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The wanderings of an Elizabethan stonebow are traced from its discovery at Bosworth field in the eighteenth century and originally thought to be mediaeval relic of the famous battle. It passed through the museum of Richard Greene at Lichfield, and the Liverpool Museum of William Bullock and now lies at Browsholme Hall, Lancs. Acquired by Abraham Kirkmann, a lawyer, he bequeathed it to Richard Goulbourne Parker of Browsholme. [ABSTRACT FROM AUTHOR]

Digital technology has become crucial for the protection of cultural relics, enabling their acquisition, preservation, exhibition, and dissemination in a non-contact manner.At present, the three-dimensional(3D) visualization technology of cultural relics focuses on the research of non-true 3D visualization, which cannot provide continuous viewing angle and takes a long time to render. This paper focuses on the acquisition and reproduction of digital information related to cultural relics, and proposes to achieve the true 3D display of cultural relics from a continuous perspective based on integrated imaging(InIm). Building up on traditional InIm, an Element image array (EIA) generation algorithm based on local depth template matching is designed by using spatial geometry relation. Experimental results show that the algorithm not only enables naked-eye 3D visualization of cultural relics, but also the generation speed is more than twice that of the compared 3D display data source generation algorithm. [ABSTRACT FROM AUTHOR]

We explore the freeze-in production of dark matter in the singlet–doublet model where the dark matter is the lightest admixture of the neutral components of S U (2) L vector doublet and singlet fermion. Here, the scalar sector is extended by a MeV scalar mediating the self-interaction of the fermion dark matter, which solves the small-scale anomaly of the Universe. The scalar particle is stable and contributes to the relic density of the dark matter. Self-interacting dark matter scenario demands large interaction between the dark particles, which makes this sector strongly coupled. In this case, thermal equilibrium occurs in the dark sector after the freeze-in, and the relic abundance of the fermion dark matter gets suppressed in the radiation-dominated early Universe. However, the non-standard cosmological evolution in the early Universe helped the fermion dark matter to achieve almost whole contribution towards the observed relic. [ABSTRACT FROM AUTHOR]

In his famous 1543 Treatise on Relics, Jean Calvin complained that if one were to gather all the purported pieces of the True Cross from the churches and cathedrals of Europe, it would ‘form a whole ship's cargo’. This comment not only highlights the questionable authenticity of relics, but also alludes to their inherent mobility. Indeed, as portable religious objects, relics played an essential role in the drive to export Christianity across the globe. Bound as it was to contemporary mercantile and colonial politics, Christian proselytization was imbricated with the circulation of material goods. Objects crafted in far off regions, such as Gujarat and Nagasaki, gained new life in European liturgical contexts. This essay examines imported caskets crafted from mother‐of‐pearl, tortoiseshell, and lacquer that were transformed into reliquaries on the Iberian Peninsula arguing that such reliquaries harnessed the established potency of the itinerant relic, while simultaneously inventing a new visual idiom that spoke to the precarity of the Catholic faith as it traversed great transoceanic distances. In so doing, it demonstrates the active role played by technologies of transit in the shaping of material and devotional culture in the early modern era. [ABSTRACT FROM AUTHOR]

Paper-based cultural relics inevitably face a variety of diseases such as acidification, yellowing, and strength loss during long-term preservation, where weakly alkaline inorganic materials play an important role in their deacidification treatments. In this work, by simply adjusting the supersaturation of crystal growing solution without the use of any organic additives, one-dimensional (1D) and two-dimensional (2D) weakly alkaline materials—magnesium carbonate hydrates (MCHs)—were controllably synthesized. It is worth noting that the coatings of 1D/2D MCHs not only cause little change in chromatic aberration and water wettability, but also ensure their safety for alkali-sensitive pigments. Meanwhile, the deacidification, anti-aging, strength-enhancing, and flame-retardant effects of these materials have been tested on ancient book papers, all of which achieved good protective effects. In contrast, 1D MCH materials brought about significant enhancement in both mechanical strengths and flame-retardant effects, and the related effects were investigated. Based on this facile micromorphology control strategy, more low-dimensional nanomaterials are expected to be synthesized by design for the protection of paper-based relics, which will expand our knowledge on functional deacidification and protection mechanisms. [ABSTRACT FROM AUTHOR]

This article examines three debates over the nature of human specimens: anatomical dissection in Victorian Britain the question of ownership over Henrietta Lacks's cells and recent debates over how to treat remnants of abortion. These cases reveal that specimens are deeply connected to human persons and should be considered with a particular kind of care. The author uses Andrew Solomon's concept of horizontal kinship to support reframing medical waste as "relics"—objects of veneration interpreted as revealing truth about the human experience. Envisioning medical waste as relics allows us to wonder at the ability of the body to provide transformative knowledge which leads to practices of appreciation to honor the sacrifices of the body. [ABSTRACT FROM AUTHOR]

