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The walls of Hindu and Buddhist temples in Java are often found in the carved ornament of lotus plants that is grown from tubers or urns. In early period of Islam in Java, the existence of this decorative variety remained. Based on the books of the Hindu Purana, there is an explanation of the concept of the the universe creations embodied in the form of lotus scrolls. Meanwhile, from the old manuscripts belonging to the Wali, although limited in the scope of Sufism of the Tarekat Syaththariyah there is an explanation of the lotus with the name of the Tunjung flower. This article discusses the concept of creating works of art based on the theory of adaptation by Linda Hutcheon in his book: A Theory of Adaptation. The discussion is more emphasized on the visual aesthetic aspects contained in Lara Jonggrang Prambanan temple in Kalasan Yogyakarta, Surowono Temple in Kediri East Java and Sunan Drajat tomb in Lamongan, East Java. The ornamental variety, whose concept of creation was adapted from Purana books of Hindu, was in early Islam believed to follow the theoretical procedures, as well as in later times, but the philosophical meaning may be less well known. Keywords: ornament, sulur gelung, padmamūla, tunjung Dinding candi-candi Hindu dan Buddha di Jawa, sering ditemukan pahatan ragam hias sulur tumbuhan teratai yang tumbuh dari bonggol atau guci bergelung-gelung. Pada masa Islam awal, eksistensi ragam hias ini tetap bertahan. Berdasarkan kitab-kitab Purana Hindu, terdapat penjelasan mengenai konsep pembentangan alam semesta yang diwujudkan dalam bentuk gulungan teratai. Sementara itu, dari naskah lama milik para Wali, meskipun terbatas dalam lingkup tasawuf Tarekat Syaththariyah terdapat penjelasan mengenai teratai dengan nama bunga tunjung. Artikel ini membahas tentang konsep penciptaan karya seni berdasarkan teori adaptasi oleh Linda Hutcheon dalam bukunya: A Theory of Adaptation . Pembahasan lebih ditekankan pada aspek-aspek estetis visual yang terdapat di candi Lara Jonggrang Prambanan di Kalasan Yogyakarta, Candi Surowono di Kediri Jawa Timur dan makam Sunan Drajat di Lamongan Jawa Timur. Ragam hias tersebut, yang konsep penciptaannya diadaptasi dari kitab-kitab purana Hindu, maka pada masa Islam awal diyakini mengikuti prosedur teori tersebut, begitu juga pada masa berikutnya, tetapi makna filosofisnya mungkin kurang begitu dikenal. Kata kunci: ragam hias, sulur gelung, padmamūla , tunjung

Dinding candi-candi Hindu dan Buddha di Jawa, sering ditemukan pahatan ragam hias sulur tumbuhan teratai yang tumbuh dari bonggol atau guci bergelung-gelung. Pada masa Islam awal, eksistensi ragam hias ini tetap bertahan. Berdasarkan kitab-kitab Purana Hindu, terdapat penjelasan mengenai konsep pembentangan alam semesta yang diwujudkan dalam bentuk gulungan teratai. Sementara itu, dari naskah lama milik para Wali, meskipun terbatas dalam lingkup tasawuf Tarekat Syaththariyah terdapat penjelasan mengenai teratai dengan nama bunga tunjung. Artikel ini membahas tentang konsep penciptaan karya seni berdasarkan teori adaptasi oleh Linda Hutcheon dalam bukunya: A Theory of Adaptation . Pembahasan lebih ditekankan pada aspek-aspek estetis visual yang terdapat di candi Lara Jonggrang Prambanan di Kalasan Yogyakarta, Candi Surowono di Kediri Jawa Timur dan makam Sunan Drajat di Lamongan Jawa Timur. Ragam hias tersebut, yang konsep penciptaannya diadaptasi dari kitab-kitab purana Hindu, maka pada masa Islam awal diyakini mengikuti prosedur teori tersebut, begitu juga pada masa berikutnya, tetapi makna filosofisnya mungkin kurang begitu dikenal. Kata kunci: ragam hias, sulur gelung, padmamūla , tunjung, etnik The Existance of Ornament of Lotus Tendrils. The walls of Hindu and Buddhist temples in Java are often found in the carved ornament of lotus plants that is grown from tubers or urns. In early period of Islam in Java, the existence of this decorative variety remained. Based on the books of the Hindu Purana, there is an explanation of the concept of the the universe creations embodied in the form of lotus scrolls. Meanwhile, from the old manuscripts belonging to the Wali, although limited in the scope of Sufism of the Tarekat Syaththariyah there is an explanation of the lotus with the name of the Tunjung flower. This article discusses the concept of creating works of art based on the theory of adaptation by Linda Hutcheon in his book: A Theory of Adaptation. The discussion is more emphasized on the visual aesthetic aspects contained in Lara Jonggrang Prambanan temple in Kalasan Yogyakarta, Surowono Temple in Kediri East Java and Sunan Drajat tomb in Lamongan, East Java. The ornamental variety, whose concept of creation was adapted from Purana books of Hindu, was in early Islam believed to follow the theoretical procedures, as well as in later times, but the philosophical meaning may be less well known. Keywords: ornament, sulur gelung, padmamūla, tunjung, ethnic

