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Since late 2009 Thailand has been experiencing a surge in large-scale deployment of solar power. Over 3 GW of solar power plants have been proposed to the national electricity authorities under the concessional power tariff, equivalent to approximately 10% of current installed national power generation capacity. Operating solar plants to date mainly use ‘flat-plate collector’ photovoltaic panels. However, a significant majority of the new proposed plants are based on various concentrating solar thermo-electric power technologies, where moving reflective collector surfaces concentrate the direct component of sunlight onto a thermal receiver, for subsequent conversion of heat to electric power. This briefing article compares key solar technology types for application in climates similar to Thailand, including consideration of newly commercial technologies.

This paper discusses the process of introducing, developing and sustaining an art intervention into a clinical environment (hospital community), and integrating it with a clinical trial being conducted to evaluate its effect on patients. Three key issues needed to be addressed in this process. The first of these was how to implement an artwork in the clinical environment that was accountable in terms that were familiar to the art world and the medical community. The second was how to implement an artwork, which allowed the patient to be the arbiter of their own aesthetic experience and to keep them at the center of the experience in general. The third issue centered on the creation of an artwork that may have a clinically significant impact on the patient. With this in mind, the artist /curator developed a framework that facilitated the introduction of an art intervention into a clinical setting that addressed all three issues successfully. This framework can be regarded as a model for introducing art into any type of health care community context. It brings together the world of art and health care in a way that is accountable, inclusive and above all patient-centered. This approach is contextualized by the emerging dialogue between a post-modern art practice, which has its foundations in both relational and dialogical aesthetics, and the modernist praxis of an Irish teaching hospital.