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Vibration generated by use of masonry equipment can be a threat to wall paintings. Its assessment, mitigation and control is of critical importance to risk management and the safeguarding of works ...

The widespread occurrence of Indian yellow on an early 17th-century wall painting in Rajasthan (India) was initially indicated by photo-induced luminescence imaging of the painted scheme in the Badal Mahal within the Garh Palace (Bundi). The presence of the organic pigment was subsequently confirmed by HPLC-ESI-Q-ToF. The results of a multi-analytical study focusing on two samples from the wall painting and two reference pigments from the British Museum and National Gallery (London, UK) are presented here. The research focused on the possible causes for the different yellow/orange hues observed in the painting samples. Analysis of cross-sections with SEM-EDS revealed similar elemental composition for the Indian yellow paint layers, but different underlying layers, indicating a variation in painting technique. The composition of the Indian yellow samples was investigated by HPLC-ESI-Q-ToF with both positive and negative ionisation. In addition to euxanthic acid and euxanthone, a sulphonate derivative of euxanthone was found to be present in all samples, while relative amounts of the three components varied. Flavonoid molecules—morin, kaempferol, quercetin and luteolin—were also detected in one wall painting sample (characterised by a brighter yellow colour) and not in the sample that was more orange. The optical properties of the samples were characterised by photoluminescence spectroscopy in both solid state and aqueous solution. The contribution of each organic compound to the emission spectrum of Indian yellow in solution was also investigated by time-dependent density functional theory (TDDFT) calculations. Small differences in terms of spectral shift were observed in solid state experiments, but not in solution, suggesting that the spectral differences in the emission spectrum were mostly due to different contributions of solid-state arrangements, most likely driven by π-π stacking and/or hydrogen bonds. However, a slight difference at high energies was observed in the spectra acquired in solution and TDDFT calculations permitted this to be ascribed to the different chemical composition of the samples. Time-resolved measurements highlighted di-exponential lifetime decays, confirming the presence of at least two molecular arrangements. Py(HMDS)-GC–MS was also used for the first time to characterise Indian yellow and the trimethylsilyl derivative of euxanthone was identified in the pyrograms, demonstrating it to be a suitable marker for the identification of the pigment in complex historic samples.

none 9 si The optical properties (photophysics and imaging) of Indian yellow were investigated both in solid state and in aqueous solution and correlated with its chemical composition. The analyses were corroborated by a theoretical study carried out on the different xanthone derivatives that comprise the pigment under investigation, both as isolated molecules and in a polar (protic) solvent, to help the assignment of the excited states involved in the photo-induced process. Knowledge of its relatively high photoluminescence quantum yield (PLQY 0.6%), excitation and emission spectra and lifetime decays enhances the potential for reliable identification using non-invasive photo-induced luminescence imaging techniques. New insights into the chemical composition of the pigment, such as the identification of a sulphonate derivative of euxanthone, and its extensive occurrence on a 17th-century Indian wall painting are also reported for the first time in this study. Martin de Fonjaudran, Charlotte; Acocella, Angela; Accorsi, Gianluca; Tamburini, Diego; Verri, Giovanni; Rava, Amarilli; Whittaker, Samuel; Zerbetto, Francesco; Saunders, David Martin de Fonjaudran, Charlotte; Acocella, Angela; Accorsi, Gianluca; Tamburini, Diego; Verri, Giovanni; Rava, Amarilli; Whittaker, Samuel; Zerbetto, Francesco; Saunders, David