The pottery in Takalar regency, South Sulawesi province, has been existed for hundreds of years and has become part of a community cultural life. The study aims to identify the changes ofvarious ceramic forms and design from 1981 to 2010. This periodisation is chosen because in the 1980s the Department of Industry and Trade had supervised craftsmen in Takalar, which has given significant changes in the development of ceramics in the area. The method employed is a qualitative method with a multidisciplinary approach, including history and ethnography. To analysis the data, the research uses interactive techniques (Miles dan Hubermen, 1992). The research site covers three districts: Sandi, Pabbatangan, and Pakalli. The study shows there are significant changes in ceramic forms and design from 1980 to 2010. Based on the classification used, the changes are divided into three periods: traditional forms (1981-1990), transition forms (1991-2000), and modern forms (2001-2000). These changes are caused by the open attitude of the craftsman to outside agencies, such as Disperindag (government), universities, and consumers. These outside parties have influenced artisans to develop ceramic designs by introducing new shapes and values, including foreign cultures.Keywords: ceramic development, design and form changes, and craftsmentABSTRAKKeberadaan keramik di Kabupaten Takalar, Sulawesi Selatan, telah berlangsung selama ratusan tahun dan menjadi bagian kehidupan sosial budaya masyarakatnya. Penelitian ini bertujuan untuk mengidentifikasi ragam bentuk dan perubahan desain keramik sejak tahun 1981 hingga tahun 2010. Periodisasi ini dipilih sebab sejak tahun 1980-an Disperindag telah membina perajin keramik di Takalar yang telah memberi dampak perubahan. Metode yang digunakan adalah metode kualitatif dengan pendekatan multidisiplin, yakni sejarah dan etnografi. Lokasi penelitian terbagi ke dalam tiga kecamatan, dengan lokasi sentra di Sandi, Pabbatangan, dan Pakalli. Adapun analisis data menggunakan teknik interaktif (Miles dan Hubermen, 1992). Hasil penelitian menunjukkan telah terjadi perubahan bentuk sejak tahun 1981 hingga tahun 2010. Klasifikasi berdasarkan perubahan bentuk terbagi pada tiga periode, yakni tradisional (1981-1990), transisi (1991-2000), dan modern (2001-2010). Perubahan desain disebabkan para perajin bersikap terbuka terhadap pihak eksternal seperti Disperindag, perguruan tinggi, dan konsumen. Pihak eksternal memperkenalkan bentuk dan nilai baru, termasuk unsur budaya luar, membimbing, dan mempengaruhi para perajin agar mengembangkan desain keramik.Kata kunci: perkembangan keramik, perubahan bentuk dan desain, perajin

The nurse's uniform is the main supporter of the nurse in performing her professional roles at the hospital. Therefore, the nurse's uniform is designed to meet the needs of h er professional role in the hospital, although in practice the nurse's uniform is not always able to function properly. This article aims to identify the variables that need to be considered in the study of professional uniform design, especially nurses. The hope, this paper can contribute to the design of similar studies. Assessment of the design of nurse uniforms is done through literature and document studies, with the scope of the in-patient nurses' uniforms. This article shows that the variables that need to be considered in the study of professional uniform design, especially the nurse, cover the professional needs and criteria for the design requirements of professional uniform. The stages that need to be done in analyzing the functional design of professional uniform are grouped into 4 stages, including: stage identifying the needs of the profession; determine the functional requirements of the profession; establishing criteria for the design of professional uniforms; and the stage reflects the functional needs of the profession into the clothing design. Key words: uniforms, nurses, design-research Pakaian seragam perawat merupakan pendukung utama perawat dalam menjalankan aktifitas peran profesinya di rumah sakit. Maka dari itu, pakaian seragam perawat dirancang untuk memenuhi kebutuhan profesinya di rumah sakit, kendati pada praktiknya pakaian seragam perawat tidak selalu dapat berfungsi sebagaimana mestinya. Artikel ini bertujuan untuk mengidentifikasi variabel-variabel yang perlu dipertimbangkan dalam penelitian desain pakaian seragam profesi, khususnya perawat. Harapannya, tulisan ini dapat berkontribusi bagi perancangan penelitian-penelitian sejenis. Pengkajian terhadap desain pakaian seragam perawat dilakukan melalui studi literatur dan dokumen, dengan ruang lingkup pada pakaian seragam perawat rawat inap. Tulisan ini menunjukkan bahwa variabel-variabel yang perlu dipertimbangkan dalam penelitian desain pakaian seragam profesi (perawat), mencakup kebutuhan-kebutuhan profesi dan kriteria persyaratan desain pakaian seragam profesi. Adapun tahapan yang perlu dilakukan dalam menganalisis fungsional desain pakaian seragam profesi dikelompokkan ke dalam 4 tahap, meliputi: tahap mengidentifikasi kebutuhan profesi; menetapkan kebutuhan fungsional profesi; menetapkan kriteria desain pakaian seragam profesi; dan tahap merefleksikan kebutuhan fungsional profesi ke dalam desain pakaian. Kata kunci: pakaian-seragam, perawat, rancangan-penelitian

