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The writings of Bernard Mandeville mark an important transition between enlightenment, social philosophy, and modern science. Born in Holland in 1670 and educated as a physician, Mandeville spent the greater part of his working life in England, where he died in 1733. In some respects, Mandeville can be compared to Voltaire - Mandeville's junior by twenty-four years.Mandeville had the knack of making controversies volcanic and of arousing heated debate about any topic on which he chose to comment - and he chose to comment on virtually everything. He was especially1 interested in social evolution, morality and society, prostitution and romantic love, crime and its deterrence, and in social aspects of religion. His views on these and countless other topics cohere in his continual fascination with the consequences of social and economic actions that run counter to anticipations and intentions and in the paradoxical or ironic cast that such outcomes often have. In Paradox and Society, Louis Schneider is the first to offer a full consideration of Mandeville as a sociologist.Schneider offers an intellectual and characterological portrait of Mandeville, examining his writings and reactions to him over time. Schneider goes on to review Mandeville's theory of human nature, and explores his hotly contested notion of the paradox of private vices and public benefits - that the arousal of desires is a necessary precondition for the stimulation of social and economic development.Social action outside the marketplace, and Mandeville's problematic theory of social evolution, are next considered. The volume ends with an examination of paradox, irony, and satire in society. In this detailed analysis of one of the world's most controversial social critics, Schneider shows us that Mandeville offers a vision of human society that is of enduring significance. He challenges the reader to consider how that vision might operate in today's world.

D'où viennent la sociologie et l'anthropologie? L'ouvrage répond à cette question en décrivant l'histoire de la sociologie. L'ouvrage propose une relecture originale de l'histoire de la sociologie à travers la rivalité de deux superpuissances, la France et la Grande-Bretagne, de 1789 à 1940. Et il défend une thèse profondément originale et subversive : la naissance du Totalitarisme en Europe serait due à l'échec de la sociologie.

A unique contribution to discussions of social theory, this book counters the argument that no social theory was ever produced in Britain before the late twentieth century. Reviewing a period of 300 years from the seventeenth century to the mid-twentieth century, it sets out a number of innovative strands in theory that culminated in powerful contributions in the classical period of sociology. The book discusses how these traditions of theory were lost and forgotten and sets out why they are important today.

Authorities ranging from philosophers to politicians nowadays question the existence of concepts of society, whether in the present or the past. This book argues that social concepts most definitely existed in late medieval and early modern England, laying the foundations for modern models of society. The book analyzes social paradigms and how they changed in the period. A pervasive medieval model was the'body social,'which imagined a society of three estates – the clergy, the nobility, and the commonalty – conjoined by interdependent functions, arranged in static hierarchies based upon birth, and rejecting wealth and championing poverty. Another model the book describes as'social humanist,'that fundamentally questioned the body social, advancing merit over birth, mobility over stasis, and wealth over poverty. The theory of the body social was vigorously articulated between the 1480s and the 1550s. Parts of the old metaphor actually survived beyond 1550, but alternative models of social humanist thought challenged the body concept in the period, advancing a novel paradigm of merit, mobility, and wealth. The book's methodology focuses on the intellectual context of a variety of contemporary texts.