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This text critically examines, argues, and demonstrates how the sex-positive movement is complicit in the perpetuation of White Supremacy and anti-black bias in the field of human sexualities, offering white sexuality professionals embodied ethical antiracist strategies for sexual inclusion and transformational change. In a world where whiteness is considered the sexual and bodily norm, Carole Clements proposes that the sex-positive movement has failed to examine how it maintains White Supremacy through the guise of inclusivity, and how the lack of a critical understanding of what'sex-positive'means has caused harm to black, indigenous, and people of color (BIPOC) individuals and communities alike. Pivoting away from a sex-positive/sex-negative binary, this book establishes a sex-critical discourse by introducing and operationalizing the term'White-sex Supremacy'to produce a racially just and embodied sexual ethic. Chapters begin by looking at sexual science and its racial origins, recounting how both the science of sex and that of race strived for positivist legitimacy in the same historical moment. Moving from the social construction of racial and sexual hierarchies, chapters look at eugenics and sexology's early'sex-positive'pioneers, such as Margaret Sanger and Havelock Ellis, before examining the establishment of a race-evasive yet distinctly white sexual normality reliant on sex-positive framing. It shows how sex positivity became a popularized term without a clear definition other than'good,'and how the legacy of white fragility leads to complicit white silence and the erasure of Black sexualities. Theoretical, practical, and accessible, it offers tangible methods for white sexuality professionals and scholars to learn accompliceship (over allyship) to promote antiracist sexual justice activism. This book is essential reading for white sexuality professionals, including sex educators, sex therapists, marriage and family therapists, licensed professional counselors, psychotherapists, gynecologists, and nurses, who are committed to examining their whiteness in the context of their commitment to sex positivity.

In An Archive of Possibilities, anthropologist and surgeon Rachel Marie Niehuus explores possibilities of healing and repair in the eastern Democratic Republic of Congo against a backdrop of 250 years of Black displacement, enslavement, death, and chronic war. Niehuus argues that in a context in which violence characterizes everyday life, Congolese have developed innovative and imaginative ways to live amid and mend from repetitive harm. Drawing on ethnographic fieldwork and the Black critical theory of Achille Mbembe, Christina Sharpe, Alexis Pauline Gumbs and others, Niehuus explores the renegotiation of relationships with land as a form of public healing, the affective experience of living in insecurity, the hospital as a site for the socialization of pain, the possibility of necropolitical healing, and the uses of prophesy to create collective futures. By considering the radical nature of cohabitating with violence, Niehuus demonstrates that Congolese practices of healing imagine and articulate alternative ways of living in a global regime of antiblackness.

Le personnage étonne. L'écrivain fascine. On parle partout de lui. Il est lu, plus que jamais. Louis-Ferdinand Céline ne fait jamais l'unanimité; pour ou contre, il y a toujours une objection ou une dénégation. Son antisémitisme est amplement documenté. Son racisme, moins. Aristote Kavungu a relu les pamphlets où le racisme est flagrant, mais aussi Voyage, où il l'est tout autant, sauf que personne ne l'avait pas vu. Le racisme de Céline serait-il soluble dans son génie encore davantage que son antisémitisme? «J'aime pas les nègres hors de chez eux… c'est tout », n'est-ce pas la formule romancée de «la France aux Français»? Dans ce pamphlet – genre éminemment célinien –, Aristote Kavungu veut d'abord remettre la négrophobie de Céline dans la discussion sur son antisémitisme. Ensuite, il vient se dresser contre cette France qui a décidé, presque en chœur, de se refaire une vertu sur le dos de l'ermite de Meudon. J'ai décidé d'écrire, non pas sur Louis-Ferdinand Céline, que j'ai lu, relu, aimé, détesté, compris, imploré, questionné, convoqué, mais sur les réverbérations de ce qu'il a dit et écrit en son temps, ce qui a été acclamé et aussi ce qui a été haï. Je vais écrire du point de vue d'un Noir africain que les écrits de Céline n'ont jamais laissé indifférent; un Noir qui n'a jamais caché sa fascination pour l'auteur et des réserves et de la colère pour l'homme; un Noir qui a vécu et étudié en France, un pays finalement sombre avec quelques illuminations, exactement comme l'auteur de Voyage au bout de la nuit; un Noir qui décide, avec énormément de recul, d'égratigner un peu et d'écrire ce qui peut ressembler à un pamphlet antiraciste; un Noir, enfin, qui veut s'employer à renvoyer dos à dos Céline et ses pseudo-détracteurs. A. K.