Saat ini permintaan akan gerabah mengalami penurunan yang cukup signifikan karena jumlah penggunaan yang semakin berkurang. Meski produksinya tampak menurun, para perajin gerabah di Bali masih terus membuat produk warisan leluhur ini. Pengrajin meyakini bahwa gerabah merupakan hasil alam yang mampu menjalankan fungsinya dalam berbagai peran dalam kehidupan budaya di Bali. Artikel ini akan mengkaji fungsi gerabah Bali dalam hubungan manusia dengan alam dalam konteks budaya Bali. Analisis menggunakan teori fungsi kompleks dalam aspek fungsi dari Papanek. Konsep Pangider Bhuwana dan Tri Hita Karana digunakan untuk memahami fungsi gerabah Bali dalam konteks budaya spiritual. Hasilnya, peran gerabah dalam kehidupan masyarakat Hindu Bali yaitu gerabah sebagai alat, menjalankan fungsi praktis untuk peralatan rumah tangga; gerabah sebagai komunikasi, berupa ornamen, memberikan informasi, misalnya tentang jenis bangunan, gengsi, dan status pemiliknya; gerabah sebagai simbol, adalah gerabah sebagai upakara dalam upacara agama Hindu. Penggunaan gerabah di Bali masih penting, terutama dalam konteks adat dan ritual karena gerabah mencerminkan hubungan yang kuat antara manusia dan alam. Unsur-unsur alam yang terkandung dalam gerabah melambangkan unsur-unsur yang terkandung dalam tubuh manusia. Kata kunci : gerabah, fungsi, relasi

The visualization of the Gorontalonese bridal costume worn at the wedding reception is increasingly diverse in terms of the modification forms. The modification can be seen in the design elements including shape, texture, color, material, and accessory. Furthermore, the modification of the current costume makes the functional value of the bridal costume different from the already patterned one, which can be seen from its social, symbolic, and economic values of the Gorontalo community. The data in this study was collected through the review of books and previous studies related to the wedding clothing, the interviews, and the observation of bridal costumes and analyzed using the qualitative data analysis approach. The observation of unmodified bridal costume objects was done at the Dulahopa Traditional House in Gorontalo, while that of modified bridal costume objects was conducted on the widely used bridal costumes within the last two years in Gorontalo. The purpose of this study was to find out the aspects underlying the modification of bridal costume in Gorontalo. The results show that Gorontalo people tend to choose modified wedding dresses in the wedding party. Moreover, this study suggests that the bridal costume modification is influenced by the family’s social status in Gorontalonese community, migratory Gorontalonese people (staying outside the area of origin), and technological advancement.

Yogyakarta is one of Indonesia’s major tourist destinations. This is due to its nature, interesting, unique and fantastic ancient cultural and art sites. Creative industries and the ceramic crafts play an important role in the development of tourism in Yogyakarta. In this paper, ethnographic approach is used to describe the creative process and the ceramic crafts industry in the village of Kasongan, Yogyakarta. Based on the results of the field research, the authors conclude that the ceramic crafts tourist village of Kasongan is moving toward greater commoditization whereby the ceramics centre is now more oriented towards meeting the needs of tourist industry in Yogyakarta. Due to extensive interaction and the positive response from the general public, ceramic crafts practitioners of Kasongan experience unique and characteristic creative period. The crafters manage to negotiate between the old and the new values, in the village one can find both traditional pottery and new, creative and innovative ceramic products of export quality. Today, Kasongan is a trade mark ceramic tourism village that is entering the global era.

