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This volume studies concrete examples of how female monastic spirituality acquires allegorical-symbolic connotations when representing itself, the world or life in the monasteries of the Hispanic area. Biographies, autobiographies, poems, iconographic and theatrical representations paint a symbolic picture of virtues and sins, of exemplary conduct and expiatory experiences.

This book connects the aging woman to the image of God in the work of Flannery O'Connor, Joyce Carol Oates, Alicia Ostriker, Lucille Clifton, Mary Szybist, and Anne Babson. It introduces a canon of contemporary American women's spiritual literature with the goal of showing how this literature treats aging and spirituality as major, connected themes. It demonstrates that such literature interacts meaningfully with feminist theology, social science research on aging and body image, attachment theory, and narrative identity theory. The book provides an interdisciplinary context for the relationship between aging and spirituality in order to confirm that US women's writing provides unique illustrations of the interconnections between aging and spirituality signaled by other fields. This book demonstrates that relationships between the human and divine remain a consistent and valuable feature of contemporary women's literature and that the divine–human relationship is under constant literary revision.

Ecology, Spirituality, and Cosmology in Edwidge Danticat: Crossroads as Ritual employs nature, literary tradition, and the cosmogram to examine Danticat's fiction as textual sites imbued with ritual and conducive for healing and clarifying Africana diasporic consciousness.

This book explores Federico García Lorca's late poetry and drama within its context of mysticism. Lorca's singular language reveals compelling evidence of innate spiritual potential, influenced by poets from Christian, Sufi, Buddhist, and other mystic traditions, from his earliest works to its culmination in the technical mastery of his last poems. Guided by musicality and polyvalence, close readings of The Tamarit Divan, Sonnets of Dark Love, and Yerma offer a novel approach to seemingly obscure texts that resist conventional analysis. The methodology of Lorca's Immanent Mysticism adheres to the poet-playwright's own aesthetic theory. For Lorca, duende-inspired creation calls for equally inspired reception within true artistic experience. This groundbreaking study places Lorca not only within a contemporary spectrum of Modernist production, but, more importantly, within the framework of a new mysticism for our time.

Black Women and Energies of Resistance in Nineteenth-Century Haitian and American Literature intervenes in traditional narratives of 19th-century American modernity by situating Black women at the center of an increasingly connected world. While traditional accounts of modernity have emphasized advancements in communication technologies, animal and fossil fuel extraction, and the rise of urban centers, Mary Grace Albanese proposes that women of African descent combated these often violent regimes through diasporic spiritual beliefs and practices, including spiritual possession, rootwork, midwifery, mesmerism, prophecy, and wandering. It shows how these energetic acts of resistance were carried out on scales large and small: from the constrained corners of the garden plot to the expansive circuits of global migration. By examining the concept of energy from narratives of technological progress, capital accrual and global expansion, this book uncovers new stories that center Black women at the heart of a pulsating, revolutionary world.

Richo has chosen twenty-three components of humanness, each a topic of a chapter. He begins each chapter with a short section about the topic as it is described in psychology or spirituality. Then he presents quotations from Shakespeare on that theme. Every passage walks us into who we are and can be, both psychologically and spiritually. The quotations are wonderfully imaginative kick-offs into it. After each Shakespeare quotation is a short re-phrase in modern English. After each set of quotations, he presents a paragraph or two, based on the points made in them, meant to show how they can be springboards into becoming more sensitive to the topic. The book is divided into three parts. In Part One, the author explores who we are. In Part Two, he looks at what happens to us during a lifetime. In Part Three, he presents specific suggestions found in Shakespeare about how to put these themes into practice.

What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? With Spirit Deep: Recovering the Sacred in Black Women's Travel, Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and'free'passages within travel writing studies to reveal meaningful new connections in Black women's writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.

This book offers revolutionary approaches to in-class discussions about young adult literature. It shows teachers how to think more widely than the themes of a book to consider how they might operate as prayers of lament, yearning, anger, confession, thankfulness, reconciliation, joy, obedience, pilgrimage, contemplation, and equanimity. It also offers a variety of ways for classroom discussion to consider a representative sentence or two from a young adult novel, and from that allow students to connect to linked passages in the rest of the novel. These approaches for classroom discussion are drawn from a variety of contemplative traditions, including Jewish and Christian faith traditions and include florilegium, lectio divina, PaRDeS, Ignatian Imagination, havruta, and marginalia. Drawing from a range of in-class experiences, the authors explain each approach in the context of twelve popular and critically interesting young adult novels including The Hate U Give, Long Way Down, Speak, The Poet X, The Fault in our Stars, Brown Girl Dreaming, and others. This book will transform discussions that are disconnected from the book, lacking in relevance, or missing the energy that drives good conversation into meaningful and energetic class discussions that students and teachers alike will value.

