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21 results on '"Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING"'

1. ‘Donna regale in auree scene t'apre il mondo in teatro': Maria Camilla Pallavicini Rospigliosi and Opera in Rome at the End of the Seventeenth Century

Author

Nestola, Barbara, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS), Consolidator Grant de l’European Research Council, Anne-Madeleine Goulet, Michela Berti, European Project: 681415,PERFORMART, Nestola, Barbara, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, Arcadia, Academism, Patronage of music, Opera librettos, Italian Opera
Abstract

International audience; In 1670, the marriage between Giovanni Battista Rospigliosi, nephew of Pope Clemente IX, and Maria Camilla Pallavicini, of Genoese origin, ratified the creation of a new dynasty: the house of Rospigliosi-Pallavicini. Both husband and wife were descended from non-Roman families; together they worked hard to consolidate their social advancement. Both were cultured, avid art collectors and music patrons; each cultivated individual interests and tastes. The Duchess Rospigliosi, in particular, made a name for herself at the beginning of the 1690s through the promotion of a series of operas in the theatre of the Palazzo al Quirinale, where the new family resided. This essay analyses various types of sources, such as chronicles, avvisi (manuscript newsletters), librettos, and celebratory poems related to these events, with two main goals: to reconstruct the network of literati, artists, and musicians who gravitated around the Rospigliosi, and to uncover the ways in which the Duchess successfully made herself visible on the Roman ‘stage’ at the end of the seventeenth century.

Published
2023

2. Rapport sur la thèse de Gloria Giordano, «Danzare nella Roma aristocratica tra Sei e Settecento. Tecniche e stili attraverso la documentazione del Seminario Romano e degli archivi familiari», soutenue à l’université de Tours le 2 juin 2022

Author

Goulet, Anne-Madeleine, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS), CNRS - Centre National de la Recherche Scientifique, European Project: 681415,PERFORMART, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, [SHS.HIST] Humanities and Social Sciences/History, Danse baroque, Collège d'Ancien Régime, [SHS.HIST]Humanities and Social Sciences/History, Rome -- Italie
Published
2022

3. Final Reporting - PERFORMART (Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Family Archives to the History of Performing Arts

Author

Goulet, Anne-Madeleine, Goulet, Anne-Madeleine, Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS), ERC, CNRS-INSHS, and European Project: 681415,PERFORMART

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts
Published
2022

4. Noble Magnificence: Cultures of the Performing Arts in Rome, 1644-1740

Author

Anne-Madeleine Goulet, Michela Berti, Orsetta Baroncelli, Diana Blichmann, Teresa Chirico, Émilie Corswarem, Valeria De Lucca, José María Domínguez, Gloria Giordano, Chiara Pelliccia, Antonella Fabriani Rojas, Cristina Fernandes, Irene Fosi, Natalia Gozzano, Manuela Grillo, Letizia Leli, Sarah Malfatti, Benoît Maréchaux, Margaret Murata, Giulia Veneziano, Barbara Nestola, Alexandra Nigito, Elodie Oriol, Valentina Panzanaro, Maurizio Pegrari, Aldo Roma, Marco Cavietti, Sara Elisa Stangalino, Huub van Der Linden, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS), Accademia Nazionale di Santa Cecilia [Rome], Université de Liège, University of Southampton, Southampton, University of Southampton, Universidad Complutense de Madrid = Complutense University of Madrid [Madrid] (UCM), Accademia Nazionale di Danza (AND), Conservatorio di musica 'Nicola Sala' di Benevento, Universidade Nova de Lisboa = NOVA University Lisbon (NOVA), Università degli studi 'G. d'Annunzio' Chieti-Pescara [Chieti-Pescara], Università degli Studi di Roma 'La Sapienza' = Sapienza University [Rome] (UNIROMA), Accademia dell'Arcadia, Conservatorio di Musica 'San Pietro a Majella' - Napoli, University of Brescia, Ecole française de Rome (EFR), Direzione generale Archivi (DGA), Università degli Studi dell'Aquila = University of L'Aquila (UNIVAQ), Vendrix, Philippe, European Project: 681415,PERFORMART, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts
Abstract