Modern Migrations, Black Interrogations uses reflections on the Black experience to consider the “unasked question of blackness” in modern migration and movement. The editors and contributors use the lens of Black Studies to show how migration—compelled by force or suggestion, from the transatlantic African slave trade to the Great Migration and the current refugee crisis—has been structured to reinforce white supremacy. Focusing on antiblackness in immigration and examining restrictions on freedom of movement and on settling alike, chapters address how Black im/mobility operates and how it can be distinguished from that of the migrant and the colonial settler, as well as from the transgressive mobilities of Indigenous populations. Looking at blackness, borders and border practices, and displacement, Modern Migrations, Black Interrogations investigates racialized boundaries that determine immigration policy, citizenship, legality, and inclusion. Additional chapters analyze communities, such as the Haitian diaspora in Miami, antiblackness in the context of Australian migration, and explore literary representations of justice, slavery and Black feminist consciousness. Modern Migrations, Black Interrogations uses (anti)blackness to rethink the way we understand borders, immigrant identity, barriers to integration, and the dynamics of migrant exclusion, while also providing an understanding of “otherness” for Black populations across nationalities. Contributors: Maya Hislop, P. Khalil Saucier, Hyacinth Udah, Paula von Gleich, Tryon P. Woods, and the editors

Powerful skills to help you heal from racial stress and trauma, resist racism in your day-to-day life, and thrive. If you've experienced or witnessed racism or discrimination, you may feel stressed, angry, sad, or anxious. You may have trouble focusing on school or enjoying time with friends. And you may even have moments when your heart races and you fear something bad will happen. You should know that you are not alone, and what happened to you isn't your fault. Most importantly, there are tools you can use to work through these difficult emotions, regain your confidence, and move forward from your experience. This workbook can help guide you, step by step. Written by a team of experts in Black mental health and wellness and grounded in cognitive behavioral therapy (CBT), this workbook offers evidence-based strategies to help you manage emotions in the face of race-based stress due to microaggressions, implicit bias, overt racism, and vicarious racism. You'll also learn to find strength in your racial and cultural identity, and gain the skills needed to resist racism and thrive. You'll gain tools to help you: Name and define your experience Explore how racial stress can impact your thoughts, feelings, and behavior Create a “game plan” for responding to racism Apply what you've learned out in the world With this workbook, you'll see that you are not alone in your experience, and will find stress-relieving strategies you can draw on throughout your lifetime to stay well in body and mind. Finally, you'll learn tips for navigating discussions about race and experiences of discrimination, so you can be empowered to stand up for what's right and contribute to an antiracist society. In these increasingly challenging times, kids and teens need mental health resources more than ever. With more than 1.6 million copies sold worldwide, Instant Help Books are easy to use, proven-effective, and recommended by therapists.

Knowledge is more expansive than the boundaries of the Western university model and its claim to be the dominant—or only—rigorous house of knowledge. In the former colonies of Europe (e.g., South Africa, Brazil, and Oceania), the curriculum, statues, architectures, and other aspects of the university demonstrate the way in which it is a fixture in empire maintenance. The trajectory of global White supremacy is deeply historical and contemporary—it is a global, transnational, and imperial phenomenon. White supremacy is sustained through the construction of inferiority and anti-Blackness. The context, history, and perspective offered by Collins, Newman, and Jun should serve as an introduction to the disruption of the ways in which university and academic dispositions have and continue to serve as sites of colonial and White supremacist preservation—as well as sites of resistance.

A formidable critical project on the limits of antiracist philosophy. Exploring anxieties raised by Atlantic slavery in radical enlightenment literature concerned about political unfreedom in Europe, Metaracial argues that Hegel's philosophy assuages these anxieties for the left. Interpreting Hegel beside Rousseau, Kant, Mary Shelley, and Marx, Terada traces Hegel's transposition of racial hierarchy into a hierarchy of stances toward reality. By doing so, she argues, Hegel is simultaneously antiracist and antiblack. In dialogue with Black Studies, psychoanalysis, and critical theory, Metaracial offers a genealogy of the limits of antiracism.