When Rilke died in 1926, his reputation as a great poet seemed secure. But as the tide of the critical avant-garde turned, he was increasingly dismissed as apolitical, too inward. In Rilke: The Last Inward Man, acclaimed critic Lesley Chamberlain uses this charge as the starting point from which to explore the expansiveness of the inner world Rilke created in his poetry.Weaving together searching insights on Rilke's life, work and reception, Chamberlain casts Rilke's inwardness as a profound response to a world that seemed ever more lacking in spirituality. In works of dazzling imagination and rich imagery, Rilke sought to restore spirit to Western materialism, encouraging not narrow introversion but a heightened awareness of how to live with the world as it is, of how to retain a sense of transcendence within a world of collapsed spiritual certainty.

Life's ultimate adventure--its grandest game and greatest challenge--is the spiritual transformation of the self. According to Swiss psychiatrist Carl Jung, personality and spirituality are interrelated, spirituality flowing out of individuality. Noting that people differ in fundamental ways, even though they possess the same instincts to drive them from within, Jung discovered that preference, rather than instinct, upbringing, environment, or genetic conditioning, is central to personality. The task of spirituality, then, is not to help us achieve correct doctrine or attain saintly status, but rather to help us best understand our humanity. This endeavor drives Deeper Splendor, a study of spirituality and personality in modern literature. We focus on modern literature, rather than on theology, philosophy, psychology, or sociology, because, as this volume makes clear, one of the best resources for studying transformative spirituality is great literature. The great power of literature is that it speaks of human action and thought, not in the dry, matter-of-fact terms of history, ethics, psychology, or some other science, but in ways that are lively, uplifting, and productive. Engaging with great literature is like beginning a love affair. Such encounters may appear daunting at first, but when you fall in love, you want to know everything about the object of your love, and every encounter leaves you wanting more. When literature enhances spirituality--as is true in the dozen or more selections examined in Deeper Splendor--each literary moment renders us more fully alive. Like its companion texts, Wading in Water and Deep Splendor, this volume is useful for individual or group study. Each chapter concludes with questions suitable for discussion or reflection.

In Ecotheology and Love: The Converging Poetics of Sohrab Sepehri and James Baldwin, Bahar Davary points to the interrelation of religion, poetry, and ecology from a comparative perspective with an emphasis on decoloniality. This work shows how authors Sohrab Seperhi and James Baldwin sought social justice by building their work on love and an authentic way of knowing the world based on an interconnected knowledge of the self. The layers of depth in Sepehri and Baldwin's works and their immediacy for our time has yet to be fully understood, but through Ecotheology and Love, Davary takes a significant step towards achieving such a fuller understanding.

As the Bible indicates, our lives are a construction zone, for our bodies are temples of the divine Spirit. Formed initially in the image of God, human beings lost intimacy with God through corruption, rebellion, or neglect. In response, the divine Creator loves us back into relationship, providing means of grace to help restore us to wholeness, beginning with our body and continuing through our mind, soul, and spirit. As buildings need cleaning, maintenance, and ongoing care, so our inner temple needs spiritual stimulus, cleaning, and care. Rebuilding the Temple is the fourth book in Vande Kappelle's series on spirituality and the arts. Books in this series reinforce the essential principle underlying all authentic spirituality:'Go deep in any one place and you will meet the infinite aliveness that is God, for God is everywhere!'Whereas earlier books consider the connection of spirituality with creative arts such as poetry, film, music, theater, drama, dance, and modern literature, this volume takes readers on a journey through classic Christian literature, beginning with the Bible and continuing through inspirational works written by diverse spiritual mentors such as Augustine, Dante, Luther, Calvin, Teresa of Avila, George Fox, Blaise Pascal, Henri Nouwen, A. W. Tozer, John McLaren, John Shelby Spong, Richard Rohr, and Marcus Borg. Reading their works reminds us that Christian literature is most practical and inspirational when it takes a narrative approach to theology, interpreting the spiritual journey through the ongoing stories of people and communities rather than trying to capture timeless truths analytically or through rational argumentation. Like its companion texts, Wading on Water, Deep Splendor, and Deeper Splendor, this volume is useful for individual or group study. Each chapter concludes with questions suitable for discussion or reflection.