This article presents a new, RELIC (Real Love In Context) theory of love. The theory contains three subtheories. Two of them constitute an endosystem, or inner system of love. The triangular theory, an interpersonal theory, describes love in term of the intimacy, passion, and commitment one feels toward another person. The theory of love as a story, an intrapersonal theory, describes stories that characterize one's ideal depiction of what love should and potentially could be. The third, extrapersonal subtheory constitutes an ecosystem, or outer system of love. Drawing on the work of Urie Bronfenbrenner, it describes five hierarchically nested environmental systems (microsystem, mesosystem, exosytem, macrosystem, chronosystem) in which love is embedded and that continually affect the love one feels for another. The forces of the ecosystem act upon the endosystem in ways that can bring couples (or larger groups) together or drive them apart. [ABSTRACT FROM AUTHOR]

An introduction is presented in which editor discusses various articles within the issue on topics including Apostles cabinet in Jane Eyre; precious archive of relics and popular exhibition of Charlotte's clothing.

This paper contributes to the existing scholarship on letters as material culture and relic culture in the nineteenth century and in Charlotte Brontë's Villette (1853). In the novel, Lucy collects and preserves letters from absent loved ones to maintain a sense of connection to others in a life that she seems destined to live alone. In this article, I argue that her letters serve as relics of her past relationships and dead love as she desperately clings to tangible objects that bind her to other people. While scholars have concentrated on letters in Villette as material symbols of the corporeal body and romantic love, I argue that Lucy's letters form a collection that acts as a substitute for personal relationships. To borrow a term from Deborah Lutz (2017), I assert that Lucy's collection of letters function as a 'personal museum' of relics of dead love, which she carefully collects to preserve past relationships. [ABSTRACT FROM AUTHOR]

Copyright of China Pulp & Paper is the property of China Pulp & Paper Magazines Publisher and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of China Pulp & Paper is the property of China Pulp & Paper Magazines Publisher and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of China Pulp & Paper is the property of China Pulp & Paper Magazines Publisher and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Three-dimensional digital modeling at actual scales is essential for digitally preserving cultural relics. While 3D reconstruction using a monocular camera offers a cost-effective solution, the lack of scale information in the resulting models limits their suitability for geometric measurements. Objects with monotonous textures, such as batteries, pose additional challenges due to insufficient feature points, increasing positional uncertainty. This article proposes a method incorporating point and line features to address the scale ambiguity in multi-view 3D reconstruction using monocular cameras. By pre-measuring the lengths of multiple sets of real line segments, building a lookup table, and associating the line features in different images, the table was input into the improved reconstruction algorithm to further optimize the scale information. Experimental results on real datasets showed that the proposed method outperformed the COLMAP method by 70.82% in reconstruction accuracy, with a scale recovery reaching millimeter-level accuracy. This method is highly generalizable, cost-effective, and supports lightweight computation, making it suitable for real-time operation on a CPU. [ABSTRACT FROM AUTHOR]

Transition economies, on the one hand, grapple with a communist legacy; on the other hand, they seek the optimal institutionalization for knowledge generation, dissemination, and commercialization to compete globally. However, the incumbent knowledge of certain aspects of their innovation systems remains very limited. In particular, intra-organizational cultural relics of the past and their inter-organizational and, consequently, systemic implications require research. This study examines how interaction barriers among universities, industry, and government, stemming from intra-organizational cultures, impact structural change in the innovation system of Azerbaijan. Utilizing the TH model, interviews with 59 participants revealed that a "Statist" TH model in Azerbaijan hinders organic cultural development within organizations, leading to interaction issues among TH actors. Moreover, problems in inter-organizational communication pave the way for a systemic failure that necessitates government intervention, strengthening the "Statist" TH model. The findings increase the context sensitivity of the TH framework by exploring an understudied context and provide valuable insights relevant to other transition economies facing similar institutional legacies. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Beijing University of Technology is the property of Journal of Beijing University of Technology, Editorial Department and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Identifying pigments from colored relics is essential for their color restoration and for facsimile creation. A workflow for identifying pigment information is constructed based on visible spectral imaging technology, aligned with the drawing process of colored relics. This workflow includes three steps: boundary extraction, material identification and prediction of mixture proportions. The methods for segmenting visible spectral images, identifying chemical compositions, and predicting mixture proportions of pigments are extensively reviewed. Future research trends of these methods are also analyzed. The influence of the pigment particle size is currently underexplored but can be accomplished by multidisciplinary research. [ABSTRACT FROM AUTHOR]

Paper‐based cultural relics are of great value and have been facing irreversible damage caused by multiple factors, among which acid hydrolysis and ultraviolet photodegradation are the main processes leading to paper deterioration. Paper protection highly relies on a limited range of materials with single functions, and the design of new materials that ensure long‐term safety and efficiency by simultaneously addressing the issues of acidification and UV degradation in paper is highly desired. In this study, the introduction of carbon dots (CDs)‐enhanced layered double hydroxides (LDH) 0D/2D nanohybrids (CDs/Mg‐Al LDH) is proposed as novel dual‐functional materials for paper protection against UV degradation and acidification. Through a CDs‐assisted in situ growth strategy, CDs/Mg‐Al LDH with ultrathin thickness (≈9.1 nm) and CDs‐intercalated structure are achieved. The CDs/Mg‐Al LDH nanohybrids demonstrate high dispersibility, strong UV absorption, and remarkable photostability, resulting in protected‐paper with decelerated acidification, oxidation, and yellowing degradation processes under both accelerated UV‐aging and dry‐heat conditions. Additionally, the protected‐paper can emit uniform blue light under 365 nm UV excitation allows for easy identification of the distributed CDs/Mg‐Al LDH within the paper, marking a unique and practical feature. This research paces a new direction for the protection of paper‐based relics with emerging carbon dots‐based 0D/2D nanomaterials. [ABSTRACT FROM AUTHOR]

