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Cultural gerontology has developed critical work around cultural representations of age and aging and their role in the reproduction of ageism. However, the cultural industries as producers and disseminators of representations remain under researched. This paper draws on a focus group with four older women actors to argue that workforce allocation and assumptions about audience demographics intersect with cultural attitudes around women's aging to impact on older women actors' career opportunities. We argue that ageism within the cultural industries is limiting our ability to develop diverse and non-ageist cultural representation of women's aging. [ABSTRACT FROM AUTHOR]

There has been a distinct neglect of dis/ability in socio-cultural analysis of poverty porn. This paper applies framing analysis to reality TV documentaries that feature larger bodied, disabled, welfare claimants to examine how cultural literacies of fatness and 'obesity' are drawn upon to cast suspicion upon disability welfare claimants in so-called poverty-porn. With a focus on Channel 5's Benefit Britain series, Benefiits Too Fat to Work we demonstrate that enduring and harmful representations of 'obesity' are put to the work of securing public consent for a post-welfare society in the UK. [ABSTRACT FROM AUTHOR]

This article responds to the claim that there is a critical neglect of age and ageing across media and television studies. It does so by arguing an exploration of the insights from the fields of critical gerontology/Age Studies and Media Studies allows critical scrutiny of the intersection between populist stereotyping of age, the pedagogic function of the makeover culture, and the prevailing public policy discourses that place responsibility on individuals, notably women, to hold back their old age. This article extends the argument that the pedagogical function of the makeover is to train us into culturally inhabitable bodies, to claim that age shapes what corporeal and cultural dwellings are currently intelligible. [ABSTRACT FROM PUBLISHER]

Most academic work exploring the makeover genre has argued that TV “experts” draw on a narrative of humiliation to push the participant to adopt more appropriate forms of feminine appearance. However, shows likeHow to Look Good Naked, while sharing the problematic logics of the makeover, are qualitatively different in tone and style from more aggressive shows. We extend emerging analyses which argue that makeover shows can be read as reflecting struggles for recognition by demonstrating that TV “experts” can also interrupt processes of mis-recognition by offering alternative symbolic systems of interpretation of the body by which the body can be recognised, visible and valued. We argue that humiliation is not the only point of affective engagement for audiences of these shows, while wanting to avoid the seductive illusion that this makes the shows more empowering or less malevolent. We conclude that in failing to embrace the wide variety of affective mechanisms by which we might be able to appreciate the popular appeal of reality TV, we do a disservice to female audiences and women participants, as well as limiting our own theoretical insights. [ABSTRACT FROM AUTHOR]

Class is often overlooked in sociological studies of death, just as studies of class overlook death. The controversial media coverage of the death of Jade Goody provides a useful focus for exploring contemporary class-making. Recent sociological analyses of class representations in popular culture have demonstrated how denigration and humiliation serve as mechanisms which position sections of the white, working class (chavs) as repositories of bad taste. We argue that these are not the only (or even the most prevalent) affective mechanisms for class-making. In this article, we explore how cultural imperatives for ‘dying well’ intersect with what could be perceived as more positive or even affectionate representations of Jade to produce ‘good taste’ as naturalised properties of the middle class. As such, we demonstrate that the circulation of inequalities through precarious and dynamic cultural representations involves more complex affective mechanisms in class boundary work than is often recognised. [ABSTRACT FROM PUBLISHER]

This paper applies Joffe and Staerklé’s self-control ethos to cultural representations of the white working class. We initially follow their identification of three aspects of the self-control ethos — mind, body, and destiny — to show the explanatory value of the concept, before considering four possible avenues through which the self-control ethos may be developed: the extent to which it is the interrelationship between the separate aspects of the self-control ethos which lends them their visceral, emotional, and symbolic power; that gender differentiation is an important element in the specific content of stereotypes; that some stereotype content relates to issues of containment; and that a tighter contextualization is afforded to the self-control ethos by considering self and other relations in the terms of a consumer culture. These are offered as possible directions for the future development of a social representational approach sensitive to the contemporary cultural context. [ABSTRACT FROM PUBLISHER]

In the context of a purported shift from humiliation to the benign exemplified by the marked contrast between How to Look Good Naked and What Not to Wear, this article examines the cultural work performed by the 'space of the benign'. We identify three main mechanisms -- body appreciation, synthetic friendship and suspended sexuality -- which manipulate existing constructions of female friendship and homosexuality to produce the host as the 'gay best friend'. As such, the host sidesteps the heterosexual scopic economy while seeking to re-place women within it, and avoids the censure frequently directed at female presenters. At the same time, by coaxing women towards an acceptance of their body as is, How to Look Good Naked provides a 'feel-good' sense of empowerment while preserving individualistic framings of body problems and solutions. We conclude that the show rehabilitates women within the heteronormative scopic economy, and reinscribes them as neo-liberal consumers. [ABSTRACT FROM AUTHOR]

