311 results on '"Ravn, Signe"'
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2. References
3. I can't believe how much I've done: Joan and the Evolution of Her Life Story
4. What is next for narrative research?
5. Tellable and untellable stories
6. Conclusion
7. Institutional authority and counter-stories
8. The ethics of representation
9. Lasinem's experience
10. 10. Narrative Next: Ways Forward for Narrative Research
11. Ethical considerations: benefits and risks of life histories for the interlocuter
12. Note
13. Narrative Next: Ways Forward for Narrative Research
14. The role of the researcher in constructing the published narrative: our methodology
15. 9 Narrating Women's Life Histories: Voice, Audience, Ethics
16. Why life histories?
17. Reading back: effects, possibilities and limitations
18. Deconstruction as a practice of accountability
19. A practice of witnessing through reading back resonant accounts
20. Narrative practice-informed ethics and politics
21. Discussion
22. One-dimensional stories and the problem of representation
23. Acknowledgements
24. 8. Reading Back as a Way to Give Back? A Narrative Practice-Informed Method for Interview-Based Research
25. Part III. The Ethics of Representation
26. The imbrications of narrative openings to difference and more of the same
27. 7. Songs as Narratives: Ethical Tensions in Midnight Oil's Dead Heart (1986) and Gadigal Land (2020)
28. Contextualising the Oils' songs' stories
29. Who sings for whom and what can be heard?
30. Joan, full disclosure, and a roadblock
31. Emotional labour and intergenerational trauma
32. ‘Data' collection from my family, an ethical dilemma
33. Who owns the rights to Joan's story?
34. 6. I can't believe how much I've done: Joan and the Evolution of Her Life Story
35. Interviewing Joan
36. Final thoughts
37. Joan - off the record
38. Authentic representations
39. Joan tells her story at a Woman on Farms Gathering
40. Oral history collection and curation and the Invisible Farmer project
41. Telling untellable stories
42. Part II. Tellable and Untellable Stories
43. The challenges of writing creative graphical memoir
44. 5. Ethical Weaving: Creative Narrations of Family Trauma and Resilience
45. Conclusion (the promise)
46. Critical pedagogy
47. Encountering the Other
48. Proximity and participation
49. Reifying power relations (the perils)
50. Criminal ‘othering'
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