This essay focuses on the trope of the missing corpse in two contemporary Iraqi novels: Ahmed Saadawi's Frankenstein in Baghdad (2013) and Muhsin al-Ramli's Daughter of the Tigris (2019). Drawing mainly on critical work on the corpse and death studies as well as critical ideas on relics and hauntology the essay asks: What place does the missing corpse occupy in a body of contemporary literary outputs that have witnessed a significant engagement with the materiality of the dead body? How is the narrative of the absent corpse structured and framed? How is it experienced and accounted for? What forms and shapes replace the absent body? The essay argues that the missing corpse takes on an "absent presence" that haunts the narrative while the dead body's very disappearance is compensated for through relics, surrogates, replacements, and repetitions. In conclusion, the essay contends that this absent presence further signals a haunted futurity that is entangled in Iraq's history of violence but which, nonetheless, offers the potential for a radically new and democratic vision for the country's future. [ABSTRACT FROM AUTHOR]

The Daitokuji Old Collection's 500 Luohans Paintings 五百羅漢圖, painted by Southern Song Mingzhou 明州 artists Lin Tinggui 林庭珪 and Zhou Jichang 周季常, have become a focal point in recent studies on the Chinese Buddhist material culture of the Song Dynasty. Among the 500 Luohans series, five paintings are related to the ancient Indian legend of Emperor Aśoka's creation of 84,000 stupas. These paintings include "Building a Stupa" (No.78), "King Aśoka Stupa Emitting Light" (No.79), "Precious Stupa on the Rock" (No.80), and "Miracle of Light-Emitting Relics" (No.81), which are currently housed in the Daitokuji 大德寺 in Kyoto, Japan, and "Luohans Watching the Relics' Light" (B5), which is housed in the Museum of Fine Arts in Boston, the US. However, the way in which the "King Aśoka Stupa" 阿育王塔 and "Relics' Light" 舍利光 series were integrated into the overall visual narrative of the 500 Luohans in the Daitokuji and Boston collections, as well as the profound meanings and social-cultural contexts embedded in these images, have been rarely studied in depth. The introduction of the miraculous relics theme into the Daitokuji Old Collection's 500 Luohans Paintings originates from an earlier version by the monk Fa Neng. However, Fa Neng's version recorded by the Northern Song literati Qin Guan 秦觀 does not mention the King Aśoka Stupa. The artists had considerable freedom in depicting miraculous relic phenomena and King Aśoka Stupa. The specific details of King Aśoka Stupa's background in Tiantai Mountain 天台山, such as rock bridges, waterfalls, and rock caves, as well as the craftsmanship of King Aśoka Stupa, reflect particular contemporary ideas. The vivid depictions of the "King Aśoka Stupa" and "Relics' Light" in the Daitokuji Present Collection and the Boston Collection of the 500 Luohans may indicate a close connection between the creation of these images and the fervent Relics Worship at King Aśoka Temple 阿育王寺 in Mingzhou during Southern Song. This paper synthesizes these images, ancient Chinese and Japanese manuscripts, and fieldwork insights to interpret the sources and significance of these images. [ABSTRACT FROM AUTHOR]

This article revisits one of the texts associated with the fourteenth-century spread of Franciscan mission across Eurasia, the account of the travels of Odoric of Pordenone (d.1331). Odoric's text is often mined for what it might reveal about Latin Christian perceptions of East Asia. This article argues that the local rather than the global aspects of the text should be given prominence in our assessment of his work, and greater attention paid to the process of composition and likely audience. Odoric worked with a co-author and addressed a specifically Franciscan audience in the early fourteenth-century Veneto. The central priority of the text was to convey the 'reality' of a distant martyrdom, in Tana, India, in the absence of tangible relics to demonstrate the truth of that martyrdom. The account highlights some of the intellectual tensions produced as a narrative of universal mission – and martyrdom – became increasingly central to Franciscan identity. [ABSTRACT FROM AUTHOR]