The Mandiri Securitas advertisement film is a corporate advertisement that contains a persuasive message to increase brand image as a leader in investment in the Stock Exchange or trusted banking investment in Indonesia. The metaphor in the Mandiri Securitas advertisement contains cinematographic images that borrow keris culture to be sided with banking culture. This qualitative descriptive study uses a semiotic approach to appropriate verbal and visual messages from the system of rhetorical marks "Minus One". The content of visual rhetoric and verbal rhetoric on the Mandiri Securitas advertisement was reviewed by Roland Barthes's semiotic theory, because it was considered capable of uncovering the relationship of the sign meaning behind the denotative marker system and connotative markers from the ideology of Mandiri Securitas advertisements with the theme of empu keris (keris maker). The results of this study prove that the application of the "Minus-One" method is very helpful to find and recognize the roles played by the constituent elements of a film construction. The Mandiri Securitas advertisement film is an example of the appropriation of the tradition world for the benefit of the modern world. The tradition world is not displayed in its entirety as it is, but is displayed partially and determined based on the image of the modern world wants to construct as an imagery form of advertising. Keywords: Metaphor, rhetoric, Semiotics, and ideology

Film Iklan Mandiri Securitas merupakan film iklan mengunakan strategi retorika komunikasi visual empu keris sebagai pendekatan kreatifnya. Tema sebagai ide dasar penciptaaan film iklan Mandiri Securitas berusaha memahamkan tentang usaha kerja keras untuk menghasilkan detil dari kerja empu untuk menghasilkan bilah keris, dikreasikan dengan retorika metaforis untuk merepresentasikan citra Mandiri Securitas dalam melayani konsumennya mampu bekerja dengan baik atau tidak dengan melihat masing-masing peran dari domain retorika perkerisan dan retorika perbankan dikeduanya. Tujuan penelitian ini adalah untuk mengetahui secara kritis retorika metaforis dua domain itu dengan melihat masing-masing peran dari elemen-elemen pembentuk film iklan Mandiri Securitas. Metode penelitian ini mengggunakan deskriptif kualitatif dekontruksi dengan teknik “apropriasi minus one” melalui pembongkaran domain perbankan dan domain perkerisan untuk melihat posisi retorika metaforis filmis iklan Mandiri Securitas . Film iklan memuat elemen-elemen penyusunnya seperti visual, audio, efek “animated” serta “voice over” yang mendukung terbentuknya metafora iklan. Melalui apropriasi “minus one” dapat ditemukan posisi retorika visual domain “perkerisan” mampu membawakan pesan dari produk yang diinginkan oleh Mandiri Securitas , tetapi jika “animated text” dan “voice over” dihilangkan, maka tidak nampak hubungan retoris di keduanya. Kata Kunci: retorika, metafora, film iklan, perbankan, perkerisan Abstract Mandiri Securitas Advertising Film is an advertising film using the rhetoric strategy of visual communication of the kris masters as a creative approach. The theme as a basic idea for the creation of the Mandiri Securitas advertisement film seeks to understand the effort of working hard to produce details from the master's work to produce a keris blade, created with metaphorical rhetoric to represent the image of Mandiri Securitas in serving its customers whether they can work well or not by looking at each the role of the political rhetoric domain and banking rhetoric in both. The purpose of this study was to critically identify the two domain metaphorical rhetoric by looking at each role of the constituent elements of the Mandiri Securitas advertising film. This research method uses descriptive qualitative deconstruction by "appropriation minus one" technique through the dismantling of the banking domain and the domain of perkerisan to see the position of the filmmatic metaphorical rhetoric of the Mandiri Securitas advertisement. Advertising films contain constituent elements such as visual, audio, animated effects and voice over that support the formation of advertising metaphors. Through appropriation "minus one" can be found the position of visual rhetoric of the keris domain is able to deliver messages from products desired by Mandiri Securitas , but if "animated text" and "voice over" are removed, there is no rhetorical relationship in both. Keyword: rhetoric, metaphora, advertising film, banking, kris

Semèn motifs on classical batik of Yogyakarta style, is a motif which visualize floral form withvarious elements motifs on it. Semèn motifs influenced Hindu-Java and Islamic culture. Influencefrom Islamic culture delivere a few motifs in stylization. From visual aspect, some of elementsmotifs on it visualize combine motifs. It become visual concept characteristic in Islam art includein semèn motifs on classical batik of Yogyakarta style. Visualization of motifs can be hide withcombined elements motifs. Keywords: semèn motifs, Yogyakarta classical batik, combine motifs