (characters 3D) is a physiological, sociological, and psychological. Rangga character change can be known through the psychological approach which includes the characterization of the figures, kostelasi character, and character conception. Through this approach would seem the structure, dynamics and character development that can be known Rangga character changes that have an impact on life in this film.

One of the consequences of the ongoing climate change is the increasing likelihood of extreme precipitation frequency in the future, which causes the declining trend of total precipitation that affects water debits in the watersheds and brings difficulties to a city like Padang that is situated near the watersheds. In order to elaborate on this, a number of extreme precipitation indices recommended by ETCCDMI was utilized to assess the extreme precipitation condition for the period 1975-2013. These indices were calculated based on the rain-gauge stations along the watersheds in and around Padang. Before processing the data, a series of homogeneity test were undertaken to make sure the data were comparable. The results showed that there was a significant declining trend on the total annual precipitation (PRCPTOT), an increasing trend of the number of days without rain (R0) and a decreasing frequency of the number of days with precipitation of more than 50 mm in the Batang Kuranji Watershed. The results suggested that atmospheric circulations, such as El Nino and positive Dipole Mode, have played their role on the trend as a result of their intensified frequency due to global warming.

Dampak perubahan iklim yang terjadi pada suatu wilayah sangat tergantung sensitivitas faktor lokal dalam merespon perubahan iklim global yang terjadi, sehingga sangat penting untuk melakukan koreksi data perubahan iklim global dengan data observasi di lokasi. CDFDM merupakan salah satu metode koreksi bias yang dapat digunakan untuk melakukan koreksi tersebut. Tujuan utama dari penelitian ini adalah untuk mengetahui ketidakpastian (uncertainty) data curah hujan, suhu maksimum dan suhu minimum hasil downscaling dari lima model GCMs, yaitu MIROC-ESM, MIROC-ESM-CHEM, MPI-ESM-MR, MPI-ESM-LR dan MRI-CGCM3 di wilayah Sumatera Barat. Data yang digunakan terdiri dari dua kelompok utama: data model GCMs dan observasi. Data observasi bersumber dari stasiun pengamatan BMKG Sumatera Barat dalam periode waktu 1981-2015. Untuk mengetahui ketidakpastian antara dua kelompok data digunakan metode PBIAS, MAE dan RMSE. Hasil penelitian menunjukkan bahwa CDFDM dapat mengurangi terjadinya bias antara data GCMs dan data Observasi ditunjukan dengan nilai bias yang lebih kecil. Namun besarnya kesalahan (magnitude error) tetap tidak dapat terkoreksi, ditunjukan oleh nilai RMSE dan MAE yang lebih besar setelah dilakukan koreksi. Dari kelima model telihat bahwa model MPI-ESM-LR dan MPI-ESM-MR memiliki performa terbaik dalam memproyeksikan data curah hujan dan suhu udara minimum. Sedangkan untuk suhu udara maksimum, selain kedua model tersebut model MIROC-ESM dan MIROC-ESM-CHEM, juga mempunyai tingkat performa yang hampir sama, baik di wilayah dataran rendah maupun dataran tinggi Sumatera Barat pada periode data tersebutKata kunci : uncertainty, GCMs, bias koreksi, CDFDM, Sumatera Barat