Due to the limitations of a priori knowledge and convolution operation, the existing image restoration techniques cannot be directly applied to the cultural relics mural restoration, in order to more accurately restore the original appearance of the cultural relics mural images, an image restoration based on the denoising diffusion probability model (Denoising Diffusion Probability Model (DDPM)) and the Transformer method. The process involves two steps: in the first step, the damaged mural image is firstly utilized as the condition to generate the noise image, using the time, condition and noise image patch as the inputs to the noise prediction network, capturing the global dependencies in the input sequence through the multi-attention mechanism of the input sequence and feed-forward neural network processing, and designing a long skip connection between the shallow and deep layers in the Transformer blocks between the shallow and deep layers using long skip connections to fuse the feature information of global and local outputs to maintain the overall consistency of the restoration results; In the second step, taking the noisy image as a condition to direct the diffusion model to back sample to generate the restored image. Experiment results show that the PSNR and SSIM of the proposed method are improved by 2% to 9% and 1% to 3.3%, respectively, which are compared to the comparison methods. This study proposed synthesizes the advantages of the diffusion model and deep learning model to make the mural restoration results more accurate. [ABSTRACT FROM AUTHOR]

In recent years, with the development of 3D digitization of cultural relics, most cultural sites contain a large number of fine 3D data of cultural relics, especially complex geometric objects such as painted cultural relics. At present, how to automatically extract surface damage information from the fine 3D color model of painted cultural relics and avoid the loss of accuracy caused by reducing the dimension using conventional methods is an urgentproblem. In view of the above issues, this paper proposes an automatic and high-precision extraction method for cultural relics surface shedding diseases based on 3D fine data. First, this paper designs a 2D and 3D integrated data conversion model based on OpenSceneGraph, a 3D engine, which performs mutual conversion between 3D color model textures and 2D images. Second, this paper proposes a simple linear iterative clustering segmentation algorithm with an adaptive k value, which solves the problem of setting the superpixel k value and improves the accuracy of image segmentation. Finally, through the 2D and 3D integrated models, the disease is statistically analyzed and labeled on the 3D model. Experiments show that for painted plastic objects with complex surfaces, the disease extraction method based on the 3D fine model proposed in this paper has improved geometric accuracy compared with the current popular orthophoto extraction method, and the disease investigation is more comprehensive. Compared with the current 3D manual extraction method in commercial software, this method greatly improves the efficiency of disease extraction while ensuring extraction accuracy. The research method of this paper activates many existing 3D fine data of cultural protection units and converts conventional 2D data mining and analysis into 3D, which is more in line with the scientific utilization of data in terms of accuracy and efficiency and has certain scientific research value, leading value and practical significance. [ABSTRACT FROM AUTHOR]

'Contested heritage' and 'cancel culture' have specific meanings and points of reference in our culture today, but these are by no means new phenomena in the life of cathedrals. At the time of the Reformation and the Civil War, all evidence of traditional Catholic culture was considered fair game for iconoclasts, who systematically destroyed saints' shrines and tombs with their relics. In recent years, in association with the revival of the practice of pilgrimage and in unstated rejection of Reformation tradition, shrines of saints in many cathedrals have been restored, some including relics. It is unsurprising that saints and their shrines can be controversial, since saints themselves are 'signs of contradiction', those whose lives lived according to the standards of the kingdom of heaven challenge the values of earthly kingdoms and cultures. Norwich Cathedral is unusual among the ancient cathedrals of England in never having had a great saint enshrined within it. This study will consider the cases of two figures locally revered as martyrs, William of Norwich and Edith Cavell, whose lives and witness have been causes of international controversy and yet who still merit commemoration by Christians today. [ABSTRACT FROM AUTHOR]

In 1606 Henry Garnet, provincial of the English Jesuits and purported co-conspirator in the Gunpowder Plot against James I, was executed at St. Paul's Cathedral in London. Following his death, accounts of miracles occurring at his execution began to spread throughout England, including an account of a relic bearing his miraculous image. While Catholic writers promoted these accounts as evidence of Garnet's innocence, Protestant contemporaries argued that Garnet was an illegitimate martyr and that his commemoration was evidence of Catholic support for regicide. This article demonstrates how London Protestant writers and publishers utilized anti-hagiographical arguments to intervene in attempts to promote Garnet's sainthood, counter claims about the veracity of his relic, and shape his legacy in the decades following his execution. [ABSTRACT FROM AUTHOR]

Bronze artifacts often suffer from "bronze disease" due to the presence of chloride ions, which result from copper chlorides forming on their surfaces during storage. Therefore, reinforced protection is essential for these unearthed cultural artifacts, and new materials for the reinforced protection of fragile bronzes are urgently needed. In this study, cuprammonium solvent and nanocellulose (CNC) were utilized as reinforcement materials to protect fragile bronzes. The chemical and aesthetic properties before and after reinforcement were analyzed using ultra-depth field microscopes, SEM-EDX, XRD, and Raman spectroscopy. The results indicated that at a nano-cuprammonium reinforcer concentration of 2.5 mol/L, the optimal reinforcement effect on simulated bronze powdery rust samples was achieved.Mechanical strength increased by an average of 77.59%. The mass growth rate reached 84.8%, while the color difference Δ E remained below 4.0. Additionally, aging resistance significantly improved, aligning with cultural artifact protection standards.Meanwhile, a compact and stable protective membrane formed on the surface of the bronzes, isolating the bronze matrix from direct contact with the external environment, which delayed bronze corrosion and contributed to long-term stable preservation. [ABSTRACT FROM AUTHOR]

