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The objective of this paper is to present an analytical systematization of the conceptualizations around the stage performances presented in the XII version of the International University Theater Festival (2015), organized by the Department of Performing Arts of Universidad de Caldas, for which a categorization of the pieces submitted to consideration and scrutiny of the external reader - viewer, with a view to future deepening of each of the categories listed, is proposed. [ABSTRACT FROM AUTHOR]

Objective: To study and systematize the first experiences of post-dramatic Colombian theater in two main stage productions of the 80's: The Perfect World and Outside, OK? Divertimento for the Deaf and the Schizoid, two dramatic and put on stage works of the author. Scope: It is about highlighting these scenic experiences that become a milestone in the history of Colombian theater, as their projection and visibility are important for future research on these topics. Methodology: A descriptive methodological approach is used since the article is intended to make an exhausting memory of the process undertaken by the actors who participated in its creation and staging. Conclusions: Establishment of a systematization proposal of the staging processes of the two plays through the voices of their principal actors, in a fundamental work that will serve the new generations of playgoers to know firsthand the recent history of the Colombian theater movement. [ABSTRACT FROM AUTHOR]

Objectives: To unravel the dramatic structure and the underlying format in the dramatic text "De-sastres y costuras. De-lirios y crisantemos". To highlight the actuation levels -body-voice axis- in their staging. Scope: It is about giving continuity and monitoring to a very particular reading to the disaster produced by the Armero avalanche in 1985 which conclude with the drama, staging and a unique way to approach the work of acting, closely linked to the Aristotelian precepts contained in its Poetics, a work which outlines the structure and fundamental parts of the ancient Greek tragedy. Methodology: The essay intends to carry out a comparative reading -case study- about the play in the form of tragedy "De-sastres y costuras. De-lirios y crisantemos" from the Inverse Theater belonging to the research group Theater, Culture and Society from the Performing Arts Department from Universidad de Caldas. Conclusions: Reaching a categorization of playwriting and acting work of the Inverse Theatre group as a significant contribution to the research-creation processes of the Colombian theater movement. [ABSTRACT FROM AUTHOR]

This article is about a typology to risk some opinions and give some concepts about performances that were attended and read about in the X International University Theater Festival. The concepts were somehow expressed during the event conferences, reason why many of them gather the voices of those who had the privilege to refer to the plays. The concepts have been divided into four groups of "Debts": debts with literature, debts with history, debts with drama pretexts and debts with technique and laugh. [ABSTRACT FROM AUTHOR]

The text of the paper presented by the author during a Research Meeting in Drama Creation coordinated by Colectivo Teatro Inverso from the research group Theater, Culture and Society from the Scenic Arts Department at Universidad de Caldas, during the process of creation of the play De-sastres y costuras. Delirios y crisantemos. The paper deals with a very particular reading of the disaster produced by the Armero landslide in 1985, a phenomenon that destroyed the town and took the life of over 25.000 people. This reading is based on the fundamentals synthesized by Aristotle in his Poetics where he defines the Greek tragedy; it also searches for some analogies with natural disasters as the ones that happened in the classic Greece, specifically the one that ended with the minoan civilization, and some aspects proper of of the mystery from Eleusis, until the magical practices and witchery that subsist in north Tolima culture. [ABSTRACT FROM AUTHOR]