People concerned with spirituality are seekers; instead of possessing truth, they seek to be possessed by it. Thus, a fully spiritual person is forever learning and growing. William Blake, the seminal mystic poet who worked to bring about change both in the social order and in common ways of thinking, taught that'all we need to do is cleanse the doors of perception, and we shall see things as they are--infinite.'And nothing cleanses--and enlarges--the doors of perception like great literature. Whether it be poetry, a short story, a novel, historical fiction, fantasy literature, or biographical writing, the literary experience is slightly beyond a reader's horizon of understanding. When literature enhances spirituality--as is true of the dozen or more selections examined in Deep Splendor--each literary moment confounds in order to keep us forever enthralled, forever longing. The authors and works examined in this study explore timeless spiritual themes such as coming of age, relationships, self-integration, the struggle of good versus evil, the nature of change, and the corruptive aspects of power. When we think about great literature, it is easy to focus objectively on the literature itself, on what makes literature'bad'or'good.'However, another essential distinction involves the reader, replacing the category'good book'with that of'good reader.'As master teacher C. S. Lewis wrote, a quality of good readers is that they seek an enlargement of their being. Deep Splendor will teach you how to read great literature and how to be a good reader.

El libro explora una variedad de escritores y escritoras del siglo XX de diferentes países hispanos en busca de modelos positivos de espiritualidad femenina como fuente de desarrollo individual y social para las mujeres. Su investigación ofrece interesantes hechos sobre la evolución de la espiritualidad de las mujeres a través de los tiempos y traza un camino para el futuro; y lo más interesante, provee importantes percepciones dentro de la conversación más amplia del significado de la espiritualidad, la religiosidad y el feminismo dentro del área de los estudios hispanos. Christina Hennessy Profesora del departamento de Hispanic Studies del College of Saint Benedict-Saint John's University

In an unprecedented comparison of two of the most important female authors of the nineteenth century, Azelina Flint foregrounds the influence of the religious communities that shaped Louisa May Alcott's and Christina Rossetti's visions of female creativity. In the early stages of the authors'careers, their artistic developments were associated with their patrilineal connections to two artistic movements that shaped the course of American and British history: the Transcendentalists and Pre-Raphaelites. Flint uncovers the authors'rejections of the individualistic outlooks of these movements, demonstrating that Alcott and Rossetti affiliated themselves with their mothers and sisters'religious faith. Applying the methodological framework of women's mysticism, Flint reveals that Alcott's and Rossetti's religious beliefs were shaped by the devotional practices and life-writing texts of their matrilineal communities. Here, the authors'iconic portrayals of female artists are examined in light of the examples of their mothers and sisters for the first time. Flint recovers a number of unpublished life-writings, including commonplace albums and juvenile newspapers, introducing readers to early versions of the authors'iconic works. These recovered texts indicate that Alcott and Rossetti portrayed the female artist as a mouthpiece for a wider community of women committed to social justice and divine communion. By drawing attention to the parallels in the authors'familial affiliations and religious beliefs, Flint recuperates a tradition of nineteenth-century women's mysticism that departs from the individualistic models of male literary traditions to locate female empowerment in gynocentric relationships dedicated to achieving a shared revelation of God.