The museum system is exposed to a high risk of seismic hazards. However, it is difficult to carry out seismic hazard prevention to protect cultural relics in collections due to the lack of real data and diverse types of seismic hazards. To address this problem, we developed a deep-learning-based multi-source feature-fusion method to assess the data on seismic damage caused by collected cultural relics. Firstly, a multi-source data-processing strategy was developed according to the needs of seismic impact analysis of the cultural relics in the collection, and a seismic event-ontology model of cultural relics was constructed. Additionally, a seismic damage data-classification acquisition method and empirical calculation model were designed. Secondly, we proposed a deep learning-based multi-source feature-fusion matching method for cultural relics. By constructing a damage state assessment model of cultural relics using superpixel map convolutional fusion and an automatic data-matching model, the quality and processing efficiency of seismic damage data of the cultural relics in the collection were improved. Finally, we formed a dataset oriented to the seismic damage risk analysis of the cultural relics in the collection. The experimental results show that the accuracy of this method reaches 93.6%, and the accuracy of cultural relics label matching is as high as 82.6% compared with many kinds of earthquake damage state assessment models. This method can provide more accurate and efficient data support, along with a scientific basis for subsequent research on the impact analysis of seismic damage to cultural relics in collections. [ABSTRACT FROM AUTHOR]

The authenticity of the Shroud of Turin, also known as the ‘Síndone’ or ‘Holy Shroud’, faces significant doubt based on scientific evidence. Carbon‐14 testing conducted decades ago placed its origin in the Middle Ages, raising questions about its connection to Jesus Christ. This article highlights an anatomical anomaly: the hand placement covering the genitals appears inconsistent with human proportions, suggesting a possible artistic intervention. [ABSTRACT FROM AUTHOR]

The article focuses on the author's journey to photograph forgotten vintage cars as a way to combine his passion for cars and photography while coping with Parkinson's disease. Topics include the personal connection between cars and memories of the 1950s and '60s, the challenges faced during a photography expedition across the Canadian prairies, and the inspiration behind the "Vanishing Wheels" project to preserve automotive relics and raise awareness for Parkinson's.

We present the serendipitous discovery of (1) a large double radio relic associated with the galaxy cluster PSZ2 G277.93 + 12.34 and (2) a new odd radio circle, ORC J1027–4422, both found in the same deep MeerKAT 1.3 GHz wide-band radio continuum image. The angular separation of the two arc-shaped cluster relics is ∼16 arcmin or ∼2.6 Mpc for a cluster redshift of z ≈ 0.158. The thin southern relic, which shows several ridges/shocks including one possibly moving inwards, has a linear extent of ∼1.64 Mpc. In contrast, the northern relic is about twice as wide, twice as bright, but only has a largest linear size of ∼0.66 Mpc. Complementary SRG/eROSITA X-ray images reveal extended emission from hot intracluster gas between the two relics and around the narrow-angle tail (NAT) radio galaxy PMN J1033–4335 (z ≈ 0.153) located just east of the northern relic. The radio morphologies of the NAT galaxy and the northern relic, which are also detected with the Australian Square Kilometer Array Pathfinder (ASKAP) at 888 MHz, suggest both are moving in the same outward direction. The discovery of ORC J1027–4422 in a different part of the same MeerKAT image makes it the fourth known single ORC. It has a diameter of ∼90 arcsec corresponding to 400 kpc at a tentative redshift of z ≈ 0.3 and remains undetected in X-ray emission. Supported by simulations, we discuss similarities between outward moving galaxy and cluster merger shocks as the formation mechanisms for ORCs and radio relics, respectively. [ABSTRACT FROM AUTHOR]

The article explores the historical and spiritual significance of early Roman Christian martyrs, emphasizing their role in the development of Christian relic veneration and the impact of their physical remains on subsequent generations. Topics discussed include the discovery and veneration of early Christian catacombs, the historical journey of St. Gordianus' relics, and the enduring relevance of martyrdom in contemporary discussions of religious intolerance.

This essay examines two shoe soles cut from a Torah scroll which British historian and collector of Judaica Cecil Roth collected in Greece in 1946. As Holocaust relics, the Torah scroll shoe soles are, in turn, sacred and sacrilegious, texts and objects, Greek Jewish and non-Jewish Greek artifacts. Roth's recovery of the shoe soles is compromised by occurring under the auspices of the British Army during the Greek Civil War and in the controversial climate of collecting Judaica displaced by the Holocaust. I discuss the ongoing story of the shoe soles: their separation, their use, and their best location. [ABSTRACT FROM AUTHOR]

For the purpose of effectively providing protection and utilization of historical earthen sites, the fully-enclosed exhibition halls with electricity driven air-conditioning have been successfully adopted to provide a suitable preservation air environment. However, its electricity consumption and carbon emissions are considerable due to the continuous operation of environmental control, the energy consumption of air cooling in exhibition halls can reach more than 10 times that of office buildings. To further reduce energy consumption, this current study drew on the concept of NBS (Nature Based Solution) and proposed a low-carbon environmental control system for an enclosed exhibition hall for storage of earthen relics by applying natural energy (solar photovoltaic and earth-air-cooling) and space optimization. Firstly, a numerical model was established to simulate the preservation environment in exhibition halls and the electricity consumption of each energy subsystem. Then the model was applied to optimize the design parameters (e.g. earth-air tunnel and airflow pattern) for the environmental control system. Numerical results showed that the electricity consumption was reduced by 58% by applying earth-air-cooling and solar photovoltaic. After optimization of the exhibition hall height, electricity consumption was approximately reduced by 65%. This research is of great value to mitigate energy consumption problems encountered in earthen relics museums and other similar environments. [ABSTRACT FROM AUTHOR]