International audience

Published
2022

5. The celebration od the Crown of France in Rome in the 17th century

Author

Goulet, Anne-Madeleine, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts
Published
2022

6. Texte de présentation pour la pochette du disque «Pasquini - L’ombra di Solimano - Cantatas for Bass and Continuo» enregistré par la Cappella Tiberina dans le cadre du programme ERC PerformArt

Author

Goulet, Anne-Madeleine, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts
Published
2022

7. Arti della diplomazia/diplomazia delle arti

Author

Goulet, Anne-Madeleine, Di Bella, Sarah, Goulet, Anne-Madeleine, Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING, Tatti, Silvia, Fedi, Francesca, Sabbatini, Renzo, and Tongiorgi, Duccio

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.HIST] Humanities and Social Sciences/History, History of Arts, Rome -- Italie, Diplomacy
Published
2022

8. I ruoli femminili per Bartolomeo Montalcino in due opere romane di Alessandro Scarlatti

Author

Nestola, Barbara, Nestola, Barbara, Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING, Anne-Madeleine Goulet, Elodie Oriol, and José-Maria Dominguez Rodriguez

Subjects
Patronage artistique, [SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, Opéra italien du XVIIe siècle, Emploi théâtral, Chanteurs italiens, Chanteurs professionnels
Abstract

This contribution considers the question of cross-casting, the practice of casting actors or singers as characters of the opposite sex, a distinctive element of seventeenth- and eighteenth-century Roman opera. It will focus in particular on two operas by Alessandro Scarlatti: Il Pompeo (1683), sponsored by Lorenzo Onofrio Colonna, and La Statira (1690), sponsored by Cardinal Pietro Ottoboni. These operas featured the contralto Bartolomeo Monaci, also known as Montalcino, in the roles of seconda and prima donna, respectively. Montalcino’s parts are analysed using the notion of the role, understood here as the convergence between the skillset of the performer (vocality, eloquence, physiognomy, acting skills) and the part intended for him.Text available online: https://books.openedition.org/efr/17607, Il contributo tratta la questione del cross-casting, espressione che designa la pratica di far interpretare ad attori o cantanti personaggi di sesso opposto, ed elemento distintivo dell’opera romana del Sei e Settecento, in due opere di Alessandro Scarlatti: Il Pompeo (1683) e La Statira (1690), l’una patrocinata da Lorenzo Onofrio Colonna e l’altra dal cardinale Pietro Ottoboni. Il contralto Bartolomeo Monaci, detto Montalcino, vi interpretò rispettivamente le parti di seconda e prima donna. Queste ultime sono analizzate alla luce della nozione del ruolo, inteso come convergenza tra l’insieme delle capacità dell’interprete (vocalità, eloquenza, fisionomia, capacità attoriali) e la parte che gli è destinata.Testo integrale : https://books.openedition.org/efr/17607

Published
2021

9. La política entre los fastos: reflexiones sobre una visita de la duquesa de Bracciano a Nápoles en 1686

Author

Domínguez, José María, Goulet, Anne-Madeleine, Goulet, Anne-Madeleine, Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS), and European Project: 681415,PERFORMART

Subjects
[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, Politics, Sociability, [SHS.SCIPO]Humanities and Social Sciences/Political science, [SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, Cantatas, Entertainment, [SHS.HIST] Humanities and Social Sciences/History, Visit, Naples, [SHS.HIST]Humanities and Social Sciences/History, [SHS.SCIPO] Humanities and Social Sciences/Political science, Music, Diplomacy
Abstract

