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This article intends to carry out a comparative analysis between the nouvelles Nadie muere del todo en Praga (2002) by Susana Tampieri and El hijo judío (2018) by Daniel Guebel with the purpose of investigating whether their respective constructions on the Prague author and the ideas related to his work can reflect eventual changes in the reception of the figure of Franz Kafka in Argentina. [ABSTRACT FROM AUTHOR]

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Copyright of Ars & Humanitas is the property of Ars & Humanitas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)