1. Staging the Surface: James Joyce's Theater for Theorization in 'Circe'
- Author
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Franco, Katherine
- Subjects
Ulysses (Novel) -- Criticism and interpretation -- Authorship ,Reading -- Methods ,Authors -- Works -- Criticism and interpretation ,Criticism -- Analysis ,Literature/writing - Abstract
James Joyce's 'Circe' episode in Ulysses, by way of its closet drama form, raises questions at the center of ongoing debates on reading practice and method. Joyce uses the closet drama genre, whose name and tradition call attention to depth and concealment, to examine the relationship between surfaces and depths. Instances of free indirect discourse and interior monologue within the 'Circe' episode's stage directions renegotiate reader receptivity and accessibility. Ultimately, 'Circe' is not only a consideration of surfaces and depths but also the relationship between action and contemplation. Honoring the closet drama's historical function as pedagogical and philosophical apparatus, 'Circe' is an opportunity to evaluate the relationship between theory and practice in literary studies. Keywords: James Joyce / Ulysses / reading practice / closet drama / method / theory, An adolescent James Joyce wrote, 'There is nothing so deceptive and for all that so alluring as a good surface' in his page-long composition 'Trust Not Appearances' at Belvedere College [...]
- Published
- 2024
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