Nobel Prize-winning novelist J.M. Coetzee's'Jesus'fictions constitute a trilogy of novels that have appeared over the last decade. They stand out from his earlier work in their difficulty, and in the central role they accord philosophy--in part through their interest in specific themes in which philosophy is interested, in part through their critical engagement with philosophy as a mode of intellectual activity, with a very particular role to play in the broader cultural concerns of modern Western Europe. Robert Pippin presents the first detailed interpretation of J.M. Coetzee's'Jesus'trilogy as a whole. In order to understand them, he treats the three fictions as a philosophical fable, in the tradition of Plato's Republic, More's Utopia, Rousseau's Emile, or Nietzsche's Thus Spoke Zarathustra. In the trilogy's mythical setting, everyone is an exile, removed from their homeland and transported to a strange new place, with most of their memories of their homeland erased. Pippin treats these fictions as philosophical explorations of the implications of a deeper kind of spiritual homelessness--a version that characterizes late modern life itself--and he sees the theme of forgetting as a figure for modern historical amnesia and indifference to reflection and self-knowledge. This state of exile is interpreted as metaphysical as well as geographical. Pippin's insightful, careful reading of Coetzee suggests the limitations of traditional philosophical treatments of themes like eros, beauty, social order, art, family, non-discursive forms of intelligibility, self-deception, and death. And he wrings from the trilogy its intertextuality, and many references to the Christian Bible, Plato, Cervantes, Goethe, Kleist, and Wittgenstein, among others. Throughout, Pippin expresses the potential of literature to be a profound form of philosophical reflection.

Ashé-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance contributes to understanding the important role that African-influenced spiritualcultures play in literature that challenges the concept that European aesthetics are superior to African-inspired cultures. Thomas W. Edison highlights the novels of four courageous Caribbean writers who have used their novels to integrate aspects of African ontology with literary techniques, themes, and history. The common element in these works is the inclusion of African-inspired faith traditions and culture. As a result of this perspective, their literature stands out as keen examples of Ashé-Caribbean resistance literature. While each writer presents their unique literary style in the works, collectively they draw on a foundation of the Afro-Caribbean. The Circum-Caribbean region will be the geographical unit because of its collective history of slavery, colonial rule, and parallel patterns of religious syncretism. This book makes an important literary connection among Caribbean Hispanophone nations.

In discussions of the works of Donne, Milton, Marvell, and Bunyan, Early Modern Asceticism shows how conflicting approaches to asceticism animate depictions of sexuality, subjectivity, and embodiment in early modern literature and religion. The book challenges the perception that the Renaissance marks a decisive shift in attitudes towards the body, sex, and the self. In early modernity, self-respect was a Satanic impulse that had to be annihilated – the body was not celebrated, but beaten into subjection – and, feeling circumscribed by sexual desire, ascetics found relief in pain, solitude, and deformity. On the basis of this austerity, Early Modern Asceticism questions the ease with which scholarship often elides the early and the modern.

From Zora Neale Hurston to Derek Walcott to Toni Morrison, New World black authors have written about African-derived religious traditions and spiritual practices. The Sacred Act of Reading examines religion and sociopolitical power in modern and contemporary texts of a variety of genres from the black Americas. By engaging with spiritual traditions such as Vodou, Kumina, and Protestant Christianity while drawing on canonical Eurocentric literary theory, Anne Margaret Castro presents a novel, nuanced reading of power through the physical and metaphysical relationships portrayed in these great works of New World black literature.Castro examines prophecy in the dramas of Derek Walcott, preaching in the ethnography of Zora Neale Hurston, and liturgy in the novels of Toni Morrison, offering comparative readings alongside the works of Afro-Colombian anthropologist Manuel Zapata Olivella, Jamaican sociologist Erna Brodber, and Canadian fiction writer Nalo Hopkinson. The Sacred Act of Reading is the first book to bring together literary texts, historical and contemporary anthropological studies, theology, and critical theory to show how black authors in the Americas employ spiritual phenomena as theoretical frameworks for thinking within, against, and beyond structures of political dominance, dependence, and power.

Four hundred years since its publication, Miguel de Cervantes's Don Quixote continues to inspire and to challenge its readers. The universal and timeless appeal of the novel, however, has distanced its hero from its author and its author from his own life and the time in which he lived. The discussion of the novel's Catholic identity, therefore, is based on a reading that returns Cervantes's hero to Cervantes's text and Cervantes to the events that most shaped his life. The authors and texts McGrath cites, as well as his arguments and interpretations, are mediated by his religious sensibility. Consequently, he proposes that his study represents one way of interpreting Don Quixote and acts as a complement to other approaches. It is McGrath's assertion that the religiosity and spirituality of Cervantes's masterpiece illustrate that Don Quixote is inseparable from the teachings of Catholic orthodoxy. Furthermore, he argues that Cervantes's spirituality is as diverse as early modern Catholicism. McGrath does not believe that the novel is primarily a religious or even a serious text, and he considers his arguments through the lens of Cervantine irony, satire, and multiperspectivism. As a Roman Catholic who is a Hispanist, McGrath proposes to reclaim Cervantes's Catholicity from the interpretive tradition that ascribes a predominantly Erasmian reading of the novel. When the totality of biographical and sociohistorical events and influences that shaped Cervantes's religiosity are considered, the result is a new appreciation of the novel's moral didactic and spiritual orientation.