In Trafficking in Antiblackness Lyndsey P. Beutin analyzes how campaigns to end human trafficking—often described as “modern-day slavery”—invoke the memory of transatlantic slavery to support positions ultimately grounded in antiblackness. Drawing on contemporary antitrafficking visual culture and media discourse, she shows how a constellation of media, philanthropic, NGO, and government actors invested in ending human trafficking repurpose the history of transatlantic slavery and abolition in ways that undermine contemporary struggles for racial justice and slavery reparations. The recurring narratives, images, and figures such as “slavery in Africa,” “Arab slave traders,” and “Black incapacity for self-governance” discursively turn Black people across the diaspora into the enslavers of the past and present in place of white Americans and Europeans. Doing so, Beutin contends, creates a rhetorical defense against being held liable for slavery's dispossessions and violence. Despite these implications, Beutin demonstrates that antitrafficking discourse remains popular and politically useful for former slaving nations and their racial beneficiaries because it refashions historic justifications for white supremacy into today's abolition of slavery.

From a highly lauded modern voice in feminism and racial justice comes a deeply personal and insightful testament to the power of reimagining to dismantle the frameworks and systems that no longer serve us while building new ones that do.“Powerful... You will leave these pages changed for the better.”—Gabrielle Union, New York Times bestselling author of We're Going to Need More Wine There are breaking points in all our lives when we realize that the way things have been done before just don't work for us anymore, be it the way we approach our relationships, our belief systems, our work, our education, even our rest. For activist, philanthropist, and CEO Rachel E. Cargle, reimagining—the act of creating in our minds that which does not exist but that we believe can and should—has been a lifelong process. Reimagining served as the most powerful catalyst for Cargle's personal transformation from a small-town Christian wife to an incisive queer feminist voice of a generation. In A Renaissance of Our Own, we witness the sometimes painful but always inspiring breaking points in Cargle's life that fostered a truer identity. These defining moments offer a blueprint for how we must all use our imagination—the space that sees beyond limits—to live in alignment with our highest values and to craft a world independent of oppressive structures, both personal and societal. Cargle now invites you to acknowledge ways of being that stem from societal expectations instead of your personal truth, and to embark on a renaissance of your own. She provides the very tools and prompts that she used to unearth her own truth, tools that opened her up to being a more authentic feminist and purpose-driven matriarchal leader. A Renaissance of Our Own gives us the courage to look at the world and say “I want something different.” It serves as a reminder of the power and possibility of reimagining a life that feels right, all the way down to the marrow of your bones.

A Guardian “Best Book of 2021” SelectionA powerful look at the impacts of anti-Black racism and a practical guide for overcoming racial trauma through radical self-care as a form of resistanceOver the past 15 years, radical psychologist Guilaine Kinouani has focused her research, writing, and workshops on how racism affects both physical and mental health. Living While Black gives voice to the diverse, global experiences of Black people, using personal stories, powerful case studies, and eye-opening research to offer expert guidance on how to set boundaries and process micro-aggressions; protect children from racism; handle difficult race-based conversations; navigate the complexities of Black love; and identify and celebrate the wins.Based on her findings, Kinouani has devised tried-and-tested strategies to help protect Black people from the harmful effects of verbal, physical, and structural racism. She empowers Black readers to adopt self-care mechanisms to improve their day-to-day wellness to help them thrive, not just survive, and to find hope and beauty—or even joy—in the face of racial adversity. She also provides a vital resource for allies seeking to better understand the impacts of racism and how they can help.With the rise of far-right ideologies and the increase of racist hate crimes, Living While Black is both timely and instrumental in moving conversations from defining racism for non-Black majorities to focusing on healing and nurturing the mental health of those facing prejudice, discrimination, and the lasting effects of the violence of white supremacy.

