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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Pensar em uma história das mulheres é também pensar que a maternidade tem uma história própria, com aspectos sociais específicos. O presente estudo busca abordar questões da maternidade como direito e política dentro de duas ondas do feminismo: a primeira e a quarta. Por meio de experiências e conceitos, procurou-se analisar através uma pesquisa bibliográfica e historiográfica, algumas percepções centradas no debate feminista, analisando principalmente, a questão de ser mulher e mãe. A quarta onda trará o debate de um feminismo específico para mães, denominado matricêntrico, para o centro das questões feministas. Já na primeira onda, praticamente um século antes, apesar de não ter um feminismo centrado para as mães, o assunto maternidade não estava descartado de suas narrativas, vivências pessoais e lutas públicas, pois o fato de ser mãe era encarado de forma biologizante. Comparando-a podemos encontrar na maternidade um campo político para as mulheres sobretudo no tempo presente.

Copyright of Ciência & Trópico (03042685) is the property of Fundacao Joaquim Nabuco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The field of cultural/literary studies focuses on the identification of the phenomena responsible for the marginalization / subalternization of the subjects. Thus, the analysis of the waves of the feminist movement through the eyes of literature makes possible a greater approximation of society to the facts that have occurred and occur in the world, in order that the fight against inequality and patriarchalism perpetuate and become an increasingly tangible reality. It is the purpose of this article to contextualize the feminist waves through the analysis of two stories: "The Yellow Wallpaper" by author Charlotte Perkins Gilman, originally published in 1892 and "Woman Hollering Creek" by Sandra Cisneros, published in 1991. For this, we base this research mainly on the works of Pinto (2010), Devereux (2014), Anzaldua (1987), Bittencourt (2015), Walter (2015) and Saffioti (1986) and we realize that the almost 100 years that separate the two histories were marked by various achievements of the feminist agenda. Through the waves it became possible to study systematically the movement against oppression experienced by women and to situate literature as means of illustrating this path. Since "The Yellow Wallpaper" and "Woman Hollering Creek" well represent the two moments and speeches of the first and third waves respectively. [ABSTRACT FROM AUTHOR]