In the modern era, visits by nobles from one court to another were privileged moments of contact between nationals of all sides. For a long time, the history of relations between states focused on the role of ambassadors and diplomats. The visit of Marie-Anne de la Trémoille, Duchess of Bracciano and future Princess des Ursins, to the vicekingdom of Naples, ruled by the marquis del Carpio, in June 1686 provides an excellent case study for grasping the complexity of the personal, political, legal and aesthetic issues involved in an event of this kind. Characteristic of the practices of sociability that took place during such receptions, music (and in particular cantatas in Spanish by Alessandro Scarlatti, documented here for the first time) appears to be a major component of the political reality and civility of court society., Durante la Edad Moderna, las visitas entre nobles de distintas cortes constituyeron uno de los momentos privilegiados de contacto entre los miembros de cada ‘nación’. Desde hace tiempo, la historia de las relaciones entre los estados se ha centrado en el papel de los embajadores y de los diplomáticos. La estancia de Marie-Anne de la Trémoille, duquesa de Bracciano y futura princesa de los Ursinos en la ciudad de Nápoles en junio de 1686, cuando el virreinato estaba ocupado por el marqués del Carpio, constituye un caso de estudio representativo donde entran en juego, más allá de las apariencias, complejas cuestiones políticas, jurídicas, ceremoniales y estéticas. Característica de las prácticas de sociabilidad que eran habituales en estos encuentros, la música (y en particular unas cantatas en español de Alessandro Scarlatti documentadas aquí por primera vez) se presenta como un componente esencial de la realidad política y la civilización de la sociedad cortesana.

Published
2021

10. Programme PerformArt. Cinq années d’enquête interdisciplinaires sur les arts du spectacle dans les archives des familles aristocratiques romaines (2016-2021)

Author

Goulet, Anne-Madeleine, Berti, Michela, Goulet, Anne-Madeleine, Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING, École française de Rome, and Séverin Duc

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS] Humanities and Social Sciences
Published
2020

11. Magnificence, Power, and Private Finance in the Seventeenth Century

Author

Goulet, Anne-Madeleine, Goulet, Anne-Madeleine, Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING, Stijn Bussels, and Gijs Versteegen

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, ComputingMilieux_MISCELLANEOUS
Abstract

In the second half of the seventeenth century, many of the great Roman aristocratic families regularly organised magnificent performances requiring significant financial investment despite these families’ serious economic difficulties. By concentrating on the artistic performances organized by Flavio Orsini, Duke of Bracciano and the main representative of the francophile noble circle in Rome, and his wife Marie-Anne de La Trémoille (known to posterity as Princess des Ursins), this essay provides an overview of the economic difficulties facing the couple in the Duke’s native city, and contextualises these difficulties within the framework of transnational relations on a European scale, ultimately demonstrating that the Franco-Roman magnificence advocated by the Dukes of Bracciano was an effective strategy.

Published
2020

12. Un outil pour étudier les spectacles de l’Ancien Régime: la base de données PerformArt

Author

Goulet, Anne-Madeleine, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS), CONSOLIDATOR GRANT DE L'EUROPEAN RESEARCH COUNCIL, European Project: 681415,PERFORMART, Ministère de la Culture et de la Communication (MCC)-Université de Tours-Centre National de la Recherche Scientifique (CNRS), Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, MESH: archives, MESH: Rome, MESH: mécénat
Abstract

The collective and interdisciplinary research programme PerformArt (ERC Consolidator Grant), directed by Anne-Madeleine Goulet from 2016 to 2021, aims to write a history of the performing arts in Rome in the 17th and 18th centuries, based on the archives of aristocratic families. The present contribution consists of a feedback on the digital part of the project during the first three years of its existence and, in particular, on the choices that presided over the construction of the database, which organises and links all the information gathered by the team. This presentation provides the material for some thoughts on the transformation of very diverse writings into "data" and the considerable implications that such a process has on the history of the performing arts., Le programme de recherche collectif et interdisciplinaire PerformArt (Consolidator Grant de l’ERC), dirigé par Anne-Madeleine Goulet de 2016 à 2021, vise à écrire une histoire des arts du spectacle à Rome au XVIIe et au XVIIIe siècle à partir des archives des familles aristocratiques. La présente contribution consiste en un retour d’expérience sur le volet numérique du projet durant les trois premières années de son existence et, en particulier, sur les choix qui ont présidé à la construction de la base de données, laquelle ordonne et met en relation toutes les informations rassemblées par l’équipe. L’exposé fournit la matière à une réflexion sur la transformation d’écrits très divers en «données» et aux conséquences notables qu’un tel processus engendre sur l’histoire des arts du spectacle.

