1. Link to the Library of Congress: The Centennial of a 1924 Masterpiece
- Author
-
Raymond A. White
- Abstract
February 12, 1924, is a landmark date in the annals of American music. The story of that snowy afternoon in New York has become almost legendary -- and the tale has undoubtedly become embellished in its telling and retelling over the past 100 years. The occasion was a concert titled "An Experiment in Modern Music," presented by Paul Whiteman and his Palais Royal Orchestra. According to program annotator Hugh C. Ernst (Whiteman's business manager), the so-called experiment was to be "purely educational," and it was Whiteman's aim to demonstrate "the tremendous strides which have been made in popular music" in the previous decade or so, with the apparent goal of increasing the presence of American vernacular music in the concert hall. The "jazz concerto" became "Rhapsody in Blue," by far the most memorable feature of the "Experiment in Modern Music." The mythology surrounding a notice had appeared in the "New York Tribune" announcing that the concert would be evaluated by a panel of judges "who will pass on 'What Is American Music?'" The notice went on to say that "George Gershwin is at work on a jazz concerto." The "jazz concerto" became "Rhapsody in Blue," by far the most memorable feature of the "Experiment in Modern Music." The mythology surrounding the work quickly developed, but as with many myths and urban legends, the story of "Rhapsody in Blue" has its basis in fact. The original manuscripts in the Music Division of the Library of Congress tell part of the story. These manuscripts start with several undated sketches for the opening theme of "Rhapsody in Blue" in a manuscript sketchbook that dates from 1924 and 1925. The only complete manuscript for the "Rhapsody" in Gershwin's own handwriting (fifty-six pages, for piano solo, with the jazz band part reduced for a second piano) has the date January 7, 1924, on its first page; this date is only three days after the "New York Tribune" announcement on January 4. "Rhapsody in Blue" has inspired much scholarly inquiry over the years. But if Whiteman hoped that his "Experiment in Modern Music" might help to bring American popular music into the concert hall, he could not possibly have imagined the extent to which the new "jazz concerto" would become world famous through recordings, sheet music, articles, and books, and that it indeed would become an iconic representation of its era. If challenged to compose for an "Experiment in Modern Music" concert today, as the author proposes, what might students create?
- Published
- 2024
- Full Text
- View/download PDF