In recent years, the demand for the protection and restoration of cultural heritage has become increasingly urgent. Particularly for paper-based cultural relics such as ancient books and paintings, their restoration is especially important due to their unique nature and susceptibility to environmental damage. Among various restoration materials, calcium hydroxide (Ca(OH)2) has been widely studied and applied in the protection of paper-based cultural relics. However, commercial Ca(OH)2 materials have issues such as a large particle size and slow carbonation. In order to address these issues, this study employed carboxymethyl cellulose (CMC) as a support, on which nano-sized Ca(OH)2 crystals were grown in situ on its surface, followed by loading with TiO2 nanoparticles, successfully preparing a multifunctional paper-based cultural relic restoration material with reinforcement, deacidification, anti-aging, and antimicrobial properties. It is worth noting that by in situ growing Ca(OH)2 on the surface of CMC, particle size control, uniform dispersion, and the fixation of Ca(OH)2 can be achieved. CMC is used to enhance the mechanical strength of the paper, Ca(OH)2 is used for deacidification, and TiO2 is used for anti-aging and antimicrobial purposes. This study provides a new approach and method for the restoration of paper-based cultural relics, simplifying traditional multi-step processes and avoiding potential impacts on the cultural relics from multiple repairs. [ABSTRACT FROM AUTHOR]

The INSPIRE project has built the largest sample of ultra-compact massive galaxies (UCMGs) at 0.1 < z < 0.4 and obtained their star formation histories (SFHs). Due to their preserved very old stellar populations, relics are the perfect systems to constrain the earliest epochs of mass assembly in the Universe and the formation of massive early-type galaxies. The goal of this work is to investigate whether a correlation exists between the degree of relicness (DoR), quantifying the fraction of stellar mass formed at z > 2, and the other stellar population parameters. We use the Full-Index-Fitting method to fit the INSPIRE spectra to single stellar population (SSP) models. This allows us to measure, for the first time, the slope of the IMF, as well as stellar metallicity [M/H], [Mg/Fe], [Ti/Fe], and [Na/Fe] ratios, and study correlations between them and the DoR. Similarly to normal-sized galaxies, UCMGs with larger stellar masses have overall higher metallicities. We found a correlation between the IMF slope and the DoR, that, however, breaks down for systems with a more extended SFH. An even stronger dependency is found between the IMF and the fraction of mass formed at high- z. At equal velocity dispersion and metallicity, galaxies with a higher DoR have a larger dwarf-to-giant ratio, i.e. a bottom heavy IMF, than that of low-DoR counterparts. This might indicate that the cosmic epoch and therefore different formation scenarios influence the fragmentation of the star formation cloud and hence might be the explanation for IMF variations detected in massive ETGs. [ABSTRACT FROM AUTHOR]

Gypsification is a common problem in weathered calcareous relics. In previous studies, the solutions of barium hydroxide in water and methanol were used as protectants for gypsification calcareous relics and showed significant differences in permeability. In this study, the underlying reasons for permeability differences between these two solutions were investigated using optical microscopy, ultraviolet–visible spectrophotometry, X-ray diffractometry, Fourier transform infrared spectroscopy, the phenolphthalein test and physical property characterizations. The results indicated that the permeability differences were primarily caused by the solutions' reactivity. Specifically, owing to the high reactivity of barium hydroxide in water, it reacted rapidly with atmospheric CO2 and gypsum (the weathering product) to generate barium carbonate, barium sulfate and calcium hydroxide precipitates. These precipitates hindered the penetration of solution into weathered relics. In contrast, barium hydroxide in methanol did not react with atmospheric CO2 or weathered relics, which also kept the solution in a liquid state during the infiltration process. Therefore, the solution of barium hydroxide in methanol exhibited high permeability. Based on the above findings, this study is meaningful for applying barium protectants in the conservation of gypsification calcareous relics. [ABSTRACT FROM AUTHOR]

An overview of the charters issued by consecrators of churches and altars in the Middle Ages in Slovenia, mainly vicars general of the Patriarch of Aquileia or other of his proxies, shows differences in sealing. It was noted that those who had the status of vicar-general sealed the records with their own seal, while those who were only suffragans and visitors sealed them with that of the patriarch. The latter, without the status of vicar-general, appeared in the imperial part of the patriarchate (a parte Imperii) only in the 1480s and eventually prevailed. The first was Pietro Carlo, bishop of Caorle on the northern Adriatic coast, who travelled through Carinthia, Carniola, and Styria south of the Drava River in 1485, 1486, and 1487. We can thus deduce that this also applied to the sealing of the relics that the consecrators placed inside the altar. Those who did not have the status of vicar-general sealed the relics with the patriarch's seal. [ABSTRACT FROM AUTHOR]