Published
2020

13. Compagnie di cantanti e sistemi di produzione a Roma a fine Seicento: qualche riflessione

Author

Nestola, Barbara, Nestola, Barbara, Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours-Centre National de la Recherche Scientifique (CNRS), European Project: 681415,PERFORMART, and Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS)

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2019

14. Magnificence and Issues of Power in 17th Century

Author

Goulet, Anne-Madeleine, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, Aristotle, aristocratic economy, Versailles, Rome, aristocracy, sumptuary expenditures, performing arts, magnificence
Abstract

Magnificence, from virtue that it was for Aristotle, which inspired generous deeds for the common good, became, in the seventeenth century, an imperative for a whole set of men and women across Europe: the aristocrats. Whether in Paris, Versailles, or Rome, the courts gave themselves to be seen and admired by ostensible expenses and acts displaying this magnificence, whether through the commissioning of spectacles, the construction of palaces or by sending precious gifts. We will focus here on the combined action of Flavio Orsini, Duke of Bracciano, the main representative of the Francophile party in Rome, and his wife, Marie-Anne de La Trémoille, known to posterity as Princess des Ursins. Through the mechanics of spending promoted at the level of a true ethic, the Franco-Roman magnificence they advocated was an effective form of action, aesthetically, politically and socially. The aim was to exhibit, under the apparent gratuitousness of the sumptuary expenditures, the pre-eminence of a family, that of the Orsini, who had for a long time supported the crown of France. By setting side by side the action of the Duke of Bracciano and that of his wife, we shall consider the means that were put in place to implement this magnificence as well as the strategy used to bring it to a successful conclusion. We shall explore in particular the artistic performances they organized, meant to shape their aesthetic and social image and to achieve a single goal: to gather around them, in their homes, renowned artists along with a huge number of spectators in order to promote the political sympathies of the family.

Published
2019

15. Pour une histoire renouvelée des arts du spectacle à Rome au XVIIe et au XVIIIe siècle, à partir des archives familiales aristocratiques

Author

Goulet, Anne-Madeleine, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS), Consolidator Grant de l’European Research Council, Marie Gaille (InSHS du CNRS), Astrid Brandt-Grau (Ministère de la Culture), European Project: 681415,PERFORMART, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, Archives accessibility, Archives chorégraphiques, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, XVIIe -XVIIIe s, Spectacle musical, Arts du spectacle -- Histoire, Spectacles -- Rome, Archives comme pratique, Archives collectives, Histoire de la famille, ComputingMilieux_MISCELLANEOUS, Archives courantes
Abstract

National audience

Published
2018

16. Conférence plénière de présentation du programme de recherche ERC PERFORMART

Author

Goulet, Anne-Madeleine, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS), European Research Council, Universitat Pompeu Fabra de Barcelone, European Project: 681415,PERFORMART, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2018

17. Mercure galant : presentazione del thesaurus

Author

Berton-Blivet, Nathalie, Institut de Recherche en Musicologie (IReMus), Bibliothèque nationale de France (BnF)-Ministère de la Culture et de la Communication (MCC)-Sorbonne Université (SU)-Centre National de la Recherche Scientifique (CNRS), Michela Berti, Marco Cavietti, European Project: 681415,PERFORMART, Berton-Blivet, Nathalie, Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING, and Bibliothèque nationale de France (BnF)-Sorbonne Université (SU)-Centre National de la Recherche Scientifique (CNRS)-Ministère de la Culture (MC)

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2018

18. Introduction générale

Author

Goulet, Anne-Madeleine, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, ComputingMilieux_MISCELLANEOUS
Published
2018

19. «De Paris à Rome. Musique et galanterie au XVIIe siècle». Invitée, en compagnie de l’ensemble Faenza, de l’émission «Un air d’histoire» de Karine Le Bail sur France Musique

Author

Goulet, Anne-Madeleine, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts
Published
2017

21. « Il Concerto madrigalesco di Ercole Bernabei (1669) »

Author

Goulet, Anne-Madeleine, Goulet, Anne-Madeleine, and Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Families’ Archives to the History of Performing Arts - PERFORMART - 681415 - INCOMING

Subjects
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts, Rome, mécénat, musique, madrigal, contrepoint, Orsini
Published
2016

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