Catapulted to fame in 1982 with the publication of her third novel—the Pulitzer Prize–winning The Color Purple—Alice Walker has become one of America's most celebrated and divisive authors. With books such as Meridian and The Third Life of Grange Copeland, Walker's writing has frequently been cited for messages in support of civil rights and feminism. Above all, however, Walker is a spiritual seeker. Her works are dominated by the search for truth, wholeness, and the spirit that connects everyone and everything.In Alice Walker's Metaphysics: Literature of Spirit, Nagueyalti Warren examines the philosophy and worldview present in all of Walker's writing. Warren contends that Walker is a literary theologian, citing the transformative changes that take place in the author's fictional characters. Warren also points to Walker's bravery in approaching taboo subjects, her generosity of spirit, and her love for humanity, which are represented throughout her poems, novels, short stories, children's books, and essays. This analysis is further supplemented by primary sources from Walker's unpublished material, including notes and scrapbooks. By exploring the spirituality evident throughout the author's work, this volume shows how Walker challenges readers to recognize and understand their responsibility to the earth—and to one another. Providing a fresh, accessible look at one of the twentieth century's most prolific women writers, Alice Walker's Metaphysics: Literature of Spirit will appeal to both academics and fans of the author's varied literature.

Time, Consciousness and Writing brings together a collection of critical reflections on Peter Malekin's “model of the mind”, which he saw as a crucial yet often neglected aspect of critical theory in relation to theatre, literature and the arts. The volume begins with a selection of Peter Malekin's own writings that lay out his critique of western culture, its overstated claims to universal competence and validity, and lays out an alternative view of consciousness that draws partly on Asian traditions and partly on underground traditions from the west. The essays that follow, commissioned for this volume, critically examine Malekin's ideas, drawing out their implications in a variety of contexts including theatre, liturgical performance, poetry and literature. The book ends with an assessment of future prospects opened by this work.

Grounded Visionary: The Mystic Fictions of Gerald Murnane is a reading of Australian writer Gerald Murnane's fiction in the light of what is known as the Perennial Philosophy, a philosophical tradition that positions itself as the mystical foundation of all the world's religions and spiritual systems. The essential tenet of that philosophy is that at a fundamental level all of life is a unity—consciousness and world are the same thing—and that it is possible, if extremely difficult, for the discriminating individual mind to experience this wholeness. Murnane's work can be seen not to take its lead from writings in this philosophical tradition but rather to resonate with many of them through Murnane's unique artistic expression of his experience of the world. The crux of the argument is that beneath their yearnings for landscapes and love, Murnane's narrators and chief characters are all in search of the essential unity that the Perennial Philosophy postulates. Taking its cue from Murnane's self-description as a'technical writer,'this book examines each of the author's works in detail to reveal how structures and themes are seamlessly woven together to create artworks that shimmer with mystery while at the same time remaining thoroughly grounded in the actual. Grounded Visionary is the first full-length study of Gerald Murnane's work to tackle head-on his underlying mystical sensibility and is also the first to deal comprehensively with the author's complete fictional output from Tamarisk Row to Border Districts. This book will be of interest to all lovers of modern literature and will be of special interest to students of Australian literature and those concerned with the interface between art and spirituality.