Sources need categorisation to ensure that from an overabundance of material the most relevant sources are used. Commonly, the separation between tradition and relics, or between primary and secondary sources has been used for this and was taught in history courses as well as used in bibliographies of historiographies. The use of these categorizations, however, are at least since the cultural turn controversially discussed, and their significance is questioned. The need for categorizations for the ever-growing stock of sources available to historical researchers has, nonetheless, not diminished. This article discusses different approaches to source genres, how and why it matters if they are categorized as tradition, relic, primary or secondary source. Furthermore, suggestions are offered on how the cultural and social historian may preselect their sources, what it means to categorise sources for the research questions and the possible results, and what alternatives to approaching and selecting sources could look like. Based on a discussion of historiographical works on the later Stuart period, this article will show how source genres can be used to further historical research after the cultural turns. [ABSTRACT FROM AUTHOR]

Liturgy was the perfect and unparalleled medium for public relations in the Middle Ages, and when it came to relics, it could transform any stone, bone, or a piece of wood into an object worthy of devotion. This article revolves around the activating force of the relics of Mary Magdalene in medieval France. It examines two liturgies—from Vézelay and from Saint-Maximin in Provence—honouring the saint, representing two distinct responses whose character reflects the priorities of the communities that produced them and the agendas that set them in motion. Liturgy was accorded a special role in bolstering the claims of Provence over the corporeal presence of Mary Magdalene in its midst, with liturgists adopting a more audacious and unreserved vocabulary to validate these claims over those of Vézelay. [ABSTRACT FROM AUTHOR]

The inspiration for this creative work was drawn from my participation in the annual Lopburi meritmaking ceremony at Wat Mahathat Lopburi, also known as Wat Phra Sri Rattana Mahathat, which is a significant religious site in the ancient city of Lopburi. The symbolism enshrined within the intricate architecture of the temple sparked my interest in the possibility of performing arts being used as a vehicle to protect the religious meanings and heritage of the temple. The creative process involved conducting surveys and gathering empirical evidence from Wat Phra Sri Rattana Mahathat, analyzing and categorizing the temple’s distinct patterns and stories across different eras. This interdisciplinary approach was used as a model for the eight-step creative process to produce new knowledge about the religious site. The main product of this investigation was a three-act play in traditional Thai musical style. Tableaux vivants were also created to accompany the performance. The play aimed to showcase the cultural and religious significance of the temple and promote the preservation of its unique cultural heritage. By using singing as a vehicle to protect the religious meanings and heritage of the temple, this creative work offers a unique perspective on the preservation of religious heritage and promotes the continued significance of religion in contemporary Thai society. [ABSTRACT FROM AUTHOR]

Most Udmurt living in the Bashkortostan Republic and in the Perm' region of the Russian Federation are followers of a traditional ethnic religion. In their spiritual life, a huge place is occupied by sanctuaries and other places in which their ritual practices take place, such as the worship of deities, spirits and ancestors. We can identify different types of such places in this Udmurt regional group: the sanctuary dedicated to the cult of the clan protector deities, groves dedicated to the god Lud, places dedicated to personal and family cults, sacred places of agrarian sacrifices, territories where funerary and commemorative rituals take place, places dedicated to the propitiation of evil spirits. Depending on their social status, the sanctuaries are regional or general and can be related to a family, clan, village, or multiple villages. In this article, which relies on the authors' ethnographic fieldwork and published sources, we analyse the present state of the sacred places. We show that the transformation of cultural patterns has led some types of sanctuary to cease functioning, while others have remained as relics and the places of agrarian sacrifices have undergone an active revitalisation. [ABSTRACT FROM AUTHOR]

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"Life in Early Medieval Wales" by Nancy Edwards is a comprehensive and balanced synthesis of the archaeology of late Roman and early medieval Wales. The book covers the decline of the Roman province of Britannia to the end of the Viking Age, providing insights into settlements, society, daily life, agriculture, trade, belief and ritual, power and authority, and the impact of the Vikings. While the book is a valuable resource for students and scholars, it lacks in-depth discussions on mortuary practices, linear monuments, the eleventh century, and a popular synthesis for a wider readership. [Extracted from the article]

Abstract The rise in sea levels, driven by global climate change, poses a significant threat to cultural heritage in coastal regions. Traditional risk assessment methods, focusing on direct inundation, often fail to consider the crucial impact of socio-economic factors, which are significantly vulnerable to sea level rise. To bridge this gap, this study introduces an innovative Sea Level Rise Cultural Heritage Impact Assessment Model (SLR-CHIA Model), a novel approach that integrates both land inundation and socio-economic aspects. This comprehensive model evaluates potential risks to various types of cultural heritage in coastal China, including intangible cultural heritage, relics, and traditional villages. The study’s findings are striking: (1) About 7.79% of coastal villages, 53.94% of relics, and 2.53% of intangible cultural heritage are potentially at high risk in a 100-year sea level rise event; (2) Relics in the Eastern coast and villages in the Southern coast are most vulnerable; (3) Different types of cultural heritage rely on diverse principal factors for protection, resulting in varied risk levels under sea level rise conditions. The SLR-CHIA Model provides a vital methodological framework for evaluating cultural heritage risks in other global regions.

