116 results on '"Stephan F. Miescher"'
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2. 6 Elocution, Englishness, and Empire: Film and Radio in Late Colonial Ghana
3. Index
4. 11 The African Personality Dances Highlife: Popular Music, Urban Youth, and Cultural Modernization in Nkrumah’s Ghana, 1957–1965
5. Contributors
6. 4 Mass Education, Cooperation, and the “African Mind'
7. 1 After Modernization: Globalization and the African Dilemma
8. Title Page, Copyright
9. Part One: Modernization and the Origins of the Package
10. 5 Is Propaganda Modernity? Press and Radio for “Africans' in Zambia, Zimbabwe, and Malawi during World War II and Its Aftermath
11. 3 Film as Instrument of Modernization and Social Change in Africa: The Long View
12. 7 Negotiating Modernization: The Kariba Dam Project in the Central African Federation, ca. 1954–1960
13. 8 “No One Should Be Worse Off': The Akosombo Dam, Modernization, and the Experience of Resettlement in Ghana
14. Part Two: Media, Modernity, and Modernization
15. 2 Modernization Theory and the Figure of Blindness: Filial Reflections
16. 9 Radioactive Excess: Modernization as Spectacle and Betrayal in Postcolonial Gabon
17. 13 Theater and the Politics of Display: The Tragedy of King Christophe at Senegal’s First World Festival of Negro Arts
18. Part Four: Institutional Training in Nkrumah’s Ghana
19. Part Five: Modernization and the Literary Imagination
20. Part Three: Infrastructure and Effects
21. 10 Modeling Modernity: The Brief Story of Kwame Nkrumah, a Nazi Pilot Named Hanna, and the Wonders of Motorless Flight
22. 12 Building Institutions for the New Africa: The Institute of African Studies at the University of Ghana
23. 14 Reengaging Narratives of Modernization in Contemporary African Literature
24. 15 Between Nationalism and Pan-Africanism: Ngũgĩ wa Thiong’o’s Theater and the Art and Politics of Modernizing African Culture
25. Index
26. Contributors
27. Resources for Further Reading
28. 14. Becoming an Ⴢpanyin: Elders, Gender, and Masculinities in Ghana since the Nineteenth Century
29. 15. “Give Her a Slap to Warm Her Up': Post-Gender Theory and Ghana’s Popular Culture
30. The Production of Gendered Knowledge in the Digital Age
31. 16. The “Post-Gender' Question in African Studies
32. 13. Working with Gender: The Emergence of the “Male Breadwinner' in Colonial Southwestern Nigeria
33. Part Four: Masculinity, Misogyny, and Seniority
34. 9. Constituting Subjects through Performative Acts
35. 11. When a Man Loves a Woman: Gender and National Identity in Wole Soyinkas’s Death and the King’s HorsemanScarlet Song
36. 12. Representing Culture and Identity: African Women Writers and National Cultures
37. 10. Gender After Africa!
38. Part Three: Gender Enactments, Gendered Perceptions
39. 8. Women as Emergent Actors: A Survey of New Women’s Organizations in Nigeria since the 1990s
40. 7. Doing Gender Work in Ghana
41. 6. Let Us Be United in Purpose: Variations on Gender Relations in the Yor
42. Part Two: Activism and Public Space
43. 5. Rioting Women and Writing Women: Gender, Class, and the Public Sphere in Africa
44. 3. Gendered Reproduction: Placing Schoolgirl Pregnancies in African History
45. 4. Dialoguing Women
46. 1. Out of the Closet: Unveiling Sexuality Discourses in Uganda
47. 2. Institutional Dilemmas: Representation versus Mobilization inthe South African Gender Commission
48. Introduction: When Was Gender?
49. Part One: Volatile Genders and New African Women
50. Acknowledgments
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