From a Pulitzer Prize finalist and New York Times bestselling author and poet comes a galvanizing meditation on the power of art and culture to illuminate America's unresolved problem with race.•Named a Most Anticipated Title of 2022 by TIME magazine, New York Times, Bustle, and more•In the midst of civil unrest in the summer of 2020 and following the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, Elizabeth Alexander—one of the great literary voices of our time—turned a mother's eye to her sons'and students'generation and wrote a celebrated and moving reflection on the challenges facing young Black America. Originally published in the New Yorker, the essay incisively and lovingly observed the experiences, attitudes, and cultural expressions of what she referred to as the Trayvon Generation, who even as children could not be shielded from the brutality that has affected the lives of so many Black people. The Trayvon Generation expands the viral essay that spoke so resonantly to the persistence of race as an ongoing issue at the center of the American experience. Alexander looks both to our past and our future with profound insight, brilliant analysis, and mighty heart, interweaving her voice with groundbreaking works of art by some of our most extraordinary artists. At this crucial time in American history when we reckon with who we are as a nation and how we move forward, Alexander's lyrical prose gives us perspective informed by historical understanding, her lifelong devotion to education, and an intimate grasp of the visioning power of art. This breathtaking book is essential reading and an expression of both the tragedies and hopes for the young people of this era that is sure to be embraced by those who are leading the movement for change and anyone rising to meet the moment.

Se plaindre pour dénoncer les souffrances de l'homme de couleur est évident et nécessaire. Ce texte présente un panorama de l'Afrique du passé et du présent, de la vie sociale et économique d'un peuple à la recherche de sa vocation. Il dénonce aussi l'attitude du reste du monde face à ce continent qui reste injustement marginalisé, d'où le devoir d'un combat qui vise à le délivrer de cette marginalisation, mais aussi et surtout du sous-développement, de l'apartheid et du racisme.

Antiblackness investigates the ways in which the dehumanization of Black people has been foundational to the establishment of modernity. Drawing on Black feminism, Afropessimism, and critical race theory, the book's contributors trace forms of antiblackness across time and space, from nineteenth-century slavery to the categorization of Latinx in the 2020 census, from South Africa and Palestine to the Chickasaw homelands, from the White House to convict lease camps, prisons, and schools. Among other topics, they examine the centrality of antiblackness in the introduction of Carolina rice to colonial India, the presence of Black people and Native Americans in the public discourse of precolonial Korea, and the practices of denial that obscure antiblackness in contemporary France. Throughout, the contributors demonstrate that any analysis of white supremacy---indeed, of the world---that does not contend with antiblackness is incomplete.Contributors. Mohan Ambikaipaker, Jodi A. Byrd, Iyko Day, Anthony Paul Farley, Crystal Marie Fleming, Sarah Haley, Tanya Katerí Hernández, Sarah Ihmoud, Joy James, Moon-Kie Jung, Jae Kyun Kim, Charles W. Mills, Dylan Rodríguez, Zach Sell, João H. Costa Vargas, Frank B. Wilderson III, Connie Wun

In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the'Negro question'is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing—a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks—Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.

Though one of America's best known and loved novels, Mark Twain's Adventures of Huckleberry Finn has often been the object of fierce controversy because of its racist language and reliance on racial stereotypes. This collection of fifteen essays by prominent African American scholars and critics examines the novel's racist elements and assesses the degree to which Twain's ironies succeed or fail to turn those elements into a satirical attack on racism.Ranging from the laudatory to the openly hostile, these essays include personal impressions of Huckleberry Finn, descriptions of classroom experience with the book, evaluations of its ironic and allegorical aspects, explorations of its nineteenth-century context, and appraisal of its effects on twentieth-century African American writers. Among the issues the authors contend with are Twain's pervasive use of the word “nigger,” his portrayal of the slave Jim according to the conventions of the minstrel show “darky,” and the thematic chaos created by the “evasion” depicted in the novel's final chapters.Sure to provoke thought and stir debate, Satire or Evasion? provides a variety of new perspectives on one of this country's most troubling classics.Contributors. Richard K. Barksdale, Bernard W. Bell, Mary Kemp Davis, Peaches M. Henry, Betty Harris Jones, Rhett S. Jones, Julius Lester, Donnarae MacCann, Charles H. Nichols, Charles H. Nilon, Arnold Rampersad, David L. Smith, Carmen Dubryan, John H. Wallace, Kenny Jackson Williams, Fredrick Woodard