Our everyday shopping practices are increasingly marketed as opportunities to ‘make a difference’ via our ethical consumption choices. In response to a growing body of work detailing the ways in which specific alignments of ‘ethics’ and ‘consumption’ are mediated, we explore how ‘ethical’ opportunities such as the consumption of Fairtrade products are recognized, experienced and taken-up in the everyday. The ‘everyday’ is approached here via a specially commissioned Mass Observation directive, a volunteer panel of correspondents in the UK. Our on-going thematic analysis of their autobiographical accounts aims to explore a complex unevenness in the ways ‘ordinary’ people experience and negotiate calls to enact their ethical agency through consumption. Situating ethical consumption, moral obligation and choice in the everyday is, we argue, important if we are to avoid both over-exaggerating the reflexive and self-conscious sensibilities involved in ethical consumption, and, adhering to a reductive understanding of ethical self-expression. [ABSTRACT FROM AUTHOR]

This article critically considers the 'fit' between FairTrade consumption and conceptualizations of the reflexive project of selfhood. By outlining the ways in which FairTrade products are marketed, we argue that a particular and partial reflexivity is invoked and mobilized. Following from recent class debates which apply a Bourdieusian analysis to explore the operations of everyday class distinctions, we explore what such an analysis can offer to the project of critically mapping out the dynamics of this particular reflexivity and ethical consumption. However, FairTrade's emphasis on 'just' consumption and invocation of a deserving farmer/worker allows some scope for problematization here too. By turning to an emerging literature on the 'moral economy' we reach past the homogenizing tendency in some 'new' class analyses to suggest possibilities both for a psychosocial imagining of ethical consumption and for fleshing out the conceptualization of a 'situated reflexivity' demanded by recent social theory. [ABSTRACT FROM AUTHOR]

This paper explores women’s experiences of accessing serious leisure. It responds to a perceived tendency in contemporary feminist theories of leisure to celebrate women’s ability to weave potentially empowering identities from discursive resources in leisure spaces and experiences. While this work creates much needed theoretical space for the exploration of women’s agency and self determination within leisure, there is little critical attention given to how women may first negotiate the complexity of their gendered lives to gain access to these sites and experiences. By drawing on the accounts of forty women involved in the Sea Cadet Corps, a form of serious leisure, this paper argues that accessing leisure is still an important aspect of women’s leisure experiences. Women cited here engage in active and conscious practices and performances to both justify their access to leisure and to enable their disengagement from demands associated with normative femininity. This paper concludes that to sideline questions of access serves to conceptually dislocate leisure from the wider patterns of women’s everyday lives and limits our understanding of how women perceive, use and give meaning to their serious leisure participation. [ABSTRACT FROM AUTHOR]

This note describes the conceptual importance of 'serious' leisure while highlighting its theoretical weaknesses when speaking both to and from the experiences of women in the Sea Cadet Corps (a uniformed youth organization). I claim that although women's experiences challenge some of the assumptions made by serious leisure, the concept of serious leisure remains, as yet, a positive framework in which these experiences may be grounded. It is, however, my contention that Stebbins (1982) concept is in need of a politicizing and critical analysis, and that this is provided by a feminist critique of engendered power relations. [ABSTRACT FROM AUTHOR]

Generating negative news coverage of state welfare provision has been identified as a strategy designed to create public support for radical policies aimed to reduce such provision. To date, research of this kind has focused on scandals and crises. However, little is known about the complex relationship between media representations of specific events, and those of media representations in the lead up to these events, what we refer to as periphery representations. Employing a content and frame analysis, this paper analyses the frequency and intensity of peripheral representations of the National Health Service (NHS) in the British print media for 1 week a month before and for 1 week during three key events in recent NHS history: the official consultation period for the Health and Social Care Act; the publication of Five-Year Forward View, and the first Junior Doctor Strike. This article finds that negative NHS representations in articles that are peripheral to particular topical issues of controversy evidence fluctuations, amplifications and intensities across time periods, depending on the particular context. The paper concludes by arguing that repetition of negative themes in news helps to build a sensibility of 'inadequacy' of vital services. We hope that this focus on the ways in which amplifications and de-amplifications in negative intensity of peripheral NHS representations across time and content, helps to contribute to debate about the complex interplay between public health services, media representation and policy consent. [ABSTRACT FROM AUTHOR]