449 results on '"Phillips, Ruth B"'
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2. Index
3. Contributors
4. Color Plates
5. Bibliography
6. 12. Constellations and Coordinates: Repositioning Postwar Paris in Stories of African Modernisms
7. Part II. Modern Identities
8. 11. Falling into the World: The Global Art World of Aloi Pilioko and Nicolai Michoutouchkine
9. 13. Conditions of Engagement: Mobility, Modernism, and Modernity in the Art of Sydney Kumalo and Jackson Hlungwani
10. 14. The Modernist Lens of Lutterodt Studios
11. 9. Natural Synthesis: Art, Theory, and the Politics of Decolonization in Mid-Twentieth-Century Nigeria
12. 10. Being Modern, Becoming Native: George Morrison's Surrealist Journey Home
13. 5. Modernism on Display: Negotiating Value in Exhibitions of Maori Art, 1958-1973
14. 7. Modernism and the Art of Albert Namatjira
15. 8. Cape Dorset Cosmopolitans: Making Local Prints in Global Modernity
16. Part III. Modern Mobilities
17. 6. Artist of PNG: Mathias Kauage and Melanesian Modernism
18. 3. Making Pictures on Baskets: Modern Indian Painting in an Expanded Field
19. 4. An Intersection: Bill Reid, Henry Speck, and the Mapping of Modern Northwest Coast Art
20. Introduction. Inside Modernity: Indigeneity, Coloniality, Modernisms
21. List of Illustrations
22. 2. Hooked Forever on Primitive Peoples: James Houston and the Transformation of Eskimo Handicrafts to Inuit Art
23. 1. Reinventing Zulu Tradition: The Modernism of Zizwezenyanga Qwabe's Figurative Relief Panels
24. Preface
25. Part I. Modern Values
26. General Editors' Foreword
27. Jasper Grant and Edward Walsh: The Gentleman-Soldier as Early Collector of Great Lakes Indian Art
28. Re-placing Objects: Historical Practices for the Second Museum Age
29. Indigenous art
30. “For We Have Waited a Hundred Thousand Years”
31. SHELL SUITS: Belts made of wampum beads are artefacts with a long- and Living--history in North America: as a record of past agreements and a promise of their continuing force, their meanings are constantly reactivated and renewed
32. PREFACE
33. INTRODUCTION: INSIDE MODERNITY
34. GENERAL EDITORS’ FOREWORD
35. Contesting Time, Place, and Nation in the First Peoples’ Hall of the Canadian Museum of Civilization
36. A Questionnaire on Monuments
37. Introduction
38. Double Take: Contesting Time, Place, and Nation in the First Peoples Hall of the Canadian Museum of Civilization
39. Rainbow Trout (Oncorhynchus mykiss) of Idaho and Alaskan Origin (2n = 58) Share a Chromosome Fusion Relative to Trout of California Origin (2n = 60)
40. Discovery of a Unique Ig Heavy-Chain Isotype (IgT) in Rainbow Trout: Implications for a Distinctive B Cell Developmental Pathway in Teleost Fish
41. Inclusivity or Sovereignty? Native American Arts in the Gallery and the Museum since 1992
42. Characterization of a White Bass (Morone chrysops) Embryonic Cell Line with Epithelial Features
43. Our (Museum) World Turned Upside Down: Re-presenting Native American Arts
44. Where Is ‘Africa’? Re-Viewing Art and Artifact in the Age of Globalization
45. Recovering (from) Tradition
46. Swings and roundabouts: pluralism and the politics of change in Canada’s national museums
47. Phylogenetic Analysis of Mitochondrial and Nuclear Sequences Supports Inclusion of Acantholingua ohridana in the Genus Salmo
48. Introducing the multiple modernisms project
49. Between Rocks and Hard Places : Indigenous Lands, Settler Art Histories, and the ‘Battle for the Woodlands’
50. Swings and roundabouts
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