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This paper examines how, under the control of strong censorship, some of Gabit Musrepov's literary works were published despite their seditious nature. The authors argue that although G. Musrepov was a reputable Soviet writer, the materials presented in the article prove that he worked at the meeting point of resistance and subjugation: resistance to ideology, subjugation to language. The literary analysis of Musrepov's three short stories shows that under the strictest control and actively expressed interest of the authorities in the writer's creative activities, the latter's mastery and the incompetence of censors allowed him to avoid the prohibition of his works. [ABSTRACT FROM AUTHOR]