Ancient glass products have suffered from the baptism of time and experienced changes in the burial environment and weathering, resulting in a change in the proportions of their chemical composition and interfering with their accurate identification by later generations. In this paper, the chemical composition of ancient glass products is predicted and identified. First, the multivariate statistical ANOVA test is applied to explore the relationship between whether the cultural relics samples are weathered or not and the glass type, decoration, and color to derive a law of chemical composition of the cultural relics and to analyze the correlation and difference among the four factors. Second, compared with the relevant data of the existing glass products, the missing values are processed by using the method of filling in the plurality. The weathering condition of the sampling points of the samples whose surfaces are not weathered is judged by the "distance discrimination method." Combined with the characteristics of the lead-barium glass and the high-potassium glass, the law of the chemical composition content on the surface of the samples, weathered or not, is explored. The modeling of the gray prediction method was applied again to predict the chemical composition content before weathering. Finally, the generalized Shapley function of fuzzy measurement was used to analyze the correlation between indicators and the chemical compositions and their differences. The scheme proposed in this paper can solve the difficult problem of category judgment in archeology, which is of great significance in promoting the smooth progress of archaeological work. [ABSTRACT FROM AUTHOR]

Salt efflorescence is one of the critical problems for the preservation of immovable silicate relics. Salt efflorescence mainly comes from continuous cycles of crystallization/dissolution or hydration/dehydration of salts in confined pores in silicate relics. Many protocols have been developed in attempts to alleviate possible salt damages with minor success because of endless water and salt feed from underground. In this study, we propose and design a novel technique for salt damage prevention and protection of immovable relics. Materials with higher water-absorbing ability than matrix are applied to control the water and salt migration direction in simulated sand samples. The distribution of moisture content on the surface of sand is followed by hyperspectral imaging. It appears that water and salt molecules will preferentially transport towards positions containing higher water-absorbing material. Both organic and inorganic high water-absorbing materials show effective in controlling the water and salt migration direction, which provides a new approach for the prevention and protection of salt efflorescence in silicate cultural relics. [ABSTRACT FROM AUTHOR]

Purpose: Paper-based artifacts hold significant cultural and social values. However, paper is intrinsically fragile to microorganisms, such as mold, due to its cellulose composition, which can serve as a microorganisms' nutrient source. Mold not only can damage papers' structural integrity and pose significant challenges to conservation works but also may subject individuals attending the contaminated artifacts to health risks. Current approaches for strain identification usually require extensive training, prolonged time for analysis, expensive operation costs, and higher risks of secondary damage due to sampling. Thus, in current conservation practices with mold-contaminated artifacts, little pre-screening or strain identification was performed before mold removal, and the cleaning techniques are usually broad-spectrum rather than strain-specific. With deep learning showing promising applications across various domains, this study investigated the feasibility of using a convolutional neural network (CNN) for fast in-situ recognition and classification of mold on paper. Methods: Molds were first non-invasively sampled from ancient Xuan Paper-based Chinese books from the Qing and Ming dynasties. Strains were identified using molecular biology methods and the four most prevalent strains were inoculated on Xuan paper to create mockups for image collection. Microscopic images of the molds as well as their stains situated on paper were collected using a compound microscope and commercial microscope lens for cell phone cameras, which were then used for training CNN models with a transfer learning scheme to perform the classification of mold. To enable involvement and contribution from the research community, a web interface that actuates the process while providing interactive features for users to learn about the information of the classified strain was constructed. Moreover, a feedback functionality in the web interface was embedded for catching potential classification errors, adding additional training images, or introducing new strains, all to refine the generalizability and robustness of the model. Results & Conclusion: In the study, we have constructed a suite of high-confidence classification CNN models for the diagnostic process for mold contamination in conservation. At the same time, a web interface was constructed that allows recurrently refining the model with human feedback through engaging the research community. Overall, the proposed framework opens new avenues for effective and timely identification of mold, thus enabling proactive and targeted mold remediation strategies in conservation. [ABSTRACT FROM AUTHOR]

Hariulf’s History of St Riquier is usually consulted for detail on liturgical, architectural and political history, but is rarely considered in its entirety. It was written in the changing and competitive world of the late eleventh century, when there were challenges for established communities, both in terms of innovative approaches to monasticism and the emergence of new political entities and potential patrons. In the past that Hariulf creates St Riquier had been the focal point of Ponthieu for generations and had stood the test of time as the conduit of royal patronage and liberality, symbolised by its great Carolingian church built by Abbot Angilbert. It remained, in Hariulf’s view, a centre of monastic excellence, whose abbots responded to and practised contemporary spirituality, and it had adopted strategies to strengthen its position, including care for its patrimony, securing new relics and memorialising its past. [ABSTRACT FROM AUTHOR]