167 results on '"Nayar, Sheila J."'
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2. Arms or the Man I: Gunpowder Technology and the Early Modern Romance
3. The Enslaved Narrative: White Overseers and the Ambiguity of the Story-Told Self in Early African-American Autobiography
4. 22. . . . Reaching Unlettered Audiences: On Global Blockbuster Cinema and Its Oral Affinities
5. . . . Reaching Unlettered Audiences
6. Historicizing Adaptation: The Age of Innocence in the Context of 1930s Hollywood
7. From Petrarch to Bacon, Technécology Style: Introduction
8. Technological Inter-Animation, Writ Large: Conclusion
9. Plebeian Presence in the Age of Gunpowder
10. The Literary Erotics of Print and Misprint
11. Space, Place, and Literary Self-Projection
12. Renegotiating the World by Compass and Card
13. The Golden Age of Chivalry in the Iron Age of Gunpowder
14. From Print Error to Human Errancy in Print
15. Humanism and Film
16. Historicizing Adaptation: The Age of Innocence in the Context of 1930s Hollywood
17. Invisible Representation: The Oral Contours of a National Popular Cinema
18. Ancestors and alienation
19. Myth and the mythical, epic and the epical
20. “And this happened … and then this … and then …”
21. [[Boxes] within boxes] within boxes
22. But there is always a but …
23. Alienation and participation
24. A beginning with no definitive beginning
25. The story behind Before Literature
26. Blood and guts
27. The absence of irony, the pleasure of parody
28. Beginning in medias res
29. Before Literature
30. Superhuman vessels
31. In defense of clichés and the formulaic (yes, really!)
32. Denaturalizing literacy
33. Epic examples of episodic epics
34. Do intellectuals suffer from alphabetically literate elitism?
35. Lists, lists, and more lists
36. Violence + veneration = a polarized world
37. The agon of audiences—but, even more, of actors
38. When exteriority is not a bad thing
39. Ending anti-in medias res—and pro-status quo
40. Flashbacks, masala style
41. Why prelit matters
42. The acoustic landscape
43. Is antipsychological necessarily unreal?
44. A digression on the “once upon a time…” of Star Wars
45. Is there an oral chronosense?
46. Repeat, recycle—and repeat (and recycle)
47. But, what of art? What of aesthetics?
48. Animating abstract knowledge
49. Existence without inscription
50. Whence the “traditional”?
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