•Includes'The Little Mermaid,'now a major motion picture from Disney starring Halle Bailey and directed by Rob Marshall•Dive into centuries of mermaid lore with these captivating tales from around the world.A Penguin ClassicAmong the oldest and most popular mythical beings, mermaids and other merfolk have captured the imagination since long before Ariel sold her voice to a sea witch in the beloved Disney film adaptation of Hans Christian Andersen's'The Little Mermaid.'As far back as the eighth century B.C., sailors in Homer's Odyssey stuffed wax in their ears to resist the Sirens, who lured men to their watery deaths with song. More than two thousand years later, the gullible New York public lined up to witness a mummified'mermaid'specimen that the enterprising showman P. T. Barnum swore was real.The Penguin Book of Mermaids is a treasury of such tales about merfolk and water spirits from different cultures, ranging from Scottish selkies to Hindu water-serpents to Chilean sea fairies. A third of the selections are published here in English for the first time, and all are accompanied by commentary that explores their undercurrents, showing us how public perceptions of this popular mythical hybrid--at once a human and a fish--illuminate issues of gender, spirituality, ecology, and sexuality.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

What might it mean, existentially and spiritually, for humans to form an intimate relation with particular sites or dwelling places on earth? In ancient Rome, the notion of a locale's genius loci signaled recognition of its enchanted, enspirited identity. But in a digitalized America of unprecedented mobility can place still matter as seed ground for the soul? Such questions have been broached by ecocritics concerned with how place-inflected experience figures in literature, and by theologians concerned with ecotheology and ecospirituality. This book offers a uniquely integrative perspective, informed by a theological phenomenology of place that takes fuller account of the spiritualities associated with built environments than ecocriticism typically does. Spirits of Place blends theological and cultural analysis with personal reflection, while focusing on the multi-layered witness presented by American literature. John Gatta's interpretive readings range across texts by an array of canonical as well as lesser-known writers. Along the way, it addresses such themes as the religious implications of localism vs. globalism; the diverse spiritualities associated with long-term residency, resettlement, and pilgrimage; why some sites seem more hallowed than others; and how the creative spirit of Imagination figures in place-identified perceptions of the numinous. Whether in Christian or other religious terms, no discrete place matters absolutely. Yet this study demonstrates how and why hallowed geography and the sacramentality of place have mattered throughout our cultural history.

Original tales inspired by Native American and Norwegian folklore that highlight the wisdom of the divine natural world • Shares unique stories about Earth Medicine and animal magic, inspired by the author's unusual Native American (Hopi) and Norwegian upbringing • Interwoven with ancient teachings and everyday practical applications of Earth Medicine, such as grounding and dream interpretation • Each tale is beautifully illustrated with the author's original art, which promotes spiritual understanding and the power of the Earth's healing properties • Paper with French flaps Drawing on both her Native American (Hopi) heritage and her Norwegian upbringing, renowned mystic and intuitive healer Sonja Grace shares original wisdom tales, received through her heart and soul, to take you on a journey into the magic of Raven and Bear and the healing power of Earth Medicine. Featuring Sonja's distinctive and beautiful artwork, each story is embedded with ancient teachings to inspire you to live closer to the Earth. The fables include powerful examples of animal magic and everyday, practical applications of Earth Medicine, such as simple energy exercises, dream interpretations, Earth Medicine prayers and meditations, and using medicinal plants to manage negative energies. As background to the stories, Sonja reveals parallels between Norse mythology and Native American traditions and explores the symbology of animals and the recurring central theme of the tension between light and darkness. In Norse myth, the great god Odin, for instance, is often accompanied by Ravens. These birds are considered manifestations of the Valkyries, the goddesses who brought brave soldiers to Valhalla, while in Native American traditions, the Raven is viewed as a trickster or messenger, a magical creature with the ability to shapeshift into a human or animal, yet also portrayed as a hero overcoming adversity. The Bear on the other hand can embody the healer who grounds our energy and removes illness or can represent the inner part of us that has faith. In one fable, Sonja brings Bear to life as a mythical creature singing songs to bring in the light, reflecting the powerful lesson that by using our voice and speaking the truth we can hold darkness at bay. Throughout all of the stories, Raven and Bear teach us to be responsible for our actions and develop spiritual accountability. By sharing these tales of Earth Medicine, Sonja offers not only a path of reconnection with the Earth but also medicine for the soul. She shows how the Earth works in unity within herself and provides a warehouse of knowledge for all who live upon her.

Teachers of medieval literature help students bridge thetemporal, contextual, and linguistic gulfs between the Middle Ages and thetwenty-first century. When episodes involving rape are thrown into the mix,that task becomes even more difficult. Students and teachers bring a variety ofexperiences to the classroom. This volume proposes ways educators can helpstudents navigate the divide between in- and out-of-class experiences and offerssuggestions for classroom activities and assignments for a range of medievaltexts, as well as insight into the concerns of students in various settings.

