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The purpose of this study is to evaluate the learning management in the creation of performing arts at the Performing Arts Education Study Program at ISI Denpasar. The evaluation results of the learning management in the performing arts creation can be used as input for improving the learning management related to performing arts courses, which in turn can enhance students’ competence in the field of performing arts. The learning of performing arts creation is directed towards the development of nationalism among the next generation towards the cultural heritage of the nation in the field of arts. The research design used is an evaluative research design with the CIPP model. The research subjects consist of program managers, lecturers of the performing arts creation course, and students who have taken or are currently taking the performing arts creation course. Data collection is done using questionnaires, observations, and interviews. The data is analyzed using quantitative descriptive analysis. The research findings indicate that: (1) the quality of the Context Aspect of the learning management in the Performing Arts Education at ISI Denpasar is classified as good; (2) the quality of the Input Aspect of the learning management in the Performing Arts Education at ISI Denpasar is classified as fairly good; (3) the quality of the Process Aspect of the learning management in the Performing Arts Education at ISI Denpasar is classified as not good or poor; and (4) the quality of the Product Aspect of learning management in the Performing Arts Education at ISI Denpasar is classified as fairly good improved; (2) maximizing the use of technology in the learning process; (3) facilitating collaborative learning among students from different study programs or universities.

Merangkai Nusantara melalui Seni Wadantara merupakan Penelitian Penugasan dalam bentuk skema Konsorsium Riset Unggulan Peguruan Tinggi (KRU-PT) tahun 2019 s.d tahun 2021. Tujuan penelitian menghasilkan satu model seni pertunjukan yang mengkolaborasikan jenis kesenian dari multi etnis dalam satu kemasan seni pertunjukan wayang, drama, karawitan dan tari Nusantara dalam satu repertoar bernama Seni Wadantara. Dampak positif yang diperoleh adalah penguatan ideologi bangsa dan ekonomi melalui pengembangan seni pertunjukan panggung terkoneksi secara digital untuk memudahkan akses dan mutu pertunjukan. Desain penelitian yang digunakan adalah research and development, sedangkan desain manajemen produksinya melalui tiga tahapan yaitu tahap pra produksi, produksi dan pasca produksi. Dalam proses penciptaan berintikan ekplorasi, improvisasi, pembentukan. Teknik pengumpulan data digunakan wawancara, observasi, dokumentasi, angket, catatan lapangan.Teknik analisis data digunakan analisis kuantitatif dan kualitatif. Data kuantitatif dianalisis dengan menggunakan penyekoran, sedangkan data berupa komentar dan saran dianalisis secara kualitatif. Hasil Penelitian menunjukkan (1) hasil need assessment (a) bangsa Indonesia yang sedang memperkuat persatuan dan kesatuan dalam bingkai negara kesatuan Republik Indonesia memerlukan dukungan untuk kebersamaan yang dilandasi oleh toleransi bermasyarakat yang dapat ditawarkan oleh seni pertunjukan dengan muatan budaya lokal sebagai ungkapan budaya Nusantara; (b) kesenian selalu tumbuh dan berkembang dan memerlukan adanya perubahan dalam memproduksi seni baru bersifat kolaborasi; (c) hadirnya revolusi industri 4.0 menjadi peluang dalam menciptakan seni pertunjukan secara kolaboratif antara tradisi dan kontemporer. (2) Seni pertunjukan Wadantara Satria Nusantara Mahawira dengan struktur tiga babak mengangkat lakon Sumpah Palapa Gajah Mada. (3) Hasil uji efekivitas terhadap produk seni pertunjukan Wadantara Satria Nusantara Mahawira melalui FGD dan Uji Lapangan Terbatas, responden yang berjumlah 50 orang sebagian besar menyatakan sangat baik.

The Rebellion of Syssiphus. The Rebellion of Syssiphus play script is an effort to response suicide phenomenonin Indonesia. Joining two different social lives among human life in Indonesia and Greek mythology constructsthis creation as a surrealism play script. The purpose of this creation is: 1) to create a joint script of two differentrealms between Sissyphus’ life and recent reality of Indonesian people’s life in surrealist plot, (2) to produce a scriptconstantly contextual with man’s problem in life, (3) to enrich Indonesia Drama documentation through a scriptwith high motivational contents as an alternative of destiny. As a anti-suicide campaign for Indonesians, the authorinvokes a brilliant thinking of existentialist philosopher, Albert Camus, within the script to be performed andwatched. The implementation is not wholesome, but adapting Pancasila values. Therefore, this script is importantas a reference for students who teach and perform absurd scripts. Most drama observers say that the emergence ofabsurd script proposed by group of dramatist in 1950’s could not be released from Camus’ thought