Gale Researcher Guide for: Religious Origins of American Literature is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

This interdisciplinary collection of essays examines Leo Tolstoy's unorthodox and provocative approach to spirituality, as presented in his numerous literary and his philosophico-religious works. The collection includes twelve contributions written for this volume. Its contributors are writers, philosophers, literary critics, and experts in Russian literature. Six of the essays examine Tolstoy's literary works while the other six scrutinize more closely his philosophical views. The two central foci of examination are The Kreutzer Sonata and The Kingdom of God is within You.

Above the American Renaissance takes David S. Reynolds's classic study Beneath the American Renaissance as a model and a provocation to consider how language and concepts broadly defined as spiritual are essential to understanding nineteenth-century American literary culture. In the 1980s, Reynolds's scholarship and methodology enlivened investigations of religious culture, and since then, for reasons that include a rising respect for interdisciplinarity and the aftershocks of the 9/11 attacks, religion in literature has become a major area of inquiry for Americanists. In essays that reconsider and contextualize Emily Dickinson, Walt Whitman, Harriet Beecher Stowe, Herman Melville, Abraham Lincoln, and others, this volume captures the vibrancy of spiritual considerations in American literary studies and points a way forward within literary and spiritual investigations. In addition to the editors and David S. Reynolds, contributors include Jeffrey Bilbro, Dawn Coleman, Jonathan A. Cook, Tracy Fessenden, Zachary Hutchins, Richard Kopley, Mason I. Lowance Jr., John Matteson, Christopher N. Phillips, Vivian Pollak, Michael Robertson, Gail K. Smith, Claudia Stokes, and Timothy Sweet.

This book examines ideas of spiritual nourishment as maintained chiefly by Patristic theologians –those who lived in Byzantium. It shows how a particular type of Byzantine frescoes and icons illustrated the views of Patristic thinkers on the connections between the heavenly and the earthly worlds. The author explores the occurrence, and geographical distribution, of this new type of iconography that manifested itself in representations concerned with the human body, and argues that these were a reaction to docetist ideas. The volume also investigates the diffusion of saints'cults and demonstrates that this took place on a North-South axis as their veneration began in Byzantium and gradually reached the northern part of Europe, and eventually the entirety of Christendom.

The Mahabharata is one of the most impressive creations of the Indi-an mind. The studies presented in this book are based on a dissertation which has been comprehensively revised and rewritten by the author in order to make the text accessible to a larger public. In the first part of the book the subject is the role of Krishna and his relationship with the Pandavas. Next follows an in-depth analysis of the dice game, whose legal, psychological and philosophical aspects are presented in detail and with great clarity. The second part contains biographical studies of a large number of yogis, saints and ascetics in the epic with an outline of their manifold characters and different practices, their individual realizations as well as human weaknesses. The book also contains many original Sanskrit quotations which are given along with the author's own English translations.

Jane Austen was the daughter of one clergyman and the sister of others, and attended church throughout her life. Her memorial, when she died, spoke of her deep Christian faith, but was that just cant? In this celebratory book, Paula Hollingsworth explores Jane Austen's faith - which came to the fore in her behaviour, her letters, and also her books - both in her characters and the fates she assigned to them, based on their actions.

How can wounded people come to believe that God deeply loves them?Many have enjoyed William Young's The Shack, even if they puzzled over the book's actual meaning and theology. While some were quick to dismiss it as fiction, The Shack isn't really fiction at all. It's a modern day parable.Meeting God at The Shack shows hurting people how to read this story with profit and come to know God more fully.

This nuanced yet accessible study is the first to examine the range of religious experience imagined in Hopkins's writing. By exploring the shifting way in which Hopkins imagines religious belief in individual history, Martin Dubois contests established views of his poetry as a unified project. Combining detailed close readings with extensive historical research, Dubois argues that the spiritual awareness manifest in Hopkins's poetry is varied and fluctuating, and that this is less a failure of his intellectual system than a sign of the experiential character of much of his poetry's thought. Individual chapters focus on biblical language and prayer, as well as on the spiritual ideal seen in the figures of the soldier and the martyr, and on Hopkins's ideas of death, judgement, heaven and hell. Offering fresh interpretations of the major poems, this volume reveals a more diverse and